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WOMXN: Acrostics and Poems to Reclaim the Words that Have Hurt Us
by Lexy Wren-Sillevis"There are so many words, insults, labels and boxes for women to be packaged and packed off in. Often, but not always, they're words coined by men. Why that is, is a bigger conversation that is starting to be had by women everywhere. We're slowly, but oh-so-surely, making it clear that there is no man in womxn. We're writing him out and writing us back in, and we deserve a suffix all of our own that is free from patriarchal roots. So from here on in, we are WOMXN."Sticks and Stones is a powerful reclamation of the slurs and insults thrown at women for centuries. It's a righting of wrongs - a rewriting of sexist, belittling and shaming language. It's a tool for breaking free from the stereotypes and impossible standards used to confine women, transforming them into messages of resilience and resolve. And, most importantly, it's a rallying call for change, healing and empowerment.It takes the words, slurs, insults and labels that are used to diminish women every day and breaks them down and tears them apart. It transmutes and rewrites these words - sometimes with all of the pain they trigger, sometimes in the form of positive affirmations, mantras and poems - all told in acrostics.With their underlying meditative rhythms, these acrostics are also a remedy for healing wounds and empowering women to have the confidence to be their true selves. You can dip in and out, or read it cover to cover. You can come back to, and work through, any words that resonate with you. Lexy also offers clearing meditations at the back of the book to help you tackle the words that hurt you most, helping to remove them from your past, present and future.This title is illustrated by the hugely talented illustrator and print maker Margaux Carpentier. Margaux creates pictures using a symbolic language, so each piece has its own unique message for every individual. Her work is inspired by all the incredible colours of the world. She adapts her illustrations in 3D and large-scale murals, the most recent of which is currently on display in Brown Hart Gardens in Mayfair, London.
WOMXN: Acrostics and Poems to Reclaim the Words that Have Hurt Us
by Lexy Wren-Sillevis"There are so many words, insults, labels and boxes for women to be packaged and packed off in. Often, but not always, they're words coined by men. Why that is, is a bigger conversation that is starting to be had by women everywhere. We're slowly, but oh-so-surely, making it clear that there is no man in womxn. We're writing him out and writing us back in, and we deserve a suffix all of our own that is free from patriarchal roots. So from here on in, we are WOMXN."Sticks and Stones is a powerful reclamation of the slurs and insults thrown at women for centuries. It's a righting of wrongs - a rewriting of sexist, belittling and shaming language. It's a tool for breaking free from the stereotypes and impossible standards used to confine women, transforming them into messages of resilience and resolve. And, most importantly, it's a rallying call for change, healing and empowerment.It takes the words, slurs, insults and labels that are used to diminish women every day and breaks them down and tears them apart. It transmutes and rewrites these words - sometimes with all of the pain they trigger, sometimes in the form of positive affirmations, mantras and poems - all told in acrostics.With their underlying meditative rhythms, these acrostics are also a remedy for healing wounds and empowering women to have the confidence to be their true selves. You can dip in and out, or read it cover to cover. You can come back to, and work through, any words that resonate with you. Lexy also offers clearing meditations at the back of the book to help you tackle the words that hurt you most, helping to remove them from your past, present and future.This title is illustrated by the hugely talented illustrator and print maker Margaux Carpentier. Margaux creates pictures using a symbolic language, so each piece has its own unique message for every individual. Her work is inspired by all the incredible colours of the world. She adapts her illustrations in 3D and large-scale murals, the most recent of which is currently on display in Brown Hart Gardens in Mayfair, London.
Up From the Sea
by Leza LowitzA powerful novel-in-verse about how one teen boy survives the March 2011 tsunami that devastates his coastal Japanese village. <P><P>On that fateful day, Kai loses nearly everyone and everything he cares about. When he's offered a trip to New York to meet kids whose lives were changed by 9/11, Kai realizes he also has a chance to look for his estranged American father. <P><P>Visiting Ground Zero on its tenth anniversary, Kai learns that the only way to make something good come out of the disaster back home is to return there and help rebuild his town. Heartrending yet hopeful, Up from the Sea is a story about loss, survival, and starting anew. <P><P>Fans of Jame Richards's Three Rivers Rising and teens who read Karen Hesse's Out of the Dust as middle graders will embrace this moving story. An author's note includes numerous sources detailing actual events portrayed in the story.
Poems
by Li Po Tu FuLi Po (AD 701-62) and Tu Fu (AD 712-70) were devoted friends who are traditionally considered to be among China's greatest poets. Li Po, a legendary carouser, was an itinerant poet whose writing, often dream poems or spirit-journeys, soars to sublime heights in its descriptions of natural scenes and powerful emotions. His sheer escapism and joy is balanced by Tu Fu, who expresses the Confucian virtues of humanity and humility in more autobiographical works that are imbued with great compassion and earthy reality, and shot through with humour. Together these two poets of the T'ang dynasty complement each other so well that they often came to be spoken of as one - 'Li-Tu' - who covers the whole spectrum of human life, experience and feeling.
The Magpie at Night: The Complete Poems of Li Qingzhao (1084–1151)
by Li QingzhaoA luminous new translation of the greatest woman poet in Chinese history, highlighting Li Qingzhao's iconoclastic verse and showcasing her visionary portrait of the inner workings of the artist’s mind.The Magpie at Night is a lyrical and searching portrait of the inner life of Li Qingzhao, one of the greatest poets in Chinese literary history. These spare and arresting poems evoke with rare immediacy the quiet and haunting beauty of country life during the Song dynasty; the unseen, restive labor of the poet; and Li Qingzhao’s bracing and complex take on what it means to create art as a woman in the shadow of exile, war, imprisonment, and an unwelcoming literary establishment.In Wendy Chen’s splendid new translation, each of Li Qingzhao’s ci—lyrics that were originally set to music—is as sharp and fresh as the edge of a new spring leaf. These richly textured bolts of melody tell a story that will resonate with scholars eager to restore this iconic figure to the canon of classical Chinese poetry, as well as with contemporary readers who will relate to the strikingly modern mode in which she delivers her wry, unsentimental, and bracing thoughts on art and posterity.
Master Tung's Western Chamber Romance
by Tung Chieh-Yuan Li-Li Ch'EnComprising of 184 prose passages and 5,263 lines of verse to be narrated and sung by a performing singer-storyteller, it is an elaboration of the T'ang dynasty love story, The Story of Ying-ying, by Yuan Chen (779-831).
Behind My Eyes: Poems
by Li-Young Lee"Lee's lyrics have a tidal sweep as he moves between the universe within and the world without." --Booklist, starred review
Book of My Nights
by Li-Young LeeBook of My Nights is the first poetry collection in ten years by one of the world's most acclaimed young poets. In Book of My Nights, Li-Young Lee once again gives us lyrical poetry that fuses memory, family, culture and history. In language as simple and powerful as the human muscle, these poems work individually and as a full-sequence meditation on the vulnerability of humanity.Marketing Plans: o National advertising o National media campaign o National and regional author appearances o Advance reader copies o Course adoption mailingLi-Young Lee burst onto the American literary scene with the publication of Rose, winner of the 1986 Delmore Schwartz Memorial Poetry Award from The Poetry Society of America. He followed that astonishing book with The City in Which I Love You, which was The Lamont Poetry Selection of The Academy of American Poets. Mr. Lee has appeared on National Public Radio a number of times and The Power of the Word, the PBS television series with Bill Moyers. Rose and The City in Which I Love You are in the 19th and 17th printings respectively, making them two of the highest-selling contemporary poetry books in the United States. Moreover, Mr. Lee's poems have been translated into more than a dozen languages. He currently lives in Chicago.
Book of My Nights (American Poets Continuum)
by Li-Young LeeBook of My Nights is the first poetry collection in ten years by one of the world's most acclaimed young poets. In Book of My Nights, Li-Young Lee once again gives us lyrical poetry that fuses memory, family, culture and history. In language as simple and powerful as the human muscle, these poems work individually and as a full-sequence meditation on the vulnerability of humanity.Marketing Plans: o National advertising o National media campaign o National and regional author appearances o Advance reader copies o Course adoption mailingLi-Young Lee burst onto the American literary scene with the publication of Rose, winner of the 1986 Delmore Schwartz Memorial Poetry Award from The Poetry Society of America. He followed that astonishing book with The City in Which I Love You, which was The Lamont Poetry Selection of The Academy of American Poets. Mr. Lee has appeared on National Public Radio a number of times and The Power of the Word, the PBS television series with Bill Moyers. Rose and The City in Which I Love You are in the 19th and 17th printings respectively, making them two of the highest-selling contemporary poetry books in the United States. Moreover, Mr. Lee's poems have been translated into more than a dozen languages. He currently lives in Chicago.
Breaking the Alabaster Jar: Conversations with Li-Young Lee (American Readers Series)
by Li-Young LeeIn the foreword to Li-Young Lee&’s first book, Rose (BOA Editions, 1986), Gerald Stern wrote, &“What characterizes Li-Young Lee&’s poetry is a certain kind of humility, a kind of cunning, a love of plain speech, a search for wisdom and understanding. . . . I think we are in the presence of a true spirit.&” Poetry lovers agree! Rose has gone on to sell more than eighty thousand copies, and Li-Young Lee has become one of the country&’s most beloved poets. Breaking the Alabaster Jar: Conversations with Li-Young Lee is a collection of the best dozen interviews given by Li-Young Lee over the past twenty years. From a twenty-nine-year-old poet prodigy to a seasoned veteran in high demand for readings and appearances across the United States and abroad, these interviews capture Li-Young Lee at various stages of his artistic development. He not only discusses his family&’s flight from political oppression in China and Indonesia, but how that journey affected his poetry and the engaging, often painful, insights being raised a cultural outsider in America afforded him. Other topics include spirituality (primarily Christianity and Buddhism) and a wide range of aesthetic topics such as literary influences, his own writing practices, the role of formal and informal education in becoming a writer, and his current life as a famous and highly sought-after American poet.
Rose (New Poets of America)
by Li-Young LeeTable of ContentsI.EpistleThe GiftPersimmonsThe Weight Of SweetnessFrom BlossomsDreaming Of HairEarly In The MorningWaterFalling: The CodeNocturneMy IndigoIrisesEating AloneII.Always A RoseIII.Eating TogetherI Ask My Mother To SingAsh, Snow, Or MoonlightThe LifeThe WeepersBraidingRain DiaryMy Sleeping Loved OnesMnemonicBetween SeasonsVisions And Interpretations
The City in Which I Love You
by Li-Young LeeContentsI.Furious VersionisII.The InterrogationThis Hour And What Is DeadArise, Go DownMy Father, In Heaven, Is Reading Out LoudFor A New Citizen Of These United StatesWith RuinsIII.This Room And Everything In ItThe City In Which I Love YouIV.The WaitingA StoryGoodnightYou Must SingHere I AmA Final ThingV.The Cleaving
The City in Which I Love You (American Poets Continuum)
by Li-Young LeeContentsI.Furious VersionisII.The InterrogationThis Hour And What Is DeadArise, Go DownMy Father, In Heaven, Is Reading Out LoudFor A New Citizen Of These United StatesWith RuinsIII.This Room And Everything In ItThe City In Which I Love YouIV.The WaitingA StoryGoodnightYou Must SingHere I AmA Final ThingV.The Cleaving
The Undressing: Poems
by Li-Young LeeCelebrated poet Li-Young Lee returns with a breathtaking new volume about the violence of desire and the peace of love. The Undressing is a tonic for spiritual anemia; it attempts to uncover things hidden since the dawn of the world. Short of achieving that end, these mysterious, unassuming poems investigate the human violence and dispossession increasingly prevalent around the world, as well as the horrors the poet grew up with as a child of refugees. Lee draws from disparate sources, including the Old Testament, the Dao De Jing, and the music of the Wu Tang Clan. While the ostensive subjects of these layered, impassioned poems are wide-ranging, their driving engine is a burning need to understand our collective human mission.
Vor und nach dem Weltende: Ich, Masse und Mensch in der expressionistischen Lyrik
by Lia Imenes IshidaDieses Buch untersucht die Begriffe „Ich“, „Masse“ und „Mensch“ in der lyrischen Produktion des expressionistischen Jahrzehnts. Die detaillierte Analyse der Einzelwerke von Jakob van Hoddis, Alfred Lichtenstein, René Schickele, Georg Heym, Alfred Wolfenstein, Paul Boldt, Ernst Stadler und Ludwig Rubiner erlaubt zudem einen Einblick in diese wichtige Epoche der deutschen Literatur sowie eine Differenzierung ihrer Hauptströmungen und Phasen. Die Autorin zeigt auch, wie sehr diese literarische Epoche durch den Ersten Weltkrieg bestimmt wurde.
A Year in Story and Song: A Celebration of the Seasons
by Lia LeendertzA Year in Story and Song is a captivating collection of stories and songs that celebrates the seasons. We humans love stories. We love to hear them and to tell them, around fires and by bedsides, and we love to use them to make sense of the world around us. The seasons, in all their ever-changing variety, give us many opportunities for storytelling: the full moons and their names, Epiphany in January, St Patrick's Day in March, May Day, Midsummer, Halloween and more. They feature mischievous boggarts and fairies, saints and sailors, leprechauns and dragons, pilgrimages and charms, milk maids and rose queens, Robin Hood and the green man. The songs range from shanties and love songs, to bawdy ballads and wassails, to carols and rounds, and have been sung for hundreds of years, often at particular moments in the calendar.This is a book to treasure all year, every year.
A Year in Story and Song: A Celebration of the Seasons
by Lia LeendertzA Year in Story and Song is a captivating collection of stories and songs that celebrates the seasons. We humans love stories. We love to hear them and to tell them, around fires and by bedsides, and we love to use them to make sense of the world around us. The seasons, in all their ever-changing variety, give us many opportunities for storytelling: the full moons and their names, Epiphany in January, St Patrick's Day in March, May Day, Midsummer, Halloween and more. They feature mischievous boggarts and fairies, saints and sailors, leprechauns and dragons, pilgrimages and charms, milk maids and rose queens, Robin Hood and the green man. The songs range from shanties and love songs, to bawdy ballads and wassails, to carols and rounds, and have been sung for hundreds of years, often at particular moments in the calendar.This is a book to treasure all year, every year.
It Shouldn't Have Been Beautiful
by Lia PurpuraA powerful new collection from poet, essayist, and frequent New Yorker contributor Lia Purpura Lia Purpura has won national acclaim as both a poet and an essayist. The exquisitely rendered poems in this, her fourth collection, reach back to an early affinity for proverbs and riddles and the proto-poetry found in those forms. Taking on epic subjects--time and memory, metamorphosis and indeterminacy, the complicated nature of beauty, wordless states of being--each poem explores a bright, crisp, singular moment of awareness or shock or revelation. Purpura reminds us that short poems, never merely brief nor fragmentary, can transcend their size, like small dogs, espresso, a drop of mercury.From the Trade Paperback edition.
Soft Volcano
by Libby BurtonAt the core of Libby Burton's highly anticipated debut poetry collection, Soft Volcano, are the vivid details underpinning the relationships we hold dearly in our lives. A feminist force, highly wrought and impressionistic, surges from these intensely lyric distillations that show us what we look like standing in the hallways of the museum of lost love—where we stand, how our hair looks, what marks of woe and time are left upon the body after love is strained or abandoned. Soft Volcano is a book of vivid and crushing lyric poems, each one a swell of danger, beauty, and truth.
Love and Shadows
by Lida DelaLove and Shadows is a collection of insightful and compelling poetic pieces that grasps the raw chasms of human emotions. This collection has been written by a young woman who has trodden the path of spiritual awakening and is inviting you to follow her into the process of self-healing. She shares bits and pieces of what she has learned about love, hope, freedom, sorrow, despair, bravery, resilience, and beauty. Her pieces are a unique blend of both traditional and contemporary styles that is conveyed in an objective way, making it easy for readers to understand. Her work captivates and draws readers to revisit it time and again and inspires long after it is read.
On the Colors of Vowels: Thinking through Synesthesia (Verbal Arts: Studies in Poetics)
by Liesl YamaguchiTreatments of synesthesia in the arts and humanities generally assume a clear distinction between the neurological condition and the literary device. Synesthetes’ descriptions of colors seen in connection with music, for example, are thought to differ fundamentally from common expressions that rely on transpositions across sensory dimensions (“bright vowels”). This has not always been the case. The distinction emerged over the course of the twentieth century, as scientists sought to constitute “synesthesia” as a legitimate object of modern science.On the Colors of Vowels investigates the ambiguity of visual descriptions of vowels across a wide range of disciplines, casting several landmark texts in a wholly new light. The book traces the migration of sound-color correspondence from its ancient host (music) to its modern one (vowels), investigating the vocalic Klangfarben of Hermann von Helmholtz’s monumental Sensations of Tone, the vowel colors reported in early psychology surveys into audition colorée (colored hearing), the mis-matched timbres that form poetry’s condition of possibility in Stéphane Mallarmé’s “Crisis of Verse,” and the vowel-color analogy central to both the universal alphabets of the nineteenth century and the phonological universals of the twentieth. The book’s final chapter turns to an intricately detailed account of vowel-color correspondence by Ferdinand de Saussure, suggesting how the linguist’s sensitivity to vowel coloration may have guided his groundbreaking study of Indo-European vocalism.Bringing out the diverse ways in which visual conceptions of vowels have inflected the arts and sciences of modernity, On the Colors of Vowels makes it possible to see how discourses of the nineteenth and twentieth centuries crafted the enigma we now readily recognize as “synesthesia.”
Veiled Sentiments: Honor and Poetry in a Bedouin Society
by Lila Abu-LughodUpdated Edition With a New Preface Lila Abu-Lughod lived with a community of Bedouins in the Western Desert of Egypt for nearly two years, studying gender relations and the oral lyric poetry through which women and young men express personal feelings. The poems are haunting, the evocation of emotional life vivid. But her analysis also reveals how deeply implicated poetry and sentiment are in the play of power and the maintenance of a system of social hierarchy. What begins as a puzzle about a single poetic genre becomes a reflection on the politics of sentiment and the relationship between ideology and human experience.
Yo le he dicho ¡sí! al amor
by Liliana Rodriguez Bernal¿Es posible sobrevivir a la locura intensa del amor? «Yo le he dicho ¡sí! al amor esculpe y ordena pensamientos, sentimientos y emociones. Su lectura, hecha pausadamente, en voz alta y con los ojos del alma nos adentra, con su ritmo y cadencia, en la danza de la imaginación poética o en los sueños de los enamorados que nos transportan a un mágico lugar, sumergiéndonos en ese mar idílico de pasiones, unas veces tranquilas y otras tormentosas, donde brotan sentimientos cual lágrimas, de felicidad o de tristeza, por aquello del amor o del desamor, de la ilusión o la melancolía, de la soledad o la compañía, de la muerte o la vida...»Miguel Bejarano Corchuelo
Negative Money
by Lillian-Yvonne BertramFrom a National Book Award nominated poet, this collection is about a life lived in the red, on the edges of great lack and great abundance, of financial and emotional marginsNegative Money follows a speaker continually coming of age while probing the binary thresholds of racial and gender identity, violence and safety, security and precarity, love and loneliness.For readers of Readers Claudia Rankine, Torrey Peters, Ocean Vuong, and Jericho Brown, NBA nominated Lillian-Yvonne Bertrams&’s poems are innovative, conceptually thoughtful work. Through experimentation and muscular lyricism, Bertram maintains a style that observes a speaker&’s attempt to understand and exert multiple identities within the binary confines of race and gender.Playing and gliding from acrostics to sonnets to maps, these compassionate, cerebral, and irreverent poems plainly recognize the larger and potentially escapable oppressive systems that dominate all of our lives by narrating the exhaustion that comes from living under constraining systems of relentless extraction, systems whose powers fracture all attempts at genuine love and intimacy.