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Sir Charles God Damn: The Life of Sir Charles G.D.Roberts
by John Coldwell AdamsA new era in Canadian poetry began in 1880 with the publication of Charles G.D. Roberts' Orion and Other Poems. He was just twenty years old. Roberts was soon acknowledged as leader of the so-called Confederation Poets--Bliss Carman, Duncan Campbell Scott, and Archibald Lampman. During his long lifetime he wrote hundreds of poems as well as novels, histories, short stories, translations, and essays; he also originated the realistic animal story popularized by Ernest Thompson Seton. He awed literary critics with the versatility of his writing and shocked staid Canadians with the escapades of an unconventional private life. Married at twenty in his native New Brunswick, Roberts soon after began a series of romantic entanglements. While his wife, May, raised the children in Fredericton, he swanned around New York, Havana, and the capitals of Europe. He experienced the Bohemian life of Washington Square around the turn of the century and lived in Montparnasse long before it became famous as an expatriate haven. In 1907 he sailed off to Europe and stayed for eighteen years. When he finally returned aboard the Berengaria in 1925 for a reading tour, he was lionized from coast to coast. For almost two decades he remained a prominent figure in Canadian literary and social circles. He was national president of the Canadian Authors' Association from 1927 to 1929, and in 1935 he was knighted. At the age of eighty-three, just three weeks before his death in 1943, he married for a second time. Perhaps over-praised as a writer in his own lifetime, Roberts' reputation has since languished. His main literary achievement, Adams concludes, was in being the first Canadian writer to come to terms with the Canadian landscape, influencing his contemporaries to see their own surroundings with fresh and discerning eyes. The story of his personal life, recounted here fully and objectively for the first time, adds a vivid portrait to the gallery of Canada's literary pioneers.
I Will Not Be Afraid
by Michelle Medlock AdamsChildhood fears are common but they don't have to be a problem. This picture book helps 4-to-7 year olds face their fears with the confidence God promises to be with them protect them, and be gracious to them.
I Love You from Here to Heaven Above
by Michelle Medlock Adams Cecil StokesA heartwarming, educational picture book that allows parents to tell their kids how much they love them while also teaching great stories from the Bible. &“I love you.&” &“I love you more.&” Almost every parent and child play this game of who loves who more, but there is no doubt that we are loved most by our Heavenly Father. This book will help children understand once and for all how much they are loved while simultaneously learning treasured Bible stories. How much you love someone isn&’t easy to quantify, but I Love You from Here to Heaven Above is here to tell your children just how much you love them through more than a dozen wonderful and wise analogies. From the noble Easter Donkey to the Red Sea and even the Streets of Gold, your little reader will learn all about the Bible and the amazing things in it while also discovering the most important thing of all: how much you care.
Hello Sunshine
by Ryan Adams"Ryan Adams writes with equal parts precision and recklessness; the blood he draws from the text is easily as unnerving as its unapologetic tenderness. He is proof that poetry will find its writer."-Mary-Louise Parker, actress"Ryan Adams, one of America's most consistently interesting singer/songwriters, has written a passionate, arresting, and entertaining book of verse. Fans are going to love it, and newcomers will be pleased and startled by his intensity and originality."-Stephen King, on Infinity BluesRyan Adams may be acclaimed primarily for albums such as Cardinology, Heartbreaker, Gold (which includes the popular hit songs "When the Stars Go Blue" and "New York, New York"), and Easy Tiger, but the world-renowned singer/songwriter has always been a poet and fiction writer at heart.With the release of Hello Sunshine, Ryan continues to break literary ground beyond what he established with his wildly popular first book, Infinity Blues. Ryan's new work provides perhaps an even deeper insight into the man than is revealed through the songs that have resonated with his hundreds of thousands of fans.Where his debut was characterized by the bitterness of heartbreak, Hello Sunshine is a graceful, sensual assertion of the other side of the emotional coin. This is a 2009 fever dream-inside Ryan's heart and mind-replete with unforgettable verse that will shock and delight those expecting a mere continuation of where Infinity Blues left off.Ryan Adams is known for his prolific nature, which in the last ten years has resulted in various international hit albums. Ryan has also produced Willie Nelson's album Songbird and contributed to records by Toots and the Maytals, Beth Orton, the Wallflowers, Counting Crows, and Cowboy Junkies; additionally, he has appeared on CMT's Crossroads with Elton John.
Infinity Blues
by Ryan Adams"Ryan Adams, one of America's most consistently interesting singer/songwriters, has written a passionate, arresting, and entertaining book of verse. Fans are going to love it, and newcomers will be pleased and startled by his intensity and originality. The images are vivid and the voice is honest and powerful."--Stephen King, author of Duma Key"Ryan Adams writes with equal parts precision and recklessness; the blood he draws from the text is easily as unnerving as its unapologetic tenderness. He is proof that poetry will find its writer."--Mary-Louise Parker, actress"Infinity Blues is Ryan Adams at his personal, unforgettable best. Strong and beautiful and funny and pure. Like all his work, it's soul poetry of the highest order."--Cameron Crowe, filmmaker"This is much better than reading a friend's journal. It's more like watching somebody you love in the bathtub talking to himself. You're like, wow, he's even good at taking a bath. After reading Infinity Blues (which I think is a great title), I give Ryan Adams the best compliment I ever got--and the only reason for reading anyone's poetry. Ryan, I really like your mind."--Eileen Myles, author of Cool for YouRyan Adams may be known primarily for acclaimed albums such as Cardinology, Heartbreaker, Gold (which includes the popular hit songs "When the Stars Go Blue" and "New York, New York"), Love Is Hell, Cold Roses, Jacksonville City Nights, and Easy Tiger, but the world renowned singer/songwriter has always been a poet and fiction writer at heart. With the release of Infinity Blues, his nonmusical writing is for the first time ever unveiled in book form. Mr. Adams's work rings of an emotional authenticity that provides perhaps an even deeper insight into the man than is revealed through the songs that have resonated with his hundreds of thousands of fans the world over.RYAN ADAMS is usually performing in some city on the globe at any given moment with his longtime band the Cardinals. Adams is known for his prolific nature, which in the last ten years has produced various international hit albums. Adams has also produced Willie Nelson's Songbird album and contributed to records by Toots and the Maytals, Beth Orton, the Wallflowers, Counting Crows, and Cowboy Junkies; additionally, he has appeared on CMT's Crossroads with Elton John. He was a longtime Manhattan resident before relocating to France in 2009, and he listens to A LOT of heavy metal.
Curses and Wishes: Poems (Walt Whitman Award of the Academy of American Poets)
by Carl AdamshickThe unusual voice encountered in Curses and Wishes carries a quiet, slightly elevatedconversational tone, which flows from intimate secrets to wider social concerns. The poet has faith in economy and trusts in images to transfer knowledge that speech cannot. In Curses and Wishes the short, simple lines add up to a thoughtful book possessed with lyrical melancholy, a harmony of sadness and joy that sings: "May happiness be a wheel, a lit throne, spinning / in the vast pinprick of darkness." By the close of this ambitious work the poet has inspired readers to see the multifaceted effects of our human connections.
Wounded Fiction: Modern Poetry and Deconstruction (Routledge Library Editions: Literary Theory #2)
by Joseph AdamsonThis book, first published in 1988, does not concern the theory of poetry so much as the poetry of theory: a poetry that theorizes, that has a "view" on things, that thinks. What or what things does poetry think about, and what do we mean by thinking? The author attempts to answer these questions by examining the work of three poets – Wallace Stevens, César Vallejo, and René Char – and reflects upon the poetry itself. This title will be of interest to students of literature and literary theory.
Rough Fugue: Poems (Southern Messenger Poets)
by Betty AdcockBetty Adcock brings fierce insight to her seventh poetry collection, Rough Fugue. Her elegant stanzas evoke bygone moments of beauty, reflection, and rage. “Let things be spare,” she writes, “and words for things be thin / as the slice of moon / the loon’s cry snips.” Adcock’s poems are often spare but never thin, shifting effortlessly from the eerie red of brake lights on a Texas highway to the fluorescents of an office building where a tired worker imagines a holiday in Spain.Adcock reflects upon her poetic forebears, chronicling the desire to write that led them to create cuneiform tablets, scrolls of papyrus, and ultimately vellum and parchment. She also recounts memories about the life with her late husband and tries to define herself in the bewildering new role of “widow.” In poems ranging in tone from playful to reverential, Rough Fugue showcases the work of a veteran poet at her masterful best.
The Art of Haiku: Its History through Poems and Paintings by Japanese Masters
by Stephen AddissIn the past hundred years, haiku has gone far beyond its Japanese origins to become a worldwide phenomenon--with the classic poetic form growing and evolving as it has adapted to the needs of the whole range of languages and cultures that have embraced it. This proliferation of the joy of haiku is cause for celebration--but it can also compel us to go back to the beginning: to look at haiku's development during the centuries before it was known outside Japan. This in-depth study of haiku history begins with the great early masters of the form--like Basho, Buson, and Issa--and goes all the way to twentieth-century greats, like Santoka. It also focuses on an important aspect of traditional haiku that is less known in the West: haiku art. All the great haiku masters created paintings (called haiga) or calligraphy in connection with their poems, and the words and images were intended to be enjoyed together, enhancing each other, and each adding its own dimension to the reader's and viewer's understanding. Here one of the leading haiku scholars of the West takes us on a tour of haiku poetry's evolution, providing along the way a wealth of examples of the poetry and the art inspired by it.
Lucifer at the Starlite: Poems
by Kim AddonizioA lyrically intense fifth collection from "one of the nation's most provocative and edgy poets" (San Diego Union-Tribune). With both passion and precision, Lucifer at the Starlite explores life's dual nature: good and evil, light and dark, suffering and moments of unexpected joy. Whether looking outward to events on the world stage--the war in Iraq, the 2004 Asian tsunami--or inward at struggles with the self, these poems aim at the heart and against the feeling that Lucifer may have already won the day. from "Lucifer at the Starlite" Here's my bright idea for life on earth: better management. The CEO has lost touch with the details. I'm worth as much, but I care; I come down here, I show my face, I'm a real regular. A toast: To our boys and girls in the war, grinding through sand, to everybody here, our host who's mostly mist, like methane rising
Mortal Trash: Poems
by Kim Addonizio“Kim Addonizio’s voice lifts from the page, alive and biting—unleashing wit with a ruthless observation.”—San Francisco Book Review Passionate and irreverent, Mortal Trash transports the readers into a world of wit, lament, and desire. In a section called “Over the Bright and Darkened Lands,” canonical poems are torqued into new shapes. “Except Thou Ravish Me,” reimagines John Donne’s famous “Batter my heart, Three-person’d God” as told from the perspective of a victim of domestic violence. Like Pablo Neruda, Addonizio hears “a swarm of objects that call without being answered”: hospital crash carts, lawn gnomes, Evian bottles, wind-up Christmas creches, edible panties, cracked mirrors. Whether comic, elegiac, or ironic, the poems in Mortal Trash remind us of the beauty and absurdity of our time on earth. From “Scrapbook”: We believe in the one-ton rose and the displaced toilet equally. Our blues assume you understand not much, and try to be alive, just as we do, and that it may be helpful to hold the hand of someone as lost as you.
Now We're Getting Somewhere: Poems
by Kim AddonizioA dark, no-holds-barred, and often hilarious collection from a prize-winning poet, veering between the poles of self and world. Kim Addonizio’s sharp and irreverent eighth volume, Now We’re Getting Somewhere, is an essential companion to your practice of the Finnish art of kalsarikännit—drinking at home, alone in your underwear, with no intention of going out. Imbued with the poet’s characteristic precision and passion, the collection charts a hazardous course through heartache, climate change, dental work, Outlander, semiotics, and more. Combatting existential gloom with a wicked, seductive energy, Addonizio investigates desire, loss, and the madness of contemporary life. She calls out to Walt Whitman and John Keats, echoes Dorothy Parker, and finds sisterhood with Virginia Woolf. Sometimes confessional, sometimes philosophical, these poems weave from desolation to drollery and clamor with raucous imagery: an insect in high heels, a wolf at an uncomfortable party, a glowing and self-serious guitar. A poet whose “voice lifts from the page, alive and biting” (Sky Sanchez, San Francisco Book Review), Addonizio reminds her reader, "if you think nothing & / no one can / listen I love you joy is coming."
Tell Me (American Poets Continuum)
by Kim AddonizioIn this new collection by the author of the award-winning The Philosopher's Club, Kim Addonizio takes the grist of the world and transforms it into poems of transcendent beauty. The dual themes of love and loss are pervasive in Addonizio's poems, made poignant by her keen eye and wise observations.
Tell Me
by Kim AddonizioIn this new collection by the author of the award-winning The Philosopher's Club, Kim Addonizio takes the grist of the world and transforms it into poems of transcendent beauty. The dual themes of love and loss are pervasive in Addonizio's poems, made poignant by her keen eye and wise observations.
What Is This Thing Called Love: Poems
by Kim AddonizioPoetry from the author of Tell Me, a finalist for the National Book Award. A chestnut with a white blaze is scorching across the turf towards the finishing post.
Exodus (African Poetry Book)
by ‘Gbenga AdeobaWinner of the Sillerman First Book Prize for African Poetry, &‘Gbenga Adeoba&’s collection Exodus focuses on forms of migration due to the slave trade, war, natural disasters, and economic opportunities. Using the sea as a source of language and metaphor, Adeoba explores themes of memory, transition, and the intersections between the historic and the imagined. With great tenderness and power his poetry of empathy searches for meaning in sharply constructed images, creating scenes of making and unmaking while he investigates experiences of exile and displacement across time and place.
Central Avenue Poetry Prize 2024 (Central Avenue Poetry Prize #1)
by Beau AdlerImagine if you could have the best debut poetry from the widest variety of up-and-coming poets in one, single place. A compilation of fresh faces from all walks of life, The Central Avenue Poetry Prize assembles a swathe of standout poetry and delivers it straight to your bookshelf. A collaborative effort between poets from all corners of the world and all walks of life, The Central Avenue Poetry Prize presents a collection of poetry like no other. Rife with heartache, longing, laughter, and life, this book captures the spark of creativity and the vastness that is the human soul within its pages. This collection contains stories that are funny, some that are sad, some that are beautiful—and all that are true. Diverse in content and rich in talent, this is a testament to the art of poetry, and a reminder that the act of writing comes from the act of living, and when we create, we allow ourselves to see and be seen.
Franz Baermann Steiner: A Stranger in the World (Methodology & History in Anthropology #42)
by Jeremy Adler Richard FardonFranz Baermann Steiner (1909-52) provided the vital link between the intellectual culture of central Europe and the Oxford Institute of Anthropology in its post-Second World War years. This book demonstrates his quiet influence within anthropology, which has extended from Mary Douglas to David Graeber, and how his remarkable poetry reflected profoundly on the slavery and murder of the Shoah, an event which he escaped from. Steiner’s concerns including inter-disciplinarity, genre, refugees and exile, colonialism and violence, and the sources of European anthropology speak to contemporary concerns more directly now than at any time since his early death.
I Am the Darker Brother: An Anthology of Modern Poems by African Americans (Revised Edition)
by Arnold AdoffThis is an eclectic and wonderful collection of poems for young adults followed by short biographies of the authors and poems. Also includes an index of authors, titles, and first lines.
Touch the Poem
by Arnold Adoff Lisa DesiminiA collection of poems about the sense of touch including a baby's foot in one's palm, peach fuzz on the lip, and the forehead against a cold window.
All The Colors Of The Race
by Arnold Adoff John L. SteptoeA collection of poems written from the point of view of a child with a black mother and a white father.
Songs of Mihyar the Damascene
by AdonisA brilliant new translation of the landmark poetry collection by “the most eloquent spokesman and explorer of Arabic modernity” (Edward Said) Written while Adonis was on a scholarship in Paris from 1960 to 1961, Songs of Mihyar the Damascene is widely considered to be the apex of the modernist poetry movement in the Arab world. Drawing not only on Western influences, such as T. S. Eliot and Nietzsche, but on his own culture’s deep poetry traditions, Adonis single-handedly accomplished a masterful and radical transformation of the rigid formal structures and themes of Arabic poetry. The name “Mihyar” has no inherent meaning in Arabic, though its root letters mean “to destroy, topple, demolish.” Mihyar is Adonis’s poetic alter ego, his Zarathustra figure (in his own words), who has come to smash through any monolithic vision of Arab culture—including certain orthodox Islamic views—in favor of a more diverse and open-ended outlook. Songs of Mihyar is a masterpiece of world literature that rewrites—through Mediterranean myths and renegade Arabic mystics—what it means to be an Arab in the modern world.
Routledge Revivals: English Writing 1360-1430 (Routledge Revivals)
by David AersFirst published in 1988, David Aers explores the treatment of community, gender, and individual identity in English writing between 1360 and 1430, focusing on Margery Kempe, Langland, Chaucer, and the poet of Sir Gawain. He shows how these texts deal with questions about gender, the making of individual identity, and competing versions of community in ways which still speak powerfully in contemporary analysis of gender formation, sexuality, and love. Making wide use of recent research on the English economy and communities, and informed by current debates in the theory of culture and gender, the book will be of interest to those concerned with Medieval studies, Renaissance studies, and Women’s studies.