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Man's Estate: Masculine Identity in Shakespeare
by Coppelia H. KahnThis title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.
Many Mothers, Seven Skies: Scenes for Tomorrow
by Joan Crate Cheryl Foggo Tchitala Nyota KambaA diverse group of seven writers comes together to create seven tender scenes about their hopes for the future."The seven of us, a diverse group of elders, have endured, loved, lost and celebrated life in our own ways. Now, we decided, we would write a production for the stage, voicing our different experiences and what we came to realize are similar concerns about the future of our families, our planet, its peoples and its incredible network of flora and fauna."The Many Mothers Collective came together during the pandemic, hoping to make sense of the world that they found themselves in. What they found is that they needed to focus not only on the present moment, but on the world they would leave for their children and grandchildren -- and for seven generations into the future. In seven scenes for the stage, they explore where we have come from and where we are going, with a deep hopefulness rooted in resistance.
Maple Lodge
by Colleen CurranFull Length, Comedy / 2 m., 3 f. / Heather, Dennis and Tara are opening their cottage, Maple Lodge, for the summer and are expecting their formidable mother. The three a college administrator, a pharmacist and a twice divorced TV anchor woman have been coming to Maple Lodge all of their lives and Tara assures everyone that this summer will be the same as always once this weekend is over. She is wrong. Everything changes with the arrival an exotic stranger. In the meantime, Mother has won a Suitcase Dance to Mexico and will miss the big event Tara is hosting: the raising of a covered bridge to replace the beloved one burned to the ground by the Kingman brothers twenty five years ago. Her co chairman on the bridge committee, a local lumberman, just happens to be in love with Heather. Maple Lodge has kept many secrets, but they all come out this weekend. / Winner of the Samuel French Canadian Playwrights Contest.
Mapping Global Theatre Histories
by Mark PizzatoThis textbook provides a global, chronological mapping of significant areas of theatre, sketched from its deepest history in the evolution of our brain's 'inner theatre' to ancient, medieval, modern, and postmodern developments. It considers prehistoric cave art and built temples, African trance dances, ancient Egyptian and Middle-Eastern ritual dramas, Greek and Roman theatres, Asian dance-dramas and puppetry, medieval European performances, global indigenous rituals, early modern to postmodern Euro-American developments, worldwide postcolonial theatres, and the hyper-theatricality of today's mass and social media. Timelines and numbered paragraphs form an overall outline with distilled details of what students can learn, encouraging further explorations online and in the library. Questions suggest how students might reflect on present parallels, making their own maps of global theatre histories, regarding geo-political theatrics in the media, our performances in everyday life, and the theatres inside our brains.
Mapping Irish Theatre
by Chris Morash Shaun RichardsSeamus Heaney once described the 'sense of place' generated by the early Abbey theatre as the 'imaginative protein' of later Irish writing. Drawing on theorists of space such as Henri Lefebvre and Yi-Fu Tuan, Mapping Irish Theatre argues that theatre is 'a machine for making place from space'. Concentrating on Irish theatre, the book investigates how this Irish 'sense of place' was both produced by, and produced, the remarkable work of the Irish Revival, before considering what happens when this spatial formation begins to fade. Exploring more recent site-specific and place-specific theatre alongside canonical works of Irish theatre by playwrights including J. M. Synge, Samuel Beckett and Brian Friel, the study proposes an original theory of theatrical space and theatrical identification, whose application extends beyond Irish theatre, and will be useful for all theatre scholars.
Mapping Memory: Visuality, Affect, and Embodied Politics in the Americas
by Kaitlin M. MurphyIn Mapping Memory, Kaitlin M. Murphy investigates the use of memory as a means of contemporary sociopolitical intervention. Mapping Memory focuses specifically on visual case studies, including documentary film, photography, performance, new media, and physical places of memory, from sites ranging from the Southern Cone to Central America and the U.S.–Mexican borderlands. Murphy develops new frameworks for analyzing how visual culture performs as an embodied agent of memory and witnessing, arguing that visuality is inherently performative. By analyzing the performative elements, or strategies, of visual texts—such as embodiment, reenactment, haunting, and the performance of material objects and places Murphy elucidates how memory is both anchored in and extracted from specific bodies, objects, and places. Drawing together diverse theoretical strands, Murphy originates the theory of “memory mapping”, which tends to the ways in which memory is strategically deployed in order to challenge official narratives that often neglect or designate as transgressive certain memories or experiences. Ultimately, Murphy argues, memory mapping is a visual strategy to ask, and to challenge, why certain lives are rendered visible and thus grievable and others not.
Mapping South Asia through Contemporary Theatre
by Ashis SenguptaWhile remapping the region by examining enduring historical and cultural connections, this study discusses multiple traditions and practices of theatre and performance in five South Asian countries within their specific political and socio-cultural contexts.
Margaret Webster: A Life in the Theater
by Milly S. BarrangerMargaret Webster: A Life in the Theater is an engrossing backstage account of the life of pioneering director Margaret Webster (1905-72). This is the first book-length biography of Webster, a groundbreaking stage and opera director whose career challenged not only stage tradition but also mainstream attitudes toward professional women. Often credited with first having brought Shakespeare to Broadway, and renowned for her bold casting of an African American (Paul Robeson) in the role of Othello, Webster was a creative force in modern American and British theater. Her story reveals the independent-minded artist undeterred by stage tradition and unmindful of rules about a woman's place in the professional theater. In addition to providing fascinating glimpses into Webster's personal and family life, Margaret Webster: A Life in the Theater also offers a who's-who list of the biggest names in New York and London theater of the time, as well as Hollywood: John Gielgud, Noël Coward, George Bernard Shaw, Uta Hagen, Sybil Thorndike, Eva LeGallienne, and John Barrymore, among others, all of whom crossed paths with Webster. Capping Webster's amazing story is her investigation by Senator Joseph McCarthy and HUAC, which left her unable to work for a year, and from which she never fully recovered.
Margherita Costa, Diva of the Baroque Court (Toronto Italian Studies)
by Jessica GoethalsThe Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history. Margherita Costa, Diva of the Baroque Court brings together close textual readings of Costa’s numerous publications with archival materials detailing her performance itinerary and social-cultural networks. The book progresses chronologically through her life, geographically along the routes she travelled, and thematically via the genres in which she experimented. Jessica Goethals illuminates how Costa was unafraid to leap over the boundaries of decorum that delimited what women should and did write about. More than merely a literary biography, this book is also a portrait of seventeenth-century courts, their concerns, and their entertainments.
Marginality Beyond Return: US Cuban Performances in the 1980s and 1990s (Routledge Advances in Theatre & Performance Studies)
by Lillian ManzorThis study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000. Lillian Manzor analyzes early plays by Magali Alabau, Jorge Ignacio Cortiñas, María Irene Fornés, Eduardo Machado, Manuel Martín Jr., and Carmelita Tropicana as well as these playwrights’ participation in three foundational Latine theater projects --INTAR’s Hispanic Playwrights-in-Residence Laboratory in New York (1980-1991), Hispanic Playwrights Project at South Coast Repertory Theater in Costa Mesa, CA (1986-2004), and The Latino Theater Initiative at Center Theater Group's Mark Taper Forum in Los Angeles (1992-2005). She also studies theatrical projects of reconciliation among Cubans on and off the island in the early 2000s. Demonstrating the foundational nature of these artists and projects, the book argues that US Cuban theater problematizes both the exile and Cuban-American paradigms. By investigating US Cuban theater, the author theorizes via performance, ways in which we can intervene in and reformulate political and representational positionings within the context of hybrid cultural identities. This book will of great interest to students and scholars in Performance Studies, Transnational Latine Studies, Race and Gender studies.
Marginalized: Southern Women Playwrights Confront Race, Region, and Gender
by Casey KayserWinner of the 2021 Eudora Welty PrizeIn contrast to other literary genres, drama has received little attention in southern studies, and women playwrights in general receive less recognition than their male counterparts. In Marginalized: Southern Women Playwrights Confront Race, Region, and Gender, author Casey Kayser addresses these gaps by examining the work of southern women playwrights, making the argument that representations of the American South on stage are complicated by difficulties of identity, genre, and region. Through analysis of the dramatic texts, the rhetoric of reviews of productions, as well as what the playwrights themselves have said about their plays and productions, Kayser delineates these challenges and argues that playwrights draw on various conscious strategies in response. These strategies, evident in the work of such playwrights as Pearl Cleage, Sandra Deer, Lillian Hellman, Beth Henley, Marsha Norman, and Shay Youngblood, provide them with the opportunity to lead audiences to reconsider monolithic understandings of northern and southern regions and, ultimately, create new visions of the South.
Maria Irene Fornes (Routledge Modern and Contemporary Dramatists)
by Scott T. CummingsMaria Irene Fornes is the most influential female American dramatist of the 20th century. That is the argument of this important new study, the first to assess Fornes's complete body of work. Scott T. Cummings considers comic sketches, opera libretti and unpublished pieces, as well as her best-known plays, in order to trace the evolution of her dramaturgy from the whimsical Off-Off Broadway plays of the 1960s to the sober, meditative work of the 1990s. The book also reflects on her practice as an inspirational teacher of playwriting and the primary director of her own plays. Drawing on the latest scholarship and his own personal research and interviews with Fornes over two decades, Cummings examines Fornes's unique significance and outlines strategies for understanding her fragmentary, enigmatic, highly demanding theater.
Maria Stuarda, regina di Scozia: una rappresentazione teatrale in tre atti
by Laura Lucardini Laurel A. RockefellerLa tragica storia della regina Maria Stuarda diventa un'opera teatrale in questa coinvolgente tragedia che ne racconta la vita, gli amori e il regno. Un'opera perfetta per le scuole e le compagnie amatoriali. Include bibliografia e cronologia degli eventi. Durata: 60-80 minuti.
Maria/Stuart
by Jason GroteCharacters: 1 male, 5 femaleMultiple Sets Up-and-coming cartoonist Stuart fights to keep the lid on his mother's and aunts' simmering angst. But the family's secrets channel themselves into a bizarre shapeshifter that guzzles soda, communicates by fax, and spouts old German verse. Friedrich Schiller's classic tale of warring queens inspires this gothic romp through the weirder side of suburban America. "Grote has made a name for himself in recent years with scripts that explode the boundaries between the ordinary and the chimerical, the political and the aesthetic, the intimate and the dizzyingly cosmic."- Washington Post "An ingenious tale, and mined with offbeat, explosive devices." - Seattle Times "Maria/Stuart, by Brooklyn-based playwright Jason Grote, is a cleverly built, well-concealed pit trap. At first, the play seems like a pleasant stroll through a family of comical, middle-class eccentrics-in just a few steps, it plunges into a dark subterranean maze...Here's hoping this isn't the last we'll see of Jason Grote." -The Stranger "Written in true Grote form, Maria/Stuart explores-and redefines-the boundaries between reality and fantasy, ordinary and bizarre, chaos and normality. It's also darkly comical, witty and relevant."-Twin Cities Metro "Absolutely astonishing. Tremendous writing, incredible acting. And laughs. Big laughs." - DC Theatre Scene "Crazily entertaining comedy...surreal, witty, expertly performed. Maria/Stuart is a mélange of intense, ludicrous, silly, common-garden-variety family hell. It is more than enough for a great night out at the theater." -MetroWeekly
Mariamne
by VoltaireIt is enough: the power of Salome, By all acknowledged, and by all obeyed, On its firm basis stands immovable: I fled to Azor, with the lightning's speed, Even from Samaria's plain to Jordan's spring, And quick returned: my presence there indeed Was needful, to cut off the aspiring hopes Of Israel's moody race: thy brother Herod, So long detained at Rome, was almost grown A stranger in his kingdom; and the people, Ever capricious, turbulent, and bold, Still to their kings unjust, aloud proclaimed, That Herod was condemned to slavery By haughty Rome; and Mariamne, raised To the high rank of her proud ancestors, Would from the blood of our high-priests select A king, to rule o'er conquered Palestine. Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.
Marilyn/God
by Rosary Hartel O'NeillCharacter: 1 femaleIn this play, Marilyn confronts voices in her head to validate her life as an actress. She finds in the afterlife that she must audition and interview to get into heaven and that her judges are her enemies and aborted children. Along the way she is confused and intrigued by the signs she must follow to climb her way into heaven. The play explores the multi-levels of complexity of cult goddess Marilyn Monroe--her vulnerability, anger, and loneliness and the ways that American culture and the worship of beauty and fame shaped, aborted and forwarded her rise to stardom. In the afterlife she relives three painful scenes from her life and a life review and strains to justify her choices to male unsympathetic judges as well as shocking people from her past.
Marina Abramović (Routledge Performance Practitioners)
by Mary RichardsMarina Abramović is the creator of pioneering performance art which transcends the form’s provocative origins. Her visceral and extreme performances have tested the limits of both body and mind, communicating with audiences worldwide on a personal and political level. Updated and revised throughout, the book combines: a biography, setting out the contexts of Abramović’s work an examination of the artist through her writings, interviews and influences a detailed analysis of her work, including studies of the Rhythm series, Nightsea Crossing and 512 Hours practical explorations of the performances and their origins. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today’s student.
Marina Carr: Pastures of the Unknown
by Melissa SihraThis book locates the theatre of Marina Carr within a female genealogy that revises the patriarchal origins of modern Irish drama. The creative vision of Lady Augusta Gregory underpins the analysis of Carr’s dramatic vision throughout the volume in order to re-situate the woman artist as central to Irish theatre. For Carr, ‘writing is more about the things you cannot understand than the things you can’, and her evocation of ‘pastures of the unknown’ forms the thematic through-line of this work. Lady Gregory’s plays offer an intuitive lineage with Carr which can be identified in their use of language, myth, landscape, women, the transformative power of storytelling and infinite energies of nature and the Otherworld. This book reconnects the severed bridge between Carr and Gregory in order to acknowledge a foundational status for all women in Irish theatre.
Marina Carr and Greek Tragedy: Feminist Myths of Monstrosity (Routledge Studies in Irish Literature)
by Salomé PaulMarina Carr and Greek Tragedy examines the feminist transposition of Greek tragedy in the theatre of the contemporary Irish dramatist Marina Carr. Through a comparison of the plays based on classical drama with their ancient models, it investigates Carr’s transformation not only of the narrative but also of the form of Greek tragedy. As a religious and political institution of the 5th-century Athenian democracy, tragedy endorsed the sexist oppression of women. Indeed, the construction of female characters in Greek tragedy was entirely disconnected from the experience of womanhood lived by real women in order to embody the patriarchal values of Athenian democracy. Whether praised for their passivity or demonized for showing unnatural agency and subjectivity, women in Greek tragedy were conceived to (re)assert the supremacy of men. Carr’s theatre stands in stark opposition to such a purpose. Focusing on women’s struggle to achieve agency and subjectivity in a male-dominated world, her plays show the diversity of experiencing womanhood and sexist oppression in the Republic of Ireland, and the Western societies more generally. Yet, Carr’s enduring conversation with the classics in her theatre demonstrates the feminist willingness to alter the founding myths of Western civilisation to advocate for gender equality.
Mariner
by Don NigroThis wild epic celebrates the mad obsession and ambiguous triumph of Christopher Columbus. The charming Italian mariner and lover moves through the nightmare of his life, loves and struggles against authority and stupidity, confronting the wondrous and terrible fruits of his obsession. He is brought to judgment before the inquisition for the sins of lechery and pride. Kings, queens, mermaids, dead sailors, lovers, princes, fools and even madhouse inhabitants haunt and taunt the compromised hero. This play, commissioned for the 500th anniversary of Columbus's first voyage, is rich in language, action, character and humor as it explores the consequences of exploration, discovery, madness and creation.
Marisol and Other Plays
by José RiveraThe first collection of plays by one of the most moving and astonishing writers of the last 15 years. Though critics reflexively class his work as "magical realism," Rivera's extravagant, original imagery always serves to illuminate the gritty realities and touching longings of our daily lives. Also includes: Each Day Dies with Sleep and Cloud Tectonics.
Marivaux
by E. J. GreeneThe last thirty years have seen a renewed interest in the novels, plays, and essays of Marivaux. Each year more of his work is made available to the public in partial editions. More and better studies have appeared, superseding the old and, in the last thirty years, almost all of his plays have been performed. Today no corder of his work remains unexplored: our knowledge of his life, which had been until recently a tissue of fancy and anecdote, has been enhanced by the discovery of a few facts. This critical study of the entire body of Marviaux's writings sets out to tell whether this attention represents a securely established place for Marivaux among the great French writers, or simply a vogue. It consists of a careful analysis of the individual works, in chronological order rather than in systematic groups, as is customary, showing the development of Marivaux's thinking, and the intimate relationship among the plays, novels, and essays of any given period. A history of the reception of the works, by scholars and critics from Marivaux's time to the present, presents succinctly the historical perspective through which the modern reader may understand the long indifference to Marivaux in France and his contemporary "discovery." Professor Greene's work will be of great value to all students of the eighteenth century in France. Because of his lively interest in the theatre arts it will also be valuable for directors planning to produce the plays of Marivaux.
Marjorie Prime (TCG Edition)
by Jordan Harrison"A thought-provoking play about memory, its corruption and our insistence that technology help us outwit death."—The New York Times "It's the kind of experience that keeps unfolding in the mind long after the play is over."—Los Angeles TimesIn a future not far from our present, Marjorie spends her time rewriting her past in favor of her idealized memories, with help from the intriguingly innovative technology that allows her to do so. With deeply felt characters – both real and in the form of holograms or "Primes"—Jordan Harrison's widely acclaimed new play burrows into the most troubling questions of the digital age: are we replacing our memory with a false reality, and what does that mean about the preservation of the truth? Marjorie Prime ultimately asks whether manipulating our past is a corruption of history or a welcome consolation. Jordan Harrison's other plays include Maple and Vine, Doris to Darlene, Amazons and their Men, Act a Lady, Finn in the Underworld, Futura, Kid-Simple, The Museum Play, Standing on Ceremony, Suprema, and Fit for Feet. His children's musical, The Flea and the Professor, won the 2011 Barrymore Award for Best Production. Harrison is the recipient of a Guggenheim Fellowship, a Hodder Fellowship at Princeton University, a Theater Masters' Innovative Playwright Award, the Kesselring Prize, the Heideman Award, the Loewe Award for Musical Theater, Jerome and McKnight Fellowships from The Playwrights' Center, and a NEA/TCG Playwright-in-Residence Grant.
Marlene Streeruwitz: Perspektiven auf Autorin und Werk (Kontemporär. Schriften zur deutschsprachigen Gegenwartsliteratur #12)
by Mandy Dröscher-Teille Birgit NübelMarlene Streeruwitz ist eine der streitbarsten politischen Autor*innen der Gegenwart. Literatur ist ihr nicht nur politisches Instrument, sondern als »Modell der Welt in Sprache« zugleich auch ästhetisch autonom. Die Beiträge dieses Bandes diskutieren die Weiterschreibungen, Gegen- und Neukonstruktionen der außertextuellen Welt in den Prosatexten, Essays, Vorlesungen und crossmedialen Projekten der Autorin. In den Blick genommen wird das Welt- und Lebenswissen der Literatur, ihr Beitrag zu unserer Trauer und Resistenz, Erinnerungs- und Überlebensfähigkeit – zwischen Glück, Lust, Liebe, (Für )Sorge und Schmerz. Marlene Streeruwitz trägt – neben einem Gespräch mit den beiden Herausgeberinnen – einen Originalbeitrag sowie einen bisher ungedruckten poetologischen Essay zum Band bei.
Marlowe: The Plays
by Stevie SimkinChristopher Marlowe was the most successful dramatist of his time, his untimely death cutting short a career that may well have rivalled Shakespeare's. His four major works (Doctor Faustus, Edward II, The Jew of Malta and Tamburlaine) are remarkable pieces of theatre, daring explorations of themes such as the nature of kingship, salvation and damnation, sexuality and ethnic prejudice. This book looks in depth at extracts from each of the plays, exploring them in parallel to uncover key concerns, including heroes and anti-heroes, gender and power and politics. As well as guiding readers in an understanding of the place of these issues in their Elizabethan context, and inviting them to consider their resonance today, the book looks in depth at Marlowe's style: his use of rhythm, the complexities and richness of his poetry, and his evolving development of 'character'. Particular attention is given throughout to the plays in performance.