- Table View
- List View
Global Convergence Cultures: Transmedia Earth (Routledge Advances in Internationalizing Media Studies)
by Matthew Freeman William ProctorToday’s convergent media industries readily produce stories that span multiple media, telling the tales of superheroes across comics, film and television, inviting audiences to participate in the popular universes across cinema, novels, the Web, and more. This transmedia phenomenon may be a common strategy in Hollywood’s blockbuster fiction factory, tied up with digital marketing and fictional world-building, but transmediality is so much more than global movie franchises. Different cultures around the world are now making new and often far less commercial uses of transmediality, applying this phenomenon to the needs and structures of a nation and re-thinking it in the form of cultural, political and heritage projects. This book offers an exploration of these national and cultural systems of transmediality around the world, showing how national cultures – including politics, people, heritage, traditions, leisure and so on – are informing transmediality in different countries. The book spans four continents and twelve countries, looking across the UK, Spain, Portugal, France, Estonia, USA, Canada, Colombia, Brazil, Japan, India, and Russia.
Global Citizenship, Ecomedia and English Language Education (Palgrave Studies in Education and the Environment)
by Ricardo RömhildThis book presents a unique framework for the inclusion of ecomedia in the English language classroom to help learners cultivate global citizenship. Foregrounding learner agency in a world at risk, the author proposes a framework that hinges on human rights and critical eco-cosmopolitanism to help learners position themselves in discourses on climate change and act for transformation. The book discusses eco-documentaries as multimodal, factional texts against the background of cutting-edge research, refuting a definition based on the binary of fiction and non-fiction. Translating the insights gained from this discussion to the language education context, learners are conceptualised as active designers of meaning making when engaged with eco-documentaries. Based on this discussion, the book puts forth an innovative, multiliteracies-informed concept which is embedded in a sustainability-oriented pedagogy of hope, which encourages learners to learn and practice languages of hope and advocacy. The book will be of interest to scholars in the fields of ecopedagogy, sustainability education, global citizenship education and cultural learning, film pedagogy and language education, as well as language educators.
Global Cinematic Cities: New Landscapes of Film and Media
by Johan Andersson Lawrence WebbCapturing a rapidly transforming urban world, this collection investigates the emerging dynamics between filmmaking and urban change on a global scale. It surveys film, media and screen cultures in Buenos Aires, Beijing, Berlin, Cairo, Copenhagen, Delhi, Kolkata, Lagos, Los Angeles, Malmö, Manila, Paris, Rome, and Shanghai. Drawing on work in film and urban studies, the volume innovatively rethinks the "cinematic city" and argues for its ongoing relevance. Film festivals, transnational production, public screens, media ecologies, nostalgia, cinephilia, infrastructure, and informal economies illuminate the juxtaposition of cinema and urban space. Works covered include The Bourne Legacy (2012), Her (2013), Medianeras (2011), Last Flight to Abuja (2012), Maach, Mishti, and More (2013), The Future of the Past (2012), Good Morning Aman (2009), Couscous (2007), the transnational television production The Bridge, and Chinese video art.
Global Cinematic Cities: New Landscapes of Film and Media
by Andersson Johan Webb LawrenceCinema and audiovisual media are integral to the culture, economy and social experience of the contemporary global city. But how has the relationship between cinema and the urban environment evolved in the era of digital technology, new media and globalization? And what are the critical tools and concepts with which we can grasp this vital interconnection between space and screen, viewer and built environment? Engaging with a rapidly transforming urban world, the contributions to this collection rethink the 'cinematic city' at a global scale. By presenting a global constellation of screen cities within one volume, the book encourages juxtapositions and comparisons across the North and South to capture the global city and its dynamics of exchange, hybridity, and circulation. The contributions examine film and screen cultures in a range of locations spanning five continents: Antibes, Beijing, Buenos Aires, Busan, Cairo, Caracas, Copenhagen, Jakarta, Kolkata, Lagos, Los Angeles, Malmö, Manila, Mumbai, Nairobi, Paris, Seoul, Sète, and Shanghai. The chapters address topics that range across the contemporary film and media landscape, from popular cinema, art cinema, and film festivals to serial television, public screens, multimedia installations, and video art. Contributors: Chris Berry, Yomi Braester, Jinhee Choi, Pei-Sze Chow, Thomas Elsaesser, Malini Guha, Jonathan Haynes, Will Higbee, Igor Krstic, Christian B. Long, Joanna Page, Lawrence Webb.
Global Chinese Cinema: The Culture and Politics of 'Hero' (Media, Culture and Social Change in Asia)
by Gary D. RawnsleyThe film Hero, directed by Zhang Yimou and released in 2002, is widely regarded as the first globally successful indigenous Chinese blockbuster. A big expensive film with multiple stars, spectacular scenery, and astonishing action sequences, it touched on key questions of Chinese culture, nation and politics, and was both a domestic sensation and an international hit. This book explores the reasons for the film’s popularity with its audiences, discussing the factors which so resonated with those who watched the film. It examines questions such as Chinese national unity, the search for cultural identity and role models from China’s illustrious pre-communist past, and the portrayal of political and aesthetic values, and attitudes to gender, sex, love, and violence which are relatively new to China. The book demonstrates how the film, and China’s growing film industry more generally, have in fact very strong international connections, with Western as well as Chinese financing, stars recruited from the East Asian region more widely, and extensive interactions between Hollywood and Asian artists and technicians. Overall, the book provides fascinating insights into recent developments in Chinese society, popular culture and cultural production.
Global Broadcasting Systems (Routledge Library Editions: Broadcasting #21)
by Robert L. Hilliard Michael C. KeithGlobal Broadcasting Systems (1996) provides a comprehensive look at broadcasting throughout the world. It covers every continent, region and almost every country in North and South America, Europe, Africa, Asia and Oceania. Within each geographical area, it presents the history, key issues, trends and status of broadcasting facilities and penetration; the control, regulation and management of networks and stations by government, domestic and foreign industry and the public; the financing of broadcasting systems; programming types and trends, including foreign imports; media freedom and censorship; and external radio and television services from other countries. The book discusses how new technology and political, social and economic factors influence the global media, and shows how increasing privatization has changed patterns of control and access.
Global Bollywood
by Anandam P. Kavoori Aswin PunathambekarBollywood is one of the most prolific film industries in the world. Based in Mumbai (formerly Bombay), the industry churns out hundreds of films each year--primarily melodramatic films with music and elaborately choreographed dance routines. Bollywood's popularity is quickly spreading across the globe, and, beyond the films themselves, Bollywood has made its way into global popular culture. Global Bollywood brings together leading scholars to examine the transnational and transmedia terrain of Bollywood. Defining Bollywood as an arena of public culture distinct from Hindi-language Bombay cinema, this volume offers a new critical framework for analyzing the institutional, cultural, and political dimensions of Bollywood films and film music as they begin to constitute an important circuit of global flows in the twenty-first century. Organized thematically, the book examines contestations surrounding the term "Bollywood," changing relations between the state and the film industry, convergence with television and new media, online fan culture, film journalism, and the reception and negotiations of gender and sexuality in diverse socio-cultural contexts. Global Bollywood is indispensable for understanding not only Bollywood cinema and culture but also how global media flows are reconfiguring relationships among geography, cultural production, and cultural identity.
Global and Local Televangelism
by Pradip Ninan Thomas Philip LeeAn exploration of the many faces of televangelism in our world today, including Christian, Islamic and Hindu. The collection analyses the correspondences and major differences between global and local televangelism, focusing on the main individuals involved in televangelism, their practices and the social and cultural impact of their ministries.
Glitter Every Day: 365 Quotes from Women I Love
by Andy CohenThe Instant New York Times BestsellerFrom Andy Cohen, the New York Times bestselling author and host of Watch What Happens Live comes an inspiring collection of daily quotes from the larger-than-life women that defined his life, offering inspiration, affirmation, and (just enough) intoxication to make any day shine bright – the perfect gift for the holidays! Andy Cohen has made a career, and a life, out of making the ordinary extraordinary. The inspiration for this fabulous view of the world has always come from the incredible women (from his mother to Madonna) he loves. In Glitter Every Day Andy shares his most needed words of wisdom from his favorite icons for every day, just in time to kick off the new year!Andy not only gathers 365 sayings and quotes from the icons, thought leaders, Real Housewives and legendary celebs that fuel his fun, he writes about the people and experiences that have made him live one of the most joyous lives that any little boy growing up in St. Louis could dream of so that you can, too. And like Andy himself, Glitter Every Day is irresistible, infusing your day with a laugh, a pep talk and a shot(ski) of fun.So pour a drink, put on your heels, and always remember to let yourself shine.
Glitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics
by Michael BetancourtGlitch Art in Theory and Practice: Critical Failures and Post-Digital Aesthetics explores the concept of "glitch" alongside contemporary digital political economy to develop a general theory of critical media using glitch as a case study and model, focusing specifically on examples of digital art and aesthetics. While prior literature on glitch practice in visual arts has been divided between historical discussions and social-political analyses, this work provides a rigorous, contemporary theoretical foundation and framework.
Glenn Gould: A Musical Force
by Vladimir KoniecznyGlenn Gould (1932-1982) was a prodigy who loathed the word, a brilliant pianist who disliked performing, and a public figure who craved solitude. With his recording of the Goldberg Variations by J.S. Bach, Gould became an international celebrity. Gould’s unusual interpretations, quirky stage mannerisms, and teasingly contrarian pronouncements fascinated and annoyed audiences and critics. He gave concerts in Canada, the United States, and abroad for several years. To everyone’s disbelief, he quit the concert stage just a few months short of his thirty-second birthday and immersed himself in his true love: the recording studio.
Glenn Gould: Music & Mind
by Geoffrey PayzantBiography of the famous pianist, including a bibliography, list of published compositions, filmography, and discography
Glee: The Official William McKinley High School Yearbook
by The Creators of Glee Debra Mostow ZakarinStraight from Lima, Ohio, The Official William McKinley High School Yearbook is a full-color, completely up-to-date book that captures all the memories of seniors like Rachel Berry, Kurt Hummel, Finn Hudson and their fellow Gleeks. Featuring tons of glossy photos and exclusive images, the one and only OFFICIAL Glee yearbook will transport you to the halls of William McKinley High School. Just be sure to watch out for slushies!
Glastonbury 50: The Official Story of Glastonbury Festival
by Emily Eavis Michael EavisTHE SUNDAY TIMES BESTSELLERA BOOK OF THE YEAR PICK IN THE TIMES: 'Captivating'A ROUGH TRADE BOOK OF THE YEAR: 'In-depth and inspiring''Beautifully compiled ... the perfect festival experience' SUNDAY TIMESGlastonbury 50 is the authorised, behind-the-scenes, inside story of the music festival that has become a true global phenomenon. The story begins in 1970. The day after Jimi Hendrix's death... dairy farmer Michael Eavis invites revellers to his field in Somerset to attend a 'Pop, Folk & Blues' festival. Tickets are £1 each, enticing more than a thousand customers with the promise of music, dance, poetry, theatre, lights and spontaneous entertainment - as well as free milk from his own Worthy Farm cows.Fast forward through five tumultuous decades and the Eavis's vision now encompasses a gigantic 'city in the fields', with a total annual population nearing a quarter of a million. Tickets sell out within minutes, the show is beamed live to more than 40 countries around the globe, and over 3 million people are registered to attend. Meanwhile, the bill has expanded to include big name performers, artists and designers from every branch of the creative arts. Glastonbury Festival is now the largest outdoor green fields event in the world.In their own words, Michael and Emily Eavis reveal the stories behind the headlines, and celebrate 50 years of history in the Vale of Avalon. They're joined by a host of big-name contributors from the world of music - among them Adele, JAY-Z, Dolly Parton, Chris Martin, Noel Gallagher, Lars Ulrich and Guy Garvey. They're joined by artists - Stanley Donwood, Kurt Jackson and many more. Writers - Caitlin Moran, Lauren Laverne, Billy Bragg - and by a host of photographers, from Seventies icon Brian Walker to rock and roll legends Jill Furmanovsky and Greg Williams.Together they bring you the magic that makes Glastonbury, Glastonbury.
Glastonbury 50: The Official Story of Glastonbury Festival
by Emily Eavis Michael EavisTHE SUNDAY TIMES BESTSELLERA BOOK OF THE YEAR PICK IN THE TIMES: 'Captivating'A ROUGH TRADE BOOK OF THE YEAR: 'In-depth and inspiring''Beautifully compiled ... the perfect festival experience' SUNDAY TIMESGlastonbury 50 is the authorised, behind-the-scenes, inside story of the music festival that has become a true global phenomenon. The story begins in 1970. The day after Jimi Hendrix's death... dairy farmer Michael Eavis invites revellers to his field in Somerset to attend a 'Pop, Folk & Blues' festival. Tickets are £1 each, enticing more than a thousand customers with the promise of music, dance, poetry, theatre, lights and spontaneous entertainment - as well as free milk from his own Worthy Farm cows.Fast forward through five tumultuous decades and the Eavis's vision now encompasses a gigantic 'city in the fields', with a total annual population nearing a quarter of a million. Tickets sell out within minutes, the show is beamed live to more than 40 countries around the globe, and over 3 million people are registered to attend. Meanwhile, the bill has expanded to include big name performers, artists and designers from every branch of the creative arts. Glastonbury Festival is now the largest outdoor green fields event in the world.In their own words, Michael and Emily Eavis reveal the stories behind the headlines, and celebrate 50 years of history in the Vale of Avalon. They're joined by a host of big-name contributors from the world of music - among them Adele, JAY-Z, Dolly Parton, Chris Martin, Noel Gallagher, Lars Ulrich and Guy Garvey. They're joined by artists - Stanley Donwood, Kurt Jackson and many more. Writers - Caitlin Moran, Lauren Laverne, Billy Bragg - and by a host of photographers, from Seventies icon Brian Walker to rock and roll legends Jill Furmanovsky and Greg Williams.Together they bring you the magic that makes Glastonbury, Glastonbury.
Glasnost--Soviet Cinema Responds
by Nicholas Galichenko edited by Robert AllingtonWith the coming of glasnost to the Soviet Union, filmmakers began to explore previously forbidden themes, and distributors released films that were suppressed by pre-glasnost-era censors. Soviet cinema underwent a revolution, one that mirrors and helps interpret the social revolution that took place throughout the USSR. Glasnost-Soviet Cinema Responds is the first overall survey of the effects of this revolution on the work of Soviet filmmakers and their films. The book is structured as a series of three essays and a filmography of the directors of glasnost cinema. The first essay, "The Age of Perestroika," describes the changes that occurred in Soviet cinema as it freed itself from the legacy of Stalinism and socialist realism. It also considers the influence of film educator and director Mikhail Romm. "Youth in Turmoil" takes a sociological look at films about youth, the most dynamic and socially revealing of glasnost-era productions. "Odysseys in Inner Space" charts a new direction in Soviet cinema as it focuses on the inner world of individuals. The filmography includes thirty-three of the most significant glasnost-era directors, including Tengiz Abuladze, Karen Shakhnazarov, and Sergei Soloviev, with a comprehensive list of their films. Discussions of many individual films, such as Repentance, The Messenger Boy, and The Wild Pigeon, and interviews with the directors reveal the effects that glasnost and perestroika have had on the directors' lives and art.
A Glamorously Unglamorous Life
by Julia AlbainWhen I was 22 I hopped a plane for New York City, off to pursue my destiny, sure that I'd never look back. This is my story of looking back. Of a journey that took on a whole new meaning and purpose. A year in New York City. A year of discovering the best and worst parts of myself. A year of learning the lessons that you can only learn the hard way.
Giving the Devil His Due: Satan and Cinema
by Simon Bacon Katherine A. Fowkes Regina M. Hansen David Hauka Russ Hunter Barry C. Knowlton Eloise R. Knowlton Murray Leeder Catherine O'Brien R. Barton Palmer Carl H. Sederholm David Sterritt J. P. Telotte Jeffrey Andrew WeinstockThe first collection of essays to address Satan’s ubiquitous and popular appearances in filmLucifer and cinema have been intertwined since the origins of the medium. As humankind’s greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers’ collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the “prince of darkness” merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system.From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary’s Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation.Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe.Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O’Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock
Giving and Taking Voice in Learning Disabled Theatre
by Tony McCaffreyGiving and Taking Voice in Learning Disabled Theatre offers unique insight into the question of ‘voice’ in learning disabled theatre and what is gained and lost in making performance. It is grounded in the author's 18 years of making theatre with Different Light Theatre company in Christchurch, New Zealand, and includes contributions from the artists themselves. This book draws on an extensive archive of performer interviews, recordings of rehearsal processes, and informal logs of travelling together and sharing experience. These accounts engage with the practical aesthetics of theatre-making as well as their much wider ethical and political implications, relevant to any collaborative process seeking to represent the under- or un-represented. Giving and Taking Voice in Learning Disabled Theatre asks how care and support can be tempered with artistic challenge and rigour and presents a case for how listening learning disabled artists to speech encourages attunement to indigenous knowledge and the cries of the planet in the current socio-ecological crisis. This is a vital and valuable book for anyone interested in learning disabled theatre, either as a performer, director, dramaturg, critic, or spectator.
Givin' It Their All: The Backstreet Boys' Rise to the Top
by Sherri RifkinOUT OF THE BACKSTREETSINTO THE SPOTLIGHTThere's just no stopping these funky five from Florida. One of the hottest music groups around, the Backstreet Boys (BSB) launched themselves to superstardom in an amazingly short time, topping the charts and winning awards all over the world. Everyone's heard the smooth harmonies and jamming beats of these all-American heartthrobs, but do you really know what makes them tick?GIVIN' IT THEIR ALL is the ultimate source for finding out the real scoop about BSB. Learn the secret details of each and every Backstreet Boy--Kevin, the group's unofficial leader; A.J., the talker; Howie D., the peacemaker; Nick, the youngest boy in the pack; and B-Rok, the joker. Hear of the group's magical beginnings and discover how the boys first conquered the world overseas, then returned to the States to burn up the charts on their home turf. Plus, get the 411 on their love lives, future plans, slamming style, and the unique ways the dedicated fans are keeping the Backstreet Pride alive. An unauthorized biographyIncludes a Bonus BSB Resource Guide with info on how to find, access, and buy cool BSB stuff!From the Paperback edition.
Give War a Chance: Eyewitness Accounts of Mankind's Struggle Against Tyranny, Injustice and Alcohol-Free Beer
by P. J. O'RourkeThe author dismantles victims ranging from backpack liberals to Lee Iacocca and surveys the collapse of communism, celebrity, and liberalism.
Give Them Lala
by Lala KentThe Vanderpump Rules breakout star and provocateur brings her signature sharp wit to the page with this collection of humorous and brutally honest essays exploring her rocky road to fame, sobriety, and beyond. What does &“Give them Lala&” mean? It means giving the truest, most honest version of yourself to the world. It means being authentic, bold, adventurous, and having an unapologetic approach to life. Hollywood is where Lauren Burningham, aspiring actress from Utah, fully embraced her alter-ego Lala Kent, entrepreneur, entertainer, and film and television star. Some say she&’s rude; Lala says she claps back. Some say she&’s spontaneous; Lala says &“eat up the drama.&” Some say she&’s too bold; Lala knows she&’s reality TV gold. Truth is, without giving them Lala, Lauren could never have become the woman she is today. In her debut collection of essays, Lala shares how you, too, can embrace the best version of yourself and never feel guilty for deserving more. As she leads us on her bumpy journey from suburban boredom to Hollywood glamour, she&’ll explain how women can—and should—feel just as free as men when it comes to sex, how sobriety saved her life and relationship, and how we should treasure every day we have with those we love.
Give 'Em Soul, Richard!: Race, Radio, and Rhythm and Blues in Chicago
by Richard E. StamzAs either observer or participant, radio deejay and political activist Richard E. Stamz witnessed every significant period in the history of blues and jazz in the last century. From performing first-hand as a minstrel in the 1920s to broadcasting Negro League baseball games in a converted 1934 Chrysler to breaking into Chicago radio and activist politics and hosting his own television variety show, the remarkable story of his life also is a window into milestones of African American history throughout the twentieth century. Dominating the airwaves with his radio show "Open the Door, Richard" on WGES in Chicago, Stamz cultivated friendships with countless music legends, including Willie Dixon, Sonny Boy Williamson, Little Walter, Howlin' Wolf, Memphis Slim, and Leonard Chess. The pioneering Chicago broadcaster and activist known as "The Crown Prince of Soul" died in 2007 at the age of 101, but not before he related the details of his life and career to college professor Patrick A. Roberts. Give 'Em Soul, Richard! surrounds Stamz's memories of race records, juke joints, and political action in Chicago's Englewood neighborhood with insights on the larger historical trends that were unfolding around him in radio and American history. Narrated by Stamz, this entertaining and insightful chronicle includes commentary by Roberts as well as reflections on the unlikely friendship and collaboration between a black radio legend and a white academic that resulted in one of the few existing first-hand accounts of Chicago's post-war radio scene.
Give a Little Love: The Zayn Adam Story (Routledge/UNISA Press Series)
by Llewellin RG JegelsThis is the true story of a standout artist in the field of pop and sentimental song; a star entertainer who rose to fame in Cape Town, South Africa. The world reflected in this book has several genealogical strands reaching back to other histories – to the nineteenth century theatre, to the rise of racism in South Africa, and the ways people were forced to negotiate the contradictions of being human against impossible odds. We encounter a biographer with a subject which is close to him, and which he has meticulously researched over a course of time. The book offers insights into the musical world of the phonograph, of the global popular culture after the Second World War and how this was absorbed into Cape Town’s popular culture.