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The BetterPhoto Guide to Creative Digital Photography: Learn to Master Composition, Color, and Design
by Jim Miotke Kerry DragerMaster composition and design to take your photos from okay to wow You already own the most important photography tool--your creative eye. With this book, you'll learn how classic design and composition principles can be applied to a wide range of photographic situations to create images with impact. Jim Miotke and Kerry Drager, both veteran photographers and experienced instructors, share time-tested design guidelines, composition techniques, even tips on when to break the rules, that will transform the way you make photographs.From the Trade Paperback edition.
The BetterPhoto Guide to Digital Nature Photography
by Jim MiotkeFrom the tiniest ladybug to a towering glacier, from a horse running in a field to a leaf falling slowly from a tree, nature subjects offer some of the greatest challenges and the greatest rewards to photographers. In the BetterPhoto tradition, here's a complete photo course in a book. Hands-on lessons cover every aspect of digital nature photography, from buying the right camera for close-ups, landscapes, and movement, to understanding how the camera works, to taking great pictures. Author Jim Miotke uses straightforward text and inspiring yet informative photos to show the best ways to approach nature photography. Everything a beginner or intermediate photographer needs to know is here, including a buyer's guide, full information on camera features, file formats and settings, exposure, low-light photography, filters and white balance, composition and lens choice, creative ideas, manipulating, and printing, along with a glossary and list of useful websites. The Better Photo Guide to Digital Nature Photography helps photographers everywhere get great photos in the great outdoors.From the Trade Paperback edition.
The BetterPhoto Guide to Digital Photography: Learn To Master Composition, Color, And Design (Amphoto Guide Ser.)
by Jim MiotkePhotographer Miotke provides a comprehensive and practical introduction to the artistic and technical aspects of digital photography. Written in a clear, friendly tone, and filled with over 200 color illustrations, this guide begins with an introduction to different kinds of digital cameras and lenses. Further chapters provide technical information on file formats, memory, resolution, exposure, depth of field, digital zooms, as well as guidance on what to photograph, cropping, composition, and the use of graphic elements such as line, shape, pattern, and framing. The volume concludes with a glossary, digital camera buyer's guide, and brief notes on software and printing. Annotation ©2005 Book News, Inc. , Portland, OR (booknews. com)
The BetterPhoto Guide to Exposure
by Sean ArbabiExposure. It's essential to producing high-quality photographs, but mastering exposure is difficult. At last there's a BetterPhoto guide to exposure, packed with BetterPhoto's signature assignments, diagrams, tips, and illustrations. It's like a full-scale photography course between the covers of the book-all taught the BetterPhoto way, just like photographers learn at the top photography-instruction site on the web. There's plenty of information here on both digital and film photography, discussing how different file formats affect exposure, how to adjust digital files, color correction, combining digital exposures, and much more. The author's stunning full-color photographs make this hardworking guide as inspiring as it is instructive.From the Trade Paperback edition.
The BetterPhoto Guide to Photographing Children
by Jim MiotkeStart taking pictures that are just as cute as they are!Part of the popular BetterPhoto series, this book shows photographers how to get great shots of children of all ages, under any conditions, and with any subject. Learn how to use light, composition, and exposure to help improve photographs, how to capture a moving target and how to develop rapport with even the shyest or most rambunctious child.From the Trade Paperback edition.
The BetterPhoto Guide to Photographing Light: Learn to Capture Stunning Light in any Situation
by Jim Miotke Kerry DragerLearn how light can breathe new life into your photos Do you take too many snapshots and not enough "wow" shots? If so, you may be spending more time thinking about your subjects than thinking about the light. In The BetterPhoto Guide to Light, veteran photography instructors Jim Miotke and Kerry Drager help amateur shooters of all levels master this basic ingredient of compelling photography. You'll learn how to identify the best light, fix common lighting problems, and, most important, take stunning photos with whatever light you have. Full of image examples, hands-on assignments, and proven techniques, this book will show you how to expand your vision and take your photography to the next level.
Between Art and Anthropology: Contemporary Ethnographic Practice
by Arnd Schneider; Christopher WrightBetween Art and Anthropology provides new and challenging arguments for considering contemporary art and anthropology in terms of fieldwork practice. Artists and anthropologists share a set of common practices that raise similar ethical issues, which the authors explore in depth for the first time. The book presents a strong argument for encouraging artists and anthropologists to learn directly from each other's practices 'in the field'. It goes beyond the so-called 'ethnographic turn' of much contemporary art and the 'crisis of representation' in anthropology, in productively exploring the implications of the new anthropology of the senses, and ethical issues, for future art-anthropology collaborations. The contributors to this exciting volume consider the work of artists such as Joseph Beuys, Suzanne Lacy, Marcus Coates, Cameron Jamie, and Mohini Chandra. With cutting-edge essays from a range of key thinkers such as acclaimed art critic Lucy R. Lippard, and distinguished anthropologists George E. Marcus and Steve Feld, Between Art and Anthropology will be essential reading for students, artists and scholars across a number of fields.
Between Art and Artifact: Archaeological Replicas and Cultural Production in Oaxaca, Mexico
by Ronda L. BrulotteOaxaca is internationally renowned for its marketplaces and archaeological sites where tourists can buy inexpensive folk art, including replicas of archaeological treasures. Archaeologists, art historians, and museum professionals sometimes discredit this trade in "fakes" that occasionally make their way to the auction block as antiquities. Others argue that these souvenirs represent a long cultural tradition of woodcarving or clay sculpting and are "genuine" artifacts of artisanal practices that have been passed from generation to generation, allowing community members to preserve their cultural practices and make a living. Exploring the intriguing question of authenticity and its relationship to cultural forms in Oaxaca and throughout southern Mexico, Between Art and Artifact confronts an important issue that has implications well beyond the commercial realm. Demonstrating that identity politics lies at the heart of the controversy, Ronda Brulotte provides a nuanced inquiry into what it means to present "authentic" cultural production in a state where indigenous ethnicity is part of an awkward social and racial classification system. Emphasizing the world-famous woodcarvers of Arrazola and the replica purveyors who come from the same community, Brulotte presents the ironies of an ideology that extols regional identity but shuns its artifacts as "forgeries. " Her work makes us question the authority of archaeological discourse in the face of local communities who may often see things differently. A departure from the dialogue that seeks to prove or disprove "authenticity," Between Art and Artifact reveals itself as a commentary on the arguments themselves, and what the controversy can teach us about our shifting definitions of authority and authorship.
Between Constantinople and Rome: An Illuminated Byzantine Gospel Book (Paris gr. 54) and the Union of Churches
by Kathleen MaxwellThis is a study of the artistic and political context that led to the production of a truly exceptional Byzantine illustrated manuscript. Paris, Bibliothèque Nationale de France, codex grec 54 is one of the most ambitious and complex manuscripts produced during the Byzantine era. This thirteenth-century Greek and Latin Gospel book features full-page evangelist portraits, an extensive narrative cycle, and unique polychromatic texts. However, it has never been the subject of a comprehensive study and the circumstances of its commission are unknown. In this book Kathleen Maxwell addresses the following questions: what circumstances led to the creation of Paris 54? Who commissioned it and for what purpose? How was a deluxe manuscript such as this produced? Why was it left unfinished? How does it relate to other Byzantine illustrated Gospel books? Paris 54's innovations are a testament to the extraordinary circumstances of its commission. Maxwell's multi-disciplinary approach includes codicological and paleographical evidence together with New Testament textual criticism, artistic and historical analysis. She concludes that Paris 54 was never intended to copy any other manuscript. Rather, it was designed to eclipse its contemporaries and to physically embody a new relationship between Constantinople and the Latin West, as envisioned by its patron. Analysis of Paris 54's texts and miniature cycle indicates that it was created at the behest of a Byzantine emperor as a gift to a pope, in conjunction with imperial efforts to unify the Latin and Orthodox churches. As such, Paris 54 is a unique witness to early Palaeologan attempts to achieve church union with Rome.
Between Islam and Byzantium: Aght`amar and the Visual Construction of Medieval Armenian Rulership
by Lynn JonesBetween Islam and Byzantium provides the first complete analysis of the development of the visual expression of medieval Armenian rulership during the years 884-1045 CE. During this period, the Armenian rulers had loosened the ties that subjected them to the Arab caliphate, but by its end the Byzantine empire had instead become dominant in the region. The influences exerted by these external, opposing powers are a major theme in this book. Lynn Jones re-contextualizes the existing royal art and architecture by integrating analyses of contemporary accounts of ceremonial and royal deeds with fresh examinations of the surviving monuments, of which the church at Aght`amar, with its famous carvings, is the prime example. Setting the art and architecture of the period more clearly in its original context, the author reveals the messages these buildings, sculptures and manuscripts were intended to convey by those who created and viewed them. This study provides a new perspective on the complex interactions between a broad range of nationalities, ethnicities and religions, shedding fresh light on the nature of medieval identity. It adds to a growing literature on the eastern neighbours of Byzantium, and opens up new issues on the relationship between the Byzantine empire and the Islamic caliphate in the medieval period.
Between Laughter and Satire: Aspects of the Historical Study of Humour
by Conal CondrenThis book explores closely related aspects of the historical study of humour. It challenges much that has been taken for granted in a field of study for which history has been marginal. It disputes the conventional genealogical view that humour theory dates from antiquity and outlines an alternative conceptual history. It critically examines the nostrum that humour is universal. It then explores the methodological difficulties in treating both verbal and non-verbal humour historically, dealing with contextualisation, intentionality, translation and reception. It explores the variable relationships between satire and definition and concludes with a detailed case study from recent history: the iconic Yes Minister and Yes, Prime Minister television comedies. These are commonly seen as realistic, but better understood as presenting popularised theories for satiric and propagandistic effect. Only in their treatment of language can we assess a putative political realism. The satires are often highly perceptive but largely dependent on misleading and inadequate theories of political discourse.Conal Condren is an Emeritus Scientia Professor at UNSW, a member of two Cambridge Colleges and a fellow both of the Australian Academy of the Humanities and The Social Sciences in Australia. He has published widely and principally in early modern intellectual history. Among his books are The Status and Appraisal of Classic Texts; Argument and Authority in Early Modern England; Political Vocabularies: Word Change and the Nature of Politics.
Between Lives: An Artist and Her World
by Dorothea TanningThe life and times of one of our most enchanting artists; a twentieth-century fairy tale, lovingly remembered and luminously told. Fourteen years ago, the artist Dorothea Tanning published Birthday, a collection of reminiscences. Now she has expanded it into a memoir of her journey through the last century as confidant, collaborator, and muse to some of its most inspired minds and personalities: a diverse assemblage that ranges from the fathers of dada and surrealism to Virgil Thompson, George Balanchine, Alberto Giacometti, Dylan Thomas, Truman Capote, Joan Miró, James Merrill, and many more. At its center is the relationship, tenderly rendered, between Tanning and her famed husband, the enigmatic surrealist Max Ernst. Whether recalling the poignant presence of her friend Joseph Cornell or simply marveling at the facades along a Venice canal, "their filmy reflections fluttering in the dirty canal like fragile altar cloths hung out to dry," Tanning's writing is beguiling, wry, and shot through with the same eye for pregnant detail and immanent magic that marks her art.
Between Market and Myth: The Spanish Artist Novel in the Post-Transition, 1992-2014 (Campos Ibéricos: Bucknell Studies in Iberian Literatures and Cultures)
by Katie J. VaterIn its early transition to democracy following Franco’s death in 1975, Spain rapidly embraced neoliberal practices and policies, some of which directly impacted cultural production. In a few short years, the country commercialized its art and literary markets, investing in “cultural tourism” as a tool for economic growth and urban renewal. The artist novel began to proliferate for the first time in a century, but these novels—about artists and art historians—have received little critical attention beyond the descriptive. In Between Market and Myth, Vater studies select authors—Julio Llamazares, Ángeles Caso, Clara Usón, Almudena Grandes, Nieves Herrero, Paloma Díaz-Mas, Lourdes Ortiz, and Enrique Vila-Matas—whose largely realist novels portray a clash between the myth of artistic freedom and artists’ willing recruitment or cooptation by market forces or political influence. Today, in an era of rising globalization, the artist novel proves ideal for examining authors' ambivalent notions of creative practice when political patronage and private sector investment complicate belief in artistic autonomy. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Between Matter and Method: Encounters In Anthropology and Art
by Gretchen Bakke; Marina PetersonBuilding on the lively exchange between anthropology and art that has emerged in recent years, Between Matter and Method makes a bold and creative contribution to this rapidly growing field. Taking an expansive approach to the arts, it finds commonalities in approaches that engage with visual artifacts, sound, performance, improvisation, literature, dance, theater, and design. The book questions current disciplinary boundaries and offers a new model grounded in a shared methodology for interdisciplinary encounter between art and anthropology. Gretchen Bakke and Marina Peterson have gathered together anthropologists whose work is notable for engaging the arts and creative practice in conceptually rigorous and methodologically innovative ways, including Kathleen Stewart, Keith Murphy, Natasha Myers, Stuart McLean, Craig Campbell, and Roger Sansi. Essays span the globe from Indonesia, West Virginia and Los Angeles in the United States, to the Orkney Islands in the UK, and Russia and Spain.
Between Raphael and Galileo: Mutio Oddi and the Mathematical Culture of Late Renaissance Italy
by Alexander MarrAlthough largely unknown today, during his lifetime Mutio Oddi of Urbino (1569–1639) was a highly esteemed scholar, teacher, and practitioner of a wide range of disciplines related to mathematics. A prime example of the artisan-scholar so prevalent in the late Renaissance, Oddi was also accomplished in the fields of civil and military architecture and the design and retail of mathematical instruments, as well as writing and publishing. In Between Raphael and Galileo, Alexander Marr resurrects the career and achievements of Oddi in order to examine the ways in which mathematics, material culture, and the book shaped knowledge, society, and the visual arts in late Renaissance Italy. Marr scrutinizes the extensive archive of Oddi papers, documenting Oddi’s collaboration with prominent intellectuals and officials and shedding new light on the practice of science and art during his day. What becomes clear is that Oddi, precisely because he was not spectacularly innovative and did not attain the status of a hero in modern science, is characteristic of the majority of scientific practitioners and educators active in this formative age, particularly those whose energetic popularization of mathematics laid the foundations for the Scientific Revolution. Marr also demonstrates that scientific change in this era was multivalent and contested, governed as much by friendship as by principle and determined as much by places as by purpose. Plunging the reader into Oddi’s world, Between Raphael and Galileo is a finely wrought and meticulously researched tale of science, art, commerce, and society in the late sixteenth and early seventeenth century. It will become required reading for any scholar interested in the history of science, visual art, and print culture of the Early Modern period.
Between Raphael and Galileo: Mutio Oddi and the Mathematical Culture of Late Renaissance Italy
by Alexander MarrAlthough largely unknown today, during his lifetime Mutio Oddi of Urbino (1569–1639) was a highly esteemed scholar, teacher, and practitioner of a wide range of disciplines related to mathematics. A prime example of the artisan-scholar so prevalent in the late Renaissance, Oddi was also accomplished in the fields of civil and military architecture and the design and retail of mathematical instruments, as well as writing and publishing. In Between Raphael and Galileo, Alexander Marr resurrects the career and achievements of Oddi in order to examine the ways in which mathematics, material culture, and the book shaped knowledge, society, and the visual arts in late Renaissance Italy. Marr scrutinizes the extensive archive of Oddi papers, documenting Oddi’s collaboration with prominent intellectuals and officials and shedding new light on the practice of science and art during his day. What becomes clear is that Oddi, precisely because he was not spectacularly innovative and did not attain the status of a hero in modern science, is characteristic of the majority of scientific practitioners and educators active in this formative age, particularly those whose energetic popularization of mathematics laid the foundations for the Scientific Revolution. Marr also demonstrates that scientific change in this era was multivalent and contested, governed as much by friendship as by principle and determined as much by places as by purpose. Plunging the reader into Oddi’s world, Between Raphael and Galileo is a finely wrought and meticulously researched tale of science, art, commerce, and society in the late sixteenth and early seventeenth century. It will become required reading for any scholar interested in the history of science, visual art, and print culture of the Early Modern period.
Between the Black Box and the White Cube: Expanded Cinema and Postwar Art
by Andrew V. UroskieToday, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, "Between the Black Box and the White Cube"travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the black box of the movie theater and the white cube of the art gallery. Packed with over one hundred illustrations, "Between the Black Box and the White Cube"is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art. "
Between the Image and the Word: Theological Engagements with Imagination, Language and Literature (Routledge Studies in Theology, Imagination and the Arts)
by Trevor HartThe central contention of Christian faith is that in the incarnation the eternal Word or Logos of God himself has taken flesh, so becoming for us the image of the invisible God. Our humanity itself is lived out in a constant to-ing and fro-ing between materiality and immateriality. Imagination, language and literature each have a vital part to play in brokering this hypostatic union of matter and meaning within the human creature. Approaching different aspects of two distinct movements between the image and the word, in the incarnation and in the dynamics of human existence itself, Trevor Hart presents a clearer understanding of each and explores the juxtapositions with the other. Hart concludes that within the Trinitarian economy of creation and redemption these two occasions of ’flesh-taking’ are inseparable and indivisible.
Between the Lines: Stories from the Underground
by Uli Beutter CohenFrom the acclaimed creator of Subway Book Review, Between the Lines gloriously takes to the underground and showcases in over 170 interviews what moves us forward—a thrilling ride as unexpected as New York City itself. &“Subway Book Review has changed how we look at books.&” —Forbes &“[Beutter Cohen&’s] rosy view of the subway is a refreshing contrast.&” —The Cut, New York magazine &“Subway Book Review is one of the few purely good things on the internet.&” —EsquireFor the better part of a decade, Uli Beutter Cohen rode the subway through New York City&’s underground to observe society through the lens of our most creative thinkers: the readers of books. Between the Lines is a timely collection of beloved and never-before-published stories that reflect who we are and where we are going. In over 170 interviews, Uli shares nuanced insights into our collective psyche and gives us an invaluable document of our challenges and our potential. Complete with original photography, and countless intriguing book recommendations, Between the Lines is an enthusiastic celebration of the ways stories invite us into each other&’s lives, and a call to action for imagining a bold, empathetic future together. Meet Yahdon, who reads Dapper Dan: Made in Harlem and talks about the power of symbols in fashion. Diana shares how Orlando shaped her journey as a trans woman. Saima reads They Say, I Say and speaks about the power of her hijab. Notable New Yorkers open up about their lives and reading habits, including photographer Jamel Shabazz, filmmaker Katja Blichfeld, painter Devon Rodriguez, comedian Aparna Nancherla, fashion editor Lynn Yaeger, playwright Jeremy O. Harris, fashion designer and TV personality Leah McSweeney, designer Waris Ahluwalia, artist Debbie Millman, activist Amani al-Khatahtbeh, and esteemed authors such as Jia Tolentino, Roxane Gay, Ashley C. Ford, Eileen Myles, Min Jin Lee, and many more.
Between the Pagan Past and Christian Present in Byzantine Visual Culture: Statues in Constantinople, 4th-13th Centuries CE
by Paroma ChatterjeeUp to its pillage by the Crusaders in 1204, Constantinople teemed with magnificent statues of emperors, pagan gods, and mythical beasts. Yet the significance of this wealth of public sculpture has hardly been acknowledged beyond late antiquity. In this book, Paroma Chatterjee offers a new perspective on the topic, arguing that pagan statues were an integral part of Byzantine visual culture. Examining the evidence in patriographies, chronicles, novels, and epigrams, she demonstrates that the statues were admired for three specific qualities - longevity, mimesis, and prophecy; attributes that rendered them outside of imperial control and endowed them with an enduring charisma sometimes rivaling that of holy icons. Chatterjee's interpretations refine our conceptions of imperial imagery, the Hippodrome, the Macedonian Renaissance, a corpus of secular objects, and Orthodox icons. Her book offers novel insights into Iconoclasm and proposes a more truncated trajectory of the holy icon in medieval Orthodoxy than has been previously acknowledged.
Between the Tides
by David PickellEighteen thousand Kamoro live along the southwestern coast of New Guinea. Their ancestors first roamed this land more than 50,000 years ago. By the early 1960s, just 50 years after the arrival of missionaries and colonial administrators, the unique culture of the Kamoro had been driven to the verge of extinction. Or so it was thought until photographer Kal Muller stumbled upon an initiation ceremony and found that traditional Kamoro life was still alive and thriving. This work provides an account of a culture that is rapidly disappearing and the wrenching process of change that the Kamoro have had to endure. It presents a portrait of how an isolated, nomadic past meets a worldly, urban future, and how history confronts superstition.
Between Time and Timbuktu: Or, Prometheus-5, a Space Fantasy
by Kurt VonnegutAn experimental television play composed of excerpts from his novels and stories, Between Time and Timbuktu features Kurt Vonnegut&’s special blend of scientific expertise, wit, and penetrating comment. &“Most unusual, ultra imaginative . . . a sort of cross between 2001: A Space Odyssey and Alice in Wonderland.&”—Philadelphia InquirerThe basic story line: Young Stony Stevenson wins a jingle contest and, as his prize, is blasted off into the time-space warp. The country&’s first poet-astronaut thus experiences both past and future human history simultaneously. His observations on it consist mainly of dramatized selections from the author&’s works. The result is a unique Vonnegut sampler cast in the form of &“an excellent drama&” (Pittsburgh Press).
Between Two Fires: Gypsy Performance and Romani Memory from Pushkin to Postsocialism
by Alaina LemonSince tsarist times, Roma in Russia have been portrayed as both rebellious outlaws and free-spirited songbirds--in each case, as if isolated from society. In Soviet times, Russians continued to harbor these two, only seemingly opposed, views of "Gypsies," exalting their songs on stage but scorning them on the streets as liars and cheats. Alaina Lemon's Between Two Fires examines how Roma themselves have negotiated these dual images in everyday interactions and in stage performances. Lemon's ethnographic study is based on extensive fieldwork in 1990s Russia and focuses on Moscow Romani Theater actors as well as Romani traders and metalworkers. Drawing from interviews with Roma and Russians, observations of performances, and conversations, as well as archives, literary texts, and media, Lemon analyzes the role of theatricality and theatrical tropes in Romani life and the everyday linguistics of social relations and of memory. Historically, the way Romani stage performance has been culturally framed and positioned in Russia has served to typecast Gypsies as "natural" performers, she explains. Thus, while theatrical and musical performance may at times empower Roma, more often it has reinforced and rationalized racial and social stereotypes, excluding them from many Soviet and Russian economic and political arenas. Performance, therefore, defines what it means to be Romani in Russia differently than it does elsewhere, Lemon shows. Considering formal details of language as well as broader cultural and social structures, she also discusses how racial categories relate to post-Soviet economic changes, how gender categories and Euro-Soviet notions of civility are connected, and how ontological distinctions between "stage art" and "real life" contribute to the making of social types. This complex study thus serves as a corrective to romantic views of Roma as detached from political forces.
Between You and Me: Queer Disclosures in the New York Art World, 1948-1963
by Gavin ButtIn the decades preceding the Stonewall riots--in the wake of the 1948 publication of Alfred Kinsey's controversial report on male sexuality and in the midst of a cold war culture of suspicion and paranoia--discussions of homosexuality within the New York art world necessarily circulated via gossip and rumor. Between You and Me explores this informal, everyday talk and how it shaped artists' lives, their work, and its reception. Revealing the "trivial" and "unserious" aspects of the postwar art scene as key to understanding queer subjectivity, Gavin Butt argues for a richer, more expansive concept of historical evidence, one that supplements the verifiable facts of traditional historical narrative with the gossipy fictions of sexual curiosity. Focusing on the period from 1948 to 1963, Butt draws on the accusations and denials of homosexuality that appeared in the popular press, on early homophile publications such as One and the Mattachine Review, and on biographies, autobiographies, and interviews. In a stunning exposition of Larry Rivers's work, he shows how Rivers incorporated gossip into his paintings, just as his friend and lover Frank O'Hara worked it into his poetry. He describes how the stories about Andy Warhol being too "swish" to be taken seriously as an artist changed following his breakthrough success, reconstructing him as an asexual dandy. Butt also speculates on the meanings surrounding a MoMA curator's refusal in 1958 to buy Jasper Johns's Target with Plaster Casts on the grounds that it was too scandalous for the museum to acquire. Between You and Me sheds new light on a pivotal moment in American cultural production as it signals new directions for art history.
Between You and Me: A Memoir
by Mike Wallace Gary Paul GatesAt the age of 87, Mike Wallace is a legendary figure in broadcast journalism. Now, after 60 years of reporting on important events around the world, he shares his personal stories about the incredible range of celebrities, newsmakers, criminals, and world leaders who have subjected themselves to his unique brand of questioning.Through Wallace's intimate observations about these figures, we experience afresh the pivotal events that have shaped our world. Here, we meet the guilt-racked Secret Service agent assigned to John F. Kennedy's car in Dallas. We learn about the candid moment when President Nixon revealed an unexpected softer side. We witness the underpinnings of the century's greatest social movement through Wallace's eyes as he manages to earn the trust of major civil rights leaders, and we see the trauma Wallace experienced while covering the conflict in Israel. These off-camera anecdotes and fascinating excerpts from Wallace's interviews--with everyone from Eleanor Roosevelt to all the presidents of the last half century, from Frank Lloyd Wright to Johnny Carson, from Margaret Sanger to Malcom X--give us a new perspective on some of the greatest lives and minds of our time.With a reporter's eye for detail, Wallace mingles laughter, tragedy, and revelatory insight in a memoir unlike any other. For anyone who's ever wondered what it's like to make history for a living, this is a must-read.