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Acting Class: Take a Seat

by Milton Katselas

Jim Carrey, Kyle Chandler, George Clooney, Ted Danson, Kate Hudson, Justina Machado, Michelle Pfeiffer, and Tom Selleck are just some of the many celebrated actors who have benefited from the legendary acting teacher Milton Katselas. As the founder of the prestigious Beverly Hills Playhouse, Katselas was regarded by many as one of America's foremost acting teachers as well as an acclaimed director. Originally available only to students at the Beverly Hills Playhouse, Acting Class: Take a Seat presents the concepts and methods that helped lead a generation of actors to success on stage, in cinema, and on television. In this all-encompassing book, Katselas invites readers to “sit in” on the classes he taught for more than forty years. Acting Class covers in detail three concepts central to the Katselas approach: Acting, Attitude, and Administration. Katselas not only covers techniques and methods, but also includes valuable discussions on the attitudes any artist needs to fulfill their dreams.

Acting Comedy

by Christopher Olsen

Despite being roundly cited as much harder to perform than its dramatic counterpart, comic acting is traditionally seen as a performance genre that can’t be taught. At best it is often described as a skill that can only be learned "on the job" through years of practice, or given to a performer through natural talent. Acting Comedy is an effort to examine this idea more rigorously by looking at different aspects of the comic actor’s craft. Each chapter is written by an expert in a particular form—from actors and directors to teachers and standup comedians. Topics covered include: how performers work with audiences how comic texts can be enhanced through word and musical rhythm analysis how physical movements can generate comic moments and build character. This book is an invaluable resource for any performer focusing on the minute details of comic acting, even down to exactly how one delivers a joke on stage. Christopher Olsen’s unique collection of comic voices will prove essential reading for students and professionals alike.

Acting Exercises for Non-Traditional Staging: Michael Chekhov Reimagined

by Anjalee Deshpande Hutchinson

Acting Exercises for Non-Traditional Staging: Michael Chekhov Reimagined offers a new set of exercises for coaching actors when working on productions that are non-traditionally staged in arenas, thrusts, or alleys. All of the exercises are adapted from Michael Chekhov's acting technique, but are reimagined in new and creative ways that offer innovative twists for the practitioner familiar with Chekhov, and easy accessibility for the practitioner new to Chekhov. Exploring the methodology through a modern day lens, these exercises are energizing additions to the classroom and essential tools for more a vibrant rehearsal and performance.

Acting For Film

by Mel Churcher

The author uses her wide experience as an acting and voice coach an major movies to offer insights into the film acting process. She provides tasks, techniques and tips that are designed specifically for film: there's advice to make the first-time film actor feel at home on set, tips on the casting process, how to cope with auditions, on-camera techniques, schedules and shooting order, as well as specific advice from film crews to help an actor's performance. This practical workbook combines exercises and anecdotes in an informal and accessible style, making it the indispensable guide for anyone wishing to light up the silver screen.

Acting For Real: Drama Therapy Process, Technique, And Performance

by Renée Emunah

This second edition takes the reader further into the heart of using drama for healing. Dr. Emunah offers an expanded understanding of her Integrative Five Phase model, a foundational approach that embraces the wide spectrum of possibilities within the playing field of drama therapy. Grounded by compassionate clinical examples, including ones that reach over time into deep-seated issues, the book offers tools for action-oriented treatment, embodied therapeutic interventions, and creatively engaging a wide variety of clients. This comprehensive text also contains over 120 techniques, categorized by phases in the session and treatment series, and subcategorized by therapeutic objective. Process-oriented drama therapy with group and individuals, as well as performance-oriented forms, are described in vivid detail. New to the second edition is an exploration of drama therapy outside of the clinical arena, including dramatic methods in family life and parenting, and drama therapy geared toward social change.

Acting Gods, Playing Heroes, and the Interaction between Judaism, Christianity, and Greek Drama in the Early Common Era

by Courtney J. Friesen

While many ancient Jewish and Christian leaders voiced opposition to Greek and Roman theater, this volume demonstrates that by the time the public performance of classical drama ceased at the end of antiquity the ideals of Jews and Christians had already been shaped by it in profound and lasting ways. Readers are invited to explore how gods and heroes famous from Greek drama animated the imaginations of ancient individuals and communities as they articulated and reinvented their religious visions for a new era. In this study, Friesen demonstrates that Greek theater’s influence is evident within Jewish and Christian intellectual formulations, narrative constructions, and practices of ritual and liturgy. Through a series of interrelated case studies, the book examines how particular plays, through texts and performances, scenes, images, and heroic personae, retained appeal for Jewish and Christian communities across antiquity. The volume takes an interdisciplinary approach involving classical, Jewish, and Christian studies, and brings together these separate avenues of scholarship to produce fresh insights and a reevaluation of theatrical drama in relation to ancient Judaism and Christianity. Acting Gods, Playing Heroes, and the Interaction between Judaism, Christianity, and Greek Drama in the Early Common Era allows students and scholars of the diverse and evolving religious landscapes of antiquity to gain fresh perspectives on the interplay between the gods and heroes—both human and divine—of Greeks and Romans, Jews and Christians as they were staged in drama and depicted in literature.

Acting Indie: Industry, Aesthetics, and Performance (Palgrave Studies in Screen Industries and Performance)

by Cynthia Baron Yannis Tzioumakis

This book illustrates the many ways that actors contribute to American independent cinema. Analyzing industrial developments, it examines the impact of actors as writers, directors, and producers, and as stars able to attract investment and bring visibility to small-scale productions. Exploring cultural-aesthetic factors, the book identifies the various traditions that shape narrative designs, casting choices, and performance styles. The book offers a genealogy of industrial and aesthetic practices that connects independent filmmaking in the studio era and the 1960s and 1970s to American independent cinema in its independent, indie, indiewood, and late-indiewood forms. Chapters on actors’ involvement in the evolution of American independent cinema as a sector alternate with chapters that show how traditions such as naturalism, modernism, postmodernism, and Third Cinema influence films and performances.

Acting Is Believing

by Charles Mcgaw Larry D. Clark Kenneth L. Stilson

In this text, McGaw (Art Institute of Chicago School of Drama, deceased), Stilson (theater and dance, Southeast Missouri State U.) and Clark (dean emeritus, College of Arts and Sciences, U. of Missouri, Columbia) bring the traditional methods of Stanislavski in line with more contemporary schools, such as the Sanford Meisner approach.

Acting Is a Job: Real Life Lessons about the Acting Business

by Jason Pugatch

How to cope with the realities of life as an actor-if you don't laugh, you'll cry In-depth interviews with actors, agents, casting directors. In this hip, warts-and-all look at acting, author Jason Pugatch shares his insights as a working "day player" to give an unvarnished look at theater, film, and television: how to be "discovered," what to expect from training programs, the grunt work of starting a career, how to keep going despite constant rejection, and much more. Packed with myth-shattering anecdotes and told in an intriguing personal tone, Acting Is a Job is the backstage guide that every aspiring actor must read.

Acting It Out: Using Drama in the Classroom to Improve Student Engagement, Reading, and Critical Thinking

by Juliet Hart Mark Onuscheck Mary T. Christel

In Acting It Out, you’ll discover how to use drama in your ELA and social studies classrooms to boost student participation and foster critical thinking. With years of experience supervising arts integration programs in Chicago Public Schools, authors Juliet Hart, Mark Onuscheck, and Mary T. Christel offer practical advice for teachers in middle and high schools. Inside, you’ll find… Group activities to improve concentration, harness focus, and engage students of all abilities and learning styles in teamwork Close reading exercises that encourage students to think critically and build personal relationships with the text Strategies for integrating active approaches to dramatic literature, such as improvisation and scene work Ideas for using dramatic literature as a springboard for studying history and interdisciplinary studies Annotated reading lists that highlight each play’s content and recommended uses in ELA or social studies Throughout the book, you’ll also find handy tools such as reflection questions, handouts, and rubrics. By implementing the strategies in this book and allowing students to step into different roles from a text, you’ll improve reading comprehension and energize your classroom!

Acting Like a State: Kosovo and the Everyday Making of Statehood (Interventions)

by Gëzim Visoka

How do emerging states obtain international recognition and secure membership of international organisations in contemporary world politics? This book provides the first in-depth study of Kosovo’s diplomatic approach to becoming a sovereign state by obtaining international recognition and securing membership of international organisations. Analysing the everyday diplomatic discourses, performances, and entanglements, this book contends that state-becoming is not wholly determined by systemic factors, normative institutions, or the preferences of great powers; the diplomatic agency of the fledgling state plays a far more important role than is generally acknowledged. Drawing on institutional ethnographic research and first-hand observations, this book argues that Kosovo’s diplomatic success in consolidating its sovereign statehood has been the situational assemblage of multiple discourses, practiced through a broad variety of performative actions, and shaped by a complex entanglement with global assemblages of norms, actors, relations, and events. Accordingly, this book contributes to expanding our understanding of the everyday diplomatic agency of emerging states and the changing norms, politics, and practices regarding the diplomatic recognition of states and their admission to international society.

Acting Like a Women in Modern Japan: Theater, Gender, and Nationalism

by Ayako Kano

Weaving together careful readings of plays and reviews, memoirs and interviews, biographies and critical essays, Acting Like a Woman in Modern Japan traces the emergence of the first generation of modern actresses in Japan, a nation in which male actors had long dominated the public stage. What emerges is a colorful and complex picture of modern Japanese gender, theater, and nationhood. Using the lives and careers of two dominant actresses from the Meiji era, Kano reveals the fantasies, fears, and impact that women on stage created in Japan as it entered the twentieth century.

Acting Locally: Concepts and Models for Service-Learning in Environmental Studies (Service Learning In The Disciplines Ser.)

by Harold Ward

Ninth in the Service-Learning in the Disciplines Series, this book discusses the pervasive use of service-learning in environmental studies programs and explains why it often is a required part of the environmental studies curriculum. Contributors from a wide range of college and university environmental studies programs discuss the benefits and challenges these programs provide and the consequent natural fit between environmental studies and service-learning.

Acting Locally: Local Environmental Mobilizations and Campaigns (Environmental Politics)

by Christopher Rootes

Local campaigns are the most persistent and ubiquitous forms of environmental contention. National and transnational mobilisations come and go and the attention they receive from mass media ebbs and flows, but local campaigns persist. The persistence or re-emergence of local campaigns is also a reminder that it remain possible to mobilise people around environmental issues, and they have often served as sources of innovation in and re-invigoration of national organisations that have allegedly been co-opted by the powerful and incorporated into the established political and administrative system. But local environmental campaigns have been relatively neglected in the scientific literature. Drawing on examples from Britain, France, Greece, Ireland and Italy, this book seeks to redress that neglect by examining the networks among actors and organisations that connect local mobilizations to the larger environmental movement and political systems, the ways in which local disputes are framed in order to connect with national and global issues, and the persistent impacts of the peculiarities of place upon environmental campaigns. This book was previously published as a special issue of Environmental Politics

Acting My Face: A Memoir (Hollywood Legends Series)

by Estate of James

Actor Anthony James has played killers, psychopaths, and other twisted characters throughout his Hollywood career. In the summer of 1967, James made his motion picture debut as the murderer in the Academy Award-winning Best Picture, In the Heat of the Night. His role in the 1992 Academy Award-winning Best Picture, Unforgiven, culminated a unique, twenty-eight-year career. Behind his menacing and memorable face, however, is a thoughtful, gentle man, one who muses deeply on the nature of art and creativity and on the family ties that have sustained him. James's Acting My Face renders Hollywood through the eyes and experience of an established character actor. James appeared on screen with such legendary stars as Clint Eastwood, Bette Davis, Gene Hackman, and Sidney Poitier, and in such classic television shows as Gunsmoke, The Big Valley, Starsky and Hutch, Charlie's Angels, and The A-Team. Yet, it is his mother's heroic story that captures his imagination. In an odyssey which in 1940 took her and her newly wedded husband from Greece to a small southern town in America where she bore her only child, James's mother suffered the early death of her husband when James was only eight years old. In the blink of an eye, she went from grand hostess of her husband's lavish parties to hotel maid. But like the lioness she was, she fought with great ferocity and outrageous will in her relentless devotion to James's future. And so it was, that on an August morning in 1960, eighteen-year-old James and his mother took a train from South Carolina three thousand miles to Hollywood, California, to realize his dream of an acting career. They possessed only two hundred dollars, their courage, and an astonishing degree of naiveté. After his retirement in 1994, James and his mother moved to Arlington, Massachusetts, where he concentrated on his painting and poetry. His mother died in 2008 at the age of ninety-four, still a lioness protecting her beloved son. Acting My Face is an unusual memoir, one that explores the true nature of a working life in Hollywood and how aspirations and personal devotion are forged into a career.

Acting Naturally: The Magic in Great Performances

by David Thomson

From the celebrated film critic and author of The New Biographical Dictionary of Film, a fascinating look at some of the cinema&’s finest actors and how they approach their craft"Open to any page and you&’ll become enthralled by the...tales of forgotten film lore, childhood memories, sexy gossip.&”—Philip Kaufman, directorMeryl Streep, Marlon Brando, Anthony Hopkins, Carey Mulligan. When we watch these remarkable actors in a performance, we see only Sophie, Stanley Kowalski, Hannibal Lecter, or Cassie from Promising Young Woman. How are they able to transform our world in this way? How and why do they do what they do?In Acting Naturally, David Thomson sheds light on the actors who have shaped the film industry. He shrewdly analyzes these stars—among them, James Dean, Nicole Kidman, Denzel Washington, Louise Brooks, Riz Ahmed, Sir Laurence Olivier, Viola Davis, and Jean Seberg—revealing how a sly smile, an extra-long pause, even a small gesture of the hand can draw in an audience. And he takes us behind the scenes to examine casting and all the other moments leading up to &“Action!&”Through intimate anecdote, humor, and the insight born of a lifetime watching and analyzing film, Thomson explores the real reasons why we go to the movies and looks at how they influence our lives. This book is not only necessary reading for an insider&’s view of the industry but also a surprising investigation of the relationship between acting and living.

Acting Normal

by Julia Hoban

Having had a nervous breakdown brought on by repressed memories unearthed in her acting class, eighteen-year-old Stephanie tries to recover and resume a normal life.

Acting One (4th edition)

by Robert Cohen

Used to teach beginning acting on more campuses than any other text, Acting One contains twenty-eight lessons based on experiential exercises. The text covers basic skills such as talking, listening, tactical interplay, physicalizing, building scenes, and making good choices.

Acting Otherwise: The Institutionalization of Women's / Gender Studies in Taiwan's Universities (RoutledgeFalmer Studies in Higher Education)

by Peiying Chen

Acting Otherwise concerns the strategies of action that have been used by feminist scholars to attain the institutionalization of women's/gender studies in universities.

Acting Out

by Benilde Little

From the bestselling author of Good Hair and The Itch comes a novel about a modern woman living in -- and acting out -- her role as an upper-class African-American suburban wife. Ina West is caught between the life she thought she was supposed to lead and the dreams she gave up long ago. Raised by loving but imperfect parents, Ina grew up a free spirit, getting a fine education and spending her twenty-something years as a photographer in Manhattan. But when family crisis and financial burdens came her way, Ina sought comfort in the arms of Jay Robinson, a hardworking businessman who occupied the safe, privileged world of the African-American upper middle class. As Jay's wife, Ina has it all: the lavish home, the SUV, the soccer games. . . until one day Jay walks out of their marriage, leaving Ina with no one left to trust but herself. How she manages to raise three children, take up her old career, rekindle an old flame, and celebrate her newfound independence is what Acting Out is all about. By turns heartbreaking, uplifting, and wry, this novel will resonate for any woman who has struggled to find her path in life.

Acting Out

by Benilde Little

From the bestselling author of Good Hair and The Itch comes a novel about a modern woman living in -- and acting out -- her role as an upper-class African-American suburban wife.Ina West is caught between the life she thought she was supposed to lead and the dreams she gave up long ago. Raised by loving but imperfect parents, Ina grew up a free spirit, getting a fine education and spending her twenty-something years as a photographer in Manhattan. But when family crisis and financial burdens came her way, Ina sought comfort in the arms of Jay Robinson, a hardworking businessman who occupied the safe, privileged world of the African-American upper middle class.As Jay's wife, Ina has it all: the lavish home, the SUV, the soccer games...until one day Jay walks out of their marriage, leaving Ina with no one left to trust but herself. How she manages to raise three children, take up her old career, rekindle an old flame, and celebrate her newfound independence is what Acting Out is all about. By turns heartbreaking, uplifting, and wry, this novel will resonate for any woman who has struggled to find her path in life.!

Acting Out

by Katy Grant

Dear ____________________, I know I can never really tell you about my summer at Camp Pine Haven. Since nobody here knows the real me I've decided to become a new person. I've gotten a fresh start as a loud, funny girl named J.D. (So much cooler sounding than Judith Duckworth!) I've made a point of picking activities Judith would NEVER choose, finding friends Judith would never talk to, and saying things Judith would never say. I just wonder how far I'll have to go to keep up the act. Sincerely, JD

Acting Out

by Sharon Maria Bidwell

Can a kiss really change everything?Having made a very successful film together, friends and actors, Nick and Alex have to decide whether to take on another joint venture or go their separate ways creatively. Then the perfect manuscript arrives, offering financial security and the opportunity to one day run their own production company.The film is Nick’s dream, incorporating amazing effects, a wonderful script, a character every actor aspires to play with the director everyone’s begging to work with. There’s one snag: Nick and Alex will have to get rather personal on set.Nickhasto refuse but much to his surprise, Alex isn’t willing to take no for an answer. Nick eventually agrees, despite a nosy reporter and his brother turning against him. After all, it’s just pretence. It’s not as if he’s gay and wants to make out with his friend...not until Alex kisses him. Then it really gets interesting.

Acting Out

by Tibby Armstrong

Jeremy Ash, out-and-proud Hollywood hopeful, has all the makings of a mega-star. If only someone would give him a chance to finally shine. One failed audition away from leaving Tinsel Town forever, he’s given an unexpected shot at the buzz project of the year—a gay coming of age story by a famed directorKit Harris, former child actor, was once an industry darling. Now 21, he’s lucky if his own mother remembers his name. So, when he’s offered the chance to star opposite newcomer Jeremy in an edgy indie flick that promises to jumpstart his failing career, Kit’s onboard. Theoretically. That is until he meets his too-attractive co-star. The film has an astonishing lack of wardrobe, and neither actor must dig very deep to find the searing passion the director demands.During six months of filming and fame chasing, Kit gives Jeremy a crash course in Superstar-101. Jeremy, in return, gives Kit a dose of the normalcy he’s never known. Pursuing a long-term relationship is hardly the way to salvage Kit’s career. But when being with Jeremy feels so right, how long can Kit continue to pretend he’s only acting out?

Acting Out #14

by Laurie Halse Anderson

An all-new book in acclaimed author Laurie Halse Anderson's series for younger readers! Zoe is back in Ambler after living with her mom in Los Angeles, and she doesn't know what to feel about it. It's fun to be back with the Vet Volunteers, but Zoe misses her mom, who is filming a movie in Canada. Meanwhile, there seems to be a rash of animals being poisoned by antifreeze across the town, and Zoe fears that David's new adopted cat, Rover, might be one of them. So the gang works to raise awareness about antifreeze poisoning, and Zoe's mom has a special surprise in store for everyone.

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