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Not So Grimm Fairy Tales
by Patricia MontleySatire / 15f (doubling possible) / Bare stage / Five scenes present unusual variations on familiar tales. In Little Red and the Big Bad She Wolf Red is invited by Mae Wolf to quit Harvard Business School and get a start in the service selling business despite Granny's opposition (she is Mae's senior partner). In Bumble Stiltskin and the Baby Business Rumpel's put upon wife implores the Queen to keep her royal baby and offers to set up a Day Care Center if she gets government support. Also included are Snow White and the Anti Freeze, Jack and the Marijuana Stalk and Cinderella.
Not Starring Zadie Louise
by Joy McCulloughIn this &“entertaining and moving&” (Kirkus Reviews) middle grade novel that&’s perfect for fans of Tim Federle and Gordon Korman, Zadie is determined to spend the summer helping at the community theater—but things go hilariously awry!Zadie loves Tae Kwon Do, comic books, and outer space. She also loves visiting the community theater that her mom runs, especially the lighting grid over the stage and the stage manager&’s booth, which is filled with levers and buttons like a spaceship control panel. So when the family&’s finances suffer a blow and Zadie has to give up her usual activities to spend the summer at the theater, she doesn&’t mind too much. After all, she&’s always wanted to tech a show. She knows she&’d be great at it, but her mom and the new stage manager are totally opposed to the idea of having a kid do tech. Instead, Zadie&’s stuck handing out snacks and folding flyers. But the future of the theater rides on this show, and Zadie is determined to help. She&’s going to make Spinderella the hit of the season—unless she accidentally turns it into a disaster.
Not the Other Avant-Garde: The Transnational Foundations of Avant-Garde Performance
by James Martin Harding John RouseAlmost without exception, studies of the avant-garde take for granted the premise that the influential experimental practices associated with the avant-garde began primarily as a European phenomenon that in turn spread around the world. These ten original essays, especially commissioned for Not the Other Avant-Garde, forge a radically new conception of the avant-garde by demonstrating the many ways in which the first- and second-wave avant-gardes were always already a transnational phenomenon, an amalgam of often contradictory performance traditions and practices developed in various cultural locations around the world, including Africa, the Middle East, Mexico, Argentina, India, and Japan. Essays from leading scholars and critics-including Marvin Carlson, Sudipto Chatterjee, John Conteh-Morgan, Peter Eckersall, Harry J. Elam Jr., Joachim Fiebach, David G. Goodman, Jean Graham-Jones, Hannah Higgins, and Adam Versényi-suggest collectively that the very concept of the avant-garde is possible only if conceptualized beyond the limitations of Eurocentric paradigms. Not the Other Avant-Garde is groundbreaking in both avant-garde studies and performance studies and will be a valuable contribution to the fields of theater studies, modernist studies, art history, literature, and music history.
The Notebook of Trigorin: A Free Adaptation of Chechkov's The Sea Gull
by Allean Hale Tennessee WilliamsTennessee Williams freely adapts Anton Chekhov's Russian classic "The Seagull". From the master twentieth-century playwright Tennessee Williams-an adaptation of Chekhov's The Sea Gull, never before available to the general trade. The Notebook of Trigorin is faithful to Chekhov's story of longing and unrequited love. Set on a provincial Russian Estate, its peaceful environs offer stark contrast to the turbulent lives of its characters. Constantine, a young writer, must compete for the attention of his mother, a self-obsessed, often comical aging actress, Madame Arkadina, and his romantic ideal, Nina. His rival for both women is Trigorin, an established author bound to Arkadina by her patronage of his work, and attracted to Nina by her beauty. Trigorin cannot keep himself from consuming everything of value in Constantine's life. Only in the final scenes do all discover that the price for love and fragility can be horribly high. But if the words in The Notebook of Trigorin are essentially Chekhov's, the voice belongs firmly to Tennessee Williams. The dialogue resonates with echoes of the themes Williams developed as his signatures-compassion for the artistic soul and its vulnerability in the face of the world's "successfully practiced duplicity" (Act I).
Notebooks
by Athol Fugard"Fugard registers and captures the keen images that are the very stuff of vibrant theatre."--Time
Notelets of Filth: A Companion Reader to Morgan Lloyd Malcolm's Emilia (Routledge Advances in Theatre & Performance Studies)
by Morgan Lloyd Malcolm Aida Patient Kimberly A. Williams Laura KresslyThis collection of short, accessible essays serves as a supplementary text to Morgan Lloyd Malcolm’s play, Emilia. Critically acclaimed and beloved by audiences, this innovative and ground-breaking show is a speculative history, an imaginative (re)telling of the life of English Renaissance poet Aemilia Bassano Lanyer. This book features essays by theatre practitioners, activists, and scholars and informed by intersectional feminist, critical race, queer, and postcolonial analyses will enable students and their teachers across secondary school and higher education to consider the play’s major themes from a wide variety of theoretical and interdisciplinary perspectives. This volume explores the current events and cultural contexts that informed the writing and performing of Emilia between 2017 and 2019, various aspects of the professional London productions, critical and audience responses, and best practices for teaching the play to university and secondary school students. It includes a foreword by Emilia playwright Morgan Lloyd Malcolm This book will be of great interest to students and scholars of theatre, arts activism, feminist literature, and theory.
Notes From An Odin Actress: Stones of Water
by Julia Varley‘As an actress I sit, speak, run, sweat and, simultaneously, I represent someone who sits, speaks, runs and sweats. As an actress, I am both myself and the character I am playing. I exist in the concreteness of the performance and, at the same time, I need to be alive in the minds and senses of the spectators. How can I speak of this double reality?’ – Julia Varley This is a book about the experience of being an actress from a professional and female perspective. Julia Varley has been a member of Odin Teatret for over thirty years, and Notes from an Odin Actress is a personal account of her work with Eugenio Barba and this world-renowned theatre company. This is a unique window onto the in-depth exercises and day-to-day processes of an Odin member. It is a journal to enlighten anyone interested in the performances, the discoveries and the hard physical work that accompany a life in theatre.
Notes from the Field
by Anna Deavere SmithAnna Deavere Smith’s extraordinary form of documentary theater shines a light on injustices by portraying the real-life people who have experienced them. In Notes from the Field, she renders a host of figures who have lived and fought the system that pushes students of color out of the classroom and into prisons. (As Smith has put it: “Rich kids get mischief, poor kids get pathologized and incarcerated.”) Using people’s own words, culled from interviews and speeches, Smith depicts Rev. Jamal Harrison Bryant, who eulogized Freddie Gray; Niya Kenny, a high school student who confronted a violent police deputy; activist Bree Newsome, who took the Confederate flag down from the South Carolina State House grounds; and many others. Their voices bear powerful witness to a great iniquity of our time—and call us to action with their accounts of resistance and hope.
Notes From Underground
by Eric BogosianIncludes Bogosian's Notes from Underground, the "diary," of an increasingly disturbed and disturbing urban recluse, together with Scenes from the New World, an early dramatic work.
Notes on a Cowardly Lion: The Biography of Bert Lahr
by John LahrJohn Lahr&’s stunning and complex biography of his father, the legendary actor and comedian Bert Lahr Notes on a Cowardly Lion is John Lahr&’s masterwork: an all-encompassing biography of his father, the comedian and performer Bert Lahr. Best known as the Cowardly Lion in MGM&’s classic The Wizard of Oz, Lahr was a consummate artist whose career spanned burlesque, vaudeville, Broadway, and Hollywood. While he could be equally raucous and polished in public, Lahr was painfully insecure and self-absorbed in private, keeping his family at arm&’s length as he quietly battled his inner demons. Told with an impressive objectivity and keen understanding of the construction—and destruction—of the performer, Notes on a Cowardly Lion is more than one man&’s quest to understand his father; it is an extraordinary examination of a life in American show business.
Notes On Directing: 130 Lessons In Leadership From The Director's Chair
by Frank Hauser Russell ReichSome years ago, Frank Hauser, then a retired freelance director, and writer Russell Reich, his former student, self-published Notes on Directing in hardcover. It was immediately acclaimed as “a gem-witty and full of insight;” “so sensible, so complete, and so right;” and “amazingly illuminating” by the likes of Judi Dench, Edward Albee, and Terry Teachout. Gathered over Frank Hauser's long career, and polished to a sharp edge by Russell Reich, the 130 "Notes" address a wide range of topics, from understanding the script and defining the director's role, to casting, how to handle a first read-through of a script, rules for rehearsal, how to talk to actors, how to get a laugh, and the key elements of staging. Filled with enduring good advice expressed in assertive, no-nonsense language, and supported with explanatory commentary, insightful quotes and examples, and six valuable appendices, this deceptively slim book has the impact of a privileged apprenticeship, providing deep insight into the hidden process of creating a live, shared experience. For the student or professional engaged in a directing or acting career, the executive or manager looking for inspiring new ideas on leadership, or the arts lover wanting insight into the creative process, this book will be an invaluable experience. This new edition includes an interview with the co-author.
Nothing Like a Dame: My Autobiography
by Elaine C Smith'How did I end up here?' A question Elaine C. Smith asked herself when sitting in the dressing-room of a top theatre in London's West End, about to go on stage with one of the UK's most successful plays.In Nothing Like a Dame, Elaine reflects on a 50-year journey that took her to the peak of the entertainment world. She recounts her long struggle to make it in a male-dominated, working-class society when women were supposed to just shut up and stay thin, especially in the sexist world of theatre and television, where she was told, 'Look, women just aren't funny.'Despite many highs and lows, she proceeded to forge a stellar career in show business, hosting her own TV series and becoming a household name thanks to her comic portrayal of Mary Nesbitt, the long-suffering wife in the award-winning BBC comedy Rab C. Nesbitt.Nothing Like a Dame is a heart-warming memoir: candid, outspoken, hilarious and at times deeply sad.
Noura
by Heather RaffoAs Noura and her husband Tariq prepare to celebrate a traditional Christmas, she looks forward to welcoming a special guest—Maryam, a young Iraqi refugee. But the girl’s arrival opens wounds the family has tried to leave behind, forcing them to confront where they are, where they’ve been and who they have become.
Nourish the Beast
by Steve TesichComedy / 7m, 2f / Interior / Baba Goya is a loudmouth mother who goes through husbands and orphans like the Turkish coffee she makes in a dirty old soup pan. In Queens she presides over a household comprised of a childish orphan who happens to be a cop, an elderly gentleman who explodes every time somebody calls him grandpa, a dying husband and an errant daughter who cries all night. The husband, Baba's fifth, is already submitting an ad for her sixth. The cop catches a Japanese stealing cameras and chains him to a radiator, the daughter guiltily confesses she voted for Nixon and runs off, and the husband, who may not die after all, insists they must wait out Watergate for a Democratic.
The Novel Stage: Narrative Form from the Restoration to Jane Austen (Transits: Literature, Thought & Culture 1650-1850)
by Marcie FrankMarcie Frank’s study traces the migration of tragicomedy, the comedy of manners, and melodrama from the stage to the novel, offering a dramatic new approach to the history of the English novel that examines how the collaboration of genres contributed to the novel’s narrative form and to the modern organization of literature. Drawing on media theory and focusing on the less-examined narrative contributions of such authors as Aphra Behn, Frances Burney, and Elizabeth Inchbald, alongside those of Samuel Richardson, Henry Fielding, and Jane Austen, The Novel Stage tells the story of the novel as it was shaped by the stage. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
November
by David MametDavid Mamet's new Oval Office satire depicts one day in the life of a beleaguered American commander-in-chief. It's November in a Presidential election year, and incumbent Charles Smith's chances for reelection are looking grim. Approval ratings are down, his money's running out, and nuclear war might be imminent. Though his staff has thrown in the towel and his wife has begun to prepare for her post-White House life, Chuck isn't ready to give up just yet. Amidst the biggest fight of his political career, the President has to find time to pardon a couple of turkeys -- saving them from the slaughter before Thanksgiving -- and this simple PR event inspires Smith to risk it all in attempt to win back public support. With Mamet's characteristic no-holds-barred style, November is a scathingly hilarious take on the state of America today and the lengths to which people will go to win.From the Trade Paperback edition.
November (Nigro)
by Don NigroComedy / 3m, 6f / Unit Set / In the autumn of 1980, Aunt Liz is trapped in a nursing home in the hilly agricultural country of east Ohio while her niece Becky and Becky's revolting husband try to steal and destroy her farm. Her life is further complicated by a harried but sympathetic young nurse, her nomadic nephew, a bewildered friend, and her sisters cranky Molly and Dorothy, a deaf mute piano player. Memories of her beautiful and long dead Jessie also intrude, as well as her outrageous fellow inmate, Mr. Kafka, who tries to teach her about muskrat traps and immortality. This funny and moving play was first produced with great success at Capital Rep in Albany; it has particularly rich roles for a mature cast. November is part of the author's cycle of Pendragon Plays; fans will recognize some of the characters from other plays in the series.
Now More Than Ever: An Edition
by Aldous HuxleyOver the course of his career, British writer Aldous Huxley (1894-1963) shifted away from elitist social satires and an atheistic outlook toward greater concern for the masses and the use of religious terms and imagery. This change in Huxley's thinking underlies the previously unpublished play Now More Than Ever.<P><P>Written in 1932-1933 just after Brave New World, Now More Than Ever is a response to the social, economic, and political upheavals of its time. Huxley's protagonist is an idealistic financier whose grandiose schemes for controlling the means of production drive him to swindling and finally to suicide. His fate allows Huxley to expose the evils he perceives in free-market capitalism while pleading the case for national economic planning and the rationalization of Britain's industrial base.
Now the Cats With Jeweled Claws & Other One-Act Plays
by Tennessee Williams Thomas Keith"The peak of my virtuosity was in the one-act plays--like firecrackers in a rope." --Tennessee Williams This new collection of fantastic, lesser-known one-acts contains some of Williams's most potent, comical and disturbing short plays?Upper East Side ladies dine out during the apocalypse in Now the Cats With Jeweled Claws, while the poet Hart Crane is confronted by his mother at the bottom of the ocean in Steps Must Be Gentle. Five previously unpublished plays include A Recluse and His Guest, and The Strange Play, in which we witness a woman's entire life lived within a twenty-four-hour span. This volume is edited, with an introduction and notes, by the editor, acting teacher, and theater scholar Thomas Keith.
Now You See Her
by Jacquelyn MitchardFor Hope Shay the entire world is a stage. Really.Acting has been her dream for as long as she can remember. She will do anything, anything, to get a leading role. Okay, maybe faking her own abduction was extreme. But a true actress suffers for her art. And Hope is a born actress if ever there was one.
Now You See Her
by Jacquelyn MitchardFor Hope Shay the entire world is a stage. Really. Acting has been her dream for as long as she can remember. She will do anything, anything, to get a leading role. Okay, maybe faking her own abduction was extreme. But a true actress suffers for her art. And Hope is a born actress if ever there was one.
Null im Verhalten: Die Zeugnisse von drei Jahren Juventus-Spiele.
by Marco Edoardo SanfeliciDie Zeugnisse von drei Jahren Juventus-Spiele. Null im Verhalten Das Buch sammelt die besten Zeugnisse von Marco Edoardo Sanfelici. Die Urteile, die nach jedem Juventus-Spiel Fotos von der Leistung des Juventus-Teams machen, sind Urteile ohne Berufung. Aus dem brillanten und leidenschaftlichen Geist eines Fan-Kommentators sind hier die urkomischen Bewertungen, die das Verhalten Ihrer größten Idole auf dem Platz besser als jedes VAR-Bild bezeugen.
Nunsense
by Dan GogginMusical / 5f / Unit set Winner of four Outer Critics Circle Awards including Best Off Broadway Musical in its original New York production, this hilarious international hit was revived in New York with a male cast Nunsense A Men!. The show is a fund raiser put on by the Little Sisters of Hoboken to raise money to bury sisters accidently poisoned by the convent cook, Sister Julia (Child of God). Up dated with new jokes, additional lyrics, two new arrangements and a brand new song, this zany musical has been videotaped for television starring Rue McClanahan as the Mother Superior. "A hail of fun and frolic! Wacky and outrageous with a hysterical anything goes sense of fun!" N.Y. Times. "You don't have to be Catholic to love Nunsense!" Entertainment Tonight. "Inspired madness! Go see it!" Jewish Post and Opinion. "Guaranteed to lift your spirits...Very, very funny." National Catholic News.