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Abraham Lincoln and Women in Film: One Hundred Years of Hollywood Mythmaking (Conflicting Worlds: New Dimensions of the American Civil War)

by Frank J. Wetta Martin A. Novelli

Frank J. Wetta and Martin A. Novelli’s Abraham Lincoln and Women in Film investigates how depictions of women in Hollywood motion pictures helped forge the myth of Lincoln. Exploring female characters’ backstories, the political and cultural climate in which the films appeared, and the contest between the moviemakers’ imaginations and the varieties of historical truth, Wetta and Novelli place the women in Lincoln’s life at the center of the study, including his mother, Nancy Hanks Lincoln; his stepmother, Sarah Bush Lincoln; his lost loves, Ann Rutledge and Mary Owens; and his wife and widow, Mary Todd Lincoln. Later, while inspecting Lincoln’s legacy, they focus on the 1930s child actor Shirley Temple and the 1950s movie star Marilyn Monroe, who had a well-publicized fascination with the sixteenth president. Wetta and Novelli’s work is the first to deal extensively with the women in Lincoln’s life, both those who interacted with him personally and those appearing on screen. It is also among the first works to examine how scholarly and popular biography influenced depictions of Lincoln, especially in film.

Abraham Polonsky: Interviews (Conversations with Filmmakers Series)

by Andrew Dickos

Abraham Polonsky (1910–1999), screenwriter and filmmaker of the mid-twentieth-century Left, recognized his writerly mission to reveal the aspirations of his characters in a material society structured to undermine their hopes. In the process, he ennobled their struggle. His auspicious beginning in Hollywood reached a zenith with his Oscar-nominated screenplay for Robert Rossen's boxing noir film, Body and Soul (1947), and his inaugural film as writer and director, Force of Evil (1948), before he was blacklisted during the McCarthy witch hunt. Polonsky envisioned cinema as a modern artist. His aesthetic appreciation for each technical component of the screen aroused him to create voiceovers of urban cadences—poetic monologues spoken by the city's everyman, embodied by the actor who played his heroes best, John Garfield. His use of David Raksin's score in Force of Evil, against the backdrop of the grandeur of New York City's landscape and the conflict between the brothers Joe and Leo Morse, elevated film noir into classical family tragedy. Like Garfield, Polonsky faced persecution and an aborted career during the blacklist. But unlike Garfield, Polonsky survived to resume his career in Hollywood during the ferment of the late sixties. Then his vision of a changing society found allegorical expression in Tell Them Willie Boy Is Here, his impressive anti-Western showing the destruction of the Paiute rebel outsider, Willie Boy, and cementing Polonsky as a moral voice in cinema.

Absence and Difficult Knowledge in Contemporary Art Museums (Routledge Research in Art Museums and Exhibitions)

by Margaret Tali

This book analyzes practices of collecting in European art museums from 1989 to the present, arguing that museums actualize absence both consciously and unconsciously, while misrepresentation is an outcome of the absent perspectives and voices of minority community members which are rarely considered in relation to contemporary art. Difficult knowledge is proposed as a way of dealing with absence productively. Drawing on social art history, museology, postcolonial theory, and memory studies, Margaret Tali analyzes the collections of four modern and contemporary art museums across Europe: the Hamburger Bahnhof in Berlin, the Ludwig Museum of Contemporary Art in Budapest, the Kiasma Museum in Helsinki, and the Kumu Museum in Tallinn.

Absence in Cinema: The Art of Showing Nothing (Film And Culture Ser.)

by Justin Remes

Absence has played a crucial role in the history of avant-garde aesthetics, from the blank canvases of Robert Rauschenberg to Yves Klein’s invisible paintings, from the “silent” music of John Cage to Samuel Beckett’s minimalist theater. Yet little attention has been given to the important role of absence in cinema. In the first book to focus on cinematic absence, Justin Remes demonstrates how omissions of expected elements can spur viewers to interpret and understand the nature of film in new ways.While most film criticism focuses on what is present, such as images on the screen and music and dialogue on the soundtrack, Remes contends that what is missing is an essential part of the cinematic experience. He examines films without images—such as Walter Ruttmann’s Weekend (1930), a montage of sounds recorded in Berlin—and films without sound—such as Stan Brakhage’s Window Water Baby Moving (1959), which documents the birth of the filmmaker’s first child. He also examines found footage films that erase elements from preexisting films such as Naomi Uman’s removed (1999), which uses nail polish and bleach to blot out all the women from a pornographic film, and Martin Arnold’s Deanimated (2002), which digitally eliminates images and sounds from a Bela Lugosi B movie. Remes maps out the effects and significations of filmic voids while grappling with their implications for film theory. Through a careful analysis of a broad array of avant-garde works, Absence in Cinema reveals that films must be understood not only in terms of what they show but also what they withhold.

The Absent Hand: Reimagining Our American Landscape

by Suzannah Lessard

"Of beach plums, ramps, and Ramada Inns: a quietly sensitive eminently sensible consideration of the landscapes of our lives . . . A gift." —Kirkus ReviewsFollowing her bestselling The Architect of Desire, Suzannah Lessard returns with a remarkable book, a work of relentless curiosity and a graceful mixture of observation and philosophy. This intriguing hybrid will remind some of W. G. Sebald’s work and others of Rebecca Solnit’s, but it is Lessard’s singular talent to combine this profound book–length mosaic— a blend of historical travelogue, reportorial probing, philosophical meditation, and prose poem—into a work of unique genius, as she describes and reimagines our landscapes. In this exploration of our surroundings, The Absent Hand contends that to reimagine landscape is a form of cultural reinvention. This engrossing work of literary nonfiction is a deep dive into our surroundings—cities, countryside, and sprawl—exploring change in the meaning of place and reimagining the world in a time of transition. Whether it be climate change altering the meaning of nature, or digital communications altering the nature of work, the effects of global enclosure on the meaning of place are panoramic, infiltrative, inescapable. No one will finish this book, this journey, without having their ideas of living and settling in their surroundings profoundly enriched.

The Absent Image: Lacunae in Medieval Books

by Elina Gertsman

Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures.Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death.Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.

The Absent Image: Lacunae in Medieval Books

by Elina Gertsman

Winner of the 2022 Charles Rufus Morey Award from the College Art AssociationGuided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures.Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death.Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.

The Absolute and Star Trek

by George A. Gonzalez

This volume explains how Star Trek allows viewers to comprehend significant aspects of Georg Hegel's concept the absolute, the driving force behind history. Gonzalez, with wit and wisdom, explains how Star Trek exhibits central elements of the absolute. He describes how themes and ethos central to the show display the concept beautifully. For instance, the show posits that people must possess the correct attitudes in order to bring about an ideal society: a commitment to social justice; an unyielding commitment to the truth; and a similar commitment to scientific, intellectual discovery. These characteristics serve as perfect embodiments of Hegel's conceptualization, and Gonzalez's analysis is sharp and exacting.

The Absolute Beginner's Big Book of Drawing and Painting: More Than 100 Lessons in Pencil, Watercolor and Oil

by Mary Willenbrink Mark Willenbrink

Everyone can draw and paint, including you! Even if you have never drawn or painted before, you can start creating your own beautiful artwork. Let the Willenbrinks show you how! Beginning with materials and basic techniques, these pages will teach you everything you need to know to get started in drawing, watercolors and oil painting. Follow along with 75+ demonstrations and mini-demonstrations as you learn how to draw and paint a wide variety of subjects: people, landscapes, buildings, still life and more. Every essential art topic is covered, from sketching and shading to composition and color. Simple step-by-step instruction and many enormously useful lessons and tips will have you making your own masterpieces in no time! You may be an absolute beginner, but great results are absolutely within reach!

Absolutely: The Bestselling Memoir

by Joanna Lumley

'Mischievous and measured, Joanna Lumley gives us a remarkable portrait of a groovy life...a life astonishingly rich in experience' THE TIMES'Captures perfectly the mixture of poshness and larkiness that has captivated Joanna Lumley's audiences...Joanna writes beautifully, managing to be both thoughtful and amusing' DAILY MAIL'An actress with an extraordinarily varied life that has taken her from Kashmir to Kent, from Bond girl to Ab Fab. It's all here in this gloriously illustrated, entertaining memoir, that's packed with personal photos and reminiscences' WOMAN & HOMEJoanna Lumley is one of Britain's undisputed national treasures. A single mum, iconic actress, voiceover artist and author, best known for her roles in ABSOLUTELY FABULOUS and THE NEW AVENGERS, she is a former model and Bond girl, a human rights activist for Survival International and the Gurkha Justice Campaign, and is now considered a 'national treasure' of Nepal as well as the UK. She has won two BAFTA awards, but it is the sheer diversity of her life that has made her so compelling a personality - early years in Kashmir and Malaya, growing up in Kent, then a photographic model before becoming an actress, appearing in a huge range of roles, and many documentaries including those on on the Northern Lights, Bhutan and the Nile.'Lumley has done it all, from sex kitten and TV star to activist for the Gurkhas. Read about it here.' - No.2 of The Independent's 'Ten Best New Memoirs' INDEPENDENT

Abstinence Cinema: Virginity and the Rhetoric of Sexual Purity in Contemporary Film

by Casey Ryan Kelly

From the perspective of cultural conservatives, Hollywood movies are cesspools of vice, exposing impressionable viewers to pernicious sexually-permissive messages. Offering a groundbreaking study of Hollywood films produced since 2000, Abstinence Cinema comes to a very different conclusion, finding echoes of the evangelical movement's abstinence-only rhetoric in everything from Easy A to Taken. Casey Ryan Kelly tracks the surprising sex-negative turn that Hollywood films have taken, associating premarital sex with shame and degradation, while romanticizing traditional nuclear families, courtship rituals, and gender roles. As he demonstrates, these movies are particularly disempowering for young women, concocting plots in which the decision to refrain from sex until marriage is the young woman's primary source of agency and arbiter of moral worth. Locating these regressive sexual politics not only in expected sites, like the Twilight films, but surprising ones, like the raunchy comedies of Judd Apatow, Kelly makes a compelling case that Hollywood films have taken a significant step backward in recent years. Abstinence Cinema offers close readings of movies from a wide spectrum of genres, and it puts these films into conversation with rhetoric that has emerged in other arenas of American culture. Challenging assumptions that we are living in a more liberated era, the book sounds a warning bell about the powerful cultural forces that seek to demonize sexuality and curtail female sexual agency.

Abstract Art Painting: Expressions in Mixed Media

by Debora Stewart

Would you love to take your art in a new direction? In Abstract Art Painting, you will enter a realm of tactile, intuitive excitement, combining pastel and acrylic to achieve results as unique as you are. You'll learn how to explore the use of color theory in abstraction and to use underpainting to bring structure and depth to your art. In addition you'll begin to understand how to work in a series and how this can help you develop your own personal style. A sampling of what you'll add to your creative toolbox: Pastel and acrylic techniques to use to complete your own paintings The benefits of expressing your ideas abstractly How to loosen up by using your nondominant hand and drawing to music Ways to express emotions through mark-making Using color and symbolism for expression Working with photos for inspiration Tips for using color studies Step into your own abstract frame of mind today!

Abstract Art: Second Edition (World of Art #0)

by Anna Moszynska

An exceptionally clear, thorough, and well- illustrated introduction to abstract art since 1900. Since the early years of the twentieth century, Western abstract art has fascinated, outraged, and bewildered audiences. Its path to acceptance within the artistic mainstream was slow. This revised edition traces the origins and evolution of abstract art, placing it in broad cultural context. Well-respected scholar Anna Moszynska examines the pioneering work of Hilma af Klint, Wassily Kandinsky, Kazimir Malevich, and Piet Mondrian alongside the Russian Constructivists, the De Stijl group, and the Bauhaus artists, contrasting European geometric abstraction in the 1930s and ’40s with the emphasis on personal expression after World War II. Op, kinetic, and minimal art of the postwar period is discussed and illustrated in detail, and new chapters bring the account up to date, exploring the crisis in abstraction of the 1980s and its revival—in paint, fabric, sculpture, and installation—in recent decades. The first edition of Abstract Art, published in 1990, was acclaimed by reviewers. Revised with extensive updates, this book includes new chapters on recent trends and offers fully global coverage of art produced in North and South America, Europe, China, Korea, and the Middle East. Now in full color and comprehensively revised, it will serve as the best introduction to abstract art for a new generation.

Abstract Design and How to Create It (Dover Art Instruction)

by Amor Fenn

Students, designers, and craftspeople who want to create their own abstract patterns and designs will find this profusely illustrated guide one of the best books available on the subject. After an introductory chapter dealing with the geometric basis of design, the author goes on to discuss implements and their use (T-square, compass, dividers, ruling pen, etc.), borders, textile patterns, nature study, and treatment.Over 380 illustrations include many diagrams, designs for title pages, border patterns, allover patterns, textile patterns, and historical examples from an extraordinary number of cultures and periods: Assyrian stone carvings, Greek and Roman jewelry, 18th-century English silverwork, and more. Thorough and comprehensive, Abstract Design and How to Create It will be an invaluable resource for anyone seeking to learn the principles and techniques of creating nonrepresentative designs.

Abstract Explorations in Acrylic Painting: Fun, Creative and Innovative Techniques

by Jo Toye

Discover abstract painting with acrylics! "If you approach your art with a playful attitude you will be more apt to keep making art, and the more art you make, the better your art will be." --pg. 10 Like a diving board for creativity, Abstract Explorations in Acrylic Painting will help you plunge joyfully into artmaking. With the belief that an attitude of playfulness is key to artistic growth, award-winning acrylic artist Jo Toye leads you on an engaging workshop-style adventure filled with innovative techniques, inventive approaches and breakthrough results.Work Small. Start by discovering how working on a small canvas yields big payoffs. When you don't have anything to lose but a few minutes and a little piece of paper, you'll find that you paint more fearlessly, absorb new concepts faster and enjoy yourself more.Step-by-Step Instruction. Learn what tools Toye finds most useful in making art, along with 17 step-by-step demonstrations showing how to use them to best effect.Start-to-Finish Painting Projects. At the heart of the book, 8 start-to-finish painting projects put it all together. Discover fresh takes on stenciling, sponging, making and working with gesso. Use razor blades and applicator bottles to create distinctive linework. Achieve wonderfully original patterns using resist pens, mouth atomizers and India ink. Experiment with Clear Tar Gel, pour paint with pipettes, work over top a "failed" painting...all yielding brilliantly original results. Heavily illustrated and filled with exciting ideas you won't find anywhere else, Abstract Explorations in Acrylic Painting will inspire you to paint, experiment, play...and come away with some of your best work yet!

Abstract Objects: For and Against (Synthese Library #422)

by José L. Falguera Concha Martínez-Vidal

This volume examines the question “Do abstract objects exist?”, presenting new work from contributing authors across different branches of philosophy. The introduction overviews philosophical debate which considers: what objects qualify as abstract, what do we mean by the word "exist” and indeed, what evidence should count in favor or against the thesis that abstract objects exist. Through subsequent chapters readers will discover the ubiquity of abstract objects as each philosophical field is considered.Given the ubiquitous use of expressions that purportedly refer to abstract objects, we think that it is relevant to attend to the controversy between those who want to advocate the existence of abstract objects and those who stand against them. Contributions to this volume depict positions and debates that directly or indirectly involve taking one position or other about abstract objects of different kinds and categories. The volume provides a variety of samples of how positions for or against abstract objects can be used in different areas of philosophy in relation to different matters.

Abstract Painting and the Minimalist Critiques: Robert Mangold, David Novros, and Jo Baer in the 1960s (Routledge Advances in Art and Visual Studies)

by Matthew L. Levy

This book undertakes a critical reappraisal of Minimalism through an examination of three key painters: Robert Mangold, David Novros, and Jo Baer. By establishing their substantive engagements with Minimalist discourse, as well as their often overlooked artistic exchanges with their sculptor peers, it demonstrates that painting crucially informed the movement’s development, serving not only as an object of critique but also as a crucible for its most central tenets. It also poses broader disciplinary implications as it historicizes and challenges Minimalism’s "death of painting" critiques that have been so influential to theories of modernism and postmodernism in the visual arts.

Abstract Space: Beneath the Media Surface

by Therese Tierney

This visually stunning, conceptually rich and imaginative book investigates the cultural connection between new media and architectural imaging. Through a range of material, from theoretical texts to experimental design projects, Tierney explores notions of what the architectural image means today. Within the book's visually imaginative design framework, Abstract Space engages discourses from architecture, visual and cultural studies to computer science and communications technology to present an in-depth multi-media case study. Tracing a provisional history of the topic, the book also lends a provocative and multivalent understanding to the complex relations affecting the architectural image today.

Abstraction in Art and Nature (Dover Art Instruction)

by Nathan Cabot Hale

In this stimulating, thought-provoking guide, a noted sculptor and teacher demonstrates how to discover a rich new design source in the abstractions inherent in natural forms. Through systematic study of such properties as line, form, shape, mass, pattern, light and dark, space, proportion, scale, perspective, and color as they appear in nature, students can learn to utilize the infinite variety and diversity of those elements as a wellspring of creative abstraction. The author invites students to learn the necessary techniques through a series of projects devoted to exploring and drawing plants, animals, birds, landscapes, seascapes, skies, and more. Lines of growth and structure, water and liquid forms, weather and atmospheric patterns, luminosity in plants and animals, earth colors and lightning are among the sources of abstraction available to the artist who is aware of them. This book will train you to see and use these elements and many more. An intriguing blend of art, psychology, and the natural sciences, Abstraction in Art and Nature is profusely illustrated with over 370 photographs, scientific illustrations, diagrams, and reproductions of works by the great masters. It not only offers a mind-stretching new way of learning and teaching basic design, but deepens our awareness of the natural environment. In short, Mr. Hale's book is an indispensable guide that artists, teachers, and students will want to have close at hand for instruction, inspiration, and practical guidance.

Abstraction in Artificial Intelligence and Complex Systems

by Jean-Daniel Zucker Lorenza Saitta

Abstraction is a fundamental mechanism underlying both human and artificial perception, representation of knowledge, reasoning and learning. This mechanism plays a crucial role in many disciplines, notably Computer Programming, Natural and Artificial Vision, Complex Systems, Artificial Intelligence and Machine Learning, Art, and Cognitive Sciences. This book first provides the reader with an overview of the notions of abstraction proposed in various disciplines by comparing both commonalities and differences. After discussing the characterizing properties of abstraction, a formal model, the KRA model, is presented to capture them. This model makes the notion of abstraction easily applicable by means of the introduction of a set of abstraction operators and abstraction patterns, reusable across different domains and applications. It is the impact of abstraction in Artificial Intelligence, Complex Systems and Machine Learning which creates the core of the book. A general framework, based on the KRA model, is presented, and its pragmatic power is illustrated with three case studies: Model-based diagnosis, Cartographic Generalization, and learning Hierarchical Hidden Markov Models.

Abstraction in Reverse: The Reconfigured Spectator in Mid-Twentieth-Century Latin American Art

by Alexander Alberro

During the mid-twentieth century, Latin American artists working in several different cities radically altered the nature of modern art. Reimagining the relationship of art to its public, these artists granted the spectator an unprecedented role in the realization of the artwork. The first book to explore this phenomenon on an international scale, Abstraction in Reverse traces the movement as it evolved across South America and parts of Europe. Alexander Alberro demonstrates that artists such as Tomás Maldonado, Jesús Soto, Julio Le Parc, and Lygia Clark, in breaking with the core tenets of the form of abstract art known as Concrete art, redefined the role of both the artist and the spectator. Instead of manufacturing autonomous art, these artists produced artworks that required the presence of the spectator to be complete. Alberro also shows the various ways these artists strategically demoted regionalism in favor of a new modernist voice that transcended the traditions of the nation-state and contributed to a nascent globalization of the art world.

Abstracts In Acrylic and Ink: A Playful Painting Workshop

by Jodi Ohl

Splatter, stamp, scrape, repeat. A quick-start guide to beautifully layered and textured abstracts! While there are many approaches to painting abstract art, Jodi Ohl's philosophy is to simply start. In this book, the successful, self-taught artist helps you "dive in with an open mind and fearless heart." Everything inside is geared toward kick-starting your creativity:An exciting series of 22 fun-to-follow, step-by-step projects.A tantalizing variety of approaches and inspirations for applying and manipulating paint, crayons, pencils, ink, paper, photos and more.Quick and loose exercises for building a library of ideas, color palettes, patterns and designs to use in future paintings.Loads of practical advice, including how to stock your studio without going broke, the five must-haves mediums, and how to finish and protect your artwork.For beginners eager to get to the "good stuff" and for artists looking to expand their repertoire, it just doesn't get any better.Every action-packed page will have you trying something new and pushing your boundaries! Make marbled acrylic skins * Add a stain * Discover instant gratification with Yupo paper * Achieve the wonderfully aged look of image transfers * Play with graffiti-style art * Experiment with gel mediums * Incorporate non-commercial add-ins like eggshells and netting * Create incredible abstract landscapes and cityscapes * And so much more!

Abulecentrism: Rapid Development of Society Catalyzed at the Local Community Level

by Olurinde Lafe

The book describes a development concept called abulecentrism. The Yoruba word abule (pronounced: a-boo-lay) literarily means "the village". abulecentrism seeks to achieve rapid and sustainable development of a given society by the strategic execution of projects and the provision of critical services at the local community level. The village has always been the traditional unit of communal living in many societies around the world. The typical village is small, comprising close-knit social groups and individuals that number in the tens, or at most, low hundreds. In a village, people live close to one another, and derive strength in their communal methods of living, working and protecting their society. Furthermore, the management and governance of the community is simpler than in urban areas because the village requires smaller administrative systems. abulecentrism is built on the philosophy of using small, modular systems, such as a village, as building blocks for developing the greater society. The ultimate goal of abulecentrism is for the larger society to be significantly impacted by the dividends of the aggregated development attained within the different communities. Development projects will typically be executed by starting with a few local communities and progressing organically until all the communities that make up the larger society have been impacted.

Academia and Higher Learning in Popular Culture (Palgrave Studies in Science and Popular Culture)

by Marcus K. Harmes Richard Scully

This edited volume focuses on the cultural production of knowledge in the academy as mediated or presented through film and television. This focus invites scrutiny of how the academy itself is viewed in popular culture from The Chair to Terry Pratchett's ‘Unseen University’ and Doctor Who's Time Lord Academy among others. Spanning a number of genres and key film and television series, the volume is also inherently interdisciplinary with perspectives from History, Cultural Studies, Gender Studies, STEM, and more. This collection brings together leading experts in different disciplines and from different national backgrounds. It emphasises that even at a point of mass, global participation in higher education, the academy is still largely mediated by popular culture and understood through the tropes perpetuated via a multimedia landscape.

Academia from the Inside: Pedagogies for Self and Other

by Maureen P. Hall Aubrie K. Brault

This book invites readers to explore how fourteen different experts in their respective fields create deeper meaning in their profession and work with students through thinking, in multiple ways, about the self who teaches, the self who learns, and the ways in which these selves interact within the academy. Essays in this book explore the “inside” of academia through three themes: Pursuing Authenticity, Creating Creative Community, and Humanizing Education. Contributors reflect on their own lived experiences in the academy and on pedagogies that they have created for their students. Embodied education, the theoretical framework of this book, draws on ideas of educators Parker Palmer from the West and Dr. Chinmay Pandya from the East, emerging through contributors’ collaborative work. In embodied education, teachers and learners share experiences that lead to self-understanding and together find ways to humanize spaces in academia.

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