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Women in Music: A Research and Information Guide (Routledge Music Bibliographies)
by Karin Pendle Melinda BoydWomen in Music: A Research and Information Guide is an annotated bibliography emerging from more than twenty-five years of feminist scholarship on music. This book testifies to the great variety of subjects and approaches represented in over two decades of published writings on women, their work, and the important roles that feminist outlooks have played in formerly male-oriented academic scholarship or journalistic musings on women and music.
Women of the Underground: Music
by Zora Von BurdenIn a series of 20 candid interviews with radical women musicians and performance artists, author Zora von Burden probes the depths of how and why they broke through society's limitations to create works of outstanding measure.
Women, the Recited Qur'an, and Islamic Music in Indonesia
by Anne RasmussenWomen, the Recited Qur'an, and Islamic Music in Contemporary Indonesia takes readers to the heart of religious musical praxis in Indonesia, home to the largest Muslim population in the world. Anne K. Rasmussen explores a rich public soundscape, where women recite the divine texts of the Qur'an, and where an extraordinary diversity of Arab-influenced Islamic musical styles and genres, also performed by women, flourishes. Based on unique and revealing ethnographic research beginning at the end of Suharto's "New Order" and continuing into the era of "Reformation," the book considers the powerful role of music in the expression of religious nationalism. In particular, it focuses on musical style, women's roles, and the ideological and aesthetic issues raised by the Indonesian style of recitation.
The World of William Byrd: Musicians, Merchants and Magnates
by John HarleyIn The World of William Byrd John Harley builds on his previous work, William Byrd: Gentleman of the Chapel Royal (Ashgate, 1997), in order to place the composer more clearly in his social context. He provides new information about Byrd's youthful musical training, and reveals how in his adult life his music emerged from a series of overlapping family, business and social networks. These networks and Byrd's navigation within and between them are examined, as are the lives of a number of the individuals comprising them.
The Wow Factor: A Comprehensive Guide for Performers
by Steve ZegreeDr. Steve Zegree of Western Michigan University, choral arranger and conductor of Western Michigan's Gold Company has developed this practical guide for performers, students, teachers and parents which offers fundamental philosophies and concepts that are essential to a person's growth and development and will contribute to a successful professional life in music.
Write and Produce Your Own Songs: Audio eBook
by Sam InglisIs this the right book for me?This book is an essential companion for any aspiring songwriter, and is ideal for those with no formal musical education. Covering every genre of popular contemporary music, from rock and pop to musical theatre and country/western, it tracks everything from what harnessing your creative potential to finding a hook and selling, performing and promoting your songs. It also offers some material for those at a slightly more advanced level who'd like to understand things such as chords and sequencing. With straightforward notation and embedded audio which showcases the process at work, this accessible guide from a professional songwriter will prove indispensable for creating and peforming your own songs.Write and Produce Your Own Songs includes:Chapter 1: Tools of the tradeChapter 2: HooksChapter 3: Basic theoryChapter 4: Developing a hookChapter 5: Developing lyricsChapter 6: Song structureChapter 7: Arranging and recording your songsChapter 8: Playing live and forming a bandChapter 9: Promoting your music on the InternetChapter 10: The professional songwriteLearn effortlessly with a new easy-to-read page design and added features: Not got much time?One, five and ten-minute introductions to key principles to get you started.Author insightsLots of instant help with common problems and quick tips for success, based on the author's many years of experience.Test yourselfTests in the book and online to keep track of your progress.Extend your knowledgeExtra online articles to give you a richer understanding of the subject.Five things to rememberQuick refreshers to help you remember the key facts.Try thisInnovative exercises illustrate what you've learnt and how to use it.
Write and Produce Your Own Songs: Teach Yourself
by Sam InglisIs this the right book for me?This book is an essential companion for any aspiring songwriter, and is ideal for those with no formal musical education. Covering every genre of popular contemporary music, from rock and pop to musical theatre and country/western, it tracks everything from what harnessing your creative potential to finding a hook and selling, performing and promoting your songs. It also offers some material for those at a slightly more advanced level who'd like to understand things such as chords and sequencing. With straightforward notation and embedded audio which showcases the process at work, this accessible guide from a professional songwriter will prove indispensable for creating and peforming your own songs.Write and Produce Your Own Songs includes:Chapter 1: Tools of the tradeChapter 2: HooksChapter 3: Basic theoryChapter 4: Developing a hookChapter 5: Developing lyricsChapter 6: Song structureChapter 7: Arranging and recording your songsChapter 8: Playing live and forming a bandChapter 9: Promoting your music on the InternetChapter 10: The professional songwriteLearn effortlessly with a new easy-to-read page design and added features: Not got much time?One, five and ten-minute introductions to key principles to get you started.Author insightsLots of instant help with common problems and quick tips for success, based on the author's many years of experience.Test yourselfTests in the book and online to keep track of your progress.Extend your knowledgeExtra online articles to give you a richer understanding of the subject.Five things to rememberQuick refreshers to help you remember the key facts.Try thisInnovative exercises illustrate what you've learnt and how to use it.
You Can't Always Get What You Want: My Life with the Rolling Stones, the Grateful Dead and Other Wonderful Reprobates
by Sam CutlerA &“straight-dope, tell-all account&” of touring with two of the world&’s greatest bands of the 60s and 70s—A &“fast-moving narrative of rock-n-roll excess&” (Publishers Weekly). In this all-access memoir of the psychedelic era, Sam Cutler recounts his life as tour manager for the Rolling Stones and the Grateful Dead—whom he calls the yin and yang of bands. After working with the Rolling Stones at their historic Hyde Park concert in 1969, Sam managed their American tour later that year, when he famously dubbed them &“The Greatest Rock Band in the World.&” And he was caught in the middle as their triumph took a tragic turn during a free concert at the Altamont Speedway in California, where a man in the crowd was killed by the Hell&’s Angels. After that, Sam took up with the fun-loving Grateful Dead, managing their tours and finances, and taking part in their endless hijinks on the road. With intimate portraits of other stars of the time—including Janis Joplin, Jimi Hendrix, the Band, the Allman Brothers, Pink Floyd, and Eric Clapton—this memoir is a treasure trove of insights and anecdotes that bring some of rock&’s greatest legends to life.
كتاب العشق الإلكتروني
by عبدالله علي الأسمريكم كانت رائعة تلك اللحظة التي قررت فيها قبل عقد من الزمن أن أدلف إلى مقهى للإنترنت في قلب مدينة الرياض لأول مرة في حياتي. رأيت عامل المقهى وقد ارتسمت على وجهه ابتسامة عريضة وهو يقودني إلى مربع صغير يحوي طاولة انتصب عليها جهاز حاسوبي ذي شاشة عريضة. بدا المكان معزولا من ثلاث جهات أما الجهة الرابعة والتي يتم من خلالها الدخول فكانت عبارة عن باب صغير ينغلق بمجرد الدخول. بعد أن استويت على المقعد هرع العامل إلى أيقونة المتصفح browser ليطمس منه سجل المستخدم السابق وذلك - على ما يبدو - لكي لا أ لقي نظرة على ما كان يفعله من جاء قبلي. لم تسعفني خبرتي إذ ذاك في تفسر مغزى ذلك التصرف
نحل العسل المعجزة
by يورغن تاوتزيمكن العثور على مجموعة من الصفات المشتركة بين الثدييات وخلية النحل فائقة التنظيم هذه الصفات أدت إلى هيمنة هذه الكائنات على غيرها من الحيوانات بحسب كل المعايير المعتادة يصنف نحل العسل من دون شك ضمن فئة الحشرات. والنحل يقع ضمن فئة الحشرات منذ حوالى 30 مليون عام. ومع ذلك فقد أدرج النحل ضمن فئة الفقاريات وذلك بدء ا من القرن التاسع عشر نتيجة لمقارنة رائعة أجراها النح ال والنجار الماهر يوهانس ميهرنغ (1815 - 1878). وبحسب ميهرنغ فإن خلية ( colony ) النحل هي كائن حي واحد يعادل حيوانا فقاريا تمثل العاملات أعضاء الجسم الضرورية للصيانة والهضم بينما تمثل الملكة والذكور الأعضاء التناسلية الأنثوية والذكرية
الجميع يسعى وراء مالك
by ديفيد لاتكوهذا صحيح الجميع يسعون وراء مالك لو عزمت عن سابق إصرار على إصدار بيان فلسفي يردد صدى الهواجس الجامحة لمتسكع فصامي على ناصية الشارع لما كان لي أن أخرج بأفضل من هذا العنوان للكتاب. أنا أحب هذا العنوان. الجميع يسعون وراء مالك ألا يكشف هذا العنوان الحقيقة برمتها مع ذلك حتى بعد أشهر من العمل المضني على الصفحات التي أنت في صدد قراءتها أنظر إلى العنوان وأتخيل نفسي واقفا فوق منبر لأخطب في ذلك المكان الذي لا يزال أبناء بلدي في شيكاغو يدعونه بأسلوبهم الرقيق الحنون ساحة مستشفى المجانين حيث تتناوب في الخطبة التمتمات غير المفهومة والاحتجاجات الغاضبة والصرخات المتقدة قبل أن أستعرض بالتفصيل المؤامرات الغامضة والمكائد الشنيعة
1989: Bob Dylan Didn't Have This to Sing About
by Joshua CloverIn a tour de force of lyrical theory, Joshua Clover boldly reimagines how we understand both pop music and its social context in a vibrant exploration of a year famously described as "the end of history." Amid the historic overturnings of 1989, including the fall of the Berlin Wall, pop music also experienced striking changes. Vividly conjuring cultural sensations and events, Clover tracks the emergence of seemingly disconnected phenomena--from grunge to acid house to gangsta rap--asking if "perhaps pop had been biding its time until 1989 came along to make sense of its sensibility." His analysis deftly moves among varied artists and genres including Public Enemy, N.W.A., Dr. Dre, De La Soul, The KLF, Nine Inch Nails, Nirvana, U2, Jesus Jones, the Scorpions, George Michael, Madonna, Roxette, and others. This elegantly written work, deliberately mirroring history as dialectical and ongoing, summons forth a new understanding of how "history had come out to meet pop as something more than a fairytale, or something less. A truth, a way of being."
El ABC del rock
by Manolo Bellon BenkendoerferUn libro que todos los amantes del rock deben tener. La música pop es, sencillamente, música popular. Cualquier géneromusical es popular, según la Gran Enciclopedia Larousse, cuando pordefinición es lo propio del pueblo, en contraposición a aquello quees culto; masivo, en contraste con los llamados géneros cultos y losno comerciales. Pero hay que tener claro que éstos no son otracosa que estilos menos populares, hechos no obstante con algunaintención comercial. Es un contrasentido, por lo demás. Cuando alguiencompone o interpreta una canción, busca que se conozca, que llegue, sino a las masas, al menos a un público considerable. Para que su creadorobtenga una retribución económica por su esfuerzo creativo, o al menosun cierto reconocimiento, se requiere algún tipo de comercialización.Como arte, también, debe llegar al público que habrá de consumirlo.
Advanced Elvis Course
by C. A. ConradPart psychedelic road-trip travelogue, part "Overheard in Graceland,” part mystic-religious devotional, CAConrad's unabated love for the King puts him on a pilgrimage to Memphis; on an Advanced Elvis Course. These bizarre, multifaceted short pieces are an homage bursting with love, oddball white trash, and twisted sincerity.Using a mélange of breathless energy and flamboyant desire, Conrad ensnares his reader from the first vignette, leaving us no choice but to doggedly follow him around the backwaters of Memphis. Conrad blurs the distinction between real and fictional experience to create a transcendental portrait of the legendary Elvis-the man who changed music and America forever. Through sources as disparate as graffiti, talk-show interviews, phone messages, and poetry, Conrad (whose unfettered energy is about as reality-based as an evening at Graceland) constructs a semimystical collage both celebrating and laughing with the cult of Elvis.Get ready for a surreal tour of a celebrity-obsessed, picaresque America from one of its most unusual guides. Conrad delights in turning his fantasies into our reality, making this frenetic fictionalized experience "as real as if it were real.”
All Hopped Up and Ready to Go: Music from the Streets of New York 1927-77
by Tony FletcherA penetrating and entertaining exploration of New York's music scene from Cubop through folk, punk, and hip-hop. From Tony Fletcher, the acclaimed biographer of Keith Moon, comes an incisive history of New York's seminal music scenes and their vast contributions to our culture. Fletcher paints a vibrant picture of mid-twentieth-century New York and the ways in which its indigenous art, theater, literature, and political movements converged to create such unique music. With great attention to the colorful characters behind the sounds, from trumpet player Dizzy Gillespie to Tito Puente, Bob Dylan, and the Ramones, he takes us through bebop, the Latin music scene, the folk revival, glitter music, disco, punk, and hip-hop as they emerged from the neighborhood streets of Harlem, the East and West Village, Brooklyn, the Bronx, and Queens. All the while, Fletcher goes well beyond the history of the music to explain just what it was about these distinctive New York sounds that took the entire nation by storm.
All You Need to Know About the Music Business (7th edition)
by Donald S. PassmanThis revised and updated edition provides crucial information on the industry's adaptations to today's technological advances and uncertain economy.
Always Been There: Rosanne Cash, The List, and the Spirit of Southern Music
by Michael StreissguthIn 1973, Rosanne Cash's father gave her a list of 100 songs that he felt a young musician had to know. Always Been There tells the inside story of the album that, more than thirty-five years later, resulted from that list. Based on original interviews conducted in the studio, on tour, and at home, Always Been There paints an unforgettable portrait of Rosanne Cash confronting music-making in the aftermath of serious brain surgery, a lifelong search for her legacy, and her unique creative partnerships.
American Choral Directors Association (Images of America)
by Tim Sharp Christina PruchaAmerican Choral Directors Association (ACDA) was formed in Kansas City, Missouri, on February 24, 1959, by 35 choral directors from around the United States. They aimed to create an organization that would meet the professional needs of all choir directors. To achieve this goal, they made the promotion of excellence in choral music through performance, composition, publication, research, and teaching their central purpose. In addition, ACDA strives through arts advocacy to elevate choral music's position in American society. From the original steering committee to today's leaders, this central purpose continues to drive ACDA's development. Among the ways that ACDA has promoted excellence in choral music are national and division conventions featuring the best choirs in the world, awards given to individuals who have in some way contributed to the art of choral music, state workshops and clinics, and honor choirs and commissioned works. Each generation that has passed through ACDA has left its indelible mark. The first generation built the foundation and gave ACDA its purpose. The second generation gave ACDA its independence and voice. The third generation leads the organization into a new and more globally connected world. And through it all, ACDA remains true to promoting choral music excellence.
American Popular Music
by David Lee JoynerThis text provides an overview of the four major areas of American contemporary music: jazz, rock, country, and musical theater. Each genre is approached chronologically with the emphasis on the socio-cultural aspects of the music. Readers will appreciate Joyner's engaging writing style and come away with the fundamental skills needed to listen critically to a variety of popular music styles.
Analysis of Jazz: A Comprehensive Approach (American Made Music Series)
by Laurent CugnyAnalysis of Jazz: A Comprehensive Approach, originally published in French as Analyser le jazz, is available here in English for the first time. In this groundbreaking volume, Laurent Cugny examines and connects the theoretical and methodological processes that underlie all of jazz. Jazz in all its forms has been researched and analyzed by performers, scholars, and critics, and Analysis of Jazz is required reading for any serious study of jazz; but not just musicians and musicologists analyze jazz. All listeners are analysts to some extent. Listening is an active process; it may not involve questioning but it always involves remembering, comparing, and listening again. This book is for anyone who attentively listens to and wants to understand jazz. Divided into three parts, the book focuses on the work of jazz, analytical parameters, and analysis. In part one, Cugny aims at defining what a jazz work is precisely, offering suggestions based on the main features of definition and structure. Part two he dedicates to the analytical parameters of jazz in which a work is performed: harmony, rhythm, form, sound, and melody. Part three takes up the analysis of jazz itself, its history, issues of transcription, and the nature of improvised solos. In conclusion, Cugny addresses the issues of interpretation to reflect on the goals of analysis with regard to understanding the history of jazz and the different cultural backgrounds in which it takes place. Analysis of Jazz presents a detailed inventory of theoretical tools and issues necessary for understanding jazz.
Ancient Greek Music
by Stefan HagelThis 2009 book endeavours to pinpoint the relations between musical, and especially instrumental, practice and the evolving conceptions of pitch systems. It traces the development of ancient melodic notation from reconstructed origins, through various adaptations necessitated by changing musical styles and newly invented instruments, to its final canonical form. It thus emerges how closely ancient harmonic theory depended on the culturally dominant instruments, the lyre and the aulos. These threads are followed down to late antiquity, when details recorded by Ptolemy permit an exceptionally clear view. Dr Hagel discusses the textual and pictorial evidence, introducing mathematical approaches wherever feasible, but also contributes to the interpretation of instruments in the archaeological record and occasionally is able to outline the general features of instruments not directly attested. The book will be indispensable to all those interested in Greek music, technology and performance culture and the general history of musicology.
Anvil!
by Robb Reiner Lips ReinerIn the early seventies, when Led Zeppelin and Black Sabbath ruled the world, Steve "Lips" Kudlow and Robb Reiner, two young Jewish boys from the northern suburbs of Toronto, vowed to rock together forever. A decade later, their band Anvil released one of the heaviest records in music history, Metal on Metal, which influenced a whole musical generation, including the world-dominating bands Metallica, Slayer, and Anthrax. Yet while these bands went on to sell millions of records, Anvil slipped straight into obscurity. Was it too much sex and drugs and not enough rock 'n' roll? Was it the menagerie of pets that accompanied them on tour? Was it Lips's penchant for using a dildo to play his guitar (with integrity) and writing political songs like "Show Us Your T***"? Or was it their uncanny knack for setting themselves on fi re whenever a record company executive was watching? Now, almost thirty years later, like a real-life Spinal Tap, these unlikely musical heroes are still rocking, and still chasing their dream. Written in their own words, Anvil!: The Story of Anvil charts the rise, fall, and eventual triumph of two men whose indestructible friendship, talent, and determination took them on a unique journey in the world of rock. A bittersweet and frequently hilarious hymn to the human spirit, played loud in power chords, it is a story of true brotherly love, being a lifer, living the dream, and never giving up.
Apocalypse Jukebox: The End of the World in American Popular Music
by Edward Whitelock David JanssenFrom its indefinite beginnings through its broad commercialization and endless reinterpretation, American rock-and-roll music has been preoccupied with an end-of-the-world mentality that extends through the whole of American popular music. In Apocalypse Jukebox, Edward Whitelock and David Janssen trace these connections through American music genres, uncovering a mix of paranoia and hope that characterizes so much of the nation’s history.From the book’s opening scene, set in the American South during a terrifying 1833 meteor shower, the sense of doom is both palpable and inescapable; a deep foreboding that shadows every subsequent development in American popular music and, as Whitelock and Janssen contend, stands as a key to understanding and explicating America itself.Whitelock and Janssen examine the diversity of apocalyptic influences within North American recorded music, focusing in particular upon a number of influential performers, including Bob Dylan, Leonard Cohen, John Coltrane, Devo, R.E.M., Sleater-Kinney, and Green Day. In Apocalypse Jukebox, Whitelock and Janssen reveal apocalypse as a permanent and central part of the American character while establishing rock-and-roll as a true reflection of that character.
Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age
by Steve KnopperFor the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, Rolling Stone contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology.
Appetite for Self-Destruction: The Spectacular Crash of the Record Industry in the Digital Age
by Steve KnopperFor the first time, Appetite for Self-Destruction recounts the epic story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world -- and the advent of file sharing brought it to its knees. In a comprehensive, fast-paced account full of larger-than-life personalities, Rolling Stone contributing editor Steve Knopper shows that, after the incredible wealth and excess of the '80s and '90s, Sony, Warner, and the other big players brought about their own downfall through years of denial and bad decisions in the face of dramatic advances in technology. Big Music has been asleep at the wheel ever since Napster revolutionized the way music was distributed in the 1990s. Now, because powerful people like Doug Morris and Tommy Mottola failed to recognize the incredible potential of file-sharing technology, the labels are in danger of becoming completely obsolete. Knopper, who has been writing about the industry for more than ten years, has unparalleled access to those intimately involved in the music world's highs and lows. Based on interviews with more than two hundred music industry sources -- from Warner Music chairman Edgar Bronfman Jr. to renegade Napster creator Shawn Fanning -- Knopper is the first to offer such a detailed and sweeping contemporary history of the industry's wild ride through the past three decades. From the birth of the compact disc, through the explosion of CD sales in the '80s and '90s, the emergence of Napster, and the secret talks that led to iTunes, to the current collapse of the industry as CD sales plummet, Knopper takes us inside the boardrooms, recording studios, private estates, garage computer labs, company jets, corporate infighting, and secret deals of the big names and behind-the-scenes players who made it all happen. With unforgettable portraits of the music world's mighty and formerly mighty; detailed accounts of both brilliant and stupid ideas brought to fruition or left on the cutting-room floor; the dish on backroom schemes, negotiations, and brawls; and several previously unreported stories, Appetite for Self-Destruction is a riveting, informative, and highly entertaining read. It offers a broad perspective on the current state of Big Music, how it got into these dire straits, and where it's going from here -- and a cautionary tale for the digital age.