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Zygmunt Molik's Voice and Body Work: The Legacy of Jerzy Grotowski
by Giuliano Campo Zygmunt MolikOne of the original members of Jerzy Grotowski’s acting company, Zygmunt Molik’s Voice and Body Work explores the unique development of voice and body exercises throughout his career in actor training. This book, constructed from conversations between Molik and author Giuliano Campo, provides a fascinating insight into the methodology of this practitioner and teacher, and focuses on his ‘Body Alphabet’ system for actors, allowing them to combine both voice and body in their preparatory process.
Zoot Suit and Other Plays
by Luis ValdezThis anthology includes three of playwright and screenwriter Luis Valdez's most important and recognized plays, Zoot Suit, Bandido! and I Don't Have to Show You No Stinking Badges, and an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Valdez is the director of the famous farm-worker theater, El Teatro Campesino.
The Zombie
by Tim KellyThis is a comedy thriller in a weird and sinister setting the Okefenokee Swamp in Florida where voodoo practices are accepted. In a decayed mansion dripping with cobwebs and mystery, a former carnival hypnotist calling himself Baron Samedi and a crooked sheriff have developed an "unusual" business. They turn illegal immigrants, petty criminals and intruders into zombies and lease them out as farm laborers. Profits and success aren't enough, however. The hypnotist wants revenge against those who have wronged him in the past. Soon the house is shaking with thrills, shivering shocks, and a startling climax. For the young television producer and his two girls friends who stumble onto the grim proceedings, it's a night to remember, especially when they encounter "The Walking Dead". Despite the goosebumps, this chiller is loaded with genuine comedy and keeps its audience in a state of taut excitement and laughter. The roles are fun and production needs are simple.
The Zero Hour
by Madeleine GeorgeCharacters: 1 male, 2 femaleUnit SetRebecca and her chronically unemployed butch girlfriend, O, have created a happy nest in their run-down walk-up in Queens, but things are starting to unravel. The more O pushes Rebecca to stop hiding their relationship, the more Rebecca's work life-writing a textbook for seventh graders about the Holocaust- begins to bleed into her personal life: She starts meeting World War II Nazis on the 7 train, passing as hipster professionals in New York City but hungry to come out about who they really are. Back home in Queens, O is also sparring with convincingly real visions: her long estranged-and recently dead?-mother keeps showing up to argue with her about her choices. This almost-love story explores the relationship between honesty and cruelty: How do you tell the truth about yourself when that truth might devastate the people you love? A tour-de-force for two actors playing eight different roles."A lucid drama. Appealingly brainy and messy, George's play never settles for an easy metaphor or emotion. It cross-examines our pat notions of history and love."- The New Yorker"Grabs our interest from its first provocative line. The Zero Hour is a work to savor."- Back Stage"Bold, thoughtful, and incredibly beautiful." - CurtainUp"A striking new play. Refreshingly original." -TheatreMania
Zen and the Art of the Monologue
by Jay SankeyJay Sankey--stand-up comic, magician, and cartoonist--is back with another book for performers. Building on the success of his Zen and the Art of Stand-up Comedy, Jay is moving further into the uncharted wilds of solo performance.
Zen and the Art of Stand-Up Comedy (Theatre Arts Ser.)
by Jay SankeyIn this engaging and disarmingly frank book, comic Jay Sankey spills the beans, explaining not only how to write and perform stand-up comedy, but how to improve and perfect your work. Much more than a how-to manual Zen and the Art of Stand-Up Comedy is the most detailed and comprehensive book on the subject to date.
Zeami: Performance Notes (Translations from the Asian Classics)
by Motoyiko ZeamiZeami (1363-1443), Japan's most celebrated actor and playwright, composed more than thirty of the finest plays of no drama. He also wrote a variety of texts on theater and performance that have, until now, been only partially available in English. Zeami: Performance Notes presents the full range of Zeami's critical thought on this subject, which focused on the aesthetic values of no and its antecedents, the techniques of playwriting, the place of allusion, the training of actors, the importance of patronage, and the relationship between performance and broader intellectual and critical concerns. Spanning over four decades, the texts reflect the essence of Zeami's instruction under his famous father, the actor Kannami, and the value of his long and challenging career in medieval Japanese theater. Tom Hare, who has conducted extensive studies of no academically and on stage, begins with a comprehensive introduction that discusses Zeami's critical importance in Japanese culture. He then incorporates essays on the performance of no in medieval Japan and the remarkable story of the transmission and reproduction of Zeami's manuscripts over the past six centuries. His eloquent translation is fully annotated and includes Zeami's diverse and exquisite anthology of dramatic songs, Five Sorts of Singing, presented both in English and in the original Japanese.
La zapatera prodigiosa | Mariana Pineda (Teatro completo #1)
by Federico García LorcaLa zapatera prodigiosa | Mariana Pineda es el cuarto volumen de la Biblioteca Federico García Lorca y el primero que compila su «Teatro completo». La figura de Federico García Lorca abraca, tanto en España como en el exterior, mucho más que su literatura. En este libro se ofrecen al lector clásicos lorquianos como Mariana Pineda, La zapatera prodigiosa, Retablillo de don Cristóbal y la Tragicomedia de don Cristóbal, junto con la Charla sobre teatro ofrecida por el autor a modo de introducción a este arte. La edición y los prólogos, a cargo de Miguel García-Posada, permiten al lector acercarse a la complejidad de su obra y disfrutar, a lo largo de los siete volúmenes que componen esta Biblioteca Federico García Lorca, de uno de los autores españoles más relevantes del siglo XX. Pablo Neruda escribió:«Porque por ti pintan de azul los hospitalesycrecen las escuelas y los barrios marítimos,y se pueblan de plumas los ángeles heridos,y se cubren de escamas los pescados nupciales,y van volando al cielo los erizos:por ti las sastrerías con sus negras membranasse llenan de cucharas y de sangrey tragan cintas rotas, y se matan a besos,y se visten de blanco.» --------------------------------------------------------------------------BIBLIOTECA FEDERICO GARCÍA LORCA Poesía competa:1. Libro de poemas | Primeras canciones | Canciones2. Romancero gitano | Poema del cante jondo3. Poeta en Nueva York | Sonetos Teatro completo:4. La zapatera prodigiosa | Mariana Pineda5. El público | Así que pasen cinco años6. Bodas de sangre | Yerma7. La casa de Bernarda Alba | Doña Rosita la soltera--------------------------------------------------------------------------
Zalman or the Madness of God
by Elie WieselAn interesting study of a rabbi's struggle against religious persecution in post-Stalin Russia.
Yuri Lyubimov: At The Taganka Theatre, 1964-1994
by B. BeumersA study of Yury Lyubimov's tempestuous career and his style of theatre during his thirty years at the Taganka Theatre. This work traces the development of his ideas, from his arrival at the theatre in 1964 through to his explusion in 1984, and his period of exile in the West until his return in 1989 to a much-changed Russia. Tracing Lyubimov's work play by play, the book uncovers an individual doomed to be at odds with the prevailing political and social climate of his literary contemporaries.
Yukonstyle
by Sarah Berthiaume Nadine DesrochersGarin was two years old when his mother disappeared from a run-down East Vancouver neighbourhood. And now that the Robert Pickton trials are gaining national attention, Garin wonders if his mother, a First Nations woman, could be one of the unidentified victims. His ailing father isn't forthcoming with answers, and Garin's suspicions are at an all-time high. In the midst of all this, his roommate Yuko has taken in Kate, a young pregnant hitchhiker who unintentionally wreaks havoc on their friendship. But when Garin's father is hospitalized, nothing else matters but finally determining the truth about his mother. In this deftly written play, the characters grapple with the harsh Yukon winter within a world of racism, addiction, and loneliness.
You've Got Hate Mail
by Billy Van Zandt Jane MilmoreComedy / Characters: 2m, 3f / Unit Set "LOL! An audience is guaranteed to do just that" at this hilarious broadband comedy of errors. You've Got Hate Mail is Billy Van Zandt and Jane Milmore's comic answer to A.R. Gurney's Love Letters. In You've Got Hate Mail, love "bytes" all when an extra-marital affair goes horribly wrong, thanks to a juicy e-mail left sitting on a desktop. The story is told entirely in e-mails from laptop computers, although the play still manages to have an unforgettable chase scene - thanks to Blackberries and iPhones. The heartiest laugh-for-laugh show of all the Van Zandt-Milmore comedies. "Outright guffaws greeted this 75-minute, intermissionless free-for-all!" -Peter Filichia, Newark Star Ledger "A funny play where the verbals zingers fly fast and furious!" -Tom Chesek, Asbury Park Press
Youth Theatre: Drama for Life
by Michael RichardsonYouth Theatre: Drama for Life defines the youth theatre process, by outlining its constituent parts and explaining how these activities work in order to support young people’s development. As well as describing what?is done in youth theatre, it also explores why it’s done and how to ensure the best possible outcomes. The book is in four parts: Part 1 explores the nature and purpose of youth theatre, drawing on Michael Richardson’s extensive personal experience as a practitioner and manager. Part 2 explains, in detail, the youth theatre process: warming up, playing games, voice work, developing skills, devising and the presentation of devised work. Part 3 discusses how to create an appropriate environment within which the youth theatre process can be most effectively applied. Part 4 covers the most common applications of the youth theatre process, namely using it in different education environments; and youth theatre productions and performance. On top of this, two appendices give a list of over 60 games that are useful to use in youth theatre; and a list of recommended further reading that supports this book. As well as giving key tips and advice from his own invaluable experience, Richardson offers comments from practitioners and participants on what makes a successful youth theatre experience. Michael Richardson has worked in youth theatre for over 20 years, has been involved in the training of other practitioners, and in the strategic development of the youth theatre sector in the UK.
Your Screenplay Sucks!: 100 Ways To Make It Great
by William M. AkersA lifetime member of the Writer's Guild of America who has had three feature films produced from his screenplays, Akers offers beginning writers the tools they need to get their screenplay noticed.
Your Murderer (Russian Theatre Archive Ser. #Vol. 18.)
by Vassily AksyonovFrom Russia comes this ironic, satirical, multi-layered, modern pop-art parable by Vassily Aksyonov. Your Murderer is a richly grotesque hodgepodge of different linguistic levels that defies all rules and mixes a powerful cocktail out of traditional slogans, invented obscentities, foreign words and phrases, terminology from sports and heavy drinking, and pure nonsense. Daniel Gerould is Lucille Lortel Distinguished Professor of Theater and Comparative Literature at the City University of New York. He is the Editor of Slavic and East European Performance and of harwood academic publishers's Polish and East European Theater Archive series. Your Murderer comes from Russia and is an ironic, satirical, multi-layered, modern pop-art parable - richly grotesque and on different linguistic levels. that defies all rules, mixing a powerful cocktail out of traditional slogans, invented obscentities, foreign words and phrases, terminology from sports and heavy drinking, and pure nonsense.
Your Move: A New Approach to the Study of Movement and Dance
by Ann Hutchinson GuestYour Move: A New Approach to the Study of Movement and Dance establishes a fresh and original framework for looking at dance. In examining the basic elements of dance - the Alphabet of Movement - and using illustrations of movement technique and notation symbols it provides a new way to see, to teach and to choreograph dance. This book gives a list of primary actions upon which all physical activity is gased, focusing on both the functional and expressive sides of movement. It draws upon the author's broad experience in ballet, modern and ethnic dance to reinterpret movement and to shed new light on the role of movement in dance. Your Move is an important book not only for dancers but also for instructors in sport and physical therapy. Each copy of Your Move comes complete with exercise sheets, which can also be purchased separately. A teacher's guide has also been designed providing notes on each chapter, approaches to the exploration of movement, interpretation of the reading studies, additional information of motif description and answers to the exercise sheets. An optional audio cassette, with music written and recorded especially for use with the book, is also available.
Your Move: Exercise Sheets
by Ann Hutchinson GuestFirst published in 1995. A collection of sixty exercise sheets for activities in dance that include such areas as shifting body areas, body direction like tilting, displacement, and destination motion as well as contraction, elongation, folding, rotational twists, and the five forms of aerial steps.
Your Move: A Teachers Guide
by Ann Hutchinson GuestThe author takes a new approach to teaching notation through movement exercises, thus enlarging the scope of the book to teachers of movement and choreography as well as the traditional dance notation students. Updated and enlarged to reflect the most recent scholarship and through a series of exercises, this book guides students through: movement, stillness, timing, shaping, accents travelling direction, flexion and extension rotations, revolutions and turns supporting balance relationships. All of these movements are related to notation, so the student learns how to notate and describe the movements as they are performed.
Your Move
by Ann Hutchinson Guest Tina CurranThis second edition of this well-known text book now offers downloadable resources to accompany the dance studies throughout the chapters. The authors take a new approach to teaching, learning and creating with notation through movement exploration, exercises and short dances, thus enlarging the scope of the book to teachers of movement, movement analysis and choreography as well as the traditional dance notation students.Updated and enlarged to reflect the most recent scholarship and through a series of exercises, this book guides students through:movement, stillness, timing, shaping, accentstravellingdirection, flexion and extension,rotations, revolutions and turnssupporting, change of supportspringingbalancerelationships.All of these movements are explored sequentially and are represented symbolically in notation so the student learns how to physically articulate, notate and describe the movements as they are performed.
Your Flake or Mine?
by Jack SharkeyFarce / 3m, 3f / Interior / Tony Dawson, a greeting card writer, has lost his wife Margo because he talks in couplets on the wrong occasions. She plans to marry her boss, a breakfast food tycoon. Tony, in a last ditch attempt to win her back, offers to throw a no hard feelings engagement party. His plans are complicated by the arrival of a friend who is a perpetual student, the nightclub singer for whom he is writing special material, and his editor who stops by just before the party to collect his monthly greeting card output. Irv is wearing a towel on his way to the shower, Coral gets her dress ripped off, and the editor in the go go outfit is stashed in the closet which Tony pretends is a darkroom. Add to this a nightclub full of midget waiters, a ghastly television show on which Tony accidentally pans Saga more's breakfast cereal, and all manner of people being shoved behind screens, out into halls, into closets and shower stalls and you have one of the wackiest farces ever seen on a stage.
Your Body Knows: A Movement Guide for Actors
by Jana Tift Meade AndrewsYour Body Knows provides the foundation actors need to move with ease and power. It is a practical guide to movement starting at the very beginning: knowing your body and experiencing how it works. Through the work of F.M. Alexander, Rudolf Laban, and Michael Chekhov, this book offers basic training in movement fundamentals. Its step-by-step process supports the actor's work in any acting or movement training program and as a working professional. The book focuses on three main areas of exploration: Body facts – Know your body and its design for movement. Let go of misinformed ideas about your body. Move more freely, avoid injury, and develop a strong body-mind connection. Movement facts – What is movement? Discover the movement fundamentals that can serve your art. Explore new ways of moving. Creative Inspiration – Connect your body, mind, and imagination to liberate authentic and expressive character movement. Your Body Knows: A Movement Guide for Actors is an excellent resource for acting students and their teachers, promoting a strong onstage presence and awakening unlimited potential for creative expression.
A Younger Ten: Writing the Ten-Minute Play
by Gary GarrisonIn A Younger Ten: Writing the Ten-Minute Play, Gary Garrison distills the playwriting guidance pioneered in his widely consulted Perfect Ten (2001) and A More Perfect Ten (2008), here recast for the needs of aspiring ten-minute playwrights at the high school level. Not satisfied with merely telling how such a play is crafted, Garrison includes a new all-star lineup of eight complete ten-minute plays by a variety of playwrights, emerging as well as established, that can serve as models for writers just starting out in the genre.
Young Shakespeare’s Young Hamlet
by Terri BourusOne of the most vexing textual, theatrical, and interpretive puzzles in Shakespeare studies is the existence of three different versions of Hamlet. In this groundbreaking work, Shakespeare scholar Terri Bourus argues that this puzzle can only be solved by drawing on multiple kinds of evidence and analysis, including history of the book, theatre history, biography, performance studies, and close readings of textual variants. Combining the history of print culture with practical theatrical experience and special attention to Hamlet's women, Bourus presents here a case study of the "dramatic intersections" between Shakespeare's literary and theatrical working practices. In the process, she reshapes our assumptions about the beginning of Shakespeare's career and his artistic evolution.
The Young Pretender
by Michael Arditti"An engrossing, enthralling and utterly captivating read, The Young Pretender tells a simply remarkable story with bounce, energy, wit, and lively authenticity . . . Michael Arditti's brilliant imaginative achievement offers high comedy, dark tragedy and everything between" STEPHEN FRY"The Young Pretender is an absolute joy - charming and funny, with the lightest hint of melancholy, and a wonderfully imaginative recreation of the Georgian theatre scene" KATE SAUNDERS"I loved how Arditti conjures...the smell of the theatre and the ghosts of these bygone players that haunt the stage...and the wonderful period details. Arditti wears his research so lightly" LARUSHKA IVAN-ZADEH, reviewing on Radio 4's FRONT ROW *****Mobbed by the masses, lionised by the aristocracy, courted by royalty and lusted after by patrons of both sexes, the child actor William Henry West Betty was one of the most famous people in Georgian Britain.At the age of thirteen, he played leading roles, including Romeo, Macbeth and Richard III, in theatres across the country. Prime Minister William Pitt adjourned the House of Commons so that its members could attend his debut as Hamlet at Covent Garden. Then, as rivals turned on him and scandal engulfed him, he suffered a fall as merciless as his rise had been meteoric."Arditti's voice as Betty is impeccable. He is touchy, sometimes myopic, sincere in his ambitions. His attempts to reclaim lost glory are run through with an affecting melancholy" The TimesThe Young Pretender takes place during Betty's attempted comeback at the age of twenty-one. As he seeks to relaunch his career, he is forced to confront the painful truths behind his boyhood triumphs. Michael Arditti's revelatory new novel puts this long forgotten figure back in the limelight. In addition to its rich and poignant portrait of Betty himself, it offers an engrossing insight into both the theatre and society of the age. The nature of celebrity, the power of publicity and the cult of youth are laid bare in a story that is more pertinent now than ever."Entrancing and disturbing" ALLAN MASSIE, The Scotsman"Michael Arditti tells a story of a Regency child star with great panache and compassion, bringing a forgotten celebrity back to life for the modern age. A compelling read I was sad to finish." LINDA GRANT"Michael Arditti is a writer who takes risks. His material is always compelling and provocative, his techniques sophisticated and oblique" PATRICIA DUNCKER, Independent on Sunday "Arditti is a master storyteller" PETER STANFORD, Observer
The Young Pretender
by Michael Arditti"An engrossing, enthralling and utterly captivating read, The Young Pretender tells a simply remarkable story with bounce, energy, wit, and lively authenticity . . . Michael Arditti's brilliant imaginative achievement offers high comedy, dark tragedy and everything between" STEPHEN FRY"The Young Pretender is an absolute joy - charming and funny, with the lightest hint of melancholy, and a wonderfully imaginative recreation of the Georgian theatre scene" KATE SAUNDERS"I loved how Arditti conjures...the smell of the theatre and the ghosts of these bygone players that haunt the stage...and the wonderful period details. Arditti wears his research so lightly" LARUSHKA IVAN-ZADEH, reviewing on Radio 4's FRONT ROW *****"A vivid, highly detailed portrait of life in rumbustious Regency London" Mail on SundayMobbed by the masses, lionised by the aristocracy, courted by royalty and lusted after by patrons of both sexes, the child actor William Henry West Betty was one of the most famous people in Georgian Britain.At the age of thirteen, he played leading roles, including Romeo, Macbeth and Richard III, in theatres across the country. Prime Minister William Pitt adjourned the House of Commons so that its members could attend his debut as Hamlet at Covent Garden. Then, as rivals turned on him and scandal engulfed him, he suffered a fall as merciless as his rise had been meteoric."Arditti's voice as Betty is impeccable. He is touchy, sometimes myopic, sincere in his ambitions. His attempts to reclaim lost glory are run through with an affecting melancholy" The TimesThe Young Pretender takes place during Betty's attempted comeback at the age of twenty-one. As he seeks to relaunch his career, he is forced to confront the painful truths behind his boyhood triumphs. Michael Arditti's revelatory new novel puts this long forgotten figure back in the limelight. In addition to its rich and poignant portrait of Betty himself, it offers an engrossing insight into both the theatre and society of the age. The nature of celebrity, the power of publicity and the cult of youth are laid bare in a story that is more pertinent now than ever."Entrancing and disturbing" ALLAN MASSIE, The Scotsman"Michael Arditti tells a story of a Regency child star with great panache and compassion, bringing a forgotten celebrity back to life for the modern age. A compelling read I was sad to finish." LINDA GRANT"Michael Arditti is a writer who takes risks. His material is always compelling and provocative, his techniques sophisticated and oblique" PATRICIA DUNCKER, Independent on Sunday "Arditti is a master storyteller" PETER STANFORD, Observer