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Pere Gimferrer
by Pere GimferrerA bilingual edition of poems by the award-winning Spanish poet.Pere Gimferrer has been writing poetry for more than fifty years in several languages, restoring and expanding upon avant-garde tendencies in poetry that had been abandoned in Spain after the Spanish Civil War. Of his second book, The Sea Aflame, Octavio Paz wrote: &“Our language will be, already is, larger by one poet.&” In 1970, with Mirrors, Gimferrer turned to Catalan, his mother tongue. Since then, he has won major Catalan and Spanish prizes for his work, which, along with poetry, includes writings on film and art history, translations, and novels. This bilingual volume, the first to draw on all phases of Gimferrer&’s career as a poet—from Message from the Tetrarch, published when he was eighteen, to selections from his recent verses in Italian—is an ideal introduction to a writer who, in the words of Roberto Bolaño, &“is a great poet and also knows everything.&”
Perestroika at the Crossroads
by Alfred J. Rieber Alvin Z. RubinsteinThe contributors to this volume have undertaken an assessment of the Soviet Union as it enters the last decade of the 20th century. Organized to cover each major area of policy initiative (or response), the collection surveys the Gorbachev reform agenda and its successes and failures to date in various fields, including culture, economics, ideology, law, politics, federalism and the nationality problem, and foreign policy vis-a-vis the West, Eastern Europe and the Third World.
The Perfect Dog
by John O'HurleyMy son asked a question, as little boys do,Of me in my wisdom and all that I knew.“Is there a dog that is perfect?” he asked on a whim.Well, I thought,And I thought about where to begin.With all the wonderful kinds of dogs in the world, is there really just one kind that is better than all the rest? John O’Hurley’s delightfully charming and Seuss-like poem answers that question with a surprisingly perfect answer. This heartwarming message about man’s best friend, accompanied by photographs that capture the essence of dog-ness, is sure to be treasured by dog lovers and non-dog lovers alike. The book comes with an audio CD of John's reading of the poem.
The Perfect Gift: The Philanthropic Imagination In Poetry And Prose (Philanthropic And Nonprofit Studies)
by Amy A. KassThis volume aims at cultivating and enlightening our philanthropic imagination. It addresses us all as present and future philanthropists, as human beings who give, serve, and seek to promote the well being of others. It suggests that we are continually confronted with choices about giving, and offers a collection of writings intended to help us reflect more seriously on these choices, and to make philanthropic acts, when they are undertaken, more meaningful. The readings contained in The Philanthropic Imagination come from a variety of cultures, time periods, and genres. They represent classical works of literature, philosophy, and religion, but also contemporary and popular writings. Selections are drawn from the works of Aristotle, Shakespeare, Dostoevsky, C. S. Lewis, Alexis de Tocqueville, Martin Luther King, P. G. Wodehouse, Sholom Aleichem, and Shel Silverstein, among others. They are organized by the specific question they address: When, why, how, to whom, and what should we give? Amy Kass provides a general introduction to the book, as well as introductions to each selection. The introductions offer context for each reading and questions to guide reflection, but they do not supply uniform answers. The answers must come from the reader.
Performance in the Texts of Mallarmé: The Passage from Art to Ritual
by Mary Lewis ShawPerformance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake.Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarmé's major poetic texts—Herodiade, L'après-midi d'un faune, Igitur, and Un coup de des—revealing the consistent formal expression of his original conception of literature's relationship to the performing arts.Shaw then discusses Mallarmé's monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarmé's corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarmé's literary experimentation and crucial developments in twentieth-century arts.
The Performance Of Becoming Human
by Daniel BorzutzkyFollowing in the path of his acclaimed collections THE BOOK OF INTERFERING BODIES (Nightboat, 2011) and IN THE MURMURS OF THE ROTTEN CARCASS ECONOMY (Nightboat, 2015), Daniel Borzutzky returns to confront the various ways nation-states and their bureaucracies absorb and destroy communities and economies. <P><P> In THE PERFORMANCE OF BECOMING HUMAN, the bay of Valparaiso merges into the western shore of Lake Michigan, where Borzutzky continues his poetic investigation into the political and economic violence shared by Chicago and Chile, two places integral to his personal formation. To become human is to navigate borders, including the fuzzy borders of institutions, the economies of privatization, overdevelopment, and underdevelopment, under which humans endure state-sanctioned and systemic abuses in cities, villages, deserts. <P> National Book Award Winner
Performing the Wound: Practicing a Feminist Theatre of Becoming (Routledge Advances in Theatre & Performance Studies)
by Niki TulkThis book offers a matrixial, feminist-centered analysis of trauma and performance, through examining the work of three artists: Ann Hamilton, Renée Green, and Cecilia Vicuña. Each artist engages in a multi-media, or “combination” performance practice; this includes the use of site, embodied performance, material elements, film, and writing. Each case study involves traumatic content, including the legacy of slavery, child sexual abuse and environmental degradation; each artist constructs an aesthetic milieu that invites rather than immerses—this allows an audience to have agency, as well as multiple pathways into their engagement with the art. The author Niki Tulk suggests that these works facilitate an audience-performance relationship based on the concept of ethical witnessing/wit(h)nessing, in which viewers are not positioned as voyeurs, nor made to risk re-traumatization by being forced to view traumatic events re-played on stage. This approach also allows agency to the art itself, in that an ethical space is created where the art is not objectified or looked at—but joined with. Foundational to this investigation are the writings of Bracha L. Ettinger, Jill Bennett and Diana Taylor—particularly Ettinger’s concepts of the matrixial, carriance and border-linking. These artists and scholars present a capacity to expand and articulate answers to questions regarding how to make performance that remains compelling and truthful to the trauma experience, but not re-traumatizing. This study will be of great interest to students and scholars of performance studies, art history, visual arts, feminist studies, theatre, film, performance art, postcolonialism, rhetoric and writing.
The Perils of Geography
by Helen HumphreysIn her third book of poetry The Perils of Geography, Helen Humphreys charts a world that opens under the prodding and promise of language. With the wit and eye for evocative detail which gained readers for both Gods and Other Mortals and Nuns Looking Anxious, Listening to Radios, Humphreys probes the immediacy of now, the intensity of this, the residue of then. Don’t be deceived by the spare appearance; her poems are resonant and full, "all angles and confidence." Light falls slant across them. She maps "what surrounds not what's made still" -- "the moving line." The line she traces connects the pull of memory and moment, open roads and winter aconite, transcendental basements and ornamental shrubbery. In "Singing to the Bees," the ten poem sequence which makes up the second of three sections in Perils, she slips inside folk wisdoms, wears them with an easy grace, all flesh and wit and possibility: dancing shoes, gifted pigs, swarming bees, airplane nuns and spectre ships. These poems make superstition delicious.
Peripheral Light: Selected and New Poems
by John Kinsella Harold Bloom"We are poised before...what I prophesy will be a major art."—Harold Bloom "One of Australia's most vivid, energetic and stormy poets, a writer who turns to the natural world with a fierce light."—Edward Hirsch, Washington Post Highly Recommended Poetry Books of 2003
Perishables
by Tina EgnoskiPerishables opens with a sister sitting calmly on a burning chair then moves out of the childhood home that seems so fragile that it might split along the equator like a rotten piece of stone fruit. It is a reckoning of those things, outside and in, that we must Handle With Care.
Perrine's Literature: Structure, Sound, and Sense (8th edition)
by Thomas R. Arp Greg JohnsonThis eighth edition of classic text continues to provide students with a comprehensive study into the principal forms of fiction, poetry, and drama.
Perrine's Sound and Sense: An Introduction to Poetry (10th edition)
by Thomas R. Arp Greg JohnsonThis tenth edition of Perrine's Sound and Sense, like the previous editions, addresses the student who is beginning a serious investigation of poetry. The authors of this new edition seek to give that student a sufficient grasp of the nature and variety of poetry, some reasonable means for reading it with appreciative understanding, and a few primary ideas of how to evaluate it.
Perrine's Sound and Sense: An Introduction to Poetry (12th Edition)
by Greg Johnson Thomas R. ArpThe book works to balance the classic with the contemporary, to represent a wide diversity of poets, and to emphasize the importance of the close reading of poetry as the avenue to enjoy and appreciate it. Although there are many flourishing approaches to poetry and its effects, we believe that the initial step must be understanding the elements of poetry through which it presents itself. This book is addressed to the student who is beginning a serious investigation of poetry. We have attempted to offer that student a sufficient grasp of the nature and variety of poetry, some reasonable means for reading it with appreciative understanding, and a few primary ideas of how to evaluate it. One important principle established in the earliest editions is the need for conciseness and compactness, so that the book will have a friendly, welcoming appeal and will not seem daunting in its comprehensiveness. In matters of theory, in an introductory textbook some issues are undoubtedly simplified, but none we hope seriously so, and some more sophisticated theoretical approaches have had to be excluded in the interests of space. Another principle is that the elements of poetry are presented in a progression in which each new topic builds on what preceded it. The separate chapters gradually introduce the student to the elements of poetry, putting the emphasis always on how and why: How can the reader use these elements to get at the meaning of the poem, to interpret it sensibly, and to respond to it adequately? Why does the poet use these elements? What values have they for the poet and reader?
Persephone Made Me Do It (Myth and Magick #3)
by Trista MateerBestselling and Goodreads Choice Award-winning author Trista Mateer returns with another mythical approach to self-care in her newest poetry collection, Persephone Made Me Do It. Following her previous work in this series, Mateer weaves together mythology, tarot, poetry, and conversation to reveal a new side of a very old story. Alternating between the perspectives of poet and goddess, Persephone&’s lore is explored, related to modern issues, and ultimately reclaimed.&“You want to talk about duality? You want to talk about love? Let us speak instead of chaos.&” In this new collection of art and feminist verse from Trista Mateer, Persephone might have flowers in her hair—but she is out for blood. This is the third book in the Myth & Magick series, which also includes Aphrodite Made Me Do It and Artemis Made Me Do It.
The Perseverance
by Raymond AntrobusFeatured on NPR's Morning Edition <P><P>A Poetry Book of the Year at The Guardian, The Sunday Times, and Poetry School <P><P>Winner of the Ted Hughes Award, Rathbones Folio Prize, and Somerset Maugham Award; shortlisted for the Griffin Poetry Prize <P><P>In the wake of his father’s death, the speaker in Raymond Antrobus’ The Perseverance travels to Barcelona. In Gaudi’s Cathedral, he meditates on the idea of silence and sound, wondering whether acoustics really can bring us closer to God. Receiving information through his hearing aid technology, he considers how deaf people are included in this idea. “Even though,” he says, “I have not heard / the golden decibel of angels, / I have been living in a noiseless / palace where the doorbell is pulsating / light and I am able to answer.” <P><P>The Perseverance is a collection of poems examining a d/Deaf experience alongside meditations on loss, grief, education, and language, both spoken and signed. It is a book about communication and connection, about cultural inheritance, about identity in a hearing world that takes everything for granted, about the dangers we may find (both individually and as a society) if we fail to understand each other.
The Persistence of the Soul in Literature, Art and Politics
by Delphine Louis-Dimitrov Estelle MurailThis book analyses the evolution of literary and artistic representations of the soul, exploring its development through different time periods. The volume combines literary, aesthetic, ethical, and political considerations of the soul in texts and works of art from the seventeenth to the twenty-first centuries, spanning cultures and schools of thought. Drawing on philosophical, religious and psychological theories of the soul, it emphasizes the far-reaching and enduring epistemological function of the concept in literature, art and politics. The authors argue that the concept of the soul has shaped the understanding of human life and persistently irrigated cultural productions. They show how the concept of soul was explored and redefined by writers and artists, remaining relevant even as it became removed from its ancient or Christian origins.
Persistent Forms: Explorations in Historical Poetics
by Ilya Kliger Eric Hayot Boris MaslovSince the mid-1980s, attempts to think history and literature together have produced much exciting work in the humanities. Indeed, some form of historicism can be said to inform most of the current scholarship in literary studies, including work in poetics, yet much of this scholarship remains undertheorized. Envisioning a revitalized and more expansive historicism, this volume builds on the tradition of Historical Poetics, pioneered by Alexander Veselovsky (1838–1906) and developed in various fruitful directions by the Russian Formalists, Mikhail Bakhtin, and Olga Freidenberg. The volume includes previously untranslated texts of some of the major scholars in this critical tradition, as well as original contributions which place that tradition in dialogue with other thinkers who have approached literature in a globally comparatist and evolutionary-historical spirit. The contributors seek to challenge and complement a historicism that stresses proximate sociopolitical contexts through an engagement with the longue durée of literary forms and institutions. In particular, Historical Poetics aims to uncover deep-historical stratifications and asynchronicities, in which formal solutions may display elective affinities with other, chronologically distant solutions to analogous social and political problems. By recovering the traditional nexus of philology and history, Persistent Forms seeks to reinvigorate poetics as a theoretical discipline that would respond to such critical and intellectual developments as Marxism, New Historicism, the study of world literature, practices of distant reading, and a renewed attention to ritual, oral poetics, and genre.
Personae: The Shorter Poems (Revised Edition)
by A. Walton Litz Ezra Pound Lea BaechlerA new edition of Pound's groundbreaking shorter poems. If the invention of literary modernism is usually attributed to James Joyce, T. S. Eliot and Ezra Pound, it was Pound alone who provided (in Hugh Kenner's words) "the synergetic presence") to convert individual experiment into an international movement. In 1926 Pound carefully sculpted his body of shorter poems into a definitive collection which would best show the concentration of force, the economy of means, and the habit of analysis that were, to him, the hallmarks of the new style.This collection, where Pound presented himself in a variety of characters or "masks," was called Personae. In 1926, Personae's publication gave solidity to a movement today the work stands as one of the classic texts of the twentieth century. Pound scholars Lea Baechler (of Columbia) and A. Walton Litz (Holmes Professor of English Literature at Princeton) have prepared a corrected text and supplied an informative "Note on the Text" explaining both Pound's original criteria for his selection and the volume's subsequent history.
Personae: The Shorter Poems of Ezra Pound
by Ezra Pound Lea Baechler A. Walton LitzIf the invention of literary modernism is usually attributed to James Joyce, T. S. Eliot and Ezra Pound, it was Pound alone who provided (in Hugh Kenner's words) "the synergetic presence") to convert individual experiment into an international movement. In 1926 Pound carefully sculpted his body of shorter poems into a definitive collection which would best show the concentration of force, the economy of means, and the habit of analysis that were, to him, the hallmarks of the new style. This collection, where Pound presented himself in a variety of characters or "masks," was called Personae. In 1926, Personae's publication gave solidity to a movement today the work stands as one of the classic texts of the twentieth century. Pound scholars Lea Baechler (of Columbia) and A. Walton Litz (Holmes Professor of English Literature at Princeton) have prepared a corrected text and supplied an informative "Note on the Text" explaining both Pound's original criteria for his selection and the volume's subsequent history.
Personals
by Ian WilliamsThese are not love poems. These are almost-love poems. Jittery, plaintive, and fresh, these are poems voiced through a startling variety of speakers who continually rev themselves up to the challenge of connecting with others, often to no avail. Ian Williams writes in traditional poetic forms: ghazals, a pantoum, blank sonnets, mock-heroic couplets. He also invents his own: poems that spin into indeterminacy, poems that don’t end. With a deft hand and playful ear, Williams entices the reader to stumble alongside his characters as they search, again and again, for intimacy, for love, and for each other.
Las personas del verbo (Biblioteca Breve/seix Barral Ser.)
by Jaime Gil de BiedmaLa poesía reunida de Jaime Gil de Biedma en una edición conmemorativa por el veinticinco aniversario de su muerte. En 1975 Jaime Gil de Biedma reunió su poesía bajo el título Las personas del verbo, donde incluyó sus tres libros: Compañeros de viaje, Moralidades y Poemas póstumos, revisados y ordenados para la ocasión. En 1982 publicó una segunda edición, ampliada con los escasos poemas que había escrito hasta entonces. Ese fue el corpus de su obra poética que el autor consideró definitiva y cerrada, y es la que aquí reeditamos. Las personas del verbo es ya un clásico de la poesía española del siglo XX. Destaca por su afán de perfección, su transparente complejidad, su lucidez y su capacidad evocativa y meditativa. Hoy, a los veinticinco años de la muerte del poeta, Las personas del verbo quiere ser un homenaje y un reconocimiento a la vigencia absoluta de la poesía del Jaime Gil de Biedma. Reseña:«Su poesía sencilla y directa te toca el corazón. Gil de Biedma es un poeta de todos. Te recuerda la importancia de la vida sin más atributos que ella misma.»Manuel Vilas «Como todos los escritores que han tocado la fibra íntima de sus lectores, cada uno tiene su Gil de Biedma.»La Vanguardia
Peru
by Herbert MorrisThis book is a collection of poems by the author that appeared in various journals and on various topics.
A Pet for Me: Poems (I Can Read! #Level 3)
by Lee Bennett Hopkins Jane ManningFrom a devoted mutt giving "sloppy doggy kisses" to a tarantula munching happily on a cricket lunch, this lively collection of twenty poems celebrates the relationship between children and their pets. Popular poet and noted anthologist Lee Bennett Hopkins brings together many of today's best children's poets -- including X. J. Kennedy, Alice Schertle, and Karla Kuskin -- in this delightful festival of friendship. Jane Manning's bright and richly textured art cheerfully complements these playful poems.
pet radish, shrunken, the
by Pearl PirieIn this post-lyrical era, poems can be stories, or they can just as easily be exuberant laughter set to words, an experiment in language, or an incidental collation of plays on a Scrabble board.the pet radish, shrunken, the third full collection of poetry from the inimitable Pearl Pirie, deals in the poetics of sound, language, and play. In true Pirie style, this fresh, quirky, and clear-seeing collection speaks in a range of styles and voices: From a military convoy of turtles, to a Kafkaesque conversation with a houseful, to the dissection of a fruit machine, Pirie offers oulipo found speech as it integrates and disintegrates, plays with and tumbles through language.Earning comparisons to Jenny Sampirisi's Croak and Leigh Kostilidis's Hypotheticals for their shared sense of linguistic playfulness and curiosity, the pet radish, shrunken will appeal to exploring minds who are ready to question language, society, and self while not minding a taint of grief and comedy that necessarily creeps in around the edges.