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Mean Deviation: Four Decades of Progressive Heavy Metal
by Jeff Wagner Steven WilsonRevered former Metal Maniacs editor Jeff Wagner analyzes the heady side of metal in this exhaustive narrative history of a relentlessly ambitious musical subculture. Beginning with the hugely influential mid-1970s efforts of Rush and King Crimson, Wagner unfurls a huge tapestry of sounds and styles, including Queensryche, Fates Warning, and Dream Theater; extreme prog pioneers Voivod and Celtic Frost; Norway’s post-black metal avant garde acts Ulver and Arcturus; and the 1990s global movement that spawned Ayreon, Pain of Salvation, and others. <p><p> Fighting a tide of tradition and conservatism, progressive metal has proven to be one of the most viable, malleable forms in all of modern music; here its preeminent scholar tells the tale.
Mesmerized
by Alissa WalserMozart's Vienna. A crucible for scientific experimentation and courtly intrigue, as Europe's finest minds vie for imperial favour. In a colourful, chaotic private hospital that echoes with the shrieks of hysterical patients, Franz Anton Mesmer is developing a series of controversial cure-alls for body and mind. When he is asked to help restore the sight of a blind musical prodigy favoured by the Empress herself, he senses that fame, and even immortality, is within his grasp. Mesmer knows that he will have to gain her trust if he is to open her eyes. But at what cost to her fragile talent? And will their intimacy result in scandal?
Mesmerized
by Alissa WalserMozart's Vienna. A crucible for scientific experimentation and courtly intrigue, as Europe's finest minds vie for imperial favour. In a colourful, chaotic private hospital that echoes with the shrieks of hysterical patients, Franz Anton Mesmer is developing a series of controversial cure-alls for body and mind. When he is asked to help restore the sight of a blind musical prodigy favoured by the Empress herself, he senses that fame, and even immortality, is within his grasp. Mesmer knows that he will have to gain her trust if he is to open her eyes. But at what cost to her fragile talent? And will their intimacy result in scandal?
Messiaen the Theologian
by Andrew ShentonFor Olivier Messiaen, music was a way of expressing his faith. He considered it his good fortune to have been born a Catholic and declared that 'the illumination of the theological truths of the Catholic faith is the first aspect of my work, the noblest and no doubt the most useful'. Messiaen is one of the most widely performed and recorded composers of the twentieth-century and his popularity is increasing, but the theological component of his music has so far largely been neglected, or dealt with superficially, and continues to provide a serious impediment to understanding and appreciating his music for some of his audience. Messiaen the Theologian makes a significant contribution to Messiaen studies by providing cultural and historical context to Messiaen's theology. An international array of Messiaen scholars cover a wide variety of topics including Messiaen's personal spirituality, the context of Catholicism in France in the twentieth century, and comparisons between Messiaen and other artists such as Dante and T.S. Eliot. Interdisciplinary methodologies such as exegesis, theological studies and analysis are used to contribute to the understanding of several major works includinglairs sur l'au-del., Sept Ha nd Saint Fran‘s d'Assise. By approaching Messiaen and his music from such important and original perspectives, this book will be of interest not only to musicians and theologians, but also to readers interested in the connection between spirituality and the arts.
Metallica: The Biography
by Mick Wall'A flaming juggernaut of heavy-metal biog' GUARDIAN'This is the definitive account of heavy metal's biggest band of all' CLASSIC ROCK 'Truly enlightening' ROCK SOUND'ENTER NIGHT, Mick Wall's biography of Metallica confirms this grizzled veteran to be as engaged and waspishly authoritative a chronicler of metal's most hirsute behemoths as Barry Miles has been for the Beats' INDEPENDENT ON SUNDAYMick Wall moves on from Led Zeppelin to produce a definitive doorstop on Metallica.Alongside contemporaries Slayer, Megadeath and Anthrax, Metallica came to prominence in the eighties as one of the 'big four' of thrash metal. Metallica were to thrash, though, what the Sex Pistols were to punk. Nearly thirty years on, their tale is one of alcohol, rule breaking and tragically early death. But allied to that are colossal sales figures for their records -- they are the fifth-highest selling recording artists of all time - and members with backgrounds that touch on jazz and classical music. Metallica, in fact, have garnered more critical acclaim than any heavy rock band since Led Zeppelin. Fresh from the critical and commercial success of WHEN GIANTS WALKED THE EARTH, Mick Wall takes a similar informed look at the band, a group he has known on and off since their formation in 1981.
Metallica: The Biography
by Mick Wall'A flaming juggernaut of heavy-metal biog' GUARDIAN'This is the definitive account of heavy metal's biggest band of all' CLASSIC ROCK 'Truly enlightening' ROCK SOUND'ENTER NIGHT, Mick Wall's biography of Metallica confirms this grizzled veteran to be as engaged and waspishly authoritative a chronicler of metal's most hirsute behemoths as Barry Miles has been for the Beats' INDEPENDENT ON SUNDAYMick Wall moves on from Led Zeppelin to produce a definitive doorstop on Metallica.Alongside contemporaries Slayer, Megadeath and Anthrax, Metallica came to prominence in the eighties as one of the 'big four' of thrash metal. Metallica were to thrash, though, what the Sex Pistols were to punk. Nearly thirty years on, their tale is one of alcohol, rule breaking and tragically early death. But allied to that are colossal sales figures for their records -- they are the fifth-highest selling recording artists of all time - and members with backgrounds that touch on jazz and classical music. Metallica, in fact, have garnered more critical acclaim than any heavy rock band since Led Zeppelin. Fresh from the critical and commercial success of WHEN GIANTS WALKED THE EARTH, Mick Wall takes a similar informed look at the band, a group he has known on and off since their formation in 1981.
Michael Jackson: The Making of "Thriller"
by Douglas KirklandMichael Jackson: The Making of "Thriller" is an illustrated tribute to the King of Pop and his groundbreaking music video, with never-before-seen photos of its creation. The book features over 200 exclusive, behind-the-scenes photographs of the artist on set during the 1983 production of the Grammy award winning video directed by John Landis. Considered to be the most successful project of all time, "Thriller" is beloved the world over, inspiring imitation and a cult-like following of millions of fans. Documenting the creation of the most popular and iconic music video of all time, this book celebrates the artist and his music at the top of his career. Famed photographer Douglas Kirkland and journalist Nancy Griffin were the only members of the media allowed on the set of the video. The resulting photos capture Jackson both in high performance mode and relaxing on the set and depict his transformation into the characters in the video as well capturing the public and private faces of Michael Jackson. Compelling, intimate photos of the artist are accompanied by interviews and quotes from musicians and celebrities, including Sir Paul McCartney, Diddy, Beyonce, Steven Spielberg and many more. With a holographic cover that, when tilted, transforms the artist into his zombie character, the book is an impressive gift to be treasured by fans and music lovers everywhere.
Mil violines y otras crónicas sobre pop y humanos
by Kiko AmatLas canciones son el eje alrededor del cual gira todo, y el nexo de unión entre las diversas historias (ficticias o no) que se cuentan. El libro no pretende ser ensayístico ni autobiográfico en cada uno de los caminos que va tomando, así que el autor puede permitirse incorporar narrativa, diálogos, listas, y lo que se le vaya ocurriendo graciosamente. También tienen cabida situaciones cotidianas. Estas pueden ser similares en tono y contenido a la serie de columnas que al autor realizó para La Vanguardia y Catorcephenia. Es decir, basarse en la misma línea temática: la relación del autor y sus canciones con otra persona, en este caso su mujer, que aparecería regularmente en cada capítulo, incluso situando la acción en el momento de escribir el libro.
Miss Shirley Bassey
by John L. WilliamsFrom "Hot from Harlem" to "Goldfinger," the story of how a two-bit jazz singer from Cardiff became an immortal icon: In 1954, Shirley Bassey was seventeen years old. She had just returned from a cheesy revue tour called "Hot from Harlem". Depressed, disillusioned and four months' pregnant, she decided that her dream of being a professional singer was over. A mere ten years later, she was one of the biggest stars in the world. She had sold more records than any other British singer of the day, and was poised to conquer America. Her latest hit, "Goldfinger", was the theme tune to the year's blockbuster film. No longer the two-bit jazz singer from Cardiff, she was by now an international sex siren, as glamorous and unreal as Bond himself.Miss Shirley Bassey explores this remarkable transformation, both of an individual and of the British society and British psyche that made it possible. From the vibrant, multicultural oasis of Tiger Bay in the Cardiff docklands through the club-lands of Soho and Las Vegas to New York's Carnegie Hall, it is a journey from mere mortal to international icon. Along the way she would encounter homosexual husbands, predatory managers, newspaper scandals, and a range of friends and acquaintances from Sammy Davis Jr. to Reggie Kray.John L. Williams draws on original research and interviews to provide a portrait of a young woman on the cusp of stardom, whose rise to fame was in many ways symbolic of a changing world. Brilliantly written non-fiction in the style of David Peace's The Damned Utd or Nick Tosches' Dino, this is the story of a woman who set out to be extraordinary and--against all the odds--succeeded.
Monument Eternal: The Music of Alice Coltrane (Music Culture)
by Franya J. BerkmanAlice Coltrane was a composer, improviser, guru, and widow of John Coltrane. Over the course of her musical life, she synthesized a wide range of musical genres including gospel, rhythm-and-blues, bebop, free jazz, Indian devotional song, and Western art music. Her childhood experiences playing for African-American congregations in Detroit, the ecstatic and avant-garde improvisations she performed on the bandstand with her husband John Coltrane, and her religious pilgrimages to India reveal themselves on more than twenty albums of original music for the Impulse and Warner Brothers labels. In the late 1970s Alice Coltrane became a swami, directing an alternative spiritual community in Southern California. Exploring her transformation from Alice McLeod, Detroit church pianist and bebopper, to guru Swami Turiya Sangitananda, Monument Eternal illuminates her music and, in turn, reveals the exceptional fluidity of American religious practices in the second half of the twentieth century. Most of all, this book celebrates the hybrid music of an exceptional, boundary-crossing African-American artist.
More Precious Than Silver: The God Stories Behind the Songs of Lynn Deshazo
by Lynn DeshazoJust as every song has a story behind it, so does every songwriter. Millions of believers know the worship songs of Lynn DeShazo. most notably, her famous "More Precious Than Silver." But what they probably don't know is that this much-loved classic was written from the ashes of a fasting gone wrong. For years, the church has connected the great hymns and their composers with the stories behind them. Now, in More Precious Than Silver: The God-Stories Behind the Songs of Lynn DeShazo, the prolific songwriter offers the stories behind some of modern worship's most-sung and best-recognized music. DeShazo's rich, often transparent narrative weaves her songs, her life, and the healing love of the One who has borne her along an amazing melodic journey. And in the process, More Precious Than Silver invites readers to reflect on their own journey with Christ, and be moved to a deeper place of worship.
Mozart and the Nazis: How the Third Reich Abused a Cultural Icon
by Erik LeviDespite the apparent incompatibility between Mozart's humanitarian and cosmopolitan outlook and Nazi ideology, the Third Reich tenaciously promoted the great composer's music to further the goals of the fascist regime. In this revelatory book, Erik Levi draws on period articles, diaries, speeches, and other archival materials to provide a new understanding of how the Nazis shamelessly manipulated Mozart for their own political advantage. The book also explores the continued Jewish veneration of the composer during this period while also highlighting some of the disturbing legacies of Mozart reception that resulted from Nazi appropriation of his work. Augmented by rare contemporary illustrations,Mozart and the Naziswill be widely welcomed by readers with interests in music, German history, Holocaust studies, propaganda, and politics in the twentieth century.
Music and Cyberliberties (Music Culture)
by Patrick BurkartMusicians and music fans are at the forefront of cyberliberties activism, a movement that has tried to correct the imbalances that imperil the communal and ritualistic sharing and distribution of music. In Music and Cyberliberties, Patrick Burkart tracks the migration of music advocacy and anti-major label activism since the court defeat of Napster and the ascendancy of the so-called Celestial Jukebox model of music e-commerce, which sells licensed access to music. Music and Cyberliberties identifies the groups--alternative and radical media activists, culture jammers, hackers, netlabels, and critical legal scholars--who are pushing back against the "copyright grab" by major labels for the rights and privileges that were once enjoyed by artists and fans. Burkart reflects on the emergence of peer-to-peer networking as a cause celebre that helped spark the movement, and also lays out the next stages of development for the Celestial Jukebox that would quash it. By placing the musical activist groups into the larger context of technology and new social movement theory, Music and Cyberliberties offers an exciting new way of understanding the technological and social changes we confront daily.
Music and Sentiment
by Charles RosenHow does a work of music stir the senses, creating feelings of joy, sadness, elation, or nostalgia? Though sentiment and emotion play a vital role in the composition, performance, and appreciation of music, rarely have these elements been fully observed. In this succinct and penetrating book, Charles Rosen draws upon more than a half century as a performer and critic to reveal how composers from Bach to Berg have used sound to represent and communicate emotion in mystifyingly beautiful ways. Through a range of musical examples, Rosen details the array of stylistic devices and techniques used to represent or convey sentiment. This is not, however, a listener's guide to any "correct" response to a particular piece. Instead, Rosen provides the tools and terms with which to appreciate this central aspect of musical aesthetics, and indeed explores the phenomenon of contradictory sentiments embodied in a single motif or melody. Taking examples from Chopin, Schumann, Wagner, and Liszt, he traces the use of radically changing intensities in the Romantic works of the nineteenth century and devotes an entire chapter to the key of C minor. He identifies a "unity of sentiment" in Baroque music and goes on to contrast it with the "obsessive sentiments" of later composers including Puccini, Strauss, and Stravinsky. A profound and moving work,Music and Sentimentis an invitation to a greater appreciation of the crafts of composition and performance.
Music and the Modern Condition: Investigating The Boundaries
by Ljubica IlicTwo crucial moments in the formation and disintegration of musical modernity and the musical canon occurred at the turn of the seventeenth and the first half of the twentieth century. Dr Ljubica Ilic provides a fresh and close look at these moments, exploring the ways musical compositions shift to and away from ideological structures identified with modernity. The focus is on European art music whose grand narrative, defined by tonality and teleological development, begins in the seventeenth century and ends with twentieth-century modernisms. This particular musical "language game" coincides with historical changes in the phenomenological understanding of space and selfhood. A key concept of the book concerns musical compositions that remain without proper conclusions: if the wholesome (musical) work is a manifestation of wholesome subjectivity, the pieces Ilic explores deny it, reflecting conflict of the individual with previous beliefs, with contexts, and even within the self as the basic modern condition. The musical work is, in this case, still bounded and well-defined, but fractured by the incapability or refusal to satisfactorily conclude: the implicit cut forced upon it changes the expected musical flow or - speaking in spatial terms - it influences the musical form. By using the metaphor of space, Ilic explores: how the existence of a separate self as a primary feature of Western modernity becomes negotiated through awareness of the subject's own independence and individuality; innerness as something entirely separate from its surroundings; and the collective space of social interaction. Seeing musical storytelling as a metaphoric representation of selfhood, and modernity as a historical continuum, Ilic examines the boundaries and relationships between the musical work, the subject, and modern European history.
Music at Wesleyan: From Glee Club to Gamelan (Garnet Books)
by Mark Slobin Richard K. WinslowThis is the first account of the evolution of music at Wesleyan University, a campus known since the mid-nineteenth century for its musical life--first as the "Singing College of New England" and then, after 1960, as the home of a renowned undergraduate and graduate department that integrates world music studies with more traditional Western and experimental musical forms. Through excerpts from accounts in the campus newspaper over the earlier decades and eyewitness accounts by key figures in recent times, the book compactly surveys a wide range of musical formations, practices, repertoires, and events from the 1830s to the early 2000s. Vividly illustrated with both historical and contemporary images, Music at Wesleyan presents a portrait of the school that today blends educational innovation and cultural diversity with creative passion and intellectual rigor, and includes a foreword by Richard K. Winslow, the John Spencer Camp Professor of Music, Emeritus at Wesleyan University. A companion digital archive at http://wesscholar.wesleyan.edu/maw_audio/ features audio files of glee club, gamelan, jazz, experimental, African, Indian, and other performances.
Music Business: The Key Concepts (Routledge Key Guides)
by Richard StrasserMusic Business: The Key Concepts is a comprehensive guide to the terminology commonly used in the music business today. It embraces definitions from a number of relevant fields, including: general business marketing e-commerce intellectual property law economics entrepreneurship In an accessible A-Z format and fully cross-referenced throughout, this book is essential reading for music business students as well as those interested in the music industry.
Music By Morgan (Formac First Novels)
by Ted StauntonMorgan is not pleased when his parents sign him up to play floor hockey at the community center; he stinks at hockey and it's no fun. So when Aldeen Hummel, the Godzilla of Grade Three and a good hockey player, is unhappily signed up for piano lessons, Morgan crafts a plan to trade places.
Music Education in Your Hands: An Introduction for Future Teachers
by Michael L. Mark Patrice MaduraMusic Education in Your Hands is a textbook for the introductory course in Music Education. Written for future classroom music teachers, the book provides an overview of the music education system , illuminating the many topics that music educators need to know, including technology, teaching methods, curricular evolution, legislation, and a range of societal needs from cultural diversity to evolving tastes in music. It encompasses a broad picture of the profession, and how the future of music education rests in the hands of today’s student teachers as they learn how to become advocates for music in our schools. FEATURES A balance of sound historical foundations with recent research and thinking; Coursework that is appropriate in level and length for a one semester introductory course; Actual dialogue between undergraduate music education majors and teachers, illustrating pertinent issues teachers must face; An emphasis on opportunities in the greater community beyond the walls of the school that music teachers should be familiar with; Suggested topics for activities and critical thinking for every chapter; A companion web site including student and instructor resources
Music from the Earliest Notations to the Sixteenth Century: The Oxford History of Western Music
by Richard TaruskinThe universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks- the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. <p><p>This first volume in Richard Taruskin's majestic history, Music from the Earliest Notations to the Sixteenth Century , sweeps across centuries of musical innovation to shed light on the early forces that shaped the development of the Western classical tradition. Beginning with the invention of musical notation more than a thousand years ago, Taruskin addresses topics such as the legend of Saint Gregory and Gregorian chant, Augustine's and Boethius's thoughts on music, the liturgical dramas of Hildegard of Bingen, the growth of the music printing business, the literary revolution and the English madrigal, the influence of the Reformation and the Counter-Reformation, and the operas of Monteverdi. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.
Music Fundamentals
by Sumy TakesueMusic Fundamentals: A Balanced Approach, Second Edition comprises a textbook/workbook and interactive website designed for those who want to learn the basics of reading music. Intended for students with little or no prior knowledge of music theory, it offers a patient approach for reading, writing and even performing music. Musical examples range from Elvis Presley songs to Beethoven symphonies, from rhythmically challenging African songs and syncopated Brazilian choro melodies, to humorous Filipino ballads and Schubert lieder. The website includes graded quizzes and numerous skill training exercises. By reinforcing musical concepts with numerous written examples, offering a more balanced mixture of global, classical, and popular music, and encouraging practice through an online, interactive tutorial, Music Fundamentals: A Balanced Approach, Second Edition is a comprehensive textbook for building musical foundations. Second Edition Features: Modular structure allows instructors to reorganize chapters. A variety of exercises help the student transform knowledge into practice: Listen and sing exercises for ear training Keyboard drills to be played on a real keyboard or piano, or the keyboard insert provided in the inside cover Clapping and counting exercises to ingrain a cerebral understand, but also a visceral feeling for pulse and rhythm Workbook review exercises at the end of each module facilitate progress to the next module. "Cultural Notes" discuss musical genres or place musical examples in a broader social context to give an enriched approach to music learning. Online tutorials assist with ear training and general concepts, and streaming of audio examples help to connect the study of theory to real music-making. The website features student interactive tutorials, and an Instructor Manual supplements teaching with a wealth of classroom exercises.
Music in Elementary Education
by John Flohr Valerie TrollingerBased on the National Standards, this text is divided into three parts. Part one, Foundations, covers the rationale for a Music Education program in the elementary years; meaning and musical experience; and elements and kinds of music. Part two– Music Elements, Curriculum and Avenues to Music Learning–covers curriculum development; music for special needs students; avenues to music learning and historic and contemporary approaches. Part three–Musical Experiences– is grouped by avenues of music learning and grades. Thanks to years of thorough research, Music in Elementary Education promises is a standard text in the field.
Music in the Hispanic Caribbean: Experiencing Music, Expressing Culture (Global Music Series)
by Robin MooreThe Spanish-speaking islands of Cuba, Puerto Rico, and the Dominican Republic make up a relatively small region, but their musical and cultural traditions have had a dramatic, sweeping impact on the world. This brief volume provides the reader with an introduction to the music of Cuba, Puerto Rico, and the Dominican Republic, as well as to various common themes and tendencies that have informed music making in those countries. The text provides a vibrant introduction to diverse musical styles including salsa, merengue, reggaeton, plena, Latin jazz, and the bolero. A comparative approach of writing about the three countries together helps us to think of the Hispanic Caribbean as an interconnected whole. A compelling, comprehensive review, Music in the Hispanic Caribbean is ideal for introductory undergraduate courses in world music or ethnomusicology and for upper-level courses on Caribbean and Latin American music and/or culture.
Music in the Horror Film: Listening to Fear
by Neil LernerMusic in Horror Film is a collection of essays that examine the effects of music and its ability to provoke or intensify fear in this particular genre of film. Frightening images and ideas can be made even more intense when accompanied with frightening musical sounds, and music in horror film frequently makes its audience feel threatened and uncomfortable through its sudden stinger chords and other shock effects. The essays in this collection address the presence of music in horror films and their potency within them. With contributions from scholars across the disciplines of music and film studies, these essays delve into blockbusters like The Exorcist, The Shining, and The Sixth Sense together with lesser known but still important films like Carnival of Souls and The Last House on the Left. By leading us with the ear to hear these films in new ways, these essays allow us to see horror films with fresh eyes.
Music, Sound, and Silence in Buffy the Vampire Slayer (Ashgate Popular And Folk Music Ser.)
by JanetK. HalfyardThe intense and continuing popularity of the long-running television show Buffy the Vampire Slayer (1997-2003) has long been matched by the range and depth of the academic critical response. This volume, the first devoted to the show's imaginative and widely varied use of music, sound, and silence, helps to develop an increasingly important and inadequately covered area of research - the many roles of music in contemporary television. In addressing this significant gap, this book provides an exemplary overview of the functions of music and sound in the interpretation of a television show. This is done through analyses that focus on scoring and source music, the title theme, the music production process, the critically acclaimed musical episode (voted number 13 in Channel Four's One Hundred Greatest Musicals), the symbolic and dramatic use of silence, and the popular reception of the show by its international fan base. In keeping with contemporary trends in the study of popular musics, a variety of critical approaches are taken from musicology, cultural studies, and media and communication studies, specifically employing critique, musical analysis, industry studies, and hermeneutics.