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Death of Bessie Smith, the Sandbox, and the American Dream: The Death of Bessie Smith, The Sandbox, The American Dream
by Edward AlbeeThis new collection features three acclaimed one-act plays from Edward Albee's early years. With the initial productions of The Death of Bessie Smith, The Sandbox, and The American Dream, Albee consolidated his reputation as a brilliant new talent of the New York theater scene. These three plays tackle major themes such as race relations, American family life, and the essence of theater itself -- each of which still continue to resonate. Representing the bold and exciting periods in the then young career of widely consideredAmerica's most popular and imaginative playwrights, this edition is a must-have for theater lovers.
A Delicate Balance
by Edward AlbeeEdward Albee. Full Length, Drama . Characters: 2 male, 4 female . Interior Set . This Pulitzer Prize winner enjoyed a stunning Broadway revival in 1996 with George Gizzard, Rosemary Harris and Elaine Stritch. Wealthy middle-aged couple, Agnes and Tobias have their complacency shattered when Harry and Edna, longtime friends appear at their doorstep. Claiming an encroaching, nameless "fear" has forced them from their own home, these neighbors bring a firestorm of doubt, recrimination and ultimately solace, upsetting the "delicate balance" of Agnes and Tobias' household.. Winner of the 1996 Drama Desk and Award, Best Revival. . "Powerful...A beautiful play filled with humor and compassion, and touched with poetry...[with] the stature and eloquence of a classic."-New York Daily News . "A brilliant play."-New York Post . "An evening of theatrical fireworks."-The New York Times
A Delicate Balance
by Edward AlbeeOne of Edward Albee's most celebrated works, A Delicate Balance premiered on Broadway in 1966 and won the Pulitzer Prize for Drama in 1967, the first of three he has received for his work. The play revolves around wealthy middle-aged couple Agnes and Tobias, who have their complacency shattered when their longtime friends Harry and Edna appear at their doorstep. Claiming an encroaching, nameless "fear" has forced them from their own home, these neighbors bring a firestorm of doubt, recrimination and ultimately solace, upsetting the "delicate balance" of Agnes and Tobias's household. In recent years, A Delicate Balance has enjoyed many and new stunning revivals, running now, including a Broadway production in 1996, which won the Tony Award for Best Revival, and another at the Alameida Theatre in London in 2011.
The Goat, or Who Is Sylvia?: Broadway Edition
by Edward Albee“Four decades after Virginia Woolf sent shock waves through the mainstream theatre, Mr. Albee still asks questions that no other major American dramatist dares to ask." –Ben Brantley, The New York Times Three-time Pulitzer Prize-winner Edward Albee’s most provocative, daring, and controversial play since Who's Afraid of Virginia Woolf, The Goat won all the major awards for best new play of the year (Tony, New York Drama Critics Circle, Drama Desk, and Outer Critics Circle). In the play, Martin-a hugely successful architect who has just turned fifty-leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with a goat (named Sylvia), he sets in motion events that will destroy his family and leave his life in tatters. The playwright himself describes it this way: “Every civilization sets quite arbitrary limits to its tolerances. The play is about a family that is deeply rocked by an unimaginable event and how they solve that problem. It is my hope that people will think afresh about whether or not all the values they hold are valid.”
The Goat, or Who Is Sylvia?: Broadway Edition
by Edward Albee"Four decades after Virginia Woolf sent shock waves through the mainstream theatre, Mr. Albee still asks questions that no other major American dramatist dares to ask." -Ben Brantley, The New York Times Three-time Pulitzer Prize-winner Edward Albee's most provocative, daring, and controversial play since Who's Afraid of Virginia Woolf, The Goat won all the major awards for best new play of the year (Tony, New York Drama Critics Circle, Drama Desk, and Outer Critics Circle). In the play, Martin-a hugely successful architect who has just turned fifty-leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with a goat (named Sylvia), he sets in motion events that will destroy his family and leave his life in tatters. The playwright himself describes it this way: "Every civilization sets quite arbitrary limits to its tolerances. The play is about a family that is deeply rocked by an unimaginable event and how they solve that problem. It is my hope that people will think afresh about whether or not all the values they hold are valid."
The Goat or Who is Sylvia?
by Edward AlbeeOn his 50th birthday, Martin, a world-famous architect prepares for a recorded interview by an old friend in the TV business; but in the course of the conversation a secret emerges that threatens to turn celebration to tragedy. The Goat is hugely enjoyable parable that plumbs the deepest questions of social constraints on the individual expression of love. "My plays are an examination of the American Scene, an attack on the substitution of artificial for real values in our society, a condemnation of complacency, cruelty and emasculation and vacuity, a stand against the fiction that everything in this slipping land of ours is peachy keen" - Edward Albee Winner of the 2001 Tony Award for Best Play Shortlisted for the Pulitzer Prize for Drama, 2002
Play About the Baby: Trade Edition
by Edward AlbeeWinner of three Pulitzer Prizes for Drama during his long and distinguished career, Edward Albee is one of America’s preeminent playwrights. The Play About the Baby is an absurdist black comedy, reminiscent of burlesque in its high spirits and banter, that grapples with such issues as reality and the games we play to define it, the ambiguity of existence, and the agonizing bonds between parents and children. A fresh young couple—Boy and Girl—have a new baby, whom an older couple—Man and Woman—have come to steal. Why? Because, as Man says, “If you don’t have the wound of a broken heart, how can you know you’re alive?” Brutal loss—the loss of a child or childhood self—has been a recurring Albee theme, and Ben Brantley of the New York Times summed up the critical reaction to The Play About the Baby when he called it a “funny, harrowing dramatic fable … as explicit and concise a statement of what Mr. Albee believes as he is ever likely to deliver.”
Play About the Baby: Trade Edition
by Edward AlbeeWinner of three Pulitzer Prizes for Drama during his long and distinguished career, Edward Albee is one of America's preeminent playwrights. The Play About the Baby is an absurdist black comedy, reminiscent of burlesque in its high spirits and banter, that grapples with such issues as reality and the games we play to define it, the ambiguity of existence, and the agonizing bonds between parents and children. A fresh young couple--Boy and Girl--have a new baby, whom an older couple--Man and Woman--have come to steal. Why? Because, as Man says, "If you don't have the wound of a broken heart, how can you know you're alive?" Brutal loss--the loss of a child or childhood self--has been a recurring Albee theme, and Ben Brantley of the New York Times summed up the critical reaction to The Play About the Baby when he called it a "funny, harrowing dramatic fable ... as explicit and concise a statement of what Mr. Albee believes as he is ever likely to deliver."
The Play About the Baby
by Edward AlbeeThe Play About the Baby is an absurdist black comedy from one of America's premier dramatists. Reminiscent of burlesque in its high spirits and banter, the play focuses on a fresh young couple who are visited by an older man and woman, who have come to steal their child. Grappling with the agonizing bonds between parents and children, The Play About the Baby is a wicked, concise and provocative summation of the themes that have guided Albee's legendary career.
Seascape
by Edward AlbeeDealing with an almost surreal Howard Hughes-like figure, a bearded recluse who is the richest man in the world, this often comic and brilliantly revealing allegory continues the playwright's preoccupation with the mythic aspects of American life. <P><P> Pulitzer Prize Winner
Seascape: The Entire Appalling Business
by Edward Albee“Hats off, and up in the air! A major dramatic event.” The New York Times On the heels of the success of Edward Albee’s The Collected Plays of Edward Albee, Overlook brings back—in a stand-alone volume—one of Albee’s most cherished plays, a fantastic story of what it means to be alive—winner of the 1975 Pulitzer Prize for Drama. On a deserted stretch of beach, a middle-aged couple relaxes after a picnic lunch and converse idly about home, family, and their life together. She sketches; he naps. Then, suddenly, they are joined by two sea creatures, a pair of lizards from the depths of the ocean, with whom they engage in a fascinating dialogue. The emotional and intellectual reverberations of this bizarre conversation will linger in the heart and the mind long after the curtain falls—or the last page is turned.
Three Tall Women
by Edward AlbeeAlbee’s frank dialogue about everything from incontinence to infidelity portrays aging without sentimentality. His scenes are charged with wit, pain, and laughter, and his observations tell us about forgiveness, reconciliation, and our own fates. But it is his probing portrait of the three women that reveals Albee’s genius.
Who's Afraid of Virginia Woolf?
by Edward Albee"Twelve times a week," answered Uta Hagen, when asked how often she'd like to play Martha in Who's Afraid of Virginia Woolf? Like her, audiences and critics alike could not get enough of Edward Albee's masterful play. A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening's end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With the play's razor-sharp dialogue and the stripping away of social pretense, Newsweek rightly foresaw Who's Afraid of Virginia Woolf? as "a brilliantly original work of art-an excoriating theatrical experience, surging with shocks of recognition and dramatic fire [that] will be igniting Broadway for some time to come."
Cat on a Hot Tin Roof
by Edward Albee Tennessee WilliamsThe definitive text of this American classic--reissued with an introduction by Edward Albee (Who's Afraid of Virginia Woolf? and A Delicate Balance) and Williams' essay "Person-to-Person." Cat on a Hot Tin Roof first heated up Broadway in 1955 with its gothic American story of brothers vying for their dying father's inheritance amid a whirlwind of sexuality, untethered in the person of Maggie the Cat. The play also daringly showcased the burden of sexuality repressed in the agony of her husband, Brick Pollitt. In spite of the public controversy Cat stirred up, it was awarded the Pulitzer Prize and the Drama Critics Circle Award for that year. Williams, as he so often did with his plays, rewrote Cat on a Hot Tin Roof for many years--the present version was originally produced at the American Shakespeare Festival in 1974 with all the changes that made Williams finally declare the text to be definitive, and was most recently produced on Broadway in the 2003-04 season. This definitive edition also includes Williams' essay "Person-to-Person," Williams' notes on the various endings, and a short chronology of the author's life. One of America's greatest living playwrights, as well as a friend and colleague of Williams, Edward Albee has written a concise introduction to the play from a playwright's perspective, examining the candor, sensuality, power, and impact of Cat on a Hot Tin Roof then and now.
Kate in Waiting
by Becky AlbertalliFrom #1 New York Times bestselling author and rom-com queen Becky Albertalli comes a buoyant new novel about daring to step out of the shadows and into the spotlight in love, life, and, yes, theater. <P><P>Contrary to popular belief, best friends Kate Garfield and Anderson Walker are not codependent. Carpooling to and from theater rehearsals? Environmentally sound and efficient. Consulting each other on every single life decision? Basic good judgment. Pining for the same guys from afar? Shared crushes are more fun anyway. <P><P>But when Kate and Andy’s latest long-distance crush shows up at their school, everything goes off-script. Matt Olsson is talented and sweet, and Kate likes him. She really likes him. The only problem? So does Anderson. <P><P>Turns out, communal crushes aren’t so fun when real feelings are involved. This one might even bring the curtains down on Kate and Anderson’s friendship.
Frambuesas ao Amanhecer
by Alberto Aranda de la GalaA história eo caminho de um jovem que, depois de un eventual happenour na sua vida - a morte do seu melhor amigo - decide sair da aldeia onde vive y viaja para una gran cita en busca de la fama y hace exito ... custe o que custar. Recriada nos anos 90, em Espanha.
American Television during a Television Presidency (Contemporary Approaches to Film and Media Series)
by Michael Mario Albrecht Hannah Andrews Kathryn Castle Steven Cohan K. Scott Culpepper Kwakiutl L. Dreher Jessica Ford Teresa Forde Gregory Frame Oliver Gruner Rafal Kus Aimee Mollaghan Martin Murray Donna Peberdy Karen McNally Dolores Resano Simon Stow Martin Zeller-JacquesIn American Television during a Television Presidency, Karen McNally and contributors critically examine the various ways in which television became transfixed by the Trump presidency and the broader political, social, and cultural climate. This book is the first to fully address the relationship between TV and a presidency consistently conducted with television in mind. The sixteen chapters cover everything from the political theater of televised impeachment hearings to the potent narratives of fictional drama and the stinging critiques of comedy, as they consider the wide-ranging ways in which television engages with the shifting political culture that emerged during this period. Approaching television both historically and in the contemporary moment, the contributors¾an international group of scholars from a variety of academic disciplines¾illuminate the indelible links that exist between television, American politics, and the nation’s broader culture. As it interrogates a presidency played out through the lens of the TV camera and reviews a medium immersing itself in a compelling and inescapable subject, American Television during a Television Presidency sets out to explore what defines the television of the Trump era as a distinctive time in TV history. From inequalities to resistance, and from fandom to historical memory, this book opens up new territory in which to critically analyze television’s complex relationship with Donald Trump, his presidency, and the political culture of this unsettled and simultaneously groundbreaking era. Undergraduate and graduate students and scholars of film and television studies, comedy studies, and cultural studies will value this strong collection.
Mis cabellos: ¿Mal para quién?
by Iris Albuquerque"Mis cabellos, ¿mal para quién?" Se trata de un relato narrado por Laura, una mujer negra, dónde nos cuenta la historia de su vida, pero enfocándose en los traumas y prejuicios que vivió desde la escuela. En este libro también vive un poco de la historia de Julio y Rita, amigos inseparables de Laura. Y de una forma triste y a veces divertida, Laura nos cuenta sobre sus miedos, sus sueños y sus dramas. Momentos marcados en su infancia, adolescencia e inicio de su adultez. Ella busca formas de encarar los hechos sin necesidad de sufrir mucho por ello, y principalmente, de vivir una vida adulta sin traumas. Y entre lágrimas y sonrisas, los romances no dejan de existir en la historia de Laura, volviendo la lectura apasionante y envolvente. ¡No es revuelta, es libertad!
Mes cheveux , affreux pour qui ?
by Iris Albuquerque Audrey BroduO que é preciso saber é Laura, une héroïne noire. Nous relatons ici la trajectoire vie, inter, nous nous focalisons sur les traumatismes et les préjugés qu'elle a vécu depuis le jardin d'enfance. Dans ce free a ya aussi un peu de l'histoire de Júlio et Rita, les amis inséparables de Laura. C'est à fois triste e o convidados momentos divertidos. Laura nous raconte, ses rêves, ses drames. Les moments qui marté son enfance, son adolescence et début de sa vie d'adulte. Elle cherche des moyens d'affronter les faits sans pour autant renoncer à tout. E o diretor não pode ser visto como um traumatismo. E peare os cavaleiros, os romances de amor, uma próxima paixão pela história da Laura, apresenta uma palestra à moda apaixonante e cativante. Mais do que isso, você pode curtir mais um hino à liberdade!
I miei capelli, a chi non piacciono?
by Iris Albuquerque Martina MorbidiniE a história de Laura, uma ragazza nera, raccontata atrapalhou uma pagina do suo diario. Il libro si concentra sulla sugli episodi traumatici e di discriminazione che marcano la sua vita partire prime esperienze a scuola. Busca livre é uma história de Julio e de Rita, amici inseparabili di Laura. Con ti malinconi ma in episodi spesso divertenti, Laura ci confessa le sue paure, i suoi sogni ei suoi problemi. Momenti marcanti della sua infanzia, adolescenza e della prima fase dell'età adulta. Laura ricerca nuove forme per affareare fatti senza dover rinunciare al suo passato, ma per vivere serena e senza portarsi dietro troppi traumi. E tra lacrime e risate, episodi romantici si avvicendano nella sua storia, rendendo la lettura appassionante e avvolgente. Não é ribellione, è libertà!
The Art of Voice Acting: The Craft and Business of Performing for Voiceover (Fifth Edition)
by James AlburgerFrom basic acting techniques and exercises for keeping the voice in top condition, to marketing and promotion of the actor, The Art of Voice Actingcovers it all. Now in its fifth edition, this essential book is packed with expert advice on job opportunities and career management tips; it is the ideal resource for anyone wanting to maximize their success in the industry. Complete with a companion website and QR codes that link directly to additional material such as audio for every script included in the book, more exercises, and voice relaxation techniques, this is the complete package that gives voiceover actors, and those in related fields, a clear, no-nonsense introduction to the business and art of voice acting. New and updated in this edition: All new scripts and voice exercises More voice and acting techniques Coverage of new trends, including online demos and online auditions Additional coverage of audiobooks and new information on home studio technology All new contributions from some of the top voice talent in the world
The Art of Voice Acting: The Craft and Business of Performing for Voiceover
by James AlburgerThe Art of Voice Acting covers all aspects of the craft and business of performing voiceover. This sixth edition is reorganized and completely updated to include the latest information on how to get started in voiceover, performing techniques, setting up a personal recording space, voiceover demos, the basics of running a voiceover business, working with agents, unions, and much more. Dozens of URL’s are included with additional resources and several chapters include all new scripts written specifically for this edition. Two new chapters include contributions from some of the voiceover world’s top professionals. Additional content can be found on the Voice Acting Academy website at AOVA.VoiceActing.com. This is the perfect tool for aspiring voice performers, radio announcers, and stage and screen actors.
Little Women (De Forest)
by Louisa M. Alcott Marion De ForestComedy / 5m, 7f / Interior, exterior / This play tells a sentiment awakening tale in a simple and yet effective manner. It imparts entertainment without offending our sense of propriety and good taste, and gives us amusement of a beautiful kind, delivering its message of hope and cheer in a way that cannot but impart beneficial thoughts and send us from the theater with a higher opinion of humankind than we had when we entered.
Comic Tragedies
by Louisa May AlcottFans of Louisa May Alcott's Little Women will remember the elaborate plays which the March sisters loved to perform. This volume, published after Alcott's death, is a compilation of the real plays written by her and her sisters, which were fictionalized in Little Women.
Shakespeare: From The Quarto Of 1609, With Variorum Readings And Commentary (Routledge Revivals)
by Raymond Macdonald AldenThis fascinating title, first published in 1922, presents a detailed overview of the life and works of Shakespeare. Alden first considers Shakespeare’s Elizabethan context, alongside exploring the Classical and Italian foundations, political theories, concepts and theatrical trends that influenced his works. Next, a comprehensive biography provides insight into Shakespeare’s probable education, relationships and contemporaries. The final sections are devoted to the genres into which Shakespeare’s works have been categorised, with full analyses of and backgrounds to the poems, histories, comedies and tragedies. An important study, this title will be of particular value to students in need of a comprehensive overview of Shakespeare’s life and works, as well as the more general inquisitive reader.