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Savin Rock Amusement Park (Postcard History Series)
by Edith ReynoldsSavin Rock Amusement Park began to grow in the 1870s when George Kelsey constructed a pier to extend ferry service between the opposite coastlines of New Haven Harbor. This opened the door for further, more sophisticateddevelopment of amusement attractions that drew fun seeking patrons from throughout southern New England. The park thrived until the combination of affordable personal transportation and urban redevelopment forced its demise in the 1960s. Today Savin Rock is a quieter spot fi lled with beachside apartments, a shopping plaza, and a more tranquil grassy park jutting into the harbor. Only a few of the original restaurants remain, changed somewhat from their earlier days but still holding tight to the memories of a different time. Savin Rock Amusement Park contains postcards from the private collection of Ronald P. Guerrera. As an antiques dealer in Waterbury, Guerrera compiled one of the largest and most picturesque collections of postcard memorabilia in Connecticut.
Language and Metadrama in Major Barbara and Pygmalion: Shavian Sisters (Bernard Shaw and His Contemporaries)
by Jean ReynoldsThis book focuses on two important topics in Shaw’s Major Barbara and Pygmalion that have received little attention from critics: language and metadrama. If we look beyond the social, political, and economic issues that Shaw explored in these two plays, we discover that the stories of the two “Shavian sisters”— Barbara Undershaft and Eliza Doolittle—are deeply concerned with performance and what Jacques Derrida calls “the problem of language.” Nearly every character in Major Barbara produces, directs, or acts in at least one miniature play. In Pygmalion, Henry Higgins is Eliza’s acting coach and phonetics teacher, as well as the star of an impromptu, open-air phonetics show. The language content in these two plays is just as intriguing. Did Eliza Doolittle have to learn Standard English to become a complete human being? Should we worry about the bad grammar we hear at Barbara Undershaft’s Salvation Army shelter? Is English losing its precision and purity? Meanwhile, in the background, Shaw keeps reminding us that language and theatre are always present in our everyday lives—sometimes serving as stabilizing forces, and sometimes working to undo them.
Novel Images: Literature in Performance (Routledge Library Editions: Film and Literature)
by Peter ReynoldsWritten specifically with the student in mind and focusing on a number of well-known texts, including Les Liaisons Dangereuses, Nicholas Nickleby, Nice Work and The Color Purple, the contributions in this book demonstrate how we can look critically at literary adaptations and learn to distinguish between mythical images and the reality of the process that constructed them. They argue that adaptations should not be seen as secondary or marginal, because through them we can enter into an exciting debate with the literary text itself. Originally published in 1993.
Courtroom: The Story of Samuel S. Leibowitz (Select Bibliographies Reprint Ser.)
by Quentin ReynoldsThe thrilling story of Judge Samuel S. Leibowitz and the front page criminal cases that highlighted his career as the nation’s most famous trial lawyer.“Dramatic and exciting as they come…. All of the famous trials of the last quarter century are brought to life in this exciting book penned by a master writer. It is a raw and violent work and certainly tops in interest.”—LOS ANGELES Herald Express“Exciting reading is this record of a great lawyer. The stories recorded here, now within the framework of law and time, are even more fascinating than when they rated banner headlines in the daily press.”—CHICAGO Sun“This book is far more exciting than any detective story you are likely to encounter, for it is the real thing.”—CLEVELAND Press“COURTROOM is a book which will have many absorbed readers, and a book which should do much to correct any popular impression that may exist as to the probity of lawyers who practice at the criminal bar…breezy, fast moving, and frankly written.”—SAN FRANCISCO Chronicle
Safety and Health for the Stage: Collaboration with the Production Process
by William J. ReynoldsSafety and Health for the Stage: Collaboration with the Production Process is a practical guide to integrating safety and health into the production process for live entertainment in the context of compliance with applicable codes, standards, and recommended practices. This book explores the need for safety and health to become an integral aspect of theatre production and live entertainment, focusing on specific steps to take and policies to employ to bring a safety and health program into full collaboration in the production process. Readers will learn how to comply with legal codes and standards as they initiate and implement an effective safety and health program in their theatre production organization or academic theatre department. The book includes references and links to other industry-specific safety and health resources, as well as a Glossary of Safety and Health Terms to navigate the safety and health jargon in the context of theatre and live entertainment. Safety and Health for the Stage: Collaboration with the Production Process provides links to electronic versions of sample safety and health programs, industry-specific policies and recommended practices, and forms and templates related to many of the topics covered in the book. Written for practitioners who are engaged in all aspects of theatre production and live entertainment, as well as educators who train and influence the next generations of these practitioners, this book is an essential resource for creating a positive culture of safety in live entertainment.
Anne-Marie the Beauty
by Yasmina RezaAnother thought-provoking master class in how we perform life by the award-winning novelist and playwright Yasmina Reza."I was bored with my husband," says Anne-Marie, the irrepressible voice of Anne-Marie la Beauté, "but you know, boredom is part of love." Mostly she is speaking here of her more famous friend and colleague, the French actress Giselle Fayolle, in whose shadow she has spent her career. "My life was a near miss," she adds, before explaining that she enunciated well because "I loved to say the words." A very short novel with the power and resonance of a much longer one, Anne-Marie la Beauté is a profound and moving act of remembrance, a clear-eyed assessment of the hard-edged nature of fame, a meditation on aging--and a wonderfully observant and comic exploration of human foibles. In short, another thought-provoking master class in how we perform life by the peerless Yasmina Reza.
Culinary Harmony: Favorite Recipes of the World's Finest Classical Musicians
by David RezitsA detailed biography accompanies each musician, allowing readers to get to know the artists, while mastering their tasty recipes.
Disney Raya and the Last Dragon: The Graphic Novel (Graphic Novel)
by RH DisneyThis hardcover full-color graphic novel retells the whole exciting story of the hit Disney animated film Raya and the Last Dragon!Experience the magic of the fantasy-action-adventure Raya and the Last Dragon, exploring themes of community and hope, and inspired by the beautiful and diverse cultures of Southeast Asia. This hardcover graphic novel retells the whole exciting story with full-color illustrations. It is perfect for boys and girls ages 8 to 12! Walt Disney Animation Studios' Raya and the Last Dragon introduces Raya, a lone warrior from the fantasy kingdom of Kumandra who teams up with a crew of misfits in her quest to find the last dragon and bring light and unity back to their world. Awkwafina lends her voice to Sisu, the last dragon, who was left on Kumandra in case dark forces return to the world, and Kelly Marie Tran voices the lead character, Raya.
Journey to You (Step into Reading)
by RH DisneyThis Step into Reading leveled reader is based on Disney/Pixar's Soul--in theaters June 19, 2020!Ever wonder where your passion, your dreams, and your interests come from? What is it that makes you . . . YOU? In 2020, Pixar Animation Studios takes you on a journey from the streets of New York City to the cosmic realms to discover the answers to life's most important questions. Disney/Pixar Soul is directed by two-time Academy Award® winner Pete Docter (Up, Inside Out) and produced by Academy Award® nominee Dana Murray (Lou short). Girls and boys ages 5 to 7 will love this Step 3 Step into Reading leveled reader based on the film! Step 3 readers feature engaging characters in easy-to-follow plots about popular topics. For children who are ready to read on their own.
The Robotic Imaginary: The Human and the Price of Dehumanized Labor
by Jennifer RheeTracing the connections between human-like robots and AI at the site of dehumanization and exploited labor The word robot—introduced in Karel Čapek’s 1920 play R.U.R.—derives from rabota, the Czech word for servitude or forced labor. A century later, the play’s dystopian themes of dehumanization and exploited labor are being played out in factories, workplaces, and battlefields. In The Robotic Imaginary, Jennifer Rhee traces the provocative and productive connections of contemporary robots in technology, film, art, and literature. Centered around the twinned processes of anthropomorphization and dehumanization, she analyzes the coevolution of cultural and technological robots and artificial intelligence, arguing that it is through the conceptualization of the human and, more important, the dehumanized that these multiple spheres affect and transform each other.Drawing on the writings of Alan Turing, Sara Ahmed, and Arlie Russell Hochschild; such films and novels as Her and The Stepford Wives; technologies like Kismet (the pioneering “emotional robot”); and contemporary drone art, this book explores anthropomorphic paradigms in robot design and imagery in ways that often challenge the very grounds on which those paradigms operate in robotics labs and industry. From disembodied, conversational AI and its entanglement with care labor; embodied mobile robots as they intersect with domestic labor; emotional robots impacting affective labor; and armed military drones and artistic responses to drone warfare, The Robotic Imaginary ultimately reveals how the human is made knowable through the design of and discourse on humanoid robots that are, paradoxically, dehumanized.
Revisiting the Toolbox of Discourse Studies: New Trajectories in Methodology, Open Data, and Visualization (Postdisciplinary Studies in Discourse)
by Markus RheindorfThis book revisits discourse analytic practice, analyzing the idea that the field has access to, provides, or even constitutes a ‘toolbox’ of methods. The precise characteristics of this toolbox have remained largely un-theorized, and the author discusses the different sets of tools and their combinations, particularly those that cut across traditional divides, such as those between disciplines or between quantitative and qualitative methods. The author emphasizes the potential value of integrating methods in terms of triangulation and its specific benefits, arguing that current trends in Open Science require Discourse Studies to re-examine its methodological scope and choices, and move beyond token acknowledgements of ‘eclecticism’. In-depth case studies supplement the methodological discussion and demonstrate the challenges and benefits of triangulation. This book will be a valuable resource for students and scholars in Discourse Studies, particularly those with an interest in combining methods and working across disciplines.
Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person
by Shonda RhimesThe mega-talented creator of Grey's Anatomy and Scandal and executive producer of How to Get Away With Murder chronicles how saying YES for one year changed her life-and how it can change yours, too.With three hit shows on television and three children at home, the uber-talented Shonda Rhimes had lots of good reasons to say NO when an unexpected invitation arrived. Hollywood party? No. Speaking engagement? No. Media appearances? No. And there was the side-benefit of saying No for an introvert like Shonda: nothing new to fear. Then Shonda's sister laid down a challenge: just for one year, try to say YES to the unexpected invitations that come your way. Shonda reluctantly agreed-and the result was nothing short of transformative. In Year of Yes, Shonda Rhimes chronicles the powerful impact saying yes had on every aspect of her life-and how we can all change our lives with one little word. Yes.
Inside Bridgerton
by Shonda Rhimes Betsy BeersInside Bridgerton is the intimate behind-the-scenes story of the hit Shondaland series on Netflix, from Shondaland executive producers Shonda Rhimes and Betsy Beers. Full-colour and beautifully designed, Inside Bridgerton is the official book about the show, and includes never before seen photographs, first-hand accounts on casting, insight into the decisions behind the costumes and sets, directors' accounts on shooting your favourite scenes, and more from the creative minds that launched a cultural phenomenon.Shondaland executive producers Shonda Rhimes and Betsy Beers offer exclusive insights, and introduce you to the series writers, producers, directors, cast, crew and talented creatives who brought Julia Quinn's beloved novels to the screen.
Inside Bridgerton
by Shonda Rhimes Betsy BeersThe stunning, full-color, behind-the-scenes look at Shondaland&’s hit series on Netflix. Inside Bridgerton is the intimate behind-the-scenes story of the hit Shondaland series on Netflix. Shondaland executive producers Shonda Rhimes and Betsy Beers offer exclusive insights, and introduce you to the series writers, producers, directors, cast, crew, and talented creatives who brought Julia Quinn&’s beloved novels to the screen. Full-color and beautifully designed, Inside Bridgerton is the official book about the show, and includes never-before-seen photographs, firsthand accounts on casting, insight into the decisions behind the costumes and sets, directors&’ accounts on filming your favorite scenes, and more from the creative minds that launched a cultural phenomenon. From the Introduction to Inside Bridgerton: SHONDA: Shall we take everyone back to the beginning? Not to the 1800s, but to 2017 and that hotel room where I was sick, and needed something to read, and there happened to be a copy of The Duke & I by Julia Quinn, the first of the Bridgerton novels. I&’m not someone who was into romance novels—I really didn&’t even know much about the genre. But I picked it up, couldn&’t put it down, and then immediately got my hands on the rest of them because they were a fabulous read. And then I passed them to you. BETSY: I thought you might have hit your head in the hotel room when you had the flu. Romance novels? But you insisted that they would be a fabulous show and you have excellent taste. I was deeply skeptical because I hadn&’t read a romance novel since I was a teen—I&’d certainly never read a period romance novel. SHONDA: Totally—you read the ones of the 1980s, when everyone wore huge shoulder pads and diamonds. BETSY: Right. So there&’s some continuity here because these guys were wearing diamonds, too. SHONDA: Fair—but as far as a period romance, I mean, if it wasn&’t Jane Austen, I didn&’t really know about it. I&’m not going to diss Jane Austen because I&’m not an idiot… BETSY: She might get upset. SHONDA: She might roll over in her grave. But Julia Quinn&’s novels were just so much juicier than Austen, and they&’re written by someone who was far less confined and less proper. After all, Julia is a modern woman, not stuck in the constraints of the age. BETSY: Without a doubt. And I never knew that the ton existed: Austen wrote about a pastoral society where everyone is in relatively drab clothes and spent a lot of time in chapels and churches. SHONDA: Totally. And they recycled their dresses more. BETSY: Meanwhile, this was an amazing world of luxury and excess. And she had this crazy device of a gossip columnist, pulling the strings, which was such a cool concept. Julia Quinn created an entirely new, glamorous, bright world that you had actually never seen before.
The Palgrave Encyclopedia of American Horror Film Shorts: 1915–1976
by Gary D. Rhodes David J. HoganThe Palgrave Encyclopedia of American Horror Film Shorts chronicles for the first time over 1,500 horror and horror-related short subjects theatrically released between 1915, at the dawn of the feature film era when shorts became a differentiated category of cinema, and 1976, when the last of the horror-related shorts were distributed to movie theaters. Individual entries feature plot synopses, cast and crew information, and – where possible – production histories and original critical reviews. A small number of the short subjects catalogued herein are famous; such as those featuring the likes of Buster Keaton, Laurel and Hardy, The Three Stooges, Bugs Bunny, and Daffy Duck; but the bulk are forgotten. The diverse content of these shorts includes ghosts, devils, witches, vampires, skeletons, mad scientists, monsters, hypnotists, gorillas, dinosaurs, and so much more, including relevant nonfiction newsreels. Their rediscovery notably rewrites many chapters of the history of horror cinema, from increasing our understanding of the sheer number horror films that were produced and viewed by audiences to shedding light on particular subgenres and specific narrative and historical trends.
Spectacle of Property: The House in American Film
by John David RhodesMuch of our time at the movies is spent in other people’s homes. Cinema is, after all, often about everyday life. Spectacle of Property is the first book to address the question of the ubiquitous conjuncture of the moving image and its domestic architecture. Arguing that in cinema we pay to occupy spaces we cannot occupy, John David Rhodes explores how the house in cinema both structures and criticizes fantasies of property and ownership.Rhodes tells the story of the ambivalent but powerful pleasure we take in looking at private property onscreen, analyzing the security and ease the house promises along with the horrible anxieties it produces. He begins by laying out a theory of film spectatorship that proposes the concept of the “spectator-tenant,” with reference to films such as Gone with the Wind and The Magnificent Ambersons. The book continues with three chapters that are each occupied with a different architectural style and the films that make use of it: the bungalow, the modernist house, and the shingle style house. Rhodes considers a variety of canonical films rarely analyzed side by side, such as Psycho in relation to Grey Gardens and Meet Me in St. Louis. Among the other films discussed are Meshes of the Afternoon, Mildred Pierce, A Star Is Born, Killer of Sheep, and A Single Man.Bringing together film history, film theory, and architectural history as no book has to date, Spectacle of Property marks a new milestone in examining cinema’s relationship to realism while leaving us vastly more informed about, if less at home inside, the houses we occupy at the movies.
Hedy's Folly: The Life and Breakthrough Inventions of Hedy Lamarr, the Most Beautiful Woman in the World
by Richard RhodesWhat do Hedy Lamarr, avant-garde composer George Antheil, and your cell phone have in common? The answer is spread-spectrum radio: a revolutionary invention based on the rapid switching of communications signals among a spread of different frequencies. Without this technology, we would not have the digital comforts that we take for granted today. Only a writer of Richard Rhodes's caliber could do justice to this remarkable story. Unhappily married to a Nazi arms dealer, Lamarr fled to America at the start of World War II; she brought with her not only her theatrical talent but also a gift for technical innovation. An introduction to Antheil at a Hollywood dinner table culminated in a U.S. patent for a jam- proof radio guidance system for torpedoes--the unlikely duo's gift to the U.S. war effort. What other book brings together 1920s Paris, player pianos, Nazi weaponry, and digital wireless into one satisfying whole? In its juxtaposition of Hollywood glamour with the reality of a brutal war, Hedy's Folly is a riveting book about unlikely amateur inventors collaborating to change the world.From the Hardcover edition.
Semi-Detached
by Griff Rhys JonesSemi-detached Griff relives freezing bus journeys to school and the impulsive stealing of that half-a-crown from Charlie Hume’s money box; sitting outside Butlins at Clacton (longing to be inside and on the Waltzer instead of stranded on the pebbles with his dad); hazy summer afternoons spent with feral gangs in the woods, or storming the mud flats singing extracts from the Bonzo Dog Dooh Dah Band. The memories are like Mivvis, frozen and fuzzy at the edges, but a sweet jam of pure recollected goo at the centre.From birth to the BBC, this is a story of a confident middle child. Griff’s devoted parents Gwynneth and Elwyn gave him love, security and plenty of asparagus soup from a fake wicker vacuum flask with a plastic top. Griff’s father Elwyn, a retiring hospital doctor with a penchant for sweeties and ice-cream, loathed the tedium of English social ritual and hid behind his family and woodwork. From tree houses to boats, puppets to tables, he sawed and hammered his way into his family’s affections.Griff left the bosom of his loving, irascible, eccentric, solid, all engulfing family for the firm embrace of real life; via the Upminster Fun Gang, the Direct Grant System and Party Sevens, losing his virginity down the back of a bunk in a twenty nine foot yacht, discovering the romantic advantages of shared babysitting engagements and the drawbacks of infatuation with identical twins. If he hadn’t moved around so much as a child, would Griff have felt less like a voyeur, looking in on the lighted window across the square, the Georgian house glowing in the sun, the clink of glasses and the bray of public school certainties? Would he be able to tuck in his own shirt? Would he be fully detached? A laugh-aloud buffet of baby boomer Britain, Griff’s self-deprecating, elegant, affectionate prose reveals a little bit better how on earth you got from there to here.
The Little Book of Kenergy
by Matt RiarchiKenergy. The word on everybody's lips. But what actually is Kenergy? And how can you unlock your own Kenergy from within? Kenergy is main-side-kick-character energy. It's carrying someone's purse like your life depends on it. It's letting your girlfriend test out her makeup ideas on you first to check they look good. It's hiding in your girlfriend's suitcase to surprise her on vacation, then happily getting the 6 hour flight home alone when she says she doesn't want you there.Someone with Kenergy always takes care of his appearance, but only to make his girlfriend look even hotter - not that it's even possible. He's (somehow) always got a tan and his abs are so shredded you could grate cheese on them. And he polishes his motorcycle every morning just in case he learns to ride it one day. But Kenergy is not all smiles and sparkles. Sometimes he wants so badly to be admired and adored that he can barely carry on when he doesn't get the praise he craves so deeply. But he patiently waits for the crippling invasive thoughts to pass, then merrily resumes making his strawberry daiquiri.In a nutshell, Kenergy is joyful, whimsical and - above all - delights in the absurd. And with this book, you'll become an expert in identifying Kenergy, harnessing your Kenergy, embodying your Kenergy, and learning how to be the ultimate hype-man.*UNOFFICIAL AND UNAUTHORIZED*
The Little Book of Kenergy
by Matt RiarchiKenergy. The word on everybody's lips. But what actually is Kenergy? And how can you unlock your own Kenergy from within? Kenergy is main-side-kick-character energy. It's carrying someone's purse like your life depends on it. It's letting your girlfriend test out her makeup ideas on you first to check they look good. It's hiding in your girlfriend's suitcase to surprise her on vacation, then happily getting the 6 hour flight home alone when she says she doesn't want you there.Someone with Kenergy always takes care of his appearance, but only to make his girlfriend look even hotter - not that it's even possible. He's (somehow) always got a tan and his abs are so shredded you could grate cheese on them. And he polishes his motorcycle every morning just in case he learns to ride it one day. But Kenergy is not all smiles and sparkles. Sometimes he wants so badly to be admired and adored that he can barely carry on when he doesn't get the praise he craves so deeply. But he patiently waits for the crippling invasive thoughts to pass, then merrily resumes making his strawberry daiquiri.In a nutshell, Kenergy is joyful, whimsical and - above all - delights in the absurd. And with this book, you'll become an expert in identifying Kenergy, harnessing your Kenergy, embodying your Kenergy, and learning how to be the ultimate hype-man.*UNOFFICIAL AND UNAUTHORIZED*
The Art of Wishing
by Lindsay Ribar"[With] a genie like no other. . . this lighthearted book is a well-rounded combination of humor, romance and paranormal suspense, with likable characters and easy-to-believe dialogue. " (Kirkus Reviews) Margo McKenna has a plan of attack for everything, from landing the lead in her high school musical to dealing with her increasingly absent parents. But when she finds herself in possession of a genie's ring and the opportunity to make three wishes, she doesn't know what to do. Especially since Oliver--not blue-skinned, not bottle-dwelling, but a genie nonetheless--can see more than what she's willing to show him. With one peek into her mind, he can see the wishes that even Margo herself doesn't know she wants. But Oliver comes with more than just mind-reading abilities, a flair for magic, and the prettiest eyes Margo's ever seen. Someone from his past is hunting him--someone bent on killing him, along with all the other genies in the world, for the sake of honor. And as Margo soon discovers, it will take more than three wishes to save him. A whole lot more. .
The Fourth Wish
by Lindsay RibarHere's what Margo McKenna knows about genies: She's seen Aladdin more times than she can count; she's found a magic genie ring and made her three allotted wishes; she's even fallen head over heels in love with Oliver, the cute genie whose life she saved by fighting off another genie. But none of this prepared her for the shock of becoming a genie herself. Everything Margo's taken for granted--graduating high school, going to college, hating math, performing in the school musical, even being a girl--is in question. Just at a time when she's trying to figure out who she wants to be, Margo is forced to become whomever her master wants. But Margo is also coming into a power she never imagined she'd have. How will she reconcile the two? And where will she and Oliver stand when she's done? Fans of Every Day and Anna and the French Kiss will love this romantic, magical, and surprising conclusion to The Art of Wishing.
Martin Scorsese: Interviews, Revised and Updated (Conversations with Filmmakers Series)
by Robert RiberaMartin Scorsese (b. 1942) has long been considered one of America’s greatest cinematic storytellers. Over the last fifty years he has created some of the most iconic moments in American film, never afraid to confront controversial issues with passion. While few of his films are directly autobiographical, his upbringing in New York’s Little Italy, the childhood asthma that kept him from playing sports, and his early desire to enter the priesthood all helped form his sensibilities and later shaped his distinct style. Community, religion, violence—these themes drive a Scorsese picture, and whether he examines the violence that bursts forth in the hand of Travis Bickle or the passion of Jesus Christ, Scorsese’s mastery of the history, art, and craft of filmmaking is undeniable. This collection was originally edited by the late Peter Brunette in 1999 and is now revised and extensively updated by Robert Ribera. It traces Scorsese’s evolution from the earliest days of the New American Cinema, his work with Roger Corman, and his days at New York University’s film program to his efforts to preserve the legacy of cinema, his documentary work, and his recent string of successes. Among new movies discussed are The Departed, Hugo, and The Wolf of Wall Street, and the documentaries No Direction Home and The Blues. Scorsese stands out as a director, producer, scholar, preservationist, and icon. His work both behind the camera and in the service of its history are a cornerstone of American and world cinemas. In these interviews, Scorsese takes us from Elizabeth Street to the heights of Hollywood and all the journeys in between.
Multilingual Fiction Series: Genres, Geographies and Performances (Routledge Research in Cultural and Media Studies)
by Nahuel RibkeThis book explores the emergence and development of multilingual fiction series, a relatively new phenomenon propelled by the globalization of media industries and the consolidation of streaming platforms as central vectors in the production and consumption of audiovisual entertainment content. Through a detailed analysis of thriller, sitcom, and drama series, the book proposes an original qualitative and quantitative research methodology for the study of on-screen multilingual encounters, examining the relationship between multilingual speech and genre conventions. The book covers fiction series beyond English-speaking countries: alongside American productions, the analysis covers TV shows from Europe, Latin America, and the Middle East region. This interdisciplinary and original volume will interest scholars and students in film studies and media studies working on global media, as well as communication studies, television studies, sociolinguistics, media and cultural industries, and translation studies.
Transnational Latin American Television: Genres, Formats and Adaptations (Routledge Studies in Media and Cultural Industries)
by Nahuel RibkeThis book examines the process of transnationalization of Latin American television industries. Drawing upon six representative case studies spanning the subcontinent’s vast and diverse geo-political and cultural landscape, the book offers a unique exploration of the ongoing formation of interrelated cultural, technological, and political landscapes, from the mid-1980s to the present. The chapters analyse the international circulation of the genres and formats of entertainment television across the subcontinent to explore the main driving forces propelling the production and consumption of television contents in the region, and what we can learn about the cultural and social identities of Latin American audiences following the journey of genres, formats, and media personalities beyond their own national borders. Taking a contemporary interdisciplinary approach to the study of transnational television industries, this book will be of significant interest to scholars and students of television and film studies, communication studies, Latin American studies, global media studies, and media and cultural industries.