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Geography of Horror: Spaces, Hauntings and the American Imagination (Palgrave Gothic)
by Marko LukićThis book provides a comprehensive reading of a space/place-based experience from the birth of the American horror genre (nineteenth century American Romanticism) to its rise and evolution in the twentieth and twenty-first centuries. Exploring a series of narratives, this study focuses on the role of space and place as key elements for successful articulation of horror. The analysis, therefore, employs different theoretical premises and concepts belonging to human geography, which, while being part of the larger discipline of geography, predominantly directs its attention towards the presence and activities of humans. By connecting such theoretical readings with the continuously evolving American horror genre, this book offers a unique insight into the academically unexplored trans-disciplinary spatially based reading of the genre.
Geographies of Us: Ecosomatic Essays and Practice Pages (Routledge Studies in Theatre, Ecology, and Performance)
by Sondra Fraleigh Shannon Rose RileyGeographies of Us: Ecosomatic Essays and Practice Pages is the first edited collection in the field of ecosomatics.With a combination of essays and practice pages that provide a variety of scholarly, creative, and experience-based approaches for readers, the book brings together both established and emergent scholars and artists from many diverse backgrounds and covers work rooted in a dozen countries. The essays engage an array of crucial methodologies and critical/theoretical perspectives, including practice-based research in the arts, especially in performance and dance studies, critical theory, ecocriticism, Indigenous knowledges, material feminist critique, quantum field theory, and new phenomenologies. Practice pages are shorter chapters that provide readers a chance to engage creatively with the ideas presented across the collection. This book offers a multidisciplinary perspective that brings together work in performance as research, phenomenology, and dance/movement; this is one of its significant contributions to the area of ecosomatics.The book will be of interest to anyone curious about matters of embodiment, ecology, and the environment, especially artists and students of dance, performance, and somatic movement education who want to learn about ecosomatics and environmental activists who want to learn more about integrating creativity, the arts, and movement into their work.
Geographies, Genders and Geopolitics of James Bond
by Lisa Funnell Klaus DoddsThis book discusses the representational geographies of the Bond film franchise and how they inform our reading of 007 as a hero. Offering a new and interdisciplinary lens through which the franchise can be analyzed, Funnell and Dodds explore a range of topics that have been largely, if not entirely, overlooked in Bond film scholarship. These topics include: the shifting and gendering of geopolitical relations; the differing depiction and evaluation of vertical/modern and horizontal/pre-modern spaces; the use of classical elements in defining gender, sexuality, heroic competency, and geopolitical conflict; and the ongoing importance of haptics (i. e. touch), kinesics (i. e. movement), and proxemics (i. e. the use of space) in defining the embodied and emotive world of Bond. This book is comprehensive in nature and scope as it discusses all 24 films in the official Bond canon and theorizes about the future direction of the franchise.
The Geo-Doc: Geomedia, Documentary Film, and Social Change (Palgrave Studies in Media and Environmental Communication)
by Mark TerryThis book introduces a new form of documentary film: the Geo-Doc, designed to maximize the influential power of the documentary film as an agent of social change. By combining the proven methods and approaches as evidenced through historical, theoretical, digital, and ecocritical investigations with the unique affordances of Geographic Information System technology, a dynamic new documentary form emerges, one tested in the field with the United Nations. This book begins with an overview of the history of the documentary film with attention given to how it evolved as an instrument of social change. It examines theories surrounding mobilizing the documentary film as a communication tool between filmmakers and policymakers. Ecocinema and its semiotic storytelling techniques are also explored for their unique approaches in audience engagement. The proven methods identified throughout the book are combined with the spatial and temporal affordances provided by GIS technology to create the Geo-Doc, a new tool for the activist documentarian.
Gentle's Holler
by Kerry MaddenThe sixties may have come to other parts of North Carolina, but with Mama pregnant again, Daddy struggling to find work, and nine siblings underfoot, nobody in the Holler has much time for modern-day notions. Especially not twelve-year-old Livy Two, aspiring songwriter and self-appointed guardian of little sister Gentle, whose eyes' don't work so good yet. Even after a doctor confirms her fears, Livy Two is determined to make the best of Gentle's situation and sets out to transform the family's scrappy dachshund into a genuine Seeing Eye dog. But when tragedy strikes, can Livy Two continue to stay strong for her family?
Gentleman Troubadours and Andean Pop Stars: Huayno Music, Media Work, and Ethnic Imaginaries in Urban Peru
by Joshua TuckerExploring Peru's lively music industry and the studio producers, radio DJs, and program directors that drive it, Gentleman Troubadours and Andean Pop Stars is a fascinating account of the deliberate development of artistic taste. Focusing on popular huayno music and the ways it has been promoted to Peru's emerging middle class, Joshua Tucker tells a complex story of identity making and the marketing forces entangled with it, providing crucial insights into the dynamics among art, class, and ethnicity that reach far beyond the Andes. Tucker focuses on the music of Ayacucho, Peru, examining how media workers and intellectuals there transformed the city's huayno music into the country's most popular style. By marketing contemporary huayno against its traditional counterpart, these agents, Tucker argues, have paradoxically reinforced ethnic hierarchies at the same time that they have challenged them. Navigating between a burgeoning Andean bourgeoisie and a music industry eager to sell them symbols of newfound sophistication, Gentleman Troubadours and Andean Pop Stars is a deep account of the real people behind cultural change.
Genresignaturen: Diskurshistorische Perspektiven auf das Psycho-Universum von 1960 bis 2017 (Neue Perspektiven der Medienästhetik)
by Karina KirstenKarina Kirsten diskutiert in diesem Open-Access-Buch die diskursive und historische Verfasstheit von Genres. Mit ‚Genresignaturen‘ entwickelt sie einen neuen analytischen Zugang, um die vielfältigen inter- und transmedialen Dynamiken und soziohistorischen Veränderungen von Genres beschreibbar zu machen. Am Beispiel des Psycho-Franchise veranschaulicht die Autorin, dass die wirkungsvolle und anhaltende Prägnanz von Genresignaturen aus komplexen Semantisierungs- und Differenzierungsprozessen resultiert, die zwischen Produktionskontexten, Distributionsnetzwerken und vielfältigen Diskursivierungen verlaufen. Indem sie in den materialnahen Analysen ‚Genre‘ zusammen mit Gendervorstellungen in den Fokus rückt, zeigt sie zudem, wie im Mantel der ikonischen Genregeschichte aktuelle Fragen und kulturelle Vorstellungen von Geschlechtlichkeit, Sexualität und Weißsein verhandelt werden. Zugleich werden Genresignaturen in Bezug auf Gender und Race sogar soweit umgeschrieben, dass wechselseitig queere Lesarten möglich werden. Genresignaturen bewahren so nicht nur Film- und Genregeschichte, sondern beziehen darüber hinaus zentrale gesellschaftliche Debatten ein.
Genre und Videospiel: Einführung in eine unmögliche Taxonomie (Genrediskurse)
by Felix SchnizDiese Monographie erläutert Videospiele als mehrdimensionale und zutiefst wandelsame Konzepte als Wechselspiel dreier Dimensionen: Neben den in genretheoretischen Hybridansätzen zwischen Fiktionsgenre und Spielgenre sind es nämlich auch soziale Genrekomplexe, welche die Erfahrung des Spielers, insbesondere in Multiplayerspielen prägen. Das Videospiel zeigt sich als objet ambigué: ein Kunstobjekt, das sich endlich im Prozess der Interaktion mit dem Nutzer neu offenbart und positioniert.
Genre und Race: Mediale Interdependenzen von Ästhetik und Politik (Neue Perspektiven der Medienästhetik)
by Irina Gradinari Ivo RitzerDie Kategorie Race gewinnt aktuell wieder stärker an politischer Sichtbarkeit, bedingt vor allem durch die Black-Lives-Matter-Bewegung, Migration und Flucht, nicht zuletzt auch durch Theorieansätze wie Postcolonial Studies, Critical Race Theory, Intersektionalität oder Decolonizing der Gender Studies. Vor diesem Hintergrund gilt es zunächst medienspezifische Strategien in ihrer Vielfalt sowie historischen Entwicklung kritisch zu befragen, die zu rassistischem Denken und rassistischer Politik beigetragen haben und bis heute beitragen. Die Kategorie Genre als eine ambivalente und komplexe Wahrnehmungs- und Sinngebungsstruktur an der Schnittstelle von Produktion, Rezeption und Ästhetik bietet sich besonders an, um sich medientechnologischen Traditionen und Mitteln anzunähern, die Race politisch wirksam machen, verschiedene Ideologien bedienen, Affekte produzieren und zugleich jedoch immer auch Widerstände oder neue Sichtweisen und Artikulationsformen hervorbringen. Der Band versammelt unterschiedliche theoretische und analytische Ansätze, die anhand ausgewählter Gegenstände Einblicke in die Geschichte des Wechselbezugs von Genre und Race gewähren sowie sich mit dessen internationaler und nationalspezifischer Akzentuierung beschäftigen, wobei stets grundsätzliche Fragen nach dem Verhältnis von Visualität und Race sowie die epistemologische Kraft des Blickes im Fokus stehen.Mit Beiträgen von Lisa Andergassen, Thomas Bedorf, Julia Bee, Kyung-Ho Cha, Julia Dittmann, Irina Gradinari, Irmtraud Hnilica, Karina Kirsten, Michaela Ott, Johannes Pause, Nele Rein, Ivo Ritzer, Drehli Robnik, Peter Scheinpflug und Michaela Wünsch.
Genre Transgressions: Dialogues on Tragedy and Comedy (Routledge Advances in Theatre & Performance Studies)
by Ramona Mosse Anna StreetThis collection gathers a set of provocative essays that sketch innovative and interdisciplinary approaches to Genre Theory in the 21st century. Focusing on the interaction between tragedy and comedy, both renowned and emerging scholarly and creative voices from philosophy, theater, literature, and cultural studies come together to engage in dialogues that reconfigure genre as social, communal, and affective. In revisiting the challenges to aesthetic categorization over the course of the 20th century, this volume proposes a shift away from the prescriptive and hierarchical reading of genre to its crucial function in shaping thought and enabling shared experience and communication. In doing so, the various essays acknowledge the diverse contexts within which genre needs to be thought afresh: media studies, rhetoric, politics, performance, and philosophy.
Genre Transgressions: Dialogues on Tragedy and Comedy (ISSN)
by Ramona Mosse Anna StreetThis collection gathers a set of provocative essays that sketch innovative and interdisciplinary approaches to Genre Theory in the 21st century. Focusing on the interaction between tragedy and comedy, both renowned and emerging scholarly and creative voices from philosophy, theater, literature, and cultural studies come together to engage in dialogues that reconfigure genre as social, communal, and affective.In revisiting the challenges to aesthetic categorization over the course of the 20th century, this volume proposes a shift away from the prescriptive and hierarchical reading of genre to its crucial function in shaping thought and enabling shared experience and communication. In doing so, the various essays acknowledge the diverse contexts within which genre needs to be thought afresh: media studies, rhetoric, politics, performance, and philosophy.
Genre in Asian Film and Television
by Felicia Chan Angelina KarpovichGenre in Asian Film and Television takes a dynamic approach to the study of Asian screen media previously under-represented in academic writing. It combines historical overviews of developments within national contexts with detailed case studies on the use of generic conventions and genre hybridity in contemporary films and television programmes.
Genre Filmmaking: A Visual Guide to Shots and Style for Genre Films
by Danny DravenBeautifully illustrated with hundreds of 4-color images from the movies you love, this book is the last one you will need to understand the artistic and technical considerations of making a genre film. Author Danny Draven walks you through the aesthetic, narrative, and camera techniques necessary to understand the basic formula that genre adheres to, and then shows you how to create an original work within that context. Draven will show you a technique or narrative structure from a popular movie, reveals the craftsmanship required to achieve it, then tells you how and when it should or shouldn't be used. Interviews from the Hollywood directors and cinematographers using these techniques are included, as well as a companion site with video examples of the techniques and concepts within the book.
Gennett Records and Starr Piano (Images of America)
by Charlie B. Dahan Linda Gennett IrmscherThe Starr Piano Company, based in Richmond, Indiana, quickly became one of the largest piano manufacturers in the United States during the 19th century. In 1915, the Starr Piano Company opened a recording division, Gennett Records, that led to a dynamic change in the music industry and American culture. Gennett embraced the vastly under-recorded genres of jazz, blues, and country music in the 1920s. They recorded artists who were groundbreakers and innovators in both popular and vernacular music, including Louis Armstrong, Charley Patton, Gene Autry, Hoagy Carmichael, Blind Lemon Jefferson, Uncle Dave Macon, and Jelly Roll Morton, often for the first time. The company, like many others, suffered a steep decline in the sale of their pianos and records due to the Great Depression, but the music recorded at Gennett continues to reach new generations and influence musicians as they discover it on reissues and streaming media services.
The Genius of the System
by Thomas SchatzAt a time when the studio is making a stunning comeback, film historian Thomas Schatz provides an indispensable account of Hollywood's tradional blend of business and art. This book lays to rest the persistent myth that businesspeople and producers stifle artistic talent and reveals instead the genius of a system of collaboration and conflict. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making-and unmaking-of movies, from Frankenstein to Spellbound to Grand Hotel. Richly illustrated and highly readable, The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New.
A Genius for Failure: The Life of Benjamin Robert Haydon
by Paul O'Keeffe* Haydon's first attempt at suicide ended when the low calibre bullet fired from his pistol fractured his skull but failed to penetrate his brain. * His second attempt also failed: a deep slash across his throat left a large pool of blood at the entrance to his studio, but he was still able to reach his easel on the opposite side of the room. *Only his third attempt, another cut to the throat which sprayed blood across his unfinished canvas, was successful. He died face-down before the bespattered 'Alfred and the First British Jury', his final bid 'to improve the taste of the English people' through the High Art of historical painting.* Such intensity, struggle and near-comic inability to succeed encapsulate Haydon's career. Thirty years before his death his huge, iconic paintings had made him the toast of early 19th-century London, drawing paying crowds to the Egyptian Hall in Piccadilly for months and leading to nationwide tours. * However, his attempt to repeat such success three months before his death was to destroy him: barely a soul turned up, leaving the desperate painter alone, humiliated, and facing financial ruin. * In A Genius for Failure Paul O'Keeffe makes clear that the real tragedy of Haydon lay in the extent to which his failures were unwittingly engineered by his own actions - his refusal to resort to the painting of fashionable portraits, for example, and his self-destructively acrimonious relationship with the RA.* The company he kept - Keats, Shelley, Wordsworth, Sir Robert Peel and the Duke of Wellington, among many others - and the momentous events he lived through - The Battle of Waterloo, the Coronation of George IV, and the passing of the first Parliamentary Reform Bill - make A Genius for Failure not only the definitive biography of this fascinating and tragic painter, but a stirring portrayal of an age.
Generations of Jewish Directors and the Struggle for America’s Soul: Wyler, Lumet, and Spielberg (Renewing the American Narrative)
by Sam B. GirgusFrom generation to generation, three outstanding American Jewish directors—William Wyler, Sidney Lumet, and Steven Spielberg--advance a tradition of Jewish writers, artists, and leaders who propagate the ethical basis of the American Idea and Creed. They strive to renew the American spirit by insisting that America must live up to its values and ideals. These directors accentuate the ethical responsibility for the other as a basis of the American soul and a source for strengthening American liberal democracy. In the manner of the jeremiad, their films challenge America to achieve a liberal democratic culture for all people by becoming more inclusive and by modernizing the American Idea. Following an introduction that relates aspects of modern ethical thought to the search for America’s soul, the book divides into three sections. The Wyler section focuses on the director’s social vision of a changing America. The Lumet section views his films as dramatizing Lumet’s dynamic and aggressive social and ethical conscience. The Spielberg section tracks his films as a movement toward American redemption and renewal that aspires to realize Lincoln’s vision of America as the hope of the world. The directors, among many others, perpetuate a “New Covenant” that advocates change and renewal in the American experience.
Generation Next: The Takeover
by Oli White** THE #1 BESTSELLER!**The thrilling sequel to YouTube sensation Oli White's smash-hit debut GENERATION NEXT. *Contains exclusive bonus content, including a Q&A with Oli!*School has finished for good, and Jack and his friends - Ella, Austin, Ava and Sai - are giving their online social media platform, Generation Next, the ultimate relaunch: a stage takeover at the world's biggest music festival. When you're interviewing famous stars and streaming the footage all over the globe, what could possibly go wrong? The takeover is the gang's most epic task yet, and when they meet TV producer Ethan, he seems like the perfect person to help out. Everyone loves Ethan: he's smart, talented and a natural addition to the group. But Jack isn't so sure. Ethan seems to be hiding something... and why can't the rest of GenNext see it? If Jack isn't careful, his dreams for Generation Next - and his relationships with Ella and his closest friends - could be about to go up in smoke...
Generation Next: The Takeover
by Oli WhiteThe sequel to YouTube sensation Oli White's bestselling debut GENERATION NEXT. School has finished for good, and Jack and his friends - Ella, Austin, Ava and Sai - are giving their online social media platform, Generation Next, the ultimate relaunch: a stage takeover at the world's biggest musical festival. When you're interviewing famous stars and streaming the footage all over the globe, what could possibly go wrong? The takeover is the gang's most epic task yet, and when they meet TV producer Ethan, he seems like the perfect person to help out. Everyone loves Ethan: he's smart, talented and a natural addition to the group. But Jack isn't so sure. Ethan seems to be hiding something... and why can't the rest of GenNext see it? If Jack isn't careful, his dreams for Generation Next - and his relationships with his closest friends - are about to go up in smoke...(P) 2017 Hodder & Stoughton
Generation Next
by Oli White**The bestselling debut novel from YouTube sensation Oli White. CONTAINS EXCLUSIVE BONUS CONTENT!**Things haven't been easy for Jack recently - life as a teenager has its ups and downs. But when he meets a new group of friends, who are every bit as geek as they are chic, his luck seems to be changing. Each of the group is talented and when they pool together to create Generation Next, an incredible new kind of social media platform, it's clear that they're on to something special.What if your Instagram account grew by hundreds of thousands of followers overnight, and big companies were fighting each other to offer you photoshoots? When GenNext suddenly goes viral, Jack and his friends are thrust into a crazy world of fame which is as terrifying as it is awesome. Because someone out there is determined to trip Jack up at every step. If he doesn't stop them, soon everyone he cares about - his friends, his family, and the girl he's falling for - will be in danger...
Generation Next
by Oli WhiteThe stunning debut novel from YouTube sensation Oli White. Includes an exclusive audiobook introduction read by Oli White.Things haven't been easy for Jack recently - life as a teenager has its ups and downs. But when he meets a new group of friends, who are every bit as geek as they are chic, his luck seems to be changing. Each of the group is talented and when they pool together to create Generation Next, an incredible new kind of social media platform, it's clear that they're on to something special. What if your Instagram account grew by hundreds of thousands of followers overnight, and big companies were fighting each other to offer you photoshoots? When GenNext suddenly goes viral, Jack and his friends are thrust into a crazy world of fame which is as terrifying as it is awesome. Because someone out there is determined to trip Jack up at every step. If he doesn't stop them, soon everyone he cares about - his friends, his family, and the girl he's falling for - will be in danger...(P)2016 Hodder & Stoughton
Generation Friends: An Inside Look at the Show That Defined a Television Era
by Saul AusterlitzA fascinating behind-the-scenes look at Friends, published for the twenty-fifth anniversary of the show's premiere. Howyoudoin’? In September 1994, six friends sat down in their favorite coffee shop and began bantering about sex, relationships, jobs, and just about everything else. A quarter of a century later, new fans are still finding their way into the lives of Rachel, Ross, Joey, Chandler, Monica, and Phoebe, and thanks to the show’s immensely talented creators, its intimate understanding of its youthful audience, and its reign during network television’s last moment of dominance, Friends has become the most influential and beloved show of its era. Friends has never gone on a break, and this is the story of how it all happened. Noted pop culture historian Saul Austerlitz utilizes exclusive interviews with creators David Crane and Marta Kauffman, executive producer Kevin Bright, director James Burrows, and many other producers, writers, and cast members to tell the story of Friends’ creation, its remarkable decade-long run, and its astonishing Netflix-fueled afterlife. Readers will go behind the scenes to hear from the people who were present as the show was developed and cast, written and filmed. There will be talk of trivia contests, prom videos, trips to London, Super Bowls, lesbian weddings, wildly popular hairstyles, superstar cameos, mad dashes to the airport, and million-dollar contracts. They’ll also discover surprising details—that Monica and Joey were the show’s original romantic couple, how Danielle Steel probably saved Jennifer Aniston’s career, and why Friends is still so popular that if it was a new show, its over-the-air broadcast reruns would be the ninth-highest-rated program on TV. The show that defined the 1990s has a legacy that has endured beyond wildest expectations. And in this hilarious, informative, and entertaining book, readers will now understand why.
General History of Chinese Film III: 1976–2016 (Routledge Studies in Chinese Cinema)
by Ding YapingThe Reform and Opening-up of China since the late 1970s has not only transformed the economic and political situation of the country, but also transformed the Chinese film industry. This volume focuses on the 40 years of the history of Chinese film in the post-Mao era. As all aspects of film production, distribution and exhibition have been commercialized, Chinese film has become an industry of immense scale and has grown by leaps and bounds. Meanwhile, contemporary Chinese film is marked by a new zeitgeist, with Chinese film closely integrated with Chinese society and the economy. The author argues that the Chinese film industry clearly stands at a turning point where the future of Chinese film and the way to further awaken, change, and shape film production have become important issues worth consideration in contemporary film history. The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers develop a comprehensive understanding of Chinese film.
General History of Chinese Film II: 1949-1976 (Routledge Studies in Chinese Cinema)
by Ding YapingSince 1949, Chinese film has been greatly influenced by a variety of historical, cultural, and political events in the history of the People’s Republic of China. This volume explores the development of Chinese film from 1949 to 1976. This volume restores Chinese film to its original historical form and assesses its complex relationship with society, politics, culture, and art in the Maoist period. The 17-year films, Cultural Revolution-era films, the influence of model operas, and the documentary newsreels of Xinwen Jianbao are discussed. Combining a macro-perspective with a micro-perspective, the author analyzes the special characteristics of Chinese film in this period and showcases the inheritance and differences between earlier Chinese film and Chinese film in the newly founded the People’s Republic of China. The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies, and media studies, helping readers develop a comprehensive understanding of Chinese film.
General History of Chinese Film I: 1896–1949 (Routledge Studies in Chinese Cinema)
by Ding YapingThe early years of the history of Chinese film have lately been the subject of resurgent interest and a growing body of scholarship has come to recognise and identify an extraordinarily diverse and complex period. This volume explores the development of Chinese film from 1896 to 1949. The volume covers the screening of foreign films in Shanghai, Hong Kong and other coastal cities in China, the technological and industrial development of Chinese national cinema, key filmmakers and actors of early Chinese cinema, changing modes of representation and narration, as well as the social and cultural contexts within which early Chinese films were produced and circulated. The relationship between the War of Resistance against Japan and the Chinese civil war and Chinese film is also explored. The book will be essential reading for scholars and students in film studies, Chinese studies, cultural studies and media studies, helping readers develop a comprehensive understanding of Chinese film.