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Acting & Auditioning for the 21st Century: Tips, Trends, and Techniques for Digital and New Media
by Stephanie Barton-FarcasActing & Auditioning for the 21st Century covers acting and auditioning in relation to new media, blue and green screen technology, motion capture, web series, audiobook work, evolving livestreamed web series, and international acting and audio work. Readers are given a methodology for changing artistic technology and the global acting market, with chapters covering auditions of all kinds, contracts, the impact of new technology and issues relating to disabled actors, actors of colour and actors that are part of the LGBTQIA community.
Acting as a Business
by Brian O'NeilAn essential handbook for actors-a modern classic-in a newly updated edition.Since its original publication, Acting as a Business has earned a reputation as an indispensable tool for working and aspiring actors. Avoiding the usual advice about persistence and luck, Brian O'Neil provides clear-cut guidelines that will give actors a solid knowledge of the business behind their art. It's packed with practical information-on everything from what to say in a cover letter to where to stand when performing in agent's office-including:*How to craft a winning theatrical résumé*The most effective ways to join the performer's unions*Tactics for getting an agent*Strategies for finding work in the theater, on daytime television, and in independent films*Navigating the different customs and cultures of New York and Los AngelesO'Neil has updated Acting as a Business to keep up with the latest show-business trends, including how best to use the Internet, making this new edition no actor should be without.From the Trade Paperback edition.
Acting, Archetype, and Neuroscience: Superscenes for Rehearsal and Performance
by Jane Drake Brody"How do we move actors into the less accessible regions of themselves and release hotter, more dangerous, and less literal means of approaching a role?" Superscenes are a revolutionary new mode of teaching and rehearsal, allowing the actor to discover and utilize the primal energies underlying dramatic texts. In Acting, Archetype, and Neuroscience Jane Drake Brody draws upon a lifetime’s experience in the theatre, alongside the best insights into pedagogical practice in the field, the work of philosophers and writers who have focused on myth and archetype, and the latest insights of neuroscience. The resulting interdisciplinary, exciting volume works to: Mine the essentials of accepted acting theory while finding ways to access more primally-based human behavior in actors Restore a focus on storytelling that has been lost in the rush to create complex characters with arresting physical and vocal lives Uncover the mythical bones buried within every piece of dramatic writing; the skeletal framework upon which hangs the language and drama of the play itself Focus on the actor’s body as the only place where the conflict inherent in drama can be animated. Acting, Archetype, and Neuroscience weaves together a wealth of seemingly disparate performance methods, exciting actors to imaginatively and playfully take risks they might otherwise avoid. A radical new mixture of theory and practice by a highly respected teacher of acting, this volume is a must-read for students and performance practitioners alike.
Acting and Living in Discovery: A Workbook for the Actor
by Carol RosenfeldActing and Living in Discovery, A Workbook for the Actor lays out essential fundamentals of the actor’s process. Based on the author’s experiences at the legendary HB Studio in New York City, Acting and Living in Discovery provides practical guidance for developing, honing, or revitalizing the actor’s craft for the actor. A teacher can use the workbook to support a studio class, a special workshop, part of a university acting course, or private coaching. The chapters delve into basic facets of the acting process that lead the actor into discovering the corporal world of a script. Exercises at the end of each chapter invite the actor to discover the treasure trove of his unique self, and spell out the work an actor can do to wear the shoes of any character. The actor is at once the instrument and the player. The workbook can be read straight through or used as a reference for addressing a particular problem or topic.
Acting and Directing Shakespeare's Comedies: Key Lessons
by Kevin OtosActing and Directing Shakespeare’s Comedies: Key Lessons outlines a clear, effective process for acting Shakespeare’s comedies. This book lays out core principles and useful exercises that help the reader better understand, expereince, and implement Shakespeare's comedic design. Building off of modern acting methods as well as contemporary Clown, classical Commedia, and verse-speaking techniques, the author guides the reader toward interpretive and performance choices that are original, justified, and entertaining. Included are clear examples and detailed case studies that illuminate and reenforce these key lessons. This accessible book is for actors, directors, students of Shakespeare, and those who want a fuller, richer awareness of the possibilities within Shakespeare’s comedies and a clear, pragmatic process for creating those performances.
Acting and Being: Explorations in Embodied Performance
by Elizabeth HessIn this book, educator-actor-playwright-director Elizabeth Hess offers systematic and original explorations in performance technique. This hybrid approach is a fusion of physical theater modalities culled from Western practices (Psycho-physical actions, Viewpoints) Eastern practices (Butoh, Kundalini yoga) and related performance disciplines (Mask, Puppetry). Behavioral, physiological and psychological 'states of being' are engaged to unlock impulses, access experience and enlarge the imagination. Through individual, partnered and collective explorations, actors uncover a character's essence and level of consciousness, their energy center and body language, and their archetype and relationship to universal themes. Magic (to pretend, as if), Metaphor (to compare, as like) and Myth (to pattern after, as in) provide the foundation for generating transformative, empathetic and expansive artistic expression. Explorations can be adapted to character work, scene study and production, including original/devised work and established text, to illuminate singular and surprising work through collaborative creativity that is inventive, inclusive and alive.
Acting after Grotowski: Theatre’s Carnal Prayer
by Kris SalataFor whom does the actor perform? To answer this foundational question of the actor’s art, Grotowski scholar Kris Salata explores acting as a self-revelatory action, introduces Grotowski’s concept of "carnal prayer," and develops an interdisciplinary theory of acting and spectating. Acting after Grotowski: Theatre’s Carnal Prayer attempts to overcome the religious/secular binary by treating "prayer" as a pre-religious, originary deed, and ultimately situates theatre along with ritual in their shared territory of play. Grounded in theatre practice, Salata’s narrative moves through postmodern philosophy, critical theory, theatre, performance, ritual, and religious studies, concluding that the fundamental structure of prayer, which underpins the actor’s deed, can be found in any self-revelatory creative act.
Acting
by Cynthia Baron David Sterritt Claudia Springer Arthur Nolletti Jr. Donna Peberdy Julie Levinson Victoria DuckettScreen performances entertain and delight us but we rarely stop to consider actors' reliance on their craft to create memorable characters. Although film acting may appear effortless, a host of techniques, artistic conventions, and social factors shape the construction of each role. The chapters in Acting provide a fascinating, in-depth look at the history of film acting, from its inception in 1895 when spectators thrilled at the sight of vaudeville performers, Wild West stars, and athletes captured in motion, to the present when audiences marvel at the seamless blend of human actors with CGI. Experts in the field take readers behind the silver screen to learn about the craft of film acting in six eras: the silent screen (1895-1928), classical Hollywood (1928-1946), postwar Hollywood (1947-1967), the auteur renaissance (1968-1980), the New Hollywood (1981-1999), and the modern entertainment marketplace (2000-present). The contributors pay special attention to definitive performances by notable film stars, including Lillian Gish, Dick Powell, Ginger Rogers, Beulah Bondi, Marilyn Monroe, Marlon Brando, Jack Nicholson, Robert De Niro, Nicholas Cage, Denzel Washington, and Andy Serkis. In six original essays, the contributors to this volume illuminate the dynamic role of acting in the creation and evolving practices of the American film industry. Acting is a volume in the Behind the Silver Screen series--other titles in the series include Animation; Art Direction and Production Design; Cinematography; Costume, Makeup, and Hair; Directing; Editing and Special/Visual Effects; Producing; Screenwriting; and Sound.
Acting: Onstage and Off (5th edition)
by Robert BartonDemonstrating how offstage performance can be effectively adapted for the theatre, as well as how onstage training can be applied toward leading a full life outside the theatre. ACTING: ONSTAGE AND OFF is a humorous yet informative book that discusses the interplay between life on and off the stage.
Acting: The First Six Lessons
by Richard BoleslavskyThe classic text on the craft of Method acting by the founder of The American Laboratory Theatre.After studying at the Moscow Art Theatre under Konstantin Stanislavski, Richard Boleslavsky became one of the most important acting teachers of his or any generation. Bringing Stanislavski&’s system to America in the 1920s and 30s, he influenced many of the titans of American drama, from his own students—including Lee Strasburg and Stella Adler—to Marlon Brando, Paul Newman, and many others.In Acting: The First Six Lessons, Boleslavsky presents his acting theory and technique in a series of accessible and engaging dialogues. Widely considered a must-have for any serious actor, Boleslavsky&’s work has long helped actors better understand their craft.
Acting: Documents from the American Laboratory Theatre
by Richard Boleslavsky Rhonda BlairActing: The First Six Lessons was first published in 1933 and remains a key text for anyone studying acting today. These dramatic dialogues between teacher and idealistic student explore the field of acting according to one of the original teachers of Stanislavsky’s System in America. <p><p> This new edition of an essential text is edited by Rhonda Blair and supplemented for the very first time with documents from the American Laboratory Theatre. These collect together a broad range of exciting unpublished material, drawn from Boleslavsky’s pivotal and unprecedented teachings on acting at the American Laboratory Theatre.
Acting: The Basics (The Basics)
by Bella MerlinActing: The Basics 3rd Edition is a dynamic response to recent societal and entertainment industry changes, focusing on inclusion, diversity and equity, and the actor's trajectory from training to rehearsal to performance on stage and screen, with hands-on tools and global perspectives. The book offers vital ways of building a practical acting toolkit, through breath, body, voice, emotions, imagination and spirit. We begin with a socio-cultural look at actor as magician, storyteller, healer and social changer. Throughout, there are insights from Black, Indigenous, First Nations, South/East Asian, intercultural and feminist practitioners, together with methods focusing on disability and accessibility, intimacy directives, mindfulness and intersectionality. Key 'canonical' figures still feature (e.g., Stanislavsky, Meisner, Brecht and Suzuki) with re-visioned perspective. Scattered throughout are post-COVID insights, plus expanded sections on screen acting (including self-tapes) and Shakespeare. This book is useful for beginner or expert, as it's always helpful getting back to basics. Because the author is both an actor and an actor trainer, the tools are steeped in user-friendly application. At the same time, transferable skills (e.g., dynamic listening and empathy) are shown as relevant to everyone. With a glossary of terms and useful online suggestions (including blogs, videos and podcasts), this is ideal for anyone learn anew about the practice and history of acting, or to take their acting and teaching into new terrain.
Acting: An International Encyclopedia
by Beth OsnesExpanding beyond the conventional western concept of theater, the reference explores current and historical rituals, festivals, and performances from countries and cultures around the world; contributions of women to acting and the performing arts; and cinema and the film industry. The cross-referencing is extensive, and entry-specific references augment the general bibliography.
Acting: How to Avoid Mistakes and Achieve Success as a Working Actor
by Paul RussellIn ACTING: Make It Your Business, Second Edition, award-winning casting director Paul Russell puts the power to land jobs and thrive in any medium—stage, film, television, or the Internet—directly into the hands of the actor. This blunt and practical guide offers a wealth of advice on auditioning, marketing, and networking, combining traditional techniques with those best suited for the digital age. Well-known actors and powerful agents and managers make cameos throughout, offering newcomers and working professionals alike a clear-eyed, uncensored perspective on survival and advancement within the entertainment industry. This second edition has been updated and expanded to include the following: More stars of screen and stage sharing acting career strategies Digital audition techniques for screen and stage, including how best to self-tape New tools to master modern marketing, both digital and traditional with innovation Expanded actor resource listings Additional bicoastal talent agents and managers spilling secrets for obtaining representation, and tips for successful actor-to-representation partnerships New insights on audition techniques An excellent resource for career actors, beginning and amateur actors, as well as students in Acting I and II, Auditions, and Business of Acting courses, ACTING: Make It Your Business provides readers with invaluable tools to build a successful, long-lasting acting career.
Acting: Advanced Techniques for the Actor, Director, and Teacher
by Terry Schreiber Mary Beth Barber Edward NortonHoned by the author's 35 years of teaching, this advanced book offers different warm-up exercises concentrating on the actor's sense of smell, sound, sight, and touch; sensory tools for conveying the climate and environment of the text; tips for suggesting a character's physical conditions; and much more. Individual exercises will help actors to free the voice and body, create a character, find the action and condition of scenes, and explore the subconscious for effective emotional recall. Readers will also find meticulous guidelines for best using rehearsal time and preparing for in-class scene work. The foreword is written by two-time Academy Award nominee Edward Norton. Those who act, direct, or teach will not want to miss the acting lessons that have made T. Schreiber Studio a premier actor training program.
Act Now! A Step-by-step Guide to Becoming a Working Actor
by Peter JazwinskiSo, you want to be an actor . . . but you have no idea how to get started. In the pages of Act Now!, you'll find a step-by-step process to show you not only how to get started, but also how to become a working actor. It will take time and commitment, but if you follow these steps you will find success. Author and acting teacher Peter Jazwinski explains every aspect of becoming an actor from start to finish. You'll learn about: * Improving Your Acting Skills * How Actors Get Cast * Finding Auditions on Your Own * Working with an Agent or Manager--and What the Difference Is * The Importance of Networking * And More! A frank and encouraging game plan for success,Act Now!will empower those who have the drive to stop dreaming and start making a living--as an actor.
Act Like You Got Some Sense
by Jamie FoxxFrom Academy Award-winning multi-talent Jamie Foxx, a hilariously candid look at the joys and pitfalls of being the father of two daughters. Jamie Foxx is not only an actor, comedian, and musician, he's also starring in his most humbling and long-running role yet as father to two independent girls: Corinne and Anelise. While his daughters have very different views on the world, there is one thing they can agree on: Dad gets on their motherf***ing nerves. Though every day with his girls brings hurdles and hilarity, he's learned a lot along the way. In ACT LIKE YOU GOT SOME SENSE - a title inspired by his beloved and fierce grandmother - Jamie reveals his rocky parenting journey through priceless stories about the tough love and old-school values he learned growing up in the small town of Terrell, Texas; his early days trying to make it in Hollywood; and life after achieving stardom. You would think being an A-lister would ease his dad-duty struggles, but if anything, it has only made things more complicated. It seems that a teenage girl who just wants to blend in with her friends will not be excited to see her dad's flashy new convertible at the front of the carpool lane. Hilarious, poignant, and always brutally honest, ACT LIKE YOU GOT SOME SENSE is Jamie Foxx like we've never seen him before, dealing with problems he never imagined he'd have.
Act Like You Got Some Sense
by Jamie FoxxFrom Academy Award-winning multi-talent Jamie Foxx, a hilariously candid look at the joys and pitfalls of being the father of two daughters. Jamie Foxx is not only an actor, comedian, and musician, he's also starring in his most humbling and long-running role yet as father to two independent girls: Corinne and Anelise. While his daughters have very different views on the world, there is one thing they can agree on: Dad gets on their motherf***ing nerves. Though every day with his girls brings hurdles and hilarity, he's learned a lot along the way. In ACT LIKE YOU GOT SOME SENSE - a title inspired by his beloved and fierce grandmother - Jamie reveals his rocky parenting journey through priceless stories about the tough love and old-school values he learned growing up in the small town of Terrell, Texas; his early days trying to make it in Hollywood; and life after achieving stardom. You would think being an A-lister would ease his dad-duty struggles, but if anything, it has only made things more complicated. It seems that a teenage girl who just wants to blend in with her friends will not be excited to see her dad's flashy new convertible at the front of the carpool lane. Hilarious, poignant, and always brutally honest, ACT LIKE YOU GOT SOME SENSE is Jamie Foxx like we've never seen him before, dealing with problems he never imagined he'd have.
Act Like You Got Some Sense: And Other Things My Daughters Taught Me
by Jamie FoxxIn this hilarious and heartfelt memoir, award-winning, multi-talented entertainer Jamie Foxx shares the story of being raised by his no-nonsense grandmother, the glamour and pitfalls of life in Hollywood, and the lessons he took from both worlds to raise his two daughters.Jamie Foxx has won an Academy Award and a Grammy Award, laughed with sitting presidents, and partied with the biggest names in hip-hop. But he is most proud of his role as father to two very independent young women, Corinne and Anelise. Jamie might not always know what he&’s doing when it comes to raising girls—especially when they talk to him about TikTok (PlikPlok?) and don&’t share his enthusiasm for flashy Rolls Royces—but he does his best to show up for them every single day.Luckily, he has a strong example to follow: his beloved late grandmother, Estelle Marie Talley. Jamie learned everything he knows about parenting from the fierce woman who raised him: As he puts it, she&’s &“Madea before Tyler Perry put on the pumps and the gray wig.&” In Act Like You Got Some Sense—a title inspired by Estelle—Jamie shares up close and personal stories about the tough love and old-school values he learned growing up in the small town of Terrell, Texas; his early days trying to make it in Hollywood; the joys and challenges of achieving stardom; and how each phase of his life shaped his parenting journey. Hilarious, poignant, and always brutally honest, this is Jamie Foxx like we&’ve never seen him before.
ACT for Musicians: A Guide for Using Acceptance and Commitment Training to Enhance Performance, Overcome Performance Anxiety, and Improve Well-Being
by David G. JuncosWhile it is widely recognized that music contributes to the health and well-being of societies, the reverse is not necessarily true. Being a professional musician is a rewarding yet challenging occupation, and the results of newer survey studies show musi
Act as a Feminist: Towards a Critical Acting Pedagogy
by Lisa PeckAct as a Feminist maps a female genealogy of UK actor training practices from 1970 to 2020 as an alternative to traditional male lineages. It re-orientates thinking about acting through its intersections with feminisms and positions it as a critical pedagogy, fit for purpose in the twenty-first century. The book draws attention to the pioneering contributions women have made to actor training, highlights the importance of recognising the political potential of acting, and problematises the inequities for a female majority inspired to work in an industry where they remain a minority. Part One opens up the epistemic scope, shaping a methodology to evaluate the critical potential of pedagogic practice. It argues that feminist approaches offer an alternative affirmative position for training, a via positiva and a way to re-make mimesis. In Part Two, the methodology is applied to the work of UK women practitioners through analysis of the pedagogic exchange in training grounds. Each chapter focuses on how the broad curriculum of acting intersects with gender as technique to produce a hidden curriculum, with case studies on Jane Boston and Nadine George (voice), Niamh Dowling and Vanessa Ewan (movement), Alison Hodge and Kristine Landon-Smith (acting), and Katie Mitchell and Emma Rice (directing). The book concludes with a feminist manifesto for change in acting. Written for students, actors, directors, teachers of acting, voice, and movement, and anyone with an interest in feminisms and critical pedagogies, Act as a Feminist offers new ways of thinking and approaches to practice.
Act 3
by Andrew Keenan-Bolger Ben Kirchner Kate WetherheadA show-stopping middle-grade series about life in and out of the spotlight from Broadway stars and Internet sensations Andrew Keenan-Bolger and Kate Wetherhead.Two weeks at Camp Curtain-Up is just what Jack and Louisa need to fuel their passion for theater: Broadway musical sing-alongs, outdoor rehearsals, and tons of new MTNs (musical theater nerds) to meet... maybe even a special someone. It almost feels like fate when the two friends return home to find local auditions for The Sound of Music. But as Louisa fantasizes about frolicking in the Alps, Jack gets tempted by a student-run drama competition that would reunite the two with their camp friends. Will Jack get Louisa to skip an audition? Can Lou handle Jack as her director? And will someone finally get a big, Broadway happy ending?
Across the Floor (Orca Limelights)
by Natasha DeenLuc Waldon always figured he knew what his passion was: football. He lives it, he breathes it--and he thinks he has what it takes to go all the way to the NFL. So when his football coach orders him to sign up for contemporary-dance classes to improve his game, Luc's less than thrilled. When he realizes that dance might actually be his true passion, he faces a tough decision. Is he willing to leave behind the field and a real shot at professional sports, and disappoint his parents, his coach and his teammates, in order to pursue a new dream?
An Acrobat of the Heart: A Physical Approach to Acting Inspired by the Work of Jerzy Grotowski
by Stephen Wangh"The actor will do, in public, what is considered impossible. " When the renowned Polish director Jerzy Grotowski began his 1967 American workshop with these words, his students were stunned. But within four weeks they themselves had experienced the "impossible. " In An Acrobat of the Heart, teacher-director-playwright Stephen Wangh reveals how Jerzy Grotowski's physical exercises can open a pathway to the actor's inner creativity. Drawing on Grotowski's insights and on the work of Stanislavski, Uta Hagen, and others, Wangh bridges the gap between rigorous physical training and practical scene and character technique. Wangh's students give candid descriptions of their struggles and breakthroughs, demonstrating how to transform these remarkable lessons into a personal journey of artistic growth. Courageous and compelling, An Acrobat of the Heartis an invaluable resource for actors, directors, and teachers alike.
Acrobaddict
by Joe PutignanoFollow the author as he goes on a harrowing journey from the US Olympic Training Center to homeless shelters to shooting heroin on the job to being declared dead. This story goes beyond addiction. It is about the fragility and tenacity of the human spirit and how that spirit can redeem each and every one of us by helping to push us through the darkness, whether the darkness is from death, divorce, or the disease of addiction.Acrobaddict is a story about the close relationship between athletics and drug addiction-how the same energy, obsession, and dedication that can create an Olympic athlete can also create a homeless drug addict.PUBLISHERS WEEKLY (Starred review) After reading former Olympic gymnastics hopeful Putignano's sinister yet intoxicating memoir of addiction, recovery, and more addiction, you wind up feeling like one of his closest friends. The first-time author, who now portrays Crystal Man in Cirque du Soleil's traveling production of Totem, divulges what must be nearly every significant detail of his journey from the basement of his parents' Massachusetts home, where as an 8-year-old he taught himself flips using old couch cushions; to the U.S. Olympic Training Center in Colorado Springs, where the author's insane quest for perfection exposed his insecurities and triggered his self-loathing; and finally to a seemingly never-ending series of addict escapades throughout his college and post-college years that somehow did not even climax after he was twice declared clinically dead. Putignano's homosexuality plays a crucial role in his story, and it is the one topic here he handles delicately. Elsewhere, his prose is unfiltered: graphic and intimate. Prone to hyperbole to the point of distraction, Putignano nevertheless writes so vividly about his highs that readers practically experience them with him. Similarly, his lows drop them into the private circles of hell on earth he created. A more powerful anti-drug missive would be tough to find. (Sept.)LIBRARY JOURNAL (July 22, 2013) Dale Farris, Groves, TX-Former star acrobatic contortionist and gymnast of the Cirque du Soleil's "Totem," performer in Twyla Tharp's musical The Times They Are A'changin, and guest on Dr. Sanjay Gupta's CNN show Human Factor, Putignano, shares his heartfelt, emotionally wrenching story of addiction to heroin. Putignano's memoir takes readers on an unsettling journey from his experience in the U.S. Olympic Training Center to homeless shelters to shooting heroin on the job, and even being declared dead. His vivid, brutally honest story begins with his realizing at an early age his innate talent for gymnastics, followed by his obsession with becoming an Olympic gymnastic champion, how he abandoned his Olympic hopes to chase his love of heroin, and ultimately how he managed to overcome his addiction and move into long-term recovery and stability. The narrative is replete with colorful descriptions of his many harrowing experiences, and deep musings that have formed the foundation for his commitment to remain free of drugs and a shining light for others who may be seeking guidance. VERDICT Putignano's honest memoir of drug abuse is a valuable addition to substance-abuse literature. His status as a successful gymnast and performer helps connect readers, and his impressive, erudite style results in a highly credible addition to this rapidly saturating genre.