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Γκέιμινγκ και βιντεοπαιχνίδια: Μια διαδραστική απόδραση από τη βαρεμάρα... (Πώς να... #95)
by Όουεν ΤζόουνςΓιατί το γκέιμινγκ αρέσει στους ανθρώπους; Εκατομμύρια επαγγελματίες και ανήσυχοι γονείς αναρωτιούνται το ίδιο εδώ και τουλάχιστον πενήντα χρόνια. Έχουν γραφτεί πολλά για το γιατί το γκέιμινγκ κατέκτησε τη νεολαία της δεκαετίας του '70 και γιατί, τώρα, άνθρωποι όλων των ηλικιών αγαπούν να παίζουν. Οι πληροφορίες σε αυτό το ηλεκτρονικό βιβλίο σχετικά με τα διάφορα είδη βιντεοπαιχνιδιών, τα παιχνίδια σε υπολογιστή, τα αρκέιντ κ.ά. είναι οργανωμένες σε 16 κεφάλαια των 500-600 λέξεων περίπου το καθένα. Ως μπόνους, σου δίνω την άδεια να χρησιμοποιήσεις το περιεχόμενο στον δικό σου ιστότοπο ή στα δικά σου ιστολόγια και ενημερωτικά δελτία, αν και είναι καλύτερα να το ξαναγράψεις με δικά σου λόγια.
Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics (Routledge Advances in Theatre & Performance Studies)
by Sirkku Aaltonen Areeg IbrahimThis study of Egyptian theatre and its narrative construction explores the ways representations of Egypt are created of and within theatrical means, from the 19th century to the present day. Essays address the narratives that structure theatrical, textual, and performative representations and the ways the rewriting process has varied in different contexts and at different times. Drawing on concepts from Theatre and Performance Studies, Translation Studies, Cultural Studies, Postcolonial Studies, and Diaspora Studies, scholars and practitioners from Egypt and the West enter into dialogue with one another, expanding understanding of the different fields. The articles focus on the ways theatre texts and performances change (are rewritten) when crossing borders between different worlds. The concept of rewriting is seen to include translation, transformation, and reconstruction, and the different borders may be cultural and national, between languages and dramaturgies, or borders that are present in people’s everyday lives. Essays consider how rewritings and performances cross borders from one culture, nation, country, and language to another. They also study the process of rewriting, the resulting representations of foreign plays on stage, and representations of the Egyptian revolution on stage and in Tahrir Square. This assessment of the relationship between theatre practices, exchanges, and rewritings in Egyptian theatre brings vital coverage to an undervisited area and will be of interest to developments in theatre translation and beyond.
The Palgrave Handbook of Asian Cinema
by Aaron Han Magnan-Park Gina Marchetti See Kam TanThis collection offers new approaches to theorizing Asian film in relation to the history, culture, geopolitics and economics of the continent. Bringing together original essays written by established and emerging scholars, this anthology transcends the limitations of national borders to do justice to the diverse ways in which the cinema shapes Asia geographically and imaginatively in the world today. From the revival of the Silk Road as the “belt and road” of a rising China to historical ruminations on the legacy of colonialism across the continent, the authors argue that the category of “Asian cinema” from Turkey to the edges of the Pacific continues to play a vital role in cutting-edge film research. This handbook will serve as an essential guide for committed scholars, students, and all those interested in the past, present, and possible future of Asian cinema in the 21st century.
The Palgrave Handbook of Holocaust Literature and Culture
by Victoria Aarons Phyllis LassnerThe Palgrave Handbook of Holocaust Literature and Culture reflects current approaches to Holocaust literature that open up future thinking on Holocaust representation. The chapters consider diverse generational perspectives—survivor writing, second and third generation—and genres—memoirs, poetry, novels, graphic narratives, films, video-testimonies, and other forms of literary and cultural expression. In turn, these perspectives create interactions among generations, genres, temporalities, and cultural contexts. The volume also participates in the ongoing project of responding to and talking through moments of rupture and incompletion that represent an opportunity to contribute to the making of meaning through the continuation of narratives of the past. As such, the chapters in this volume pose options for reading Holocaust texts, offering openings for further discussion and exploration. The inquiring body of interpretive scholarship responding to the Shoah becomes itself a story, a narrative that materially extends our inquiry into that history.
Minecraft: An Official Mojang Book
by Mojang Ab The Offical Minecraft TeamAn all-new official Minecraft™ guidebook full of tips to fend off mobs and withstand the wild!This official Minecraft™ book contains the collective knowledge of the Survivors: an underground group of Minecraft™ experts who have been around since the days of Alpha. You’re probably wondering why you’ve never heard of us. It’s because we’re THAT good. We’re experts at covert ops. Misdirection is our middle name. We’re invisible up until the exact moment we want you to see us. . . . Our successes are undeniably impressive: we’ve battled the Overworld mobs, dealt with enemy factions, and defeated the ender dragon multiple times. Study this book carefully and you just might manage to stay alive as long as we have. THE CHIEF
Minecraft: Mobestiary (Minecraft Series)
by Mojang Ab The Official Minecraft TeamWith insider gaming info and tips, this is the official, definitive, fully illustrated guide to mobs—and how to outsmart them—in Minecraft. <p><p>Minecraft: Mobestiary reveals the secrets of every mob in the game. You’ll find little-known facts about passive, neutral, hostile, utility, and boss mobs, as well as more general information about their locations, behaviors, threat levels, and drops. <p><p>Written by Alex Wiltshire, author of Minecraft: Blockopedia and former editor at Edge magazine, who has made it his life’s work to study Minecraft’s mobs. Illustrated with field sketches throughout by Anton Stenvall.
Applications and Usability of Interactive Television: 6th Iberoamerican Conference, Jauti 2017, Aveiro, Portugal, October 12-13, 2017, Revised Selected Papers (Communications In Computer And Information Science #813)
by María José Abásolo Pedro Almeida Jorge Abreu Telmo SilvaThis book constitutes the refereed proceedings of the 6th Iberoamerican Conference on Applications and Usability of Interactive Television, jAUTI 2017, in Aveiro, Portugal, in October 2017. <P><P> The 11 full papers presented together with one invited talk paper were carefully reviewed and selected from numerous submissions. The papers are organized in topical sections on Design and Evaluation of IDTV Services and Content; IDTV Content Recommendation; Omnidirectional Video and Video Repositories; IDTV Interaction Techniques and Accessibility.
American Rose: A Nation Laid Bare: The Life and Times of Gypsy Rose Lee
by Karen AbbottWith the critically acclaimed Sin in the Second City, bestselling author Karen Abbott "pioneered sizzle history" (USA Today). Now she returns with the gripping and expansive story of America's coming-of-age--told through the extraordinary life of Gypsy Rose Lee and the world she survived and conquered. America in the Roaring Twenties. Vaudeville was king. Talking pictures were only a distant flicker. Speakeasies beckoned beyond dimly lit doorways; money flowed fast and free. But then, almost overnight, the Great Depression leveled everything. When the dust settled, Americans were primed for a star who could distract them from grim reality and excite them in new, unexpected ways. Enter Gypsy Rose Lee, a strutting, bawdy, erudite stripper who possessed a preternatural gift for delivering exactly what America needed. With her superb narrative skills and eye for compelling detail, Karen Abbott brings to vivid life an era of ambition, glamour, struggle, and survival. Using exclusive interviews and never-before-published material, she vividly delves into Gypsy's world, including her intensely dramatic triangle relationship with her sister, actress June Havoc, and their formidable mother, Rose, a petite but ferocious woman who seduced men and women alike and literally killed to get her daughters on the stage. American Rose chronicles their story, as well as the story of the four scrappy and savvy showbiz brothers from New York City who would pave the way for Gypsy Rose Lee's brand of burlesque. Modeling their shows after the glitzy, daring reviews staged in the theaters of Paris, the Minsky brothers relied on grit, determination, and a few tricks that fell just outside the law--and they would shape, and ultimately transform, the landscape of American entertainment. With a supporting cast of such Jazz- and Depression-era heavyweights as Lucky Luciano, Harry Houdini, FDR, and Fanny Brice, Karen Abbott weaves a rich narrative of a woman who defied all odds to become a legend--and whose sensational tale of tragedy and triumph embodies the American Dream.From the Hardcover edition.
Angel: Angel
by Stacey AbbottExamines the innovative approach to genre, aesthetics, narrative, and the representation of masculinity in the television series Angel.
Celluloid Vampires
by Stacey AbbottIn 1896, French magician and filmmaker George Méliès brought forth the first celluloid vampire in his film Le manoir du diable. The vampire continues to be one of film's most popular gothic monsters and in fact, today more people become acquainted with the vampire through film than through literature, such as Bram Stoker's classic Dracula. How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins? In this entertaining and absorbing work, Stacey Abbott challenges the conventional interpretation of vampire mythology and argues that the medium of film has completely reinvented the vampire archetype. Rather than representing the primitive and folkloric, the vampire has come to embody the very experience of modernity. No longer in a cape and coffin, today's vampire resides in major cities, listens to punk music, embraces technology, and adapts to any situation. Sometimes she's even female. With case studies of vampire classics such as Nosferatu, Martin, Blade, and Habit, the author traces the evolution of the American vampire film, arguing that vampires are more than just blood-drinking monsters; they reflect the cultural and social climate of the societies that produce them, especially during times of intense change and modernization. Abbott also explores how independent filmmaking techniques, special effects makeup, and the stunning and ultramodern computer-generated effects of recent films have affected the representation of the vampire in film.
Crushing on a Capulet: (Romeo & Juliet) (Cracked Classics #6)
by Tony AbbottSixth graders Devin and Frankie try to save star-crossed lovers Romeo and Juliet when they&’re magically transported into Shakespeare&’s classic play. When their teacher assigns Devin and Frankie—short for Francine—the lead roles in their class production of Romeo and Juliet, the two best friends aren&’t thrilled. How are they supposed to say their lines when they don&’t even sound like they were written in English? Luckily, the library&’s magic security gates come to their rescue again, and they leap into Shakespeare&’s famous tragedy. Unfortunately, they land right in the middle of a sword fight between two warring families, the Montagues and the Capulets. When they find out that Romeo Montague has fallen in love with Juliet Capulet, Devin and Frankie decide it&’s up to them to make sure this unlikely couple lives happily ever after. But can they change the book&’s tragic end and save the young lovers from their fate? &“The message that reading is important and can be fun comes through loud and clear,&” writes School Library Journal about the Cracked Classics series. &“The short chapters make this an ideal read-aloud and a treat for reluctant readers.&”
Gigantopus from Planet X! (The Weird Zone #6)
by Tony AbbottHumongous Studios makes the weirdest horror movies ever, and in its next film, the monster is a real-life threat! Sean and Holly&’s dad owns the wackiest business in Grover&’s Mill: a horror filmmaking studio. For his newest movie, their dad has decided to feature a gigantic robot octopus as the star of the show. When Holly and Sean visit the studio with their friends, they are excited to get a first-hand look at how movies are made. Unfortunately, there is one problem: Gigantopus is completely out of control, and its alien master plans to use the star to take Grover&’s Mill back to her home planet!In a fight fit for the big screen, Holly and Sean must battle Gigantopus and save their town from being sucked into space. This may turn out to be their dad&’s oddest movie yet!
The History of Trans Representation in American Television and Film Genres
by Traci B. AbbottDue to the increase in transgender characters in scripted television and film in the 2010s, trans visibility has been presented as a relatively new phenomenon that has positively shifted the cis society’s acceptance of the trans community. This book counters this claim to assert that such representations actually present limited and harmful characterizations, as they have for decades. To do so, this book analyzes transgender narratives in scripted visual media from the 1960s to 2010s across a variety of genres, including independent and mainstream films and television dramatic series and sitcoms, judging not the veracity of such representations per se but dissecting their transphobia as a constant despite relevant shifts that have improved their veracity and variety. Already ingrained with their own ideological expectations, genres shift the framing of the trans character, particularly the relevance of their gender difference for cisgender characters and society. The popularity of trans characters within certain genres also provides a historical lineage that is examined against the progression of transgender rights activism and corresponding transphobic falsehoods, concluding that this popular medium continues to offer a limited and narrow conception of gender, the variability of the transgender experience, and the range of transgender identities.
Ex-Centric Migrations: Europe and the Maghreb in Mediterranean Cinema, Literature, and Music
by Hakim AbderrezakEx-Centric Migrations examines cinematic, literary, and musical representations of migrants and migratory trends in the western Mediterranean. Focusing primarily on clandestine sea-crossings, Hakim Abderrezak shows that despite labor and linguistic ties with the colonizer, migrants from the Maghreb (Morocco, Algeria, and Tunisia) no longer systematically target France as a destination, but instead aspire toward other European countries, notably Spain and Italy. In addition, the author investigates other migratory patterns that entail the repatriation of émigrés. His analysis reveals that the films, novels, and songs of Mediterranean artists run contrary to mass media coverage and conservative political discourse, bringing a nuanced vision and expert analysis to the sensationalism and biased reportage of such events as the Mediterranean maritime tragedies.
Out on the Wire: The Storytelling Secrets of the New Masters of Radio
by Jessica AbelA Library Journal Best Book of 2015Go behind the scenes of seven of today&’s most popular narrative radio shows and podcasts, including This American Life and RadioLab, in graphic narrative. Every week, millions of devoted fans tune in to or download This American Life, The Moth, Radiolab, Planet Money, Snap Judgment, Serial, Invisibilia and other narrative radio shows. Using personal stories to breathe life into complex ideas and issues, these beloved programs help us to understand ourselves and our world a little bit better. Each has a distinct style, but every one delivers stories that are brilliantly told and produced. Out on the Wire offers an unexpected window into this new kind of storytelling—one that literally illustrates the making of a purely auditory medium. With the help of This American Life's Ira Glass, Jessica Abel, a cartoonist and devotee of narrative radio, uncovers just how radio producers construct narrative, spilling some juicy insider details. Jad Abumrad of RadioLab talks about chasing moments of awe with scientists, while Planet Money&’s Robert Smith lets us in on his slightly goofy strategy for putting interviewees at ease. And Abel reveals how mad—really mad—Ira Glass becomes when he receives edits from his colleagues. Informative and engaging, Out on the Wire demonstrates that narrative radio and podcasts are creating some of the most exciting and innovative storytelling available today.
The Cine Goes to Town: French Cinema, 1896-1914, Updated and Expanded Edition
by Richard AbelRichard Abel's magisterial new book radically rewrites the history of French cinema between 1896 and 1914, particularly during the years when Pathé-Frères, the first major corporation in the new industry, led the world in film production and distribution. Based on extensive investigation of rare archival films and documents, and drawing on recent social and cultural histories of turn-of-the-century France and the United States, his book provides new insights into the earliest history of the cinema.Abel tells how early French film entertainment changed from a cinema of attractions to the narrative format that Hollywood would so successfully exploit. He describes the popular genres of the era—comic chases, trick films and féeries, historical and biblical stories, family melodramas and grand guignol tales, crime and detective films—and shows the shift from short subjects to feature-length films. Cinema venues evolved along with the films as live music, color effects, and other new exhibiting techniques and practices drew larger and larger audiences. Abel explores the ways these early films mapped significant differences in French social life, helping to produce thoroughly bourgeois citizens for Third Republic France.The Ciné Goes to Town recovers early French cinema's unique contribution to the development of the mass culture industry. As the one-hundredth anniversary of cinema approaches, this compelling demonstration of film's role in the formation of social and national identity will attract a wide audience of film scholars, social and cultural historians, and film enthusiasts.
Encyclopedia of Early Cinema
by Richard AbelThis encyclopedia presents a wealth of information on early cinema history, with coverage of the techniques and equipment of film production, profiles of the pioneering directors and producers, analysis of individual films and the rapid growth of distinct film genres, and the emergence of something the world had never seen before - the movie star.The work also focuses on how the nature of film exhibition changed as the industry grew, and how the public's reception to films also changed. The pre-cinema period is closely examined to show those mass-cultural forms and practices - such as music hall and vaudeville - from within which cinema was to emerge. A perfect companion for any student of early cinema and film studies.
French Film Theory and Criticism, Volume 1: A History/Anthology, 1907-1939. Volume 1: 1907-1929
by Richard AbelThese two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
French Film Theory and Criticism, Volume 2: A History/Anthology, 1907-1939. Volume 2: 1929-1939
by Richard AbelThese two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.
Menus for Movieland
by Richard AbelAt the turn of the past century, the main function of a newspaper was to offer "menus" by which readers could make sense of modern life and imagine how to order their daily lives. Among those menus in the mid-1910s were several that mediated the interests of movie manufacturers, distributors, exhibitors, and the rapidly expanding audience of fans. This writing about the movies arguably played a crucial role in the emergence of American popular film culture, negotiating among national, regional, and local interests to shape fans' ephemeral experience of moviegoing, their repeated encounters with the fantasy worlds of "movieland," and their attractions to certain stories and stars. Moreover, many of these weekend pages, daily columns, and film reviews were written and consumed by women, including one teenage girl who compiled a rare surviving set of scrapbooks. Based on extensive original research, Menus for Movieland substantially revises what moviegoing meant in the transition to what we now think of as Hollywood.
Motor City Movie Culture, 1916-1925
by Richard AbelMotor City Movie Culture, 1916–1925 is a broad textured look at Hollywood coming of age in a city with a burgeoning population and complex demographics. Richard Abel investigates the role of local Detroit organizations in producing, distributing, exhibiting, and publicizing films in an effort to make moviegoing part of everyday life. Tapping a wealth of primary source material—from newspapers, spatiotemporal maps, and city directories to rare trade journals, theater programs, and local newsreels—Abel shows how entrepreneurs worked to lure moviegoers from Detroit's diverse ethnic neighborhoods into the theaters. Covering topics such as distribution, programming practices, nonfiction film, and movie coverage in local newspapers, with entr'actes that dive deeper into the roles of key individuals and organizations, this book examines how efforts in regional metropolitan cities like Detroit worked alongside California studios and New York head offices to bolster a mass culture of moviegoing in the United States.
Motor City Movie Culture, 1916–1925
by Richard AbelA study of how the film industry came to flourish in Detroit in the early years as locals were lured into the new picture theaters. Motor City Movie Culture, 1916–1925 is a broad textured look at Hollywood coming of age in a city with a burgeoning population and complex demographics. Richard Abel investigates the role of local Detroit organizations in producing, distributing, exhibiting, and publicizing films in an effort to make moviegoing part of everyday life. Tapping a wealth of primary source material—from newspapers, spatiotemporal maps, and city directories to rare trade journals, theater programs, and local newsreels—Abel shows how entrepreneurs worked to lure moviegoers from Detroit&’s diverse ethnic neighborhoods into the theaters. Covering topics such as distribution, programming practices, nonfiction film, and movie coverage in local newspapers, with entr&’actes that dive deeper into the roles of key individuals and organizations, this book examines how efforts in regional metropolitan cities like Detroit worked alongside California studios and New York head offices to bolster a mass culture of moviegoing in the United States.
Motor City Movie Culture, 1916–1925
by Richard AbelA study of how the film industry came to flourish in Detroit in the early years as locals were lured into the new picture theaters. Motor City Movie Culture, 1916–1925 is a broad textured look at Hollywood coming of age in a city with a burgeoning population and complex demographics. Richard Abel investigates the role of local Detroit organizations in producing, distributing, exhibiting, and publicizing films in an effort to make moviegoing part of everyday life. Tapping a wealth of primary source material—from newspapers, spatiotemporal maps, and city directories to rare trade journals, theater programs, and local newsreels—Abel shows how entrepreneurs worked to lure moviegoers from Detroit&’s diverse ethnic neighborhoods into the theaters. Covering topics such as distribution, programming practices, nonfiction film, and movie coverage in local newspapers, with entr&’actes that dive deeper into the roles of key individuals and organizations, this book examines how efforts in regional metropolitan cities like Detroit worked alongside California studios and New York head offices to bolster a mass culture of moviegoing in the United States.
Early Cinema and the "National"
by Richard Abel Rob King Giorgio BertelliniWhile many studies have been written on national cinemas, Early Cinema and the "National" is the first anthology to focus on the concept of national film culture from a wide methodological spectrum of interests, including not only visual and narrative forms, but also international geopolitics, exhibition and marketing practices, and pressing linkages to national imageries. The essays in this richly illustrated, landmark anthology are devoted to reconsidering the nation as a framing category for writing cinema history. Many of the 34 contributors show that concepts of a national identity played a role in establishing the parameters of cinema's early development, from technological change to discourses of stardom, from emerging genres to intertitling practices. Yet, as others attest, national meanings could often become knotty in other contexts, when concepts of nationhood were contested in relation to colonial/imperial histories and regional configurations. Early Cinema and the "National" takes stock of a formative moment in cinema history, tracing the beginnings of the process whereby nations learned to imagine themselves through moving images.
A Knight at the Movies: Medieval History on Film
by John AberthImagining the Middle Ages is an unprecedented examination of the historical content of films depicting the medieval period from the 11th to the 15th centuries. Historians increasingly feel the need to weigh in on popular depictions of the past, since so much of the public's knowledge of history comes from popular mediums. Aberth dissects how each film interpreted the period, offering estimations of the historical accuracy of the works and demonstrating how they project their own contemporary era's obsessions and fears onto the past.