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Women Making Waves: Trailblazing Surfers In and Out of the Water
by Lara EinzigA visually stunning journey across the world&’s oceans, featuring soulful surfers living with purpose&“The women in this book are my sea sisters and I believe that by sharing these remarkable stories, we inspire other women to make wiser and more empowered choices in their own lives.&”—Kassia Meador, former pro-longboarder and founder of Kassia+SurfWomen Making Waves is a celebration of the sisterhood of surfing, featuring extraordinary women from the United States, Philippines, Mexico, Australia, Senegal, Japan, France, and beyond. Author Lara Einzig profiles more than two dozen inspiring female surfers from around the globe—from activists to artists—who are breaking new ground on land and finding healing, joy, and community in the water.There is Maya Gabeira, a Brazilian woman who surfed the biggest wave of anyone in 2020; Bonnie Wright, the British actress, activist, and author; Risa Mara Machuca, who runs a free surfing camp in Mexico for local children; and Zara Noruzi, an Iranian exile who found peace on the water in Australia.Through candid interviews on the transformational power of surfing, and with immersive photography of beautiful beaches, surf shacks, and favorite breaks, Einzig captures the life-altering strength and resilience that these women discover in their connection to the waves. Women Making Waves captures the innate, spiritual essence of our connection to the ocean, inviting us all to paddle out.
Women, Method Acting, and the Hollywood Film
by Keri WalshWomen, Method Acting, and the Hollywood Film is the first study dedicated to understanding the work of female Method actors on film. While Method acting on film has typically been associated with the explosive machismo of actors like Marlon Brando and Robert De Niro, this book explores an alternate tradition within the Method—the work that women from the Actors Studio did in Hollywood. Covering the period from the end of the Second World War until the 1970s, this study shows how the women associated with the Actors Studio increasingly used Method acting in ways that were compatible with their burgeoning feminist political commitments and developed a style of feminist Method acting. The book examines the complex intersection of Method acting, sexuality, and gender by analyzing performances such as Kim Hunter’s in A Streetcar Named Desire, Julie Harris’s in The Member of the Wedding, Shelley Winters’s in The Big Knife, Geraldine Page’s in Sweet Bird of Youth, and Jane Fonda’s in Coming Home. Challenging the longstanding assumption that Method acting’s approaches were harmful to women and incompatible with feminism, this book argues that some of Hollywood’s most interesting female actors, and leading feminists, emerged from the Actors Studio in the period between the 1950s and the 1970s. Written for students and scholars of Film Studies, Cultural Studies, Theatre and Performance Studies, and Gender Studies, Women, Method Acting, and the Hollywood Film reshapes the way we think of a central strain in American screen acting, and in doing so, allows women a new stake in that tradition.
Women, Modernity, and Landscape Architecture
by Sonja Dümpelmann John BeardsleyModernity was critically important to the formation and evolution of landscape architecture, yet its histories in the discipline are still being written. This book looks closely at the work and influences of some of the least studied figures of the era: established and less well-known female landscape architects who pursued modernist ideals in their designs. The women discussed in this volume belong to the pioneering first two generations of professional landscape architects and were outstanding in the field. They not only developed notable practices but some also became leaders in landscape architectural education as the first professors in the discipline, or prolific lecturers and authors. As early professionals who navigated the world of a male-dominated intellectual and menial work force they were exponents of modernity. In addition, many personalities discussed in this volume were either figures of transition between tradition and modernism (like Silvia Crowe, Maria Teresa Parpagliolo), or they fully embraced and furthered the modernist agenda (like Rosa Kliass, Cornelia Oberlander). The chapters offer new perspectives and contribute to the development of a more balanced and integrated landscape architectural historiography of the twentieth century. Contributions come from practitioners and academics who discuss women based in USA, Canada, Brazil, New Zealand, South Africa, the former USSR, Sweden, Britain, Germany, Austria, France and Italy. Ideal reading for those studying landscape history, women’s studies and cultural geography.
Women, Music and Leadership
by Helen RusakWomen, Music and Leadership offers a wide-ranging survey of women in musical leadership and their experiences, highlighting women’s achievements and considering how they negotiate the challenges of the leadership space in music. Women have always participated in music as performers, teachers, composers and professionals, but remain underrepresented in leadership positions. Covering women’s leadership across a wide variety of roles and musical genres, this book addresses women in classical music, gospel, blues, jazz, popular music, electronic music and non-Western musical contexts, and considers women working as composers, as conductors, and in music management and the music business. Each chapter includes several case studies of women’s careers, exploring their groundbreaking contributions to music and the challenges they faced as leaders. Connecting management theory and leadership research with feminist musicology, this book paints a new picture of women’s major contributions as leaders in music and their ongoing struggles for equity. It will be relevant to students and scholars in arts and music management, as well as all those studying music, gender or leadership, and women music professionals.
Women of Amy Sherman-Palladino: Gilmore Girls, Bunheads And Mrs. Maisel (The Women of.. #2)
by Scott Ryan David BushmanSmart, quirky, female-centric, drenched in pop-culture references—Amy Sherman-Palladino's singular TV voice has won her legions of fans and critical appreciation over the past two decades, thanks to shows like "Gilmore Girls," "Bunheads," and "The Marvelous Mrs. Maisel." Sherman-Palladino—the first woman ever to win Emmy Awards for both comedy writing and directing in a single year—may write about different decades and milieus, but her sensibility is unique and unmistakable throughout. Her greatest contribution may be her pantheon of unforgettable female characters, including Lorelai Gilmore (Lauren Graham), Rory Gilmore (Alexis Bledel), Sookie St. James (Melissa McCarthy), Michelle Simms (Sutton Foster), Susie Myerson (Alex Borstein), and Miriam "Midge" Maisel (Rachel Brosnahan). In The Women of Amy Sherman-Palladino, writers from different walks of life—scholars, critics, writers, comedians, dancers—take us on a journey through the worlds of these characters, and how they have influenced their own lives. This is the second book in "The Women of" series, after The Women of David Lynch, published in June 2019. This unique series, covers great female characters in television and film.
The Women of Beaver Hall: Canadian Modernist Painters
by Evelyn WaltersTen women artists, counterparts of the Group of Seven, are finally being given their due. Long overlooked by critics and historians, they are today amongst the most sought-after Canadian painters. The Beaver Hall Group ventured into a male-dominated art world, lived remarkable lives, and produced exceptional work. This beautifully produced book portrays the life and work of Emily Coonan, Nora Collyer, Prudence Heward, Mabel Lockerby, Mabel May, Sarah Robertson, Anne Savage, and Ethel Seath. Long-lost catalogues, old newspaper reviews, and personal papers document their story, and more than 60 reproductions bring to light paintings that have lain hidden for more than fifty years.
The Women of David Lynch: A Collection of Essays (The\women Of. . Ser.)
by Scott Ryan David Bushman Mädchen Amick Charlotte Stewart Lindsay Hallam Melanie McFarland Lindsey Bowden Hannah Klein Philippa Snow Marisa HayesDavid Lynch has been accused for decades of sexism and even misogyny in his work, due largely to frequent depictions of violence against women. Yet others see in Lynch’s work the deification of the female, and actresses like Laura Dern and Naomi Watts jump at every opportunity to work with him. “He is the master of the juxtaposition of the creepy and the sweet, the sexual and the chaste,” wrote W’s Lynn Hirschberg. “And at the heart of this tense, intriguing friction, you will always find Lynch’s women.” The Women of Lynch is a deep, provocative dive into this paradox, featuring twelve essays, thought pieces, and impressionistic interpretations of Lynch’s depiction of women on screen by an eclectic array of accomplished female critics, scholars, performers, and writers, each tackling this vexing conundrum in her own unique way. The book also contains an interview with actress Mädchen Amick (Shelly Johnson in Twin Peaks) where she gives first hand knowledge on what it is like to be a woman of Lynch. Lisa Hession interviews the original woman of Lynch, Charlotte Stewart (Eraserhead, Twin Peaks) about being the actress with longest active span of working with David Lynch.This book contains essays by:x. An Introduction by Philippa Snow1. The Uncanny Electricity of David Lynch’s Women by Leigh Kellmann Kolb2. Women’s Films: Melodrama and Women’s Trauma in the Films of David Lynch by Lindsay Hallam3. A Colorless Sky: On the Whiteness of Twin Peaks by Melanie McFarland4. Welcome to the Bipolar Silencio Club! by Hannah Klein5. Warding off the Darkness with Coffee and Pie by Mallory O'Meara6. “This is where we talk, Shelly.” An Interview with Mädchen Amick by Lindsey Bowden7. The Triple Goddess by Lauren Fox8. Isabella Rossellini: The Shocking “Real” in Blue Velvet by Kathleen Fleming9. Tea And Sympathy: Mrs. Kendal and The Elephant Man by Rebecca Paller10. Jade: Ornamental Gem or Protective Talisman? A Character Study by Marisa C. Hayes11. "Mary X Marks The Spot." An Interview with Charlotte Stewart by Lisa Hession12. Impressions of Lynch: Journaling a Requiem by Mya McBriar Edited by David BushmanConcept by Scott RyanFront Cover by Blake MorrowArt by Wayne Barnes & Hannah Fortune
The Women of Duck Commander
by Jessica Robertson Lisa Robertson Missy Robertson Kay Robertson Korie RobertsonThe wives of the Robertsons all came into the family the same way: they fell in love with one of the Robertson boys. In the Duck Dynasty TV series, the women often come into their own when the whole family gathers around the table together to eat dinner, and fans of the show get a good glimpse into their lives, but that is hardly the whole story, which is why they decided to write this book... In The Women of Duck Commander, the wives show how they have worked together to help one another and to support the family in all its work and its happiness. They are committed to timeless values, and in the book they share the insights, stories and experiences that have made them who they are. The appeal of the Duck Dynasty comes, not because they are showing us anything new, but they are reminding us of the values our culture is in danger of losing.
The Women of Jenji Kohan: A Collection of Essays (The Women of...)
by Scarlett HarrisThe Women of Jenji Kohan, creator of such landmark shows as Weeds, Orange Is the New Black, and GLOW, is the latest in Fayetteville Mafia Press's pioneering series examining the female characters of legendary creators of television and film. Here, writers from all walks of life analyze the significance of such iconic characters as Nancy Botwin (Mary-Louise Parker), Piper Chapman (Taylor Schilling) and the host of women residing in Litchfield Correctional Institution, Ruth Wilder (Alison Brie), and Debbie Eagan (Betty Gilpin), to both themselves and to pop culture at large. Edited by Scarlett Harris (A Diva Was a Female Version of a Wrestler: An Abbreviated Herstory of World Wrestling Entertainment), The Women of Jenji Kohan: Weeds, Orange Is the New Black, and GLOW is the third book in the unique "The Women Of" series, following The Women of David Lynch (June 2019) and The Women of Amy Sherman-Palladino (November 2019).
Women of Martha's Vineyard (American Heritage Ser.)
by Thomas DresserGenerations of women have traveled to Martha's Vineyard to find solace in its calming waves and varied shoreline. Many prominent and capable women set down roots, contributing to the fabric of the community on the island. Learn of the brilliant poet Nancy Luce, who lived in isolation with her chickens. Emily Post, whose name is synonymous with good manners, sought respite from her personal struggles on the Vineyard. Famed horticulturalist Polly Hill left a perennial legacy for islanders with her tranquil arboretum. In the twentieth century, novelist Dorothy West captured the beauty of Martha's Vineyard with her work. Historian Thomas Dresser provides a series of biographical sketches of these extraordinary women who were bound by their love of the island.
The Women of the 116th Congress: Portraits of Power
by The New York TimesA photographic celebration of the women of the 116th—the most diverse Congress in American history. The first woman Speaker of the House. The first female combat veteran. The first Native American women. The first Muslim women. The first openly gay member of the Senate. These are just some of the remarkable firsts represented by the women of the 116th Congress, the most diverse and inclusive in American history. Just over a century ago, Jeannette Rankin of Montana was the first and only woman in the House of Representatives. By the time of the 116th Congress, a total of 131 were seated in both chambers. The 2018 midterm elections brought a seismic change—and this book, a collaboration between New York Times photo editors Beth Flynn and Marisa Schwartz Taylor and photographers Elizabeth D. Herman and Celeste Sloman—documents the women of the 116th Congress, photographed in the style of historical portrait paintings commonly seen in the halls of power to highlight the stark difference between how we’ve historically viewed governance and how it has evolved.Also featured are an illustrated timeline and list of firsts for women in Congress; “Her Vote, Her Voice” sections throughout that highlight historical moments in female politics; and an extended introduction and foreword by Roxane Gay. The Women of the 116th Congress is a testament to what representation in the United States looks like in the twenty-first century—and an inspiration for what it may look like in the years to come.
Women of the Beat Generation: The Writers, Artists and Muses at the Heart of a Revolution
by Brenda A. KnightA well-researched book brings to light the fact that the Beat Generation involved women too. This book narrates the sad stories of women married to Beat Poets.
Women of the Catskills: Stories of Struggle, Sacrifice & Hope (American Chronicles)
by Richard HeppnerHailing from the home of industrious, strong and creative individuals, the women of the Catskills have embodied this rugged spirit best. Though often overlooked in Catskill Mountain history, their stories are inspiring, like that of Candace Wheeler, who used her rural upbringing to achieve personal success and improve life for others. They are personal, such as Lucy Lobdell's story. A century ahead of her time, she challenged conventional thoughts on equality and lifestyle. Most of all, they reflect the spirit of their surroundings, as independent women like Marion Bullard challenged the status quo to build a better community. Overcoming the physical challenges of mountain life and the societal obstacles they faced because of their gender, Catskills' most fearless women are revealed by local historian Richard Heppner.
Women of the Underground: Art
by Zora Von Burden"It is not about provocation, reaction or even invocation, it is about transformation: mentally and physically."--Marina Abramovic, artist"Art is subjective, and if one sees something in an image, that projection is a reflection of the spectator, who sees what he or she wants to see, whose critique is relevant to him or herself, exposing his or her own perversions."--Irina Ionesco, artistUntil the late twentieth century, women's creative skills were relegated to craft and decorative arts, and valued only for utilitarian purposes in service to others and the manufacturing of products to benefit society.After enduring the great injustice of being denied the freedom that self-expression brings through art for the joy of the human spirit, Women of the Underground: Art celebrates those female cultural innovators who are creating new artwork that pushes boundaries, dares to question, and redefines the genres of mixed media; theater; film; photography; and visual, conceptual, and performance art.In this groundbreaking anthology that will inspire artists and everyone interested in alternatives to mainstream culture, as well as serve as a reference book for art historians, twenty-six female artists describe their ideas, beginnings, influences, and creative techniques. Contains interviews with Lady Pink, Marina Abramovic, Orlan, Aleksandra Mir, Penny Arcade, Johanna Went, the Guerrilla Girls, and many others.Editor Zora von Burden was born and raised in San Francisco, California. A frequent contributor to The San Francisco Herald, von Burden also wrote the screenplay for Geoff Cordner's underground cult classic film, Hotel Hopscotch.
Women of Visionary Art
by David Jay Brown Rebecca Ann HillAn exploration of the role that dreaming, psychedelic experiences, and mystical visions play in visionary art • Includes discussions with 18 well-known female artists, including Josephine Wall, Allyson Grey, Amanda Sage, Martina Hoffmann, Penny Slinger, and Carolyn Mary Kleefeld • Reveals how they have all been inspired by deep inner experiences and seek to express non-ordinary visions of reality, reminiscent of shamanic trance states, lucid dreams, and spiritually transcendent experiences • Shows how visionary art often contains an abundance of feminine energy, helping us to heal ourselves and see that we are all connected Since early humans first painted from their mystic eye onto cave walls, artists have sought to share their sacred visions with the world. Created in every medium, from oil painting and sculpture to contemporary digital modeling, these visionary works of art give those who experience them a chance to “see the unseen,” realize wider modes of perception, and discover spiritual and mystical realms. In this full-color illustrated book, David Jay Brown and Rebecca Ann Hill examine the work and inspirations of eighteen of today’s leading female visionary artists, including Josephine Wall, Allyson Grey, Amanda Sage, Martina Hoffmann, Penny Slinger, and Carolyn Mary Kleefeld. They explore the creative process and the role that dreaming, psychedelic experiences, sexuality, and divine guidance play in the work of these women, alongside full-color examples of their art. They discuss the future of visionary art and reveal how these artists have all been informed and inspired by deep inner experiences and seek to express non-ordinary visions of reality, often reminiscent of those encountered in shamanic trance, lucid dreams, psychedelic states, spiritually transcendent experiences, and other altered states. Showing how visionary art often contains an abundance of feminine energy, helping us to heal ourselves and see that we are all connected, the authors explore with each artist what it is about being a woman that has most influenced their artwork. They also examine the connection between visionary art and spirituality, the influence of Nature and sacred geometry, and how this creative form is simultaneously ancient, futuristic, and timeless, providing an accessible doorway into the visionary realm.
Women of Will
by Tina PackerFrom one of the country's foremost experts on Shakespeare and theatre arts, actor, director, and master teacher Tina Packer offers an exploration--fierce, funny, fearless--of the women of Shakespeare's plays. A profound, and profoundly illuminating, book that gives us the playwright's changing understanding of the feminine and reveals some of his deepest insights. Packer, with expert grasp and perception, constructs a radically different understanding of power, sexuality, and redemption. Beginning with the early comedies (The Taming of the Shrew, Two Gentlemen of Verona, The Comedy of Errors), Packer shows that Shakespeare wrote the women of these plays as shrews to be tamed or as sweet little things with no definable independent thought, virgins on the pedestal. The women of the histories (the three parts of Henry VI; Richard III) are, Packer shows, much more interesting, beginning with Joan of Arc, possibly the first woman character Shakespeare ever created. In her opening scene, she's wonderfully alive--a virgin, true, sent from heaven, a country girl going to lead men bravely into battle, the kind of girl Shakespeare could have known and loved in Stratford. Her independent resolution collapses within a few scenes, as Shakespeare himself suddenly turns against her, and she yields to the common caricature of his culture and becomes Joan the Enemy, the Warrior Woman, the witch; a woman to be feared and destroyed . . . As Packer turns her attention to the extraordinary Juliet, the author perceives a large shift. Suddenly Shakespeare's women have depth of character, motivation, understanding of life more than equal to that of the men; once Juliet has led the way, the plays are never the same again. As Shakespeare ceases to write about women as predictable caricatures and starts writing them from the inside, embodying their voices, his women become as dimensional, spirited, spiritual, active, and sexual as any of his male characters. Juliet is just as passionately in love as Romeo--risking everything, initiating marriage, getting into bed, fighting courageously when her parents threaten to disown her--and just as brave in facing death when she discovers Romeo is dead. And, wondering if Shakespeare himself fell in love (Packer considers with whom, and what she may have been like), the author observes that from Juliet on, Shakespeare writes the women as if he were a woman, giving them desires, needs, ambition, insight.Women of Will follows Shakespeare's development as a human being, from youth to enlightened maturity, exploring the spiritual journey he undertook. Packer shows that Shakespeare's imagination, mirrored and revealed in his female characters, develops and deepens until finally the women, his creative knowledge, and a sense of a larger spiritual good come together in the late plays, making clear that when women and men are equal in status and sexual passion, they can--and do--change the world. Part master class, part brilliant analysis--Women of Will is all inspiring discovery.From the Hardcover edition.
Women on Screen
by Melanie WatersA timely intervention into debates on the representation of feminist and feminine identities in contemporary visual culture. The essays in this collection interrogate how and why certain formulations of feminism and femininity are currently prevalent in mainstream cinema and television, offering new insights into postfeminist media phenomena.
Women on the Stage in Early Modern France: 1540-1750
by Virginia ScottFocusing on actresses in France during the early modern period, Virginia Scott examines how the stereotype of the actress has been constructed. The study then moves beyond that stereotype to detail the reality of the personal and artistic lives of women on the French stage, from the almost unknown Marie Ferr_ - who signed a contract for 12 livres a year in 1545 to perform the 'antiquailles de Rome or other histories, moralities, farces, and acrobatics' in the provinces - to the queens of the eighteenth-century Paris stage, whose 'adventures' have overshadowed their artistic triumphs. The book also investigates the ways in which actresses made invaluable contributions to the development of the French theatre in the seventeenth and eighteenth centuries, and looks at the 'afterlives' of such women as Armande B_jart, Marquise Du Parc, Charlotte Desmares, Adrienne Lecouvreur, and Hippolyte Clairon in biographies, plays, and films.
Women Photographers and Feminist Aesthetics
by Claire RaymondWomen Photographers and Feminist Aesthetics makes the case for a feminist aesthetics in photography by analysing key works of twenty-two women photographers, including cis- and trans-woman photographers. Claire Raymond provides close readings of key photographs spanning the history of photography, from nineteenth-century Europe to twenty-first century Africa and Asia. She offers original interpretations of well-known photographers such as Diane Arbus, Sally Mann, and Carrie Mae Weems, analysing their work in relation to gender, class, and race. The book also pays close attention to the way in which indigenous North Americans have been represented through photography and the ways in which contemporary Native American women photographers respond to this history. Developing the argument that through aesthetic force emerges the truly political, the book moves beyond polarization of the aesthetic and the cultural. Instead, photographic works are read for their subversive political and cultural force, as it emerges through the aesthetics of the image. This book is ideal for students of Photography, Art History, Art and Visual Culture, and Gender.
Women Photographers and Mexican Modernity: Framing the Twentieth Century (Routledge Research in Gender and Art)
by Julia R. Brown Radmila Stefkova Tamara R. WilliamsThe photographers discussed in this book probe the most contentious aspects of social organization in Mexico, questioning what it means to belong, to be Mexican, to experience modernity, and to create art as a culturally, politically, or racially marginalized person. By choosing human subjects, spaces, and aesthetics excluded from the Lettered City, each of the photographers discussed in this volume produces a corpus of art that contests dominant narratives of social and cultural modernization in Mexico. Taken together, their work represents diverging and diverse notions of what is meant by Mexican modernity. The book will be of interest to scholars working in art history, history of photography, women’s studies, and Mexican studies.
Women, Politics and Performance in South African Theatre Today: Volume 2
by Goodman LFirst Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Women, Politics and Performance in South African Theatre Today Vol 3: Volume 3 (Contemporary Theatre Review Ser. #Vols. 9, Pts. 3.)
by Lizbeth GoodmanThis title available in eBook format. Click here for more information.Visit our eBookstore at: www.ebookstore.tandf.co.uk.
Women, Science and Fiction Revisited (Palgrave Studies in Literature, Science and Medicine)
by Debra Benita ShawWomen, Science and Fiction Revisited is an analysis of selected science fiction novels and short stories written by women over the past hundred years from the point of view of their engagement with how science writes the world. Beginning with Charlotte Perkins Gilman's Herland (1918) and ending with N K Jemisin's The City We Became (2020), Debra Benita Shaw explores the re-imagination of gender and race that characterises women's literary crafting of new worlds. Along the way, she introduces new readings of classics like Ursula Le Guin's The Left Hand of Darkness and Margaret Atwood's The Handmaid's Tale, examining the original novels in the context of their adaptation to new media formats in the twenty-first century. What this reveals is a consistent preoccupation with how scientific ideas can be employed to challenge existing social structures and argue for change.
Women Screenwriters: An International Guide
by Jill Nelmes Jule SelboWomen Screenwriters is a study of more than 300 female writers from 60 nations, from the first film scenarios produced in 1986 to the present day. Divided into six sections by continent, the entries give an overview of the history of women screenwriters in each country, as well as individual biographies of its most influential.
Women vs Hollywood: The Fall and Rise of Women in Film
by Helen O'Hara'A fascinating polemic' Sunday Times 'A powerful, sobering and vital work' The Mail on Sunday 'A page-turning read, peppered with humour' Sight & Sound'A must read' Edgar Wright A call to arms from Empire magazine's 'geek queen', Helen O'Hara, that explores women's roles - both in front of and behind the camera - since the birth of Hollywood, how those roles are reflected within wider society and what we can do to level the playing field. Hollywood was born just over a century ago, at a time of huge forward motion for women's rights. With no rules in place to stop them, there were women who forged ahead in many areas of filmmaking. Yet, despite the work of early pioneers like Dorothy Arzner, Mabel Normand, Mary Pickford and Alice Guy-Blaché, it soon came to embody the same old sexist standards. Women found themselves fighting a system that fed on their talent, creativity and beauty but refused to pay them the same respect as their male contemporaries - until now . . . The tide has finally begun to turn. A new generation of women, both in front of and behind the camera, are making waves in the industry and are now shaping some of the biggest films to hit our screens. In Women vs Hollywood: The Fall and Rise of Women in Film, film critic Helen O'Hara takes a closer look at the pioneering and talented women of Hollywood and their work in film since Hollywood began. And in understanding how women were largely written out of Hollywood's own origin story, and how the films we watch are put together, we can finally see how to put an end to a picture that is so deeply unequal - and discover a multitude of stories out there just waiting to be told.