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Friends: A Reading of the Sitcom

by Simone Knox Kai Hanno Schwind

This book offers a long overdue, extensive study of one of the most beloved television shows: Friends. Why has this sitcom become the seminal success that it is? And how does it continue to engage viewers around the world a quarter century after its first broadcast? Featuring original interviews with key creative personnel (including co-creator Marta Kauffman and executive producer Kevin S. Bright), the book provides answers by identifying a strategy of intimacy that informs Friends’ use of humour, performance, style and set design. The authors provide fascinating analyses of some of the most well-remembered scenes—the one where Ross can’t get his leather pants back on, and Ross and Rachel’s break-up, to name just a couple—and reflect on how and why A-list guest performances sometimes fell short of the standards set by the ensemble cast. Also considered are the iconic look of Monica’s apartment as well as the programme’s much discussed politics of representation and the critical backlash it has received in recent years. An exploration of Joey, the infamous spin-off, and several attempts to adapt Friends’ successful formula across the globe, round out the discussion, with insights into mistranslated jokes and much more. For students, scholars, creative industry practitioners and fans alike, this is a compelling read that lets us glimpse behind the scenes of what has become a cultural phenomenon and semi-permanent fixture in many of our homes.

Friends: The Official Crochet Pattern Book

by Lee Sartori

Crochet your favorite characters, iconic outfits, delightful décor, and more from the beloved sitcom, Friends!There&’s nothing better than enjoying an activity with your friends! Gather yours and re-create iconic moments with this deluxe collection of over 25 official patterns for amigurumi, housewares, costume replicas, inspired apparel, and more both inspired by and pulled directly from the hit TV show, Friends. Featuring patterns for all skill levels, beautiful full-color photography, step-by-step instructions, and clearly presented charts and schematics, Friends: The One with the Crochet is the ultimate crocheter&’s guide to the show that&’s always been there for you. PROJECTS FOR ALL SKILL LEVELS: This comprehensive, officially licensed guide includes fun projects for every skill level and a wide range of stitches and techniques. STEP BY STEP INSTRUCTIONS: Includes meticulous step-by-step instructions and easy-to-understand charts and schematics. 25+ ORIGINAL PATTERNS: More than 25 unique Friends-inspired patterns including patterns for amigurumi, housewares, costume replicas, inspired apparel and more. GORGEOUS PHOTOS: With beautiful full-color photography and iconic images from the show, this is the perfect way to celebrate Friends. COMPLETE YOUR FRIENDS COLLECTION: Also available are Friends: The Official Cookbook, Friends: The Official Central Perk Cookbook, Friends: The Official Recipe Journal, Friends: The Official Advent Calendar, Friends: Yellow Frame Softcover Notebook, and more!

Friendlyvision: Fred Friendly and the Rise and Fall of Television Journalism

by Ralph Engelman

Fred Friendly (1915-1998) was the single most important personality in news and public affairs programming during the first four decades of American television. Portrayed by George Clooney in the film Good Night and Good Luck, Friendly, together with Edward R. Murrow, invented the television documentary format and subsequently oversaw the birth of public television. Juggling the roles of producer, policy maker, and teacher, Friendly had an unprecedented impact on the development of CBS in its heyday, wielded extensive influence at the Ford Foundation under the presidency of McGeorge Bundy, and trained a generation of journalists at Columbia University during a tumultuous period of student revolt.Ralph Engelman's biography is the first comprehensive account of Friendly's life and work. Known as a "brilliant monster," Friendly stood at the center of television's unique response to McCarthyism, Watergate, and the Vietnam War, and the pitched battles he fought continue to resonate in the troubled world of television news. Engelman's fascinating psychological portrait explores the sources of Friendly's legendary rage and his extraordinary achievement. Drawing on private papers and interviews with colleagues, family members, and friends, Friendlyvision is the definitive story of broadcast journalism's infamous "wild man," providing a crucial perspective on the past and future character of American journalism.

Friendlyvision: Fred Friendly and the Rise and Fall of Television Journalism

by Ralph Engelman

Fred Friendly (1915-1998) was the single most important personality in news and public affairs programming during the first four decades of American television. Portrayed by George Clooney in the film Good Night and Good Luck, Friendly, together with Edward R. Murrow, invented the television documentary format and subsequently oversaw the birth of public television. Juggling the roles of producer, policy maker, and teacher, Friendly had an unprecedented impact on the development of CBS in its heyday, wielded extensive influence at the Ford Foundation under the presidency of McGeorge Bundy, and trained a generation of journalists at Columbia University during a tumultuous period of student revolt. Ralph Engelman's biography is the first comprehensive account of Friendly's life and work. Known as a "brilliant monster," Friendly stood at the center of television's unique response to McCarthyism, Watergate, and the Vietnam War, and the pitched battles he fought continue to resonate in the troubled world of television news. Engelman's fascinating psychological portrait explores the sources of Friendly's legendary rage and his extraordinary achievement. Drawing on private papers and interviews with colleagues, family members, and friends, Friendlyvision is the definitive story of broadcast journalism's infamous "wild man," providing a crucial perspective on the past and future character of American journalism.

The Friedkin Connection

by William Friedkin

He was a maverick of American cinema in the late 60s and 70s, one of the leading auteurs of the New Hollywood whose groundbreaking films include "The Exorcist" and "The French Connection. " Now, the Academy Award-winning director looks back at his life, his career, and important films.

Fried Chicken & Wine

by Marshall Ramsey

A wonderful collection of 71 short stories that cover the range from funny to say, from thoughtful to just plain interesting and enjoyable. Marshall Ramsey did a wonderful job of putting together a collection of very enjoyable and entertaining short stories. Ramsey writes a lot about his native home in Mississippi, but it is definitely not just a Southern book. A little something for every one.

Friday Night Stage Lights (mix)

by Rachele Alpine

The Cutting Edge meets Step Up in this hilarious M!X novel where the worlds of football and ballet collide.Brooklyn Gartner eats, sleeps, and breathes ballet. But after her mom gets remarried and moves them to Texas, everything changes. Thanks to her star football player stepbrother, her family is football obsessed. And thanks to a new conditioning program, the middle school football team starts to take classes at her dance studio—the only place Brooklyn felt like she belonged. She has a chance to escape if she can get into her dream high school, The Texas School of the Arts, where she’ll be able to pursue her passion for dance. Brooklyn just has to get through the big All-City showcase first, where a ton of scouts will be there, including one from TSOTA. But when Brooklyn’s dance partner gets injured, she has to turn to an unexpected ally—Logan, a boy on the middle school football team—to help her get through the showcase. With some fancy footwork, teamwork and a little understanding, can Brooklyn make her mark, and dance her way onto a bigger stage?

A Friday Night Lights Companion: Love, Loss, and Football in Dillon, Texas

by Paul Levinson Ariella Papa Kevin Smokler Robin Wasserman Will Leitch Adam Wilson Leah Wilson Jonna Rubin Paula Rogers Jacob Clifton Travis Stewart Jeremy Clyman Kiara Koenig Jen Chaney Sarah Marian Seltzer

Called one of the best shows on TV by more than a dozen media publications, including Time and Entertainment Weekly, Friday Night Lights is not just one of the most critically acclaimed shows on air, it's also one of the most watchable. Despite its focus on high school football, its masterfully crafted characters and honestly portrayed relationships make its portrait of small town Texas life compelling and relatable in ways that have nothing to do with field goals or touchdowns.Love, Loss, and Dillon Football: A Friday Night Lights Companion explores the victories and pitfalls of Dillon, Texas - both the town itself and those who live and love there. Because Friday Night Lights is so much more than just a teenage football drama: it's about the struggle to not get trapped in the circumstances one is born into. It's about love, it's about loss, and, yes, it's even about football.

The Freshman: Comedy and Masculinity in 1920s Film and Youth Culture (Cinema and Youth Cultures)

by Christina G. Petersen

Before the advent of the teenager in the 1940s and the teenpic in the 1950s, The Freshman (Taylor and Newmeyer, 1925) represented 1920s college youth culture as an exclusive world of leisure to a mass audience. Starring popular slapstick comedian Harold Lloyd, The Freshman was a hit with audiences for its parody of contemporary conceptions of university life as an orgy of proms and football games, becoming the highest grossing comedy feature of the silent era. This book examines The Freshman from a number of perspectives, with a focus on the social, economic, and political context that led to the rise of campus culture as a distinct subculture and popular mass culture in 1920s America; Lloyd’s use of slapstick to represent an embodied, youthful middle-class masculinity; and the film’s self-reflexive exploration of the conflict between individuality and conformity as an early entry in the youth film genre.

The Fresh Prince Project: How the Fresh Prince of Bel-Air Remixed America

by Chris Palmer

A &“thorough, thoughtful, and immensely entertaining&” (Jemele Hill, author of Uphill) cultural history of the beloved nineties sitcom that launched Will Smith to superstardom—The Fresh Prince of Bel-Air—in the vein of Seinfeldia and Best Wishes, Warmest Regards.More than thirty years have passed since The Fresh Prince of Bel-Air premiered on NBC but unlike other family sitcoms of its era, it has remained culturally relevant and beloved by new generations of fans. With fresh eyes on the show in the wake of 2022&’s launch of Bel-Air, a Fresh Prince reboot on NBC&’s Peacock, The Fresh Prince Project brings us never-before-told stories based on exclusive interviews with the show&’s cast, creators, writers, and crew. The Fresh Prince Project is an eye-opening exploration and celebration of a show that not only made Will Smith a household name but helped redefine America&’s understandings of race, sex, parenthood, and class.

Frenzy (Devil's Advocates)

by Ian Cooper

?Frenzy (1972) was Alfred Hitchcock's penultimate film, and arguably one of his most misunderstood and neglected. Whereas even Psycho (1960) did eventually become respectable – indeed, it's a good contender for the most admired of the Master's films - Frenzy still remains problematic for many. While Raymond De Foery makes his feelings clear in the title of his book, Alfred Hitchcock's Frenzy: The Last Masterpiece, Hitchcock's controversial biographer Donald Spoto calls the film "repulsive" and "a closed and coldly negative vision of human possibility". Frenzy is perhaps Hitchcock's most nakedly autobiographical film and one which represented both a comeback and farewell to the city of his birth. But it started out as a very different kind of project. This Devil's Advocate discusses the evolution of the film, its production, reception, and place in Hitchcock's oeuvre, as well as its status as, the author argues, a key film of 'sleazy Seventies' British cinema.

French Visual Culture and the Making of Medieval Theater

by Laura Weigert

This book revives what was unique, strange and exciting about the variety of performances that took place in the realms of the French kings and Burgundian dukes. Laura Weigert brings together a wealth of visual artifacts and practices to explore this tradition of late medieval performance located not in 'theaters' but in churches, courts, and city streets and squares. By stressing the theatricality rather than the realism of fifteenth-century visual culture and the spectacular rather than the devotional nature of its effects, she offers a new way of thinking about late medieval representation and spectatorship. She shows how images that ostensibly document medieval performance instead revise its characteristic features to conform to a playgoing experience that was associated with classical antiquity. This retrospective vision of the late medieval performance tradition contributed to its demise in sixteenth-century France and promoted assumptions about medieval theater that continue to inform the contemporary disciplines of art and theater history.

French Theatre, Orientalism, and the Representation of India, 1770-1865: India Lost and Regained (Routledge Advances in Theatre & Performance Studies)

by David Hammerbeck

This book examines the French theatricalization of India from 1770 to 1865 and how a range of plays not only represented India to the French viewing public but also staged issues within French culture including colonialism, imperialism, race, gender, and national politics. Through examining these texts and available performance history, and incorporating historical texts and cultural theory, David Hammerback analyses these works to illustrate a complex of cultural representations: some contested Orientalism, some participated in Western colonialist discourses, while some can be placed somewhere between these two markers of ideology in Western culture and the arts. He also assesses the works which participated in shaping the theatrical face of Western hegemony, ones directly participating in Orientalism as delineated by Edward Said and others. This book will be of great interest to students and scholars in theatre, French literature, history and cultural studies.

French Opera: A Short History

by Vincent Giroud

French opera is second only to Italian opera in the length, breadth, and diversity of its history. Yet most people, if asked to come up with titles, could mention only a handful of titles--Carmen, Faust, Pelleas et Melisande, Samson et Dalila--a small list for an operatic tradition that began in the seventeenth century and is still very much alive. This book provides a full, single-volume account of opera in France from its origins to the present day. Vincent Giroud looks at the leading composers, from Lully to Messiaen and beyond; at the development of French operatic form and style; at performance, performers, and audience; and at the impact of French opera beyond France's borders. Lovers of opera will find this an ideal companion to their appreciation of the form.

French Film Theory and Criticism, Volume 2: A History/Anthology, 1907-1939. Volume 2: 1929-1939

by Richard Abel

These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of Andr Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.

French Film Theory and Criticism, Volume 1: A History/Anthology, 1907-1939. Volume 1: 1907-1929

by Richard Abel

These two volumes examine a significant but previously neglected moment in French cultural history: the emergence of French film theory and criticism before the essays of André Bazin. Richard Abel has devised an organizational scheme of six nearly symmetrical periods that serve to "bite into" the discursive flow of early French writing on the cinema. Each of the periods is discussed in a separate and extensive historical introduction, with convincing explications of the various concepts current at the time. In each instance, Abel goes on to provide a complementary anthology of selected texts in translation. Amounting to a portable archive, these anthologies make available a rich selection of nearly one hundred and fifty important texts, most of them never before published in English.

French Film in Britain: Sex, Art and Cinephilia

by Lucy Mazdon Catherine Wheatley

In a market long dominated by Hollywood, French films are consistently the most widely distributed non-English language works. French cinema, however, appears to undergo a transformation as it reaches Britain, becoming something quite different to that experienced by audiences at home. Drawing on extensive archival research the authors examine in detail the discourses, debates and decisions which have determined the place accorded to French cinema in British film culture. In so doing they provide a fascinating account of this particular instance of transnational cinematic traffic while simultaneously shedding new light on British film history. From the early days of the Film Society, via the advent of the X certificate to the new possibilities of video and DVD, this book reveals the complex and detailed history of the distribution, exhibition, marketing and reception of French cinema in Britain.

French Comedy on Screen: A Cinematic History

by Rémi Fournier Lanzoni

French comedy films occupy a specific cultural space and are influenced by national traditions and shared cultural references, but at the same time they have always been difficult to classify. This book investigates the different methods in which these comedies textually inscribed and exemplified a variety of cultural and historical landmarks.

French Cinema—A Critical Filmography

by Colin Crisp

This invaluable resource by one of the world's leading experts in French cinema presents a coherent overview of French cinema in the 20th century and its place and function in French society. Each filmography includes 101 films listed chronologically (Volume 1: 1929-1939 and Volume 2: 1940-1958) and provides accessible points of entry into the remarkable world of 20th-century French cinema. All entries contain a list of cast members and characters, production details, an overview of the film's cultural and historical significance, and a critical summary of the film's plot and narrative structure. Each volume includes an appendix listing rewards earned and an extensive reference list for further reading and research. A third volume, covering the period 1958-1974, is forthcoming.

French Cinema—A Critical Filmography: Volume 1, 1929–1939

by Colin Crisp

This invaluable resource by one of the world’s leading experts in French cinema presents a coherent overview of French cinema in the 20th century and its place and function in French society. Each filmography includes 101 films listed chronologically (Volume 1: 1929–1939 and Volume 2: 1940–1958) and provides accessible points of entry into the remarkable world of 20th-century French cinema. All entries contain a list of cast members and characters, production details, an overview of the film's cultural and historical significance, and a critical summary of the film's plot and narrative structure. Each volume includes an appendix listing rewards earned and an extensive reference list for further reading and research. A third volume, covering the period 1958–1974, is forthcoming.

French B Movies: Suburban Spaces, Universalism, and the Challenge of Hollywood (New Directions in National Cinemas)

by David A. Pettersen

In the impoverished outskirts of French cities, known as the banlieues, minority communities are turning to American culture, history, and theory to make their own voices, cultures, and histories visible. Filmmakers have followed suit, turning to Hollywood genre conventions to challenge notions of identity, belonging, and marginalization in mainstream French film.French B Movies proposes that French banlieue films, far from being a fringe genre, offer a privileged site from which to understand the current state of the French film industry in an age of globalization. This gritty style appears in popular arthouse films such as Mathieu Kassovitz's La Haine and Bande de filles (Girlhood) along with the major Netflix hit series Lupin. David Pettersen traces how, in these works and others, directors fuse features of banlieue cinema with genre formulas associated with both Hollywood and Black cultural models, as well as how transnational genre hybridizations, such as B movies, have become part of the ecosystem of the French film industry.By combining film analysis, cultural history, critical theory, and industry studies, French B Movies reveals how featuring banlieues is as much about trying to imagine new identities and production models for French cinema as it is about representation.

French Animation History

by Richard Neupert

French Animation History is essential reading for anyone interested in the history of animation, illuminating the exceptional place France holds within that history. Selected by Choice as an Outstanding Academic Title for 2011 The first book dedicated exclusively to this history Explores how French animators have forged their own visual styles, narrative modes, and technological innovations to construct a distinct national style, while avoiding the clichés and conventions of Hollywood’s commercial cartoons Includes more than 80 color and black and white images from the most influential films, from early silent animation to the recent internationally renowned Persepolis Essential reading for anyone interested in the study of French film

Freeks: A Novel

by Amanda Hocking

Step into a wondrously strange new world with this dazzling new standalone novel by Amanda Hocking, New York Times bestselling author of The Kanin Chronicles! Mara has become used to the extraordinary. Roaming from place to place with Gideon Davorin’s Traveling Carnival, she longs for an ordinary life where no one has the ability to levitate or predict the future. She gets her chance when the struggling sideshow sets up camp in the small town of Caudry, and she meets a gorgeous local guy named Gabe. But before long, Mara realizes there’s a dark presence lurking in the town that’s threatening the lives of her friends. She has seven days to take control of a power she didn’t know she had in order to save everyone she cares about—and change the future forever. In the pages of Freeks, Amanda Hocking once again proves her ability to create amazing characters and enchanting worlds that will capture your imagination and never let go.

Freeing Shakespeare's Voice

by Kristin Linklater

A passionate exploration of the process of comprehending and speaking the words of William Shakespeare. Detailing exercises and analyzing characters' speech and rhythms, Linklater provides the tools to increase understanding and make Shakespeare's words one's own.

Freedomland (Images of America)

by Robert Mclaughlin Frank R. Adamo

Billed as New York's answer to Disneyland, Freedomland opened on June 19, 1960. Designed by Marco Engineering of Los Angeles for the International Recreation Corporation, Freedomland transformed a former landfill, lowlands, and farms into an exciting theme park in the shape of the United States. Through photographs, Freedomland recalls boat rides on the Great Lakes, putting out a fire in Chicago, dancing under the stars at the Moon Bowl, or taking a train ride all the way to San Francisco. Entering Freedomland was like walking into a history book of America for both young and young at heart. Open for five seasons, Freedomland gave its guests and cast members memories that have lasted a lifetime.

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