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Even This I Get to Experience
by Norman Lear"This is, flat out, one of the best Hollywood memoirs ever written... An absolute treasure." --Booklist (STARRED)In my ninety-plus years I've lived a multitude of lives. In the course of all these lives, I had a front-row seat at the birth of television; wrote, produced, created, or developed more than a hundred shows; had nine on the air at the same time; founded the 300,000-member liberal advocacy group People For the American Way; was labeled the "no. 1 enemy of the American family" by Jerry Falwell; made it onto Richard Nixon's "Enemies List"; was presented with the National Medal of the Arts by President Clinton; purchased an original copy of the Declaration of Independence and toured it for ten years in all fifty states; blew a fortune in a series of bad investments in failing businesses; and reached a point where I was informed we might even have to sell our home. Having heard that we'd fallen into such dire straits, my son-in-law phoned me and asked how I was feeling. My answer was, "Terrible, of course," but then I added, "but I must be crazy, because despite all that's happened, I keep hearing this inner voice saying, 'Even this I get to experience.'"Norman Lear's work is legendary. The renowned creator of such iconic television programs as All in the Family; Maude; Good Times; The Jeffersons; and Mary Hartman, Mary Hartman, Lear remade our television culture from the ground up. At their peak, his programs were viewed by 120 million people a week, with stories that dealt with the most serious issues of the day--racism, poverty, abortion --yet still left audiences howling with laughter. In EVEN THIS I GET TO EXPERIENCE, Lear opens up with all the candor, humor, and wisdom to be expected from one of America's greatest living storytellers.But TV and politics are only a fraction of the tale. Lear's early years were grounded in the harshness of the Great Depression, and further complicated by his parents' vivid personalities. The imprisonment of Lear's father, a believer in the get-rich-quick scheme, colored his son's childhood. During this absence, Lear's mother left her son to live with relatives. Lear's comic gifts were put to good use during this hard time, even as they would be decadeslater during World War II, when Lear produced and staged a variety show for his fellow airmen in addition to flying fifty bombing missions.After the war, Lear tried his hand at publicity in New York before setting out for Los Angeles in 1949. A lucky break had a powerful agent in the audience the night Danny Thomas performed a nightclub routine written by Lear, and within days his career in television began. Before long his work with Dean Martin and Jerry Lewis (and later Martha Raye and George Gobel) made him the highest-paid comedy writer in the country, and he was spending his summers with the likes of Carl Reiner and Mel Brooks. Movies followed, and soon he was making films starring Frank Sinatra, Dick Van Dyke, and Jason Robards. Then came the '70s, and Lear's unprecedented string of TV hits.Married three times and the father of six children ranging in age from nineteen to sixty-eight, Lear's penetrating look at family life, parenthood, and marriage is a volume in itself. A memoir as touching, funny, and remarkable as any of Lear's countless artistic creations, EVEN THIS I GET TO EXPERIENCE is nothing less than a profound gift, endlessly readable and characteristically unforgettable.ey Parker "Fantastic stories from one of the wisest, most subversive, and most beautiful human beings the comedy world has ever known. Like the man himself, this book is charming, awe-inspiring, and hilarious."
Building A Character (Bloomsbury Revelations Ser.)
by Constantin StanislavskiBuilding a Character is one of the three volumes that make up Stanislavski’s The Acting Trilogy. An Actor Prepares explores the inner preparation an actor must undergo in order to explore a role to the full. In this volume, Sir John Gielgud said, this great director “found time to explain a thousand things that have always troubled actors and fascinated students.” Building a Character discusses the external techniques of acting: the use of the body, movement, diction, singing, expression, and control. Creating a Role describes the preparation that precedes actual performance, with extensive discussions of Gogol’s The Inspector General and Shakespeare’s Othello. Sir Paul Scofield called Creating a Role “immeasurably important” for the actor. These three volumes belong on any actor’s short shelf of essential books.
Cider With Roadies
by Stuart MaconieCider with Roadies is the true story of a boy's obsessive relationship with pop. A life lived through music from Stuart's audience with the Beatles (aged 3); his confessions as a pubescent prog rocker; a youthful gymnastic dalliance with northern soul; the radical effects of punk on his politics, homework and trouser dimensions; playing in crap bands and failing to impress girls; writing for the NME by accident; living the sex, drugs (chiefly lager in a plastic glass) and rock and roll lifestyle; discovering the tawdry truth behind the glamour and knowing when to ditch it all for what really matters.From Stuart's four minutes in a leisure centre with MC Hammer to four days in a small van with Napalm Death it's a life-affirming journey through the land where ordinary life and pop come together to make music.
Igor Stravinsky: An Autobiography
by Igor StravinskyWhile many hundred thousands of pages have been written about Stravinsky, in this book -- the composer's first -- we hear from the man himself. An Autobiography chronicles the first half-century of Stravinsky's life, all the while offering his opinions and "abhorrences". A Parsifal performance at Bayreuth? "At the end of a quarter of an hour I could bear no more". Nijinsky? "The poor boy knew nothing of music". Spanish folk music? "Endless preliminary chords of guitar playing".
Dogs Rough and Smooth: Foreword By Susan Orlean
by Lucy DawsonForeword by Susan OrleanA charming facsimile edition of celebrated British illustrator Lucy Dawson’s 1937 classic collection of highly detailed and loveable drawings of dogs, complete with a cloth spine and ribbon marker—the companion volume to the acclaimed Dogs As I See Them.Lucy Dawson, also known as "Mac," was a preeminent British illustrator in the 1930s and 1940s revered for her paintings and etchings of dogs, from sporting and non-sporting breeds to hounds and herders. Though she worked in numerous mediums—pencil, pen, ink, and oil—her pastels set her work apart. Noted for her commercial dog postcards and her delightful "Tailwagger" series, she also created a "Puppies" series of 40 cigarette cards during World War II—produced in a limited quantity due to wartime restrictions on paper—which have become a rare collector’s item today. One of her most famous works is her portrait of "Dookie," the British Royal Family’s favorite Corgie, which was later reproduced as a Royal Family Christmas card.Dawson also published several books, including the beloved Dogs As I See Them, and its follow-up, Dogs Rough and Smooth. Now, Dogs Rough and Smooth is available in a lovely facsimile edition for a new generation discovering her superb craftsmanship. Printed on an uncoated stock that simulates the look and feel of a sketchbook, this delightful volume is filled with her beautiful, endearing drawings of a range of breeds. The illustrations are accompanied by notes in Dawson’s own handwriting as well as a short anecdotal text that provides amusing insight into the personalities of her canine models and the experience of drawing each.A stunning reproduction of this classic work filled with full-color and black-and-white complete drawings and sketches, Dogs Rough and Smooth features a foreword by acclaimed writer Susan Orlean, and is packaged in a three-piece case with a beautiful cloth spine and long ribbon bookmark. Dogs Rough and Smooth is sure to be a collector's item treasured by dog lovers of all ages and art connoisseurs for years to come.
The du Mauriers
by Daphne Du Maurier"Daphne du Maurier creates on the grand scale; she runs through the generations, giving her family unity and reality . . . a rich vein of humor and satire . . . observation, sympathy, courage, a sense of the romantic, are here." --The ObserverWhen Daphne du Maurier wrote The du Mauriers she was only thirty years old and had already established herself as both a biographer and a novelist. She wrote this epic biography during a vintage period in her career, between two of her best-loved novels: Jamaica Inn and Rebecca. Her aim was to write the story of her family 'so that it reads like a novel.' Spanning nearly three quarters of a century, The du Mauriers is a saga of artists and speculators, courtesans and military men. From England to Paris and back again, their fortunes varied as wildly as their ambitions. An extraordinary family of writers, artists and actors they are...The du Mauriers.
The Du Mauriers (Virago Modern Classics #123)
by Daphne Du MaurierFROM THE BESTSELLING AUTHOR OF REBECCAWhen Daphne du Maurier wrote this book she was only thirty years old and had already established herself both as a biographer, with the acclaimed Gerald: A Portrait, and as a novelist. Here, she further explores her fascinating family history.The Du Mauriers was written during a vintage period of her career, between two of her best-loved novels: Jamaica Inn and Rebecca.Her aim was to write her family biography 'so that it reads like a novel' and it was due to du Maurier's remarkable imaginative gifts that she was able to breathe life into the characters and depict with affection and wit the relatives she never knew, including her grandfather, the famous Victorian artist and Punch cartoonist - and creator of Trilby.'Miss du Maurier creates on the grand scale; she runs through the generations, giving her family unity and reality . . . a rich vein of humour and satire . . . observation, sympathy, courage, a sense of the romantic, are here' Observer
Moving without a Body
by Stamatia PortanovaDigital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues that this does not amount to a technical assessment of software's capacity to record motion but requires a philosophical rethinking of what movement itself is, or can become. Discussing the development of different audiovisual tools and the shift from analog to digital, she focuses on some choreographic realizations of this evolution, including works by Loie Fuller and Merce Cunningham. Throughout, Portanova considers these technologies and dances as ways to think -- rather than just perform or perceive -- movement. She distinguishes the choreographic thought from the performance: a body performs a movement, and a mind thinks or choreographs a dance. Similarly, she sees the move from analog to digital as a shift in conception rather than simply in technical realization. Analyzing choreographic technologies for their capacity to redesign the way movement is thought, Moving without a Body offers an ambitiously conceived reflection on the ontological implications of the encounter between movement and technological systems.
Peter and the Wolf: Wolves Come in Many Disguises
by Gavin FridayRelive the magic of Peter and the Wolf through this extraordinary modern retelling by award-winning musicians Gavin Friday and Bono. When a wolf is found roaming the woods, Peter&’s grandfather warns him to stay at home. But Peter, who is mourning the loss of a parent, decides to venture into the deep, dark woods in search of this creature…This incredible retelling of the well-loved classic story, Peter and the Wolf takes children aged 7-9 on an adventure while exploring themes of love and loss. With its spellbinding punk rock illustrations, this book is a beautiful reminder that there is hope after loss and those we love most are never truly gone. A timeless and magical gift book, Peter and the Wolf will be treasured by all. This modern retelling of Peter and the Wolf offers:- A dynamic new take on Prokofiev&’s tale about a young boy who captures a wolf, with magical graphic novel-esque illustrations.- An underlying theme of loss, told with sensitivity and warmth, helping children to understand and navigate the topic. - A treasured keepsake book based on a classic story beloved by generations of children and adults, with vivid illustrations and a red ribbon.- An enchanting story written by Gavin Friday and stunning visuals based on Bono&’s original illustrations - with an accompanying animated short film.In Prokofiev&’s original tale, Peter outsmarts the big, bad wolf, capturing him, and parading him victoriously around the town with the hunters. But this is not our ending and nothing is the way it seems…This extraordinary rendition of Peter and the Wolf echoes the message of courage that is so central to the famous classic, while gently introducing themes of loss, grief, and growing up and helping young readers to navigate them.
The Kingdom Of Swing
by Irving Kolodin Benny Goodmanthe book deals with the life of Benny Goodman up to the year 1939. Since he lived 37 years after this publishing, it is only partly the story of his life.
Old Possum's Book of Practical Cats
by T. S. EliotCats! Some are sane, some are mad and some are good and some are bad. Meet magical Mr Mistoffelees, sleepy Old Deuteronomy and curious Rum Tum Tugger. But you'll be lucky to meet Macavity because Macavity's not there!In 1925 T. S. Eliot became co-director of Faber and Faber, who remain his publishers to this day. Throughout the 1930s he composed the now famous poems about Macavity, Old Deuteronomy, Mr Mistoffelees and many other cats, under the name of 'Old Possum'. In 1981 Eliot's poems were set to music by Andrew Lloyd Webber as Cats which went on to become the longest-running Broadway musical in history. This new edition, published on the 70th anniversary of the book and on the 80th anniversary of Faber and Faber, contains original colour illustrations by the award-winning illustrator of The Gruffalo, Axel Scheffler.
Where we Came In: Seventy Years of the British Film Industry (Routledge Library Editions: Cinema)
by Charles Allen OakleyOriginally published in 1964, this book tells the history of the British cinematograph industry for the first time. It describes moments of splendid triumph and others of shattering failure. The mood switches from reckless optimism to demoralising pessimism, from years in which British films won the highest international awards to those when they were dismissed with scorn. It recalls a score of productions still ranked among the world's best, and the stars whose reputation was established in them. Attention is focused on the directors, those who kept to the fore during two and three decades and those with only one major success to their name. Behind them the men are identified who strove, often to their considerable financial loss, to gain a worthy place for British films in the world’s markets.
'Tis Herself: A Memoir
by Maureen O'Hara John NicolettiA first-ever revealing and candid look at the life and career of one of Hollywood&’s brightest and most beloved stars, Maureen O&’Hara.In an acting career of more than seventy years, Hollywood legend Maureen O’Hara came to be known as “the queen of Technicolor” for her fiery red hair and piercing green eyes. She had a reputation as a fiercely independent thinker and champion of causes, particularly those of her beloved homeland, Ireland. In ‘Tis Herself, O’Hara recounts her extraordinary life and proves to be just as strong, sharp, and captivating as any character she played on-screen. O’Hara was brought to Hollywood as a teenager in 1939 by the great Charles Laughton, to whom she was under contract, to costar with him in the classic film The Hunchback of Notre Dame. She has appeared in many other classics, including How Green Was My Valley, Rio Grande, The Quiet Man, and Miracle on 34th Street. She recalls intimate memories of working with the actors and directors of Hollywood’s Golden Age, including Laughton, Alfred Hitchcock, Tyrone Power, James Stewart, Henry Fonda, and John Candy. With characteristic frankness, she describes her tense relationship with the mercurial director John Ford, with whom she made five films, and her close lifelong friendship with her frequent costar John Wayne. Successful in her career, O’Hara was less lucky in love until she met aviation pioneer Brigadier General Charles F. Blair, the great love of her life, who died in a mysterious plane crash ten years after their marriage. Candid and revealing, ‘Tis Herself is an autobiography as witty and spirited as its author.
The Forgotten Village: Life in a Mexican Village
by John Steinbeck Alexander Hackensmid Rosa Harvan KlineThe novelist who wrote The Grapes of Wrath and the director who produced Crisis and Lights Out in Europe combined their superb talents to tell the story of the coming of modern medicine to the natives of Mexico. There have been several notable examples of this pen-camera method of narration, but The Forgotten Village is unique among them in that the text was written before a single picture was shot. The book and the movie from which it was made have, thus, a continuity and a dramatic growth not to be found in the so-called "documentary" films. The camera crew that, headed by Kline and with Steinbeck's script at hand, recorded this narrative of birth and death, of witch doctors and vaccines, of the old Mexico and the new, spent nine months off the trails of Mexico. They traveled thousands of miles to find just the village they needed; they borrowed children from the government school, took men from the fields, their wives from the markets, and old medicine woman from her hut by the side of the trail. The motion picture they made (for release in 1941) is 8000 feet long. From this wealth of pictures 136 photographs were selected for their intrinsic beauty and for the graceful harmony with which they accompany Steinbeck's text. This new script-photograph technique of narration conveys its ideas with unexcelled brilliance and immediacy. In the hands of such master story-tellers as Steinbeck and Kline, it makes the reader catch his breath for the beauty and the truth of the tale.
A Ship Without A Sail: The Life of Lorenz Hart
by Gary MarmorsteinAn unforgettable portrait of an exuberant yet troubled artist who so enriched the American songbook "Blue Moon, " "Where or When, " "The Lady Is a Tramp," "My Funny Valentine," "Isn't It Romantic?," "My Romance," "There's a Small Hotel," "Falling in Love with Love," "Bewitched, Bothered and Bewildered"--lyricist Lorenz Hart, together with composer Richard Rodgers, wrote some of the most memorable songs ever created. More than half a century after their collaboration ended, Rodgers & Hart songs are indispensable to the repertoire of nightclub singers everywhere. A Ship Without a Sail is the story of the complicated man who was Lorenz Hart. His lyrics spin with brilliance and sophistication, yet at their core is an unmistakable wistfulness. The sweetness of "My Romance" and "Isn't It Romantic?" is unsurpassed in American song, but Hart's lyrics could also be cynical, funny, ironic. He brought a unique wit and elegance to popular music. Larry Hart and Richard Rodgers wrote approximately thirty Broadway musicals and dozens of songs for Hollywood films. At least four of their musicals--On Your Toes, Babes in Arms, The Boys from Syracuse, and Pal Joey-- have become classics. But despite their prodigious collaboration, Rodgers and Hart were an odd couple. Rodgers was precise, punctual, heterosexual, handsome, and eager to be accepted by Society. Hart was barely five feet tall, alcoholic, homosexual, and more comfortable in a bar or restaurant than anywhere else. Terrified of solitude, he invariably threw the party and picked up the check. His lyrics are all the more remarkable considering that he never sustained a romantic relationship, living his entire life with his mother, who died only months before he died at age forty-eight. Gary Marmorstein's revelatory biography includes many of the lyrics that define Hart's legacy--those clever, touching stanzas that still move us or make us laugh.
Steppin and Family
by Hope NewellTo Steppin, brown, eager and limber, tap-dancing was the only art in the world, but Harlem boys don't have much money for dancing lessons; and fame seemed very far away as he sat forlornly under the Wishing Tree. Little could Steppin Stebbins imagine the twists and turns in his home life and budding career in the year to follow. From his little corner of Harlem, to the wide open country of upstate New York, and even eventually to the lights of Broadway, Steppin Stebbin knows only one thing; his dream is to dance with the world's most famous tap dancer, Bob Williams. This is a prequel to the Mary Ellis nursing series.
The Art of the Story-Teller
by Marie L. Shedlock"It is a delight to see a new edition of this long out-of-print book, the best on the subject of stpry-telling." -- The Junior Bookshelf. Everything you need to know to tell stories successfully to children: choosing material, using gestures, capturing straying attentions, more. 18 ready-for-telling stories written especially for youngsters. Annotated bibliography of 135 stories.
The New Soviet Theatre (Routledge Revivals)
by Joseph MacleodFirst Published in 1943, The New Soviet Theatre presents Joseph Macleod’s take on the development and rapid changes in the Soviet Theatre since late 1930s. Through scattered articles and reports, books and bulletins, and his own visits to the USSR, Macleod showcases what we know as ‘Socialist Realism’. He brings themes like the shortcomings of the old theatre; the audience beyond the Caucasus; new socialist audiences; Alexey Popov of the Central Theatre of the Red Army; new writers and new plays; and popularity of Shakespeare both in the central theatres and in remoter and unexpected places. Written graphically but founded on scholarship this book will be an essential read for scholars and researchers of history of theatre, European theatre, theatre and performance studies.
Note Found in a Bottle: My Life As A Drinker
by Susan CheeverBorn into a world ruled and defined by the cocktail hour, in which the solution to any problem could be found in a dry martini or another glass of wine, Susan Cheever led a life both charmed and damned. She and her father, the celebrated writer John Cheever, were deeply affected and troubled by alcohol. Addressing for the first time the profound effects that alcohol had on her life, in shaping of her relationships with men and in influencing her as a writer, Susan Cheever delivers an elegant memoir of clear-eyed candor and unsettling immediacy. She tells of her childhood obsession with the niceties of cocktails and all that they implied -- sociability, sophistication, status; of college days spent drinking beer and cheap wine; of her three failed marriages, in which alcohol was the inescapable component, of a way of life that brought her perilously close to the edge. At once devastating and inspiring, Note Found in a Bottle offers a startlingly intimate portrait of the alcoholic's life -- and of the corageous journey to recovery.
Your Voice and How to Use it
by Cicely BerryAnxiety about how we speak prevents many of us from expressing ourselves well. In her classic handbook, Cicely Berry, Voice Director of the Royal Shakespeare Company and world-famous voice teacher, tackles the reasons for this anxiety and explains her practical exercises for relaxation and breathing, clarity of diction and vocal flexibility - everything that you need to achieve good speech.
Death Comes in Yellow
by Felicja KarayDeath Comes in Yellow" presents the history of one slave labor camp in order to shed light on all aspects of the slave labor camps established in Poland under German occupation. Hasag-Skarzysko was one of hundreds of camps scattered throughout occupied Poland. They were distinguished by size, the nationality of the prisoners, their location, the date of their establishment, and the authority in charge. The large number of labor camps reflected the German policy of exploiting the work forces of the occupied countries. These camps were part of a Europe-wide system of forced labor.The first part of this volume reviews the external history of the camp. The second section, which studies the internal workings of the camp, is quite different in approach and includes an analysis of prisoner society and a moving description of the individual prisoner's struggle to survive.
Theatre Shoes
by Noel StreatfeildThis captivating companion to Ballet Shoes tells the story of 3 orphans who become students at a famous theatre school After their father disappeared in the war, Sorrell, Holly, and Mark Forbes were sent to live with their grandfather. When he dies, the three orphans are on the move again--this time to London, where their maternal grandmother is a well-known actress. The city is a strange, bustling place that frightens young Holly, but the siblings' new home at 14 Ponsonby Square has a garden that instantly enchants them. Their grandmother enrols them at the Children's Academy of Dancing and Stage Training, where they'll carry on the tradition of their famous theatre family, which includes cousins they never knew they had. Stuck-up Miranda thinks she can act better than Sorrel; homesick Mark discovers he can sing; and Holly is a natural dancer. Will Sorrel, Holly, and Mark live up to their family legacy?
Bogie & Bacall: The Surprising True Story of Hollywood's Greatest Love Affair
by William J. MannFrom the noted Hollywood biographer and author of The Contender comes this celebration of the great American love story—the romance between Lauren Bacall and Humphrey Bogart—capturing its complexity, contradictions, and challenges as never before.In Bogie & Bacall, William Mann offers a deep and comprehensive look at Lauren Bacall, Humphrey Bogart, and the unlikely love they shared. Mann details their early years—Bogart’s effete upbringing in New York City; Bacall’s rise as a model and actress. He paints a vivid portrait of their courtship and twelve-year marriage: the fights, the reconciliations, the children, the affairs, Bogie’s illness and Bacall’s steadfastness until his death. He offers a sympathetic yet clear-eyed portrait of Bacall’s life after Bogie, exploring her relationships with Frank Sinatra and Jason Robards, who would become her second husband, and the identity crisis she faced.Surpassing previous biographies, Mann digs deep into the celebrities’ personal lives and considers their relationship from surprising angles. Bacall was just nineteen when she started dating the thrice-married forty-five-year-old Bogart. How might that age gap have influenced their relationship? In addition to what she gained, what might Bacall have lost by marrying a Hollywood superstar more than twice her age? How did Bogart, a man of average looks, become one of the greatest movie stars of all time? Throughout, Mann explains the unparalleled successes of their individual careers as well as the extraordinary love between them and the legend that has endured.Filled with entertaining details and thoughtful insights based on newly available records and correspondence, and illustrated with 30-40 photographs, Bogie & Bacall offers a fresh look at this famous couple, their remarkable relationship, and their legacy.
Gestures of Seeing in Film, Video and Drawing (Routledge Advances in Art and Visual Studies)
by Øyvind Vågnes Asbjørn Grønstad Henrik GustafssonThe first book of its kind, Gestures of Seeing in Film, Video and Drawing engages broadly with the often too neglected yet significant questions of gesture in visual culture. In our turbulent mediasphere where images – as lenses bearing on their own circumstances – are constantly mobilized to enact symbolic forms of warfare and where they get entangled in all kinds of cultural conflicts and controversies, a turn to the gestural life of images seems to promise a particularly pertinent avenue of intellectual inquiry. The complex gestures of the artwork remain an under-explored theoretical topos in contemporary visual culture studies. In visual art, the gestural appears to be that which intervenes between form and content, materiality and meaning. But as a conceptual force it also impinges upon the very process of seeing itself. As a critical and heuristic trope, the gestural galvanizes many of the most pertinent areas of inquiry in contemporary debates and scholarship in visual culture and related disciplines: ethics (images and their values and affects), aesthetics (from visual essentialism to transesthetics and synesthesia), ecology (iconoclastic gestures and spaces of conflict), and epistemology (questions of the archive, memory and documentation). Offering fresh perspectives on many of these areas, Gestures of Seeing in Film, Video and Drawing will be intensely awaited by readers from and across several disciplines, such as anthropology, linguistics, performance, theater, film and visual studies.
Agatha Christie: First Lady of Crime
by Agatha ChristieIncludes a new introduction from Sophie Hannah, bestselling author of THE MONOGRAM MURDERS and HAVEN'T THEY GROWNAgatha Christie was not only the biggest selling writer of detective stories the world has ever known, she was also a mystery in herself, giving only the rarest interviews, declining absolutely to become any sort of public figure, and a mystery too in the manner in which she achieved her astonishing success.H R F Keating, a crime novelist and respected reviewer of crime fiction, brought together a dozen distinguished writers from both sides of the Atlantic to throw light on this double mystery. Some analyse the art itself; some explain the reasons for her success, not just the books, but also in film and theatre.The approaches are penetrating, affectionate, enthusiastic, analytical, funny - even critical. Together, they give an almost unique insight into the life and work of the First Lady of Crime.