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Beyond Sustainable: Architecture's Evolving Environments of Habitation

by Ryan Ludwig

Beyond Sustainable discusses the relationship between human-beings and the constructed environments of habitation we create living in the Anthropocene, an increasingly volatile and unpredictable landscape of certain change. This volume accepts that human-beings have reached a moment beyond climatological and ecological crisis. It asks not how we resolve the crisis but, rather, how we can cope with, or adapt to, the irreversible changes in the earth-system by rethinking how we choose to inhabit the world-ecology. Through an examination of numerous historical and contemporary projects of architecture and art, as well as observations in philosophy, ecology, evolutionary biology, genetics, neurobiology and psychology, this book reimagines architecture capable of influencing and impacting who we are, how we live, what we feel and even how we evolve. Beyond Sustainable provides students and academics with a single comprehensive overview of this architectural reconceptualization, which is grounded in an ecologically inclusive and co-productive understanding of architecture.

Beyond Taboos

by Nicole Boireau Wolfgang J. Lippke

This collection of essays covers the related areas of aesthetics and politics, both in the field of theatre and in everyday life. Each contributor seeks to illustrate how drama subverts the foundations of the accepted models of perception and how it mediates on its own conventions.

Beyond Text: Theater and Performance in Print After 1900

by Jennifer Buckley

Taking up the work of prominent theater and performance artists, Beyond Text reveals the audacity and beauty of avant-garde performance in print. With extended analyses of the works of Edward Gordon Craig, German expressionist Lothar Schreyer, the Living Theatre, Carolee Schneemann, and Guillermo Gómez-Peña, the book shows how live performance and print aesthetically revived one another during a period in which both were supposed to be in a state of terminal cultural decline. While the European and American avant-gardes did indeed dismiss the dramatic author, they also adopted print as a theatrical medium, altering the status, form, and function of text and image in ways that continue to impact both the performing arts and the book arts. Beyond Text participates in the ongoing critical effort to unsettle conventional historical and theoretical accounts of text-performance relations, which have too often been figured in binary, chronological (“from page to stage”), or hierarchical terms. Across five case studies spanning twelve decades, Beyond Text demonstrates that print—as noun and verb—has been integral to the practices of modern and contemporary theater and performance artists.

Beyond the Aesthetic and the Anti-Aesthetic: Beyond The Aesthetic And Anti-aesthetic (The Stone Art Theory Institutes #4)

by James Elkins Harper Montgomery

Each of the five volumes in the Stone Art Theory Institutes series, and the seminars on which they are based, brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This fourth volume in the series, Beyond the Aesthetic and the Anti-Aesthetic, focuses on questions revolving around the concepts of the aesthetic, the anti-aesthetic, and the political. The book is about the fact that now, almost thirty years after Hal Foster defined the anti-aesthetic, there is still no viable alternative to the dichotomy between aesthetics and anti- or nonaesthetic art. The impasse is made more difficult by the proliferation of identity politics, and it is made less negotiable by the hegemony of anti-aesthetics in academic discourse on art. The central question of this book is whether artists and academicians are free of this choice in practice, in pedagogy, and in theory.The contributors are Stéphanie Benzaquen, J. M. Bernstein, Karen Busk-Jepsen, Luis Camnitzer, Diarmuid Costello, Joana Cunha Leal, Angela Dimitrakaki, Alexander Dumbadze, T. Brandon Evans, Geng Youzhuang, Boris Groys, Beáta Hock, Gordon Hughes, Michael Kelly, Grant Kester, Meredith Kooi, Cary Levine, Sunil Manghani, William Mazzarella, Justin McKeown, Andrew McNamara, Eve Meltzer, Nadja Millner-Larsen, Maria Filomena Molder, Carrie Noland, Gary Peters, Aaron Richmond, Lauren Ross, Toni Ross, Eva Schürmann, Gregory Sholette, Noah Simblist, Jon Simons, Robert Storr, Martin Sundberg, Timotheus Vermeulen, and Rebecca Zorach.

Beyond the Aesthetic and the Anti-Aesthetic (The Stone Art Theory Institutes)

by James Elkins Harper Montgomery

Each of the five volumes in the Stone Art Theory Institutes series, and the seminars on which they are based, brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This fourth volume in the series, Beyond the Aesthetic and the Anti-Aesthetic, focuses on questions revolving around the concepts of the aesthetic, the anti-aesthetic, and the political. The book is about the fact that now, almost thirty years after Hal Foster defined the anti-aesthetic, there is still no viable alternative to the dichotomy between aesthetics and anti- or nonaesthetic art. The impasse is made more difficult by the proliferation of identity politics, and it is made less negotiable by the hegemony of anti-aesthetics in academic discourse on art. The central question of this book is whether artists and academicians are free of this choice in practice, in pedagogy, and in theory.The contributors are Stéphanie Benzaquen, J. M. Bernstein, Karen Busk-Jepsen, Luis Camnitzer, Diarmuid Costello, Joana Cunha Leal, Angela Dimitrakaki, Alexander Dumbadze, T. Brandon Evans, Geng Youzhuang, Boris Groys, Beáta Hock, Gordon Hughes, Michael Kelly, Grant Kester, Meredith Kooi, Cary Levine, Sunil Manghani, William Mazzarella, Justin McKeown, Andrew McNamara, Eve Meltzer, Nadja Millner-Larsen, Maria Filomena Molder, Carrie Noland, Gary Peters, Aaron Richmond, Lauren Ross, Toni Ross, Eva Schürmann, Gregory Sholette, Noah Simblist, Jon Simons, Robert Storr, Martin Sundberg, Timotheus Vermeulen, and Rebecca Zorach.

Beyond the Apsara: Celebrating Dance in Cambodia (Celebrating Dance In Asia And The Pacific Ser.)

by Stephanie Burridge

This book celebrates and documents the resurgence of dance in Cambodia after the fall of the Khmer Rouge and the infamous Pol Pot regime. It honours the remarkable commitment of the few remaining masters of the art of dance who are reviving and preserving the famous classical dances, as well as the courage and resolution of young artists who are imaginatively pursuing their passion to forge new paths in contemporary dance. n 2003, Cambodian classical dance was awarded world heritage status by UNESCO – this confirmed the importance, and perhaps the burden, of the task of preservation. This volume includes contributions from the royal family, eminent writers and commentators and the dancers themselves. Monuments and reminders of the Killing Fields abound in the city of Phnom Penh. Nearly 2 million Cambodians, including many artists, perished during the killings or died of starvation and disease during the Khmer Rouge years. Today, the dancers, both young and old, move towards the future while respecting and honouring the past. This volume documents their journey.

Beyond the Bauhaus: Cultural Modernity in Breslau, 1918-33

by Deborah Ascher Barnstone

Although the Breslau arts scene was one of the most vibrant in all of Weimar-era Germany, it has largely disappeared from memory. Studies of the influence of Weimar culture on modernism have focused almost exclusively on Berlin and the Dessau Bauhaus, yet the advances that occurred in Breslau affected nearly every intellectual field, forming the basis for aesthetic modernism internationally and having an enduring impact on visual art and architecture. Breslau boasted a thriving modern arts scene and one of the premier German arts academies of the day until the Nazis began their assault on so-called degenerate art. This book charts the cultural production of Breslau-based artists, architects, art collectors, urban designers, and arts educators who operated in the margins of Weimar-era cultural debates. Rather than accepting the radical position of the German avant-garde or the reactionary position of German conservatives, many Breslauers sought a middle ground. This richly illustrated volume is the first book in English to address this history, constituting an invaluable addition to the literature on the Weimar period. Its readership includes scholars of German history, art, architecture, urban design, planning, collecting, and exhibition history; of the avant-garde, and of the development of arts academies and arts pedagogy.

Beyond the Beat

by Daniel B. Cornfield

At a time when the bulwarks of the music industry are collapsing, what does it mean to be a successful musician and artist? How might contemporary musicians sustain their artistic communities? Based on interviews with over seventy-five popular-music professionals in Nashville, Beyond the Beat looks at artist activists--those visionaries who create inclusive artist communities in today's individualistic and entrepreneurial art world. Using Nashville as a model, Daniel Cornfield develops a theory of artist activism--the ways that artist peers strengthen and build diverse artist communities.Cornfield discusses how genre-diversifying artist activists have arisen throughout the late twentieth-century musician migration to Nashville, a city that boasts the highest concentration of music jobs in the United States. Music City is now home to diverse recording artists--including Jack White, El Movimiento, the Black Keys, and Paramore. Cornfield identifies three types of artist activists: the artist-producer who produces and distributes his or her own and others' work while mentoring early-career artists, the social entrepreneur who maintains social spaces for artist networking, and arts trade union reformers who are revamping collective bargaining and union functions. Throughout, Cornfield examines enterprising musicians both known and less recognized. He links individual and collective actions taken by artist activists to their orientations toward success, audience, and risk and to their original inspirations for embarking on music careers.Beyond the Beat offers a new model of artistic success based on innovating creative institutions to benefit the society at large.

Beyond the Best Dressed: A Cultural History of the Most Glamorous, Radical, and Scandalous Oscar Fashion

by Esther Zuckerman

Explore two dozen of the most glamorous, scandalous, and history-making Oscar looks in Beyond the Best Dressed, film and culture critic Esther Zuckerman's personality-filled romp through red carpet fashion, complete with original fashion drawings from illustrator Montana Forbes. From the show-stoppingly elegant (Halle Berry winning the award for Monster&’s Ball in a breathtaking Elie Saab) to the decidedly kooky (Adam Rippon in a formal harness), the Academy Awards Telecast is one of the few nights of the year devoted entirely to glamor (in all its forms). Even in the age of streaming, millions upon millions of people sit down at the same time, turn on their televisions, and watch celebrities strut down the red carpet (and, sure, win some awards). Now fans can relive the glamor, drama, and lasting legacy of some of the most influential outfits from more than ninety years of the Oscar in Beyond the Best Dressed: A Cultural History of the Most Glamorous, Radical, and Scandalous Oscar Fashion. In twenty-five essays, culture writer Esther Zuckerman explores the iconic fashion choices that made history on the most elegant stage of all, and analyzes the cultural impact of wardrobe decisions both absurd and wonderful. Beginning with Hattie McDaniel&’s historic and trendsetting turquoise gown in 1940 (worn at a table segregated from her white agent), Zuckerman goes beyond the &“best of&” lists to shine a deserved spotlight on the truly unforgettable outfits–and deciphers what those outfits represented.Beyond the Best Dressed is a first-of-its-kind commemoration of Oscar fashion that perfectly captures the glitz and the glamor for anyone who has ever been to an Oscar watch party (or texted their friends while they watched alone). Fully illustrated with whimsical fashion drawings of the outfits–including Michelle Williams' golden Versace, Sharon Stone's iconic Gap t-shirt, and Rita Moreno's groundbreaking dress worn in both 1962 and 2018–this book is a joyful and vivid odyssey that doesn&’t stop at the hem of the dress, delving deeper into the cultural effect of these fashion flash points with research and original reporting.

Beyond the Black and White TV: Asian and Latin American Spectacle in Cold War America

by Benjamin M. Han

This is the first book that examines how “ethnic spectacle” in the form of Asian and Latin American bodies played a significant role in the cultural Cold War at three historic junctures: the Korean War in 1950, the Cuban Revolution in 1959, and the statehood of Hawaii in 1959. As a means to strengthen U.S. internationalism and in an effort to combat the growing influence of communism, television variety shows, such as The Xavier Cugat Show, The Ed Sullivan Show, and The Chevy Show, were envisioned as early forms of global television. Beyond the Black and White TV examines the intimate moments of cultural interactions between the white hosts and the ethnic guests to illustrate U.S. aspirations for global power through the medium of television. These depictions of racial harmony aimed to shape a new perception of the United States as an exemplary nation of democracy, equality, and globalism.

Beyond the Black Lady: Sexuality and the New African American Middle Class (New Black Studies Series)

by Lisa B. Thompson

In this book, Lisa B. Thompson explores the representation of black middle-class female sexuality by African American women authors in narrative literature, drama, film, and popular culture, showing how these depictions reclaim black female agency and illustrate the difficulties black women confront in asserting sexual agency in the public sphere. Thompson broadens the discourse around black female sexuality by offering an alternate reading of the overly determined racial and sexual script that casts the middle class "black lady" as the bastion of African American propriety. Drawing on the work of black feminist theorists, she examines symptomatic autobiographies, novels, plays, and key episodes in contemporary American popular culture, including works by Anita Hill, Judith Alexa Jackson, P. J. Gibson, Julie Dash, Kasi Lemmons, Jill Nelson, Lorene Cary, and Andrea Lee.

Beyond the Box: Television and the Internet

by Sharon Marie Ross

Beyond the Box gives students and couch potatoes alike a better understanding of what it means to watch television in an era of profound technological change. Charts the revolution in television viewing that is currently underway in living rooms across the world Probes how the Internet’s development has altered how television is made and consumed Looks at a range of topics and programmes - from voting practices on American Idol to online forums for Buffy the Vampire Slayer fans Offers a fresh and innovative perspective that focuses on the shift in audience experience and how it has blurred established boundaries

Beyond the Dance: A Ballerina's Life

by Cary Fagan Chan Hon Goh

Shortlisted for the Rocky Mountain Book AwardNominated for The Rocky Mountain Book Award (An Alberta Children's Choice Book Award)Nominated for the 2003 Norma Fleck Award for Canadian Children's Non-FictionAn elegant, expressive dancer, Chan Hon Goh is one of the ballet world's great stars. She is a brilliant technician possessing a delicate beauty and radiant stage presence. Born in Beijing to dancer parents, she tells the story of their flight to Canada from an oppressive regime that thwarted her father's career, her rigorous training, and her battle to achieve acceptance as the only Chinese-born primaballerina in the history of the National Ballet.This fascinating look at the life of a dancer will appeal not only to the legions of Chan Hon Goh's admirers and to students of ballet, but also to young readers who understand what it is to pursue a dream.From the Hardcover edition.

Beyond the Frame: Feminism and Visual Culture, Britain 1850 -1900

by Deborah Cherry

Beyond the Frame rewrites the history of Victorian art to explore the relationships between feminism and visual culture in a period of heady excitement and political struggle. Artists were caught up in campaigns for women's enfranchisement, education and paid work, and many were drawn into controversies about sexuality. This richly documented and compelling study considers painting, sculpture, prints, photography, embroidery and comic drawings as well as major styles such as Pre-Raphaelitism, Neo-Classicism and Orientalism. Drawing on critical theory and post-colonial studies to analyse the links between visual media, modernity and imperialism, Deborah Cherry argues that visual culture and feminism were intimately connected to the relations of power.

Beyond the Garden: Designing Home Landscapes with Natural Systems

by Dana Davidsen

This ideal gift for gardeners features a photographic collection of beautiful, innovative, ecologically friendly gardens that will inspire and inform anyone with a green thumb, from backyard gardeners to accomplished landscape architects.Through twenty distinctive projects set across urban, suburban, and rural spaces, Beyond the Garden explores how thoughtful design and awareness of local ecology can make gardens both beautiful and sustainable. Featuring interviews with designers in the United States and the United Kingdom, this survey presents the stories and lessons behind inspirational garden projects, including stormwater conservation in the high desert of New Mexico, native woodlands restoration in coastal Maine, and land stewardship in England's Hampshire county, this comprehensive survey of eco-concious garden designs offers guiding principles to make your landscape "greener" and will spark curiosity about the natural systems just outside your front door.

Beyond the Garden: Sustainable and Inclusive Green Urban Spaces (Designing Environments)

by Federica Dal Falco

The book addresses the interdisciplinary and multiscale theme of the design of sustainable, inclusive and creative urban green spaces in relation to the socio-ecological transition and in line with the systemic vision promoted by the 2030 Agenda, the 17 Sustainable Development Goals (SDGs) and the principles outlined by the New European Bauhaus (European Commission, 2021). The publication refers to the International Study Day organized in June 2022 by the Unit for Internationalization of the PDTA Department of the Sapienza University of Rome, develops and updates its themes, with essays that deepen theories and methodologies pursued in specific disciplinary and research fields, and with case studies of design experiments and achievements that constitute best practices at an international level in the sign of a conscious sustainability. The book is therefore part of an international and interdisciplinary dialogue and discussion focused on the challenges of climate change, economic crises and social inequalities as well as the questions that emerged during the Covid-19 pandemic. These issues are fundamental in the rethinking and reconfiguration of the role of urban green spaces, conceived as a priority place for the existence of citizens, the archetype of European culture, the conservation of biodiversity, and the relationship with nature.

Beyond the Ivy

by Chicago Tribune Staff

The first major league baseball game to take place at what is now called Wrigley Field occurred on April 23, 1914, on 4,000 yards of soil and four acres of bluegrass. Though the area may have shrunk, Chicago's love for the iconic Wrigley Field has only grown in the past century. In honor of the legendary ballpark's 100th birthday, the Chicago Tribune staff has compiled a breathtaking tribute to Wrigley Field, including historical photos, archival articles, and new content from the newspaper's award-winning journalists.Beyond the Ivy: 100 Years of Wrigley Field is a beautifully illustrated collection that captures the timeless charm of the "Friendly Confines." With contributions from beloved Chicago Tribune writers like Mike Royko, Christopher Borrelli, Paul Sullivan, Phil Vettel, and more, this book is a dazzling celebration of a national landmark and the gem of Chicago's north side. Stories of homers and blunders, heroes and villains, and triumph and tragedy are spread throughout this book, allowing readers to relive all their favorite memories right in the palm of their hands.From the time the plot of land bound by the streets Clark, Addison, Sheffield, and Waveland was the Chicago Lutheran Theological Seminary, to the construction of Weeghman Park and its renaming as Wrigley Field, this stadium has not only hosted baseball, football, and hockey, but also a century's worth of ever-changing trends in music, food, and fashion. Readers can finally join in on Wrigley's centennial celebration with this entertaining and fascinating book detailing what may very well be Chicago's greatest contribution to baseball. Beyond the Ivy, in tracing the roots of Major League Baseball's second oldest ballpark, has created a testament that-much like the cherished construction it profiles-will surely stand the test of time.

Beyond the Land: Diaspora Israeli Culture in the Twenty-First Century

by Melissa Weininger

This thought-provoking exploration of literature and art examines contemporary Israeli works created in and about diaspora that exemplify new ways of envisioning a Jewish national identity. Diaspora has become a popular mechanism to imagine non-sovereign models of Jewish peoplehood, but these models often valorize powerlessness in sometimes troubling ways. In this book, Melissa Weininger theorizes a new category of "diaspora Israeli culture" that is formed around and through notions of homeland and complicate the binary between diaspora and Israel. The works addressed here inhabit and imagine diaspora from the vantage point of the putative homeland, engaging both diasporic and Zionist models simultaneously through language, geography, and imagination. These examples contend with the existence of the state of Israel and its complex implications for diaspora Jewish identities and nationalisms, as well as the implications for Zionism of those diasporic conceptions of Jewish national identity. This dynamic understanding of both an Israeli and a Jewish diaspora works to envision a non-hegemonic Jewish nationalism that can negotiate both political imagination and reality.

Beyond the Lines: Pictorial Reporting, Everyday Life, and the Crisis of Gilded Age America

by Joshua Brown

In this wonderfully illustrated book, Joshua Brown shows that the wood engravings in the illustrated newspapers of Gilded Age America were more than a quaint predecessor to our own sophisticated media. As he tells the history and traces the influence of Frank Leslie's Illustrated Newspaper, with relevant asides to Harper's Weekly, the New York Daily Graphic, and others, Brown recaptures the complexity and richness of pictorial reporting. He finds these images to be significant barometers for gauging how the general public perceived pivotal events and crises—the Civil War, Reconstruction, important labor battles, and more. This book is the best available source on the pictorial riches of Frank Leslie's newspaper and the only study to situate these images fully within the social context of Gilded Age America. Beyond the Lines illuminates the role of illustration in nineteenth-century America and gives us a new look at how the social milieu shaped the practice of illustrated journalism and was in turn shaped by it.

Beyond the Megacity: New Dimensions of Peripheral Urbanization in Latin America (Global Suburbanisms)

by Nadine Reis Michael Lukas

Beyond the Megacity connects and reconnects the global debate on the contemporary urban condition to the Latin American tradition of seeing, considering, and theorizing urbanization from the margins. It develops the approach of "peripheral urbanization" as a way to integrate the theoretical agendas belonging to global suburbanisms, neo-Marxist accounts of planetary urbanization, and postcolonial urban studies, and to move urban theory closer to the complexity and diversity of urbanization in the Global South. From an interdisciplinary perspective, Beyond the Megacity investigates the natures, causes, implications, and politics of current urbanization processes in Latin America. The book draws on case studies from various countries across the region, covering theoretical and disciplinary approaches from the fields of geography, anthropology, sociology, urban studies, agrarian studies, and urban and regional planning, and is written by academics, journalists, practitioners, and scholar-activists. Beyond the Megacity unites these unique perspectives by shifting attention to the places, processes, practices, and bodies of knowledge that have often been neglected in the past.

Beyond the Moulin Rouge: The Life and Legacy of La Goulue (Peculiar Bodies)

by Will Visconti

Best known by her stage name, La Goulue (the Glutton), Louise Weber was one of the biggest stars of fin de siècle Paris, renowned as a cancan dancer at the Moulin Rouge. The subject of numerous paintings and photographs, she became an iconic figure of modern art. Her life, however, has consistently been misrepresented and reduced to a footnote in the stories of men such as Henri de Toulouse-Lautrec. Where most accounts dismiss her rise and fall as brief and rapid, the truth is that her career as a performer spanned five decades, during which La Goulue constantly reinvented herself—as a dancer, animal tamer, sideshow performer, and muse of photographers, painters, sculptors, and filmmakers.With Beyond the Moulin Rouge, the first substantive English-language study of La Goulue’s career and posthumous influence, Will Visconti corrects persistent myths. Despite a tumultuous personal life, La Goulue overcame loss, abusive relationships, and poverty to become the very embodiment of nineteenth-century Paris, fêted by royalty and followed as closely as any politician or monarch.Visconti draws on previously overlooked materials, including medical records, media reports across Europe and the United States, and surviving pages from Louise Weber’s diary, to trace the life and impact of a woman whose cultural significance has been ignored in favor of the men around her, and who spent her life upending assumptions about gender, morality, and domesticity in France during the fin de siècle and early twentieth century.Peculiar Bodies: Stories and Histories

Beyond the Movie Theater: Sites, Sponsors, Uses, Audiences

by Gregory A. Waller

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more.Beyond the Movie Theater excavates the history of non-theatrical cinema before 1920, exploring where and how moving pictures of the 1910s were used in ways distinct from and often alternative to typical theatrical cinema. Unlike commercial cinema, non-theatrical cinema was multi-purpose in its uses and multi-sited in where it could be shown, targeted at particular audiences and, in some manner, sponsored. Relying on contemporary print sources and ephemera of the era to articulate how non-theatrical cinema was practiced and understood in the US during the 1910s, historian Gregory A. Waller charts a heterogeneous, fragmentary, and rich field that cannot be explained in terms of a master narrative concerning origin or institutionalization, progress or decline. Uncovering how and where films were put to use beyond the movie theater, this book complicates and expands our understanding of the history of American cinema, underscoring the myriad roles and everyday presence of moving pictures during the early twentieth century.

Beyond the Multiplex: Cinema, New Technologies, and the Home

by Barbara Klinger

Since the mid-eighties, more audiences have been watching Hollywood movies at home than at movie theaters, yet little is known about just how viewers experience film outside of the multiplex. This is the first full-length study of how contemporary entertainment technologies and media—from cable television and VHS to DVD and the Internet—shape our encounters with the movies and affect the aesthetic, cultural, and ideological definitions of cinema. Barbara Klinger explores topics such as home theater, film collecting, classic Hollywood movie reruns, repeat viewings, and Internet film parodies, providing a multifaceted view of the presentation and reception of films in U.S. households. Balancing industry history with theoretical and cultural analysis, she finds that today cinema's powerful social presence cannot be fully grasped without considering its prolific recycling in post-theatrical venues—especially the home.

Beyond the Screen: Institutions, Networks, and Publics of Early Cinema

by Louis Pelletier Charles Keil Rob King Marta Braun Paul S. Moore

The visionaries of early motion pictures thought that movies could do more than just entertain. They imagined the medium had the potential to educate and motivate the audience. In national and local contexts from Europe, North America, and around the world, early filmmakers entered the domains of science and health education, social and religious uplift, labor organizing and political campaigning. Beyond the Screen captures this pioneering vision of the future of cinema.

Beyond the Sovereign Self: Aesthetic Autonomy from the Avant-Garde to Socially Engaged Art

by Grant Kester

In Beyond the Sovereign Self Grant H. Kester continues the critique of aesthetic autonomy begun in The Sovereign Self, showing how socially engaged art provides an alternative aesthetic with greater possibilities for critical practice. Instead of grounding art in its distance from the social, Kester shows how socially engaged art, developed in conjunction with forms of social or political resistance, encourages the creative capacity required for collective political transformation. Among others, Kester analyzes the work of conceptual artist Adrian Piper, experimental practices associated with the escrache tradition in Argentina, and indigenous Canadian artists such as Nadia Myre and Michèle Taïna Audette, showing how socially engaged art catalyzes forms of resistance that operate beyond the institutional art world. From the Americas and Europe to Iran and South Africa, Kester presents a historical genealogy of recent engaged art practices rooted in a deep history of cultural production, beginning with nineteenth-century political struggles and continuing into contemporary anticolonial resistance and other social movements.

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