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The Artisans: A Vanishing Chinese Village
by Shen FuyuEvoking Studs Terkel, Shen Fuyu delivers a rollicking deep dive into working life in a small village in rural China, tracing the last 100 years of history.Born in Shen Village in Southeast China, Shen Fuyu grew up in a family of farmers. Years later, Shen, now a writer, returned to his hometown to capture the village&’s rich history in the face of industrialization. Through his own childhood memories and those of his ancestors, Shen resurrects the working life of Shen Village through interlinked stories of fifteen artisans as their lives intersect over the course of a century. While Shen's view of his hometown and his heritage is tinged with nostalgia, he does not romanticize it. Nor does he sugarcoat the backbreaking difficulty of life in rural China, but he still captures its small satisfactions and joys of loving one&’s work with a great deal of care. In an acerbic, earthy and unsparing style that swings from poignancy to comedy, sometimes within a single paragraph, Shen evokes the spirits of these workers--a bamboo-weaver and his beloved bull, a carpenter&’s magical saw, the deserter who became the village lantern-maker and a rebellious woman who beats up her own kidnapper. A reflection on the vicissitudes of small-town life during the epic shift from agricultural to industrial civilization, The Artisans vividly details the hardships, friendships and communal mythmaking of a disappearing community.
The Artisans and Entrepreneurs of Dongyang County: Economic Reform and Flexible Production in China
by Terry L Cooper Yinhuo JiangThe book represents a continuation of research begun by Cooper in Hong Kong in the early 1970s among expatriate artisan furniture makers and woodcarvers from Dongyang County, Zhejiang Province. He now sets out to investigate the fate of the same craft in the hands of the same folk under totally different socio-economic conditions in their native county in communist People's Republic of China.
Artisans and Politics in Early Nineteenth-Century London: John Gast and his Times (Routledge Revivals)
by Iorwerth ProtheroFirst published in 1979, this book was the first, full-length study of working-class movements in London between 1800 and the beginnings of Chartism in the later 1830s. The leaders and rank and file in these movements were almost invariably artisans, and this book examines the position of the skilled artisan in politics. Starting from the social ideals, outlook and the experience of the London artisan, Dr Prothero describes trade union, political, co-operative, educational and intellectual movements in the first forty years of the century. Setting a scene of alternating growth and contraction in trade, successive hostile governments and the increasing articulation of working-class consciousness the author shows that artisans could be no less militant, radical or anti-capitalist than other groups of working class men.
Artisans by Design: An Odyssey of Education for Textile Artisans in India
by Judy FraterA firsthand account of the development of Kala Raksha Vidhyalaya—the first design school for traditional artisans in India—and its evolution to present-day Somaiya Kala Vidya, with personal stories of its students, their work and the school's effect on their lives and India's cultural and economic development. Somaiya Kala Vidya was conceived as a place where textile artisans in the Kutch District—a rugged arid region of western India known for its rich craft traditions—could learn design, business, and management in hands-on ways that strengthened their traditional knowledge, explore ecological methods of creating, and discover ways to connect to contemporary markets while sustaining their cultural heritage. Artisans by Design presents intimate stories of more than 20 artisans (intertwined with the author's story), detailing how their education brought them personal fulfillment, increased social and economic status, and an understanding of sustainability. Readers will learn: • How Somaiya Kala Vidya and Kala Raksha Vidhyalaya affected the lives and work of artisan students, both individually and as part of the larger craft communities of the Kutch District • The challenges and triumphs of founding, running, and maintaining the school • How outside forces—societal, political, environmental, and cultural—profoundly impacted the school and each student • And more More than 200 color photographs of the artisans and their work bring you an intimate view of this unique institution and the lives and works of its graduates.
Artisans of Glory: Writers and Historical Thought in Seventeenth-Century France
by Orest RanumRanum analyzes the canons of writing history and describes the lives and achievements of the royal French historiographers. He examines the manner in which these writers described and, in some sense, created the glory that surrounded the lives of the nobility, hoping by so doing to enhance their own glory. Through studying the careers of these men, the author demonstrates how rhetorical, ideological, and social beliefs determined the way history was written.Originally published in 1980.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
The Artist
by Michele Wallace CampanelliAfter her husband is drafted into the Air Force, Barbara meets Mr. Reaves, the town's reclusive millionaire who is rumored to have loved and murdered local debutant Bernadette. Mr. Reaves commissions Barbara to paint Bernadette's portrait in order to find closure. Barbara takes the commission but decides to assist the local sheriff in the investigation while creating a most memorable oil painting. Behind all great love is incredible pain. Theirs, Barbara discovers, was a masterpiece of dangerous secrets, complicated intrigue, and an ultimate betrayal.
The Artist: Being Iniesta
by Andrés IniestaAndrés Iniesta is the Barcelona and Spain legend, rated by the likes of Cristiano Ronaldo, Lionel Messi, Luis Suarez and Paul Scholes as one of the greatest footballers of all time. This is the thinking fan's footballer with a thinking fan's football book.Andrés Iniesta was twelve years old when scouts invited him into Barcelona's famous La Masia academy. Shortly after he joined the club, Barca legend Pep Guardiola remarked of him, 'This lad is going to retire us all.'Iniesta rapidly became a permanent fixture in the Barca midfield, propelling the club to a raft of trophies, including eight La Liga championships and four Champions League titles. With his country he has won the European Championship twice, and scored the winning goal in the 2010 World Cup final.Behind the wonderfully graceful passing and movement, and the accolades and trophies he has garnered, there exists an intelligent and thoughtful man who, until now, has let his beautifully skilful feet do the talking. In The Artist: Being Iniesta, the Spanish maestro paints a vivid self-portrait, in his own words but also in those of his coaches, team-mates, opponents, friends and family. The result is intriguing.
The Artist: Escape to Provence with the most anticipated historical novel of 2025
by Lucy SteedsBEST BOOKS for 2025 from Stylist and Good Housekeeping'Dextrous and powerful . . . a hugely accomplished portrait of ambition and self-fulfilment' Guardian'The Artist is a lush, impressive debut; the writing is rich and sensuous, especially in descriptions of food, the landscape and the act of creation. Lucy Steeds is one to watch' The Times 'A sultry, headily perfumed portrait of monstrous male egos and oppressed overlooked women . . . The Artist uncovers its secrets by stealth' Telegraph'Enthralling . . . the descriptions of the landscape, the meals they eat and the art created are so rich and evocative it's as if you're there' Good HousekeepingPROVENCE, 1920Ettie moves through the remote farmhouse, silently creating the conditions that make her uncle's artistic genius possible.Joseph, an aspiring journalist, has been invited to the house. He believes he'll make his name by interviewing the reclusive painter, the great Edouard Tartuffe.But everyone has their secrets. And, under the cover of darkness, Ettie has spent years cultivating hers.Over this sweltering summer, everyone's true colours will be revealed.Because Ettie is ready to be seen.Even if it means setting her world on fire.'Gorgeous . . . Steeped in the heat and atmosphere of 1920s Provence, this novel brims with intrigue, hope and yearning' Elizabeth Macneal, author of The Doll Factory and The Burial Plot 'Phenomenal . . . beautiful, pacey historical fiction, vividly realised. It drifts with the scent of summer, the land lit up and throbbing, the food piled high and richly painted, the paint as thick and buttery as food. I wanted to eat it. Yes, I even wanted to eat the paint. Read this book!' Seth Insua, author of Human, Animal'I could not love this beautiful novel more . . . the final chapters left me with that delicious heart-bursting feeling, full of hope and delight' Florence Knapp, author of The Names'Lucy Steeds transports the reader with her sensuous depictions of food, art, and landscape . . . an assured and atmospheric debut' Sarah Perry, author of The Essex Serpent'A furiously romantic, sun-drenched mystery . . . The Artist will leave you yearning in every sense of the word' Yael van der Wouden, author of The Safekeep'An intoxicating tale of creativity, possession and freedom. An impressively assured debut which asks questions about all those who are painted over by history' Joanna Quinn, author of The Whalebone Theatre
The Artist: Escape to Provence with the most anticipated historical novel of 2025
by Lucy Steeds'A blaze of a book, poetic, passionate and quietly powerful' Daily Mail'The year's most lauded debut novelist . . . A sultry, headily perfumed portrait of monstrous male egos and oppressed overlooked women . . . The Artist uncovers its secrets by stealth' Telegraph'Dextrous and powerful . . . a hugely accomplished portrait of ambition and self-fulfilment' Guardian'The Artist is a lush, impressive debut; the writing is rich and sensuous, especially in descriptions of food, the landscape and the act of creation. Lucy Steeds is one to watch' The Times 'This compelling, evocative debut will transport you to idyllic, sun-drenched Provence in 1920 . . . An absorbing, poetic read' Mail on Sunday'Enthralling . . . the descriptions of the landscape, the meals they eat and the art created are so rich and evocative it's as if you're there' Good Housekeeping**BEST BOOKS FOR 2025 from Stylist and Good Housekeeping**PROVENCE, 1920Ettie moves through the remote farmhouse, silently creating the conditions that make her uncle's artistic genius possible.Joseph, an aspiring journalist, has been invited to the house. He believes he'll make his name by interviewing the reclusive painter, the great Edouard Tartuffe.But everyone has their secrets. And, under the cover of darkness, Ettie has spent years cultivating hers.Over this sweltering summer, everyone's true colours will be revealed.Because Ettie is ready to be seen.Even if it means setting her world on fire.'Gorgeous . . . Steeped in the heat and atmosphere of 1920s Provence, this novel brims with intrigue, hope and yearning' Elizabeth Macneal, author of The Doll Factory and The Burial Plot 'Phenomenal . . . beautiful, pacey historical fiction, vividly realised. It drifts with the scent of summer, the land lit up and throbbing, the food piled high and richly painted, the paint as thick and buttery as food. I wanted to eat it. Yes, I even wanted to eat the paint. Read this book!' Seth Insua, author of Human, Animal'I could not love this beautiful novel more . . . the final chapters left me with that delicious heart-bursting feeling, full of hope and delight' Florence Knapp, author of The Names'Lucy Steeds transports the reader with her sensuous depictions of food, art, and landscape . . . an assured and atmospheric debut' Sarah Perry, author of The Essex Serpent'A furiously romantic, sun-drenched mystery . . . The Artist will leave you yearning in every sense of the word' Yael van der Wouden, author of The Safekeep'An intoxicating tale of creativity, possession and freedom. An impressively assured debut which asks questions about all those who are painted over by history' Joanna Quinn, author of The Whalebone Theatre
The Artist
by Ed VereA brave little artist goes on an epic adventure to share her creativity with the world in this picture book from New York Times bestselling author-illustrator Ed Vere. It's an inspiring exploration of the creative spirit, perfect for fans of What Do You Do with an Idea? and The Dot.Creative young children will see themselves and the world around them in a fresh light in this charming story about an artistic soul. Through setbacks and triumphs, our young hero adds color and life to a drab gray city, bringing beauty to those who live there. It's a journey that reminds us that it's okay to color outside the lines: Art is full of heart! The Artist is a perfect gift for creative kids, graduates, or anyone setting out on a new path, encouraging them to face life&’s obstacles with a positive outlook.
The Artist and Academia (SEMPRE Studies in The Psychology of Music)
by Helen PhelanThe Artist and Academia explores the relationship between artistic and academic ways of knowing. Historically, these have often been presented as opposites; the former characterized as passionate and intuitive and the latter portrayed as systematic and rigorous. Recent scholarship presents a more complex picture. Artistic knowledge demands high levels of skill and rigor, while academic research requires creativity and innovative thinking. This edited collection brings together leading artists and scholars (as well as artist-scholars) to offer a variety of philosophical, educational, experiential, reflexive and imaginative perspectives on the artist and academia. The contributions include in-depth, scholarly discussions on the nature of knowledge and creativity, as well as personal artistic statements from musicians, dancers, actors and writers. Additionally, it explores both the mediational and subversive spaces created by the meeting of artistic and academic traditions. While the book addresses global themes by global writers, its core case study is an educational experiment called the Irish World Academy of Music and Dance at the University of Limerick in Ireland. Established in 1994, it set out to reconfigure the place of the artist in the context of contemporary higher education. The material is clustered into three parts. Part One and Part Two explore the artist as mediator, educator and subversive in academia. Grounded in close-to-practice research, Part Three concludes the volume with a set of case studies from the Irish World Academy. Artistic and academic knowledge come together in this unique set of pieces to explore the development of more inclusive and imaginative pedagogical values.
The Artist and the Bridge: 1700-1920 (Routledge Revivals)
by John SweetmanFirst published in 1999, this book explores how, from the stone bridges of neoclassicism which soar out of wild woods to span pastoral valleys to the post-1750 engineer’s bridge with its links to the more industrial landscape, the bridge was a popular feature in painting throughout the period 1700-1920. Why did so many artists choose to portray bridges? In this lavishly illustrated and intriguing book, John Sweetman seeks to answer this question. He traces the history of the bridge in painting and printmaking through a vast range of work, some as familiar as William Etty’s The Bridge of Sighs and Claude Monet’s The Railway Bridge at Argenteuil and others less well known such as Wassily Kandinsky’s Composition IV and C.R.W. Nevinson’s Looking Through the Brooklyn Bridge. Distinctive characteristics emerge revealing the complex role of the bridge as both symbol and metaphor, and as a place of vantage, meeting and separation.
The Artist and the Eternal City: Bernini, Pope Alexander VII, and The Making of Rome
by Loyd GrossmanThis brilliant vignette of seventeenth-century Rome, its Baroque architecture, and its relationship to the Catholic Church brings to life the friendship between a genius and his patron with an ease of writing that is rare in art history.By 1650, the spiritual and political power of the Catholic Church was shattered. Thanks to the twin blows of the Protestant Reformation and the Thirty Years War, Rome—celebrated both as the Eternal City and Caput Mundi (the head of the world)—had lost its preeminent place in Europe. Then a new Pope, Alexander VII, fired with religious zeal, political guile, and a mania for creating new architecture, determined to restore the prestige of his church by making Rome the key destination for Europe's intellectual, political, and cultural elite. To help him do so, he enlisted the talents of Gianlorenzo Bernini, already celebrated as the most important living artist—no mean feat in the age of Rubens, Rembrandt, and Velazquez.
The Artist and the Feast
by Lucy SteedsLonglisted for the 2025 Women's Prize for Fiction, The Artist and the Feast is a captivating novel of love, art, food, desire and thwarted ambition, which builds propulsively over one scorching French summer in 1920s Provence. During a scorching summer in 1920s Provence, a young journalist, Joseph Adelaide, turns up at the farmhouse of reclusive artist Edouard Tartuffe, hoping to write an article about him. There, he meets Ettie, Tartuffe&’s niece, who appears to do everything for her uncle—from cooking and cleaning to catering to his maniacal moods. Joseph is beguiled by where he finds himself, not just by this foreign place or Tartuffe himself, but by Ettie, who watches everything so quietly from the periphery. Both Joseph and Ettie carry scars from their pasts and it&’s as they get to know each other that they start to lay bare those scars to themselves and to each other. As the summer wears on, and as new ideas and passions are explored, Joseph, Ettie, and Tartuffe are propelled toward a finale that reveals long-held secrets and sets the world on fire.Fans of Sarah Winman&’s Still Life and Paula McClain&’s The Paris Wife will be enchanted by this compelling novel.
The Artist and the Mathematician
by Amir AczelNicolas Bourbaki, whose mathematical publications began to appear in the late 1930s and continued to be published through most of the twentieth century, was a direct product as well as a major force behind an important revolution that took place in the early decades of the twentieth century that completely changed Western culture. Pure mathematics, the area of Bourbaki's work, seems on the surface to be an abstract field of human study with no direct connection with the real world. In reality, however, it is closely intertwined with the general culture that surrounds it. Major developments in mathematics have often followed important trends in popular culture; developments in mathematics have acted as harbingers of change in the surrounding human culture. The seeds of change, the beginnings of the revolution that swept the Western world in the early decades of the twentieth century -- both in mathematics and in other areas -- were sown late in the previous century. This is the story both of Bourbaki and the world that created him in that time. It is the story of an elaborate intellectual joke -- because Bourbaki, one of the foremost mathematicians of his day -- never existed.
Artist Animal (Posthumanities #25)
by Steve BakerAnimals have always been compelling subjects for artists, but the rise of animal advocacy and posthumanist thought has prompted a reconsideration of the relationship between artist and animal. In this book, Steve Baker examines the work of contemporary artists who directly confront questions of animal life, treating animals not for their aesthetic qualities or as symbols of the human condition but rather as beings who actively share the world with humanity.The concerns of the artists presented in this book—Sue Coe, Eduardo Kac, Lucy Kimbell, Catherine Chalmers, Olly and Suzi, Angela Singer, Catherine Bell, and others—range widely, from the ecological to the philosophical and from those engaging with the modification of animal bodies to those seeking to further the cause of animal rights. Drawing on extensive interviews he conducted with the artists under consideration, Baker explores the vital contribution that contemporary art can make to a broader conception of animal life, emphasizing the importance of creativity and trust in both the making and understanding of these artworks.Throughout, Baker is attentive to issues of practice, form, and medium. He asks, for example, whether the animal itself could be said to be the medium in which these artists are working, and he highlights the tensions between creative practice and certain kinds of ethical demands or expectations. Featuring full-color, vivid examples of their work, Artist Animal situates contemporary artists within the wider project of thinking beyond the human, asserting art&’s power to open up new ways of thinking about animals.
The Artist as Animal in Nineteenth-Century French Literature (Palgrave Studies in Animals and Literature)
by Claire NettletonThe Artist as Animal in Nineteenth-Century French Literature traces the evolution of the relationship between artists and animals in fiction from the Second Empire to the fin de siècle. This book examines examples of visual literature, inspired by the struggles of artists such as Edouard Manet and Vincent van Gogh. Edmond and Jules de Goncourt’s Manette Salomon (1867), Émile Zola’s Therèse Raquin (1867), Jules Laforgue’s “At the Berlin Aquarium” (1895) and “Impressionism” (1883), Octave Mirbeau’s In the Sky (1892-1893) and Rachilde’s L’Animale (1893) depict vanguard painters and performers as being like animals, whose unique vision revolted against stifling traditions. Juxtaposing these literary works with contemporary animal theory (McHugh, Deleuze, Guattari and Derrida), zoo studies (Berger, Rothfels and Lippit) and feminism (Donovan, Adams and Haraway), Claire Nettleton explores the extent to which the nineteenth-century dissolution of the human subject contributed to a radical, modern aesthetic. Utilizing these interdisciplinary methodologies, Nettleton argues that while inducing anxiety regarding traditional humanist structures, the “artist-animal,” an embodiment of artistic liberation within an urban setting, is, at the same time, a paradigmatic trope of modernity.
Artist as Author: Action and Intent in Late-Modernist American Painting
by Christa Noel RobbinsWith Artist as Author, Christa Noel Robbins provides the first extended study of authorship in mid-20th century abstract painting in the US. Taking a close look at this influential period of art history, Robbins describes how artists and critics used the medium of painting to advance their own claims about the role that they believed authorship should play in dictating the value, significance, and social impact of the art object. Robbins tracks the subject across two definitive periods: the “New York School” as it was consolidated in the 1950s and “Post Painterly Abstraction” in the 1960s. Through many deep dives into key artist archives, Robbins brings to the page the minds and voices of painters Arshile Gorky, Jack Tworkov, Helen Frankenthaler, Kenneth Noland, Sam Gilliam, and Agnes Martin along with those of critics such as Harold Rosenberg and Rosalind Krauss. While these are all important characters in the polemical histories of American modernism, this is the first time they are placed together in a single study and treated with equal measure, as peers participating in the shared late modernist moment.
Artist as Author: Action and Intent in Late-Modernist American Painting
by Christa Noel RobbinsWith Artist as Author, Christa Noel Robbins provides the first extended study of authorship in mid-20th century abstract painting in the US. Taking a close look at this influential period of art history, Robbins describes how artists and critics used the medium of painting to advance their own claims about the role that they believed authorship should play in dictating the value, significance, and social impact of the art object. Robbins tracks the subject across two definitive periods: the “New York School” as it was consolidated in the 1950s and “Post Painterly Abstraction” in the 1960s. Through many deep dives into key artist archives, Robbins brings to the page the minds and voices of painters Arshile Gorky, Jack Tworkov, Helen Frankenthaler, Kenneth Noland, Sam Gilliam, and Agnes Martin along with those of critics such as Harold Rosenberg and Rosalind Krauss. While these are all important characters in the polemical histories of American modernism, this is the first time they are placed together in a single study and treated with equal measure, as peers participating in the shared late modernist moment.
The Artist As Critic: Critical Writings of Oscar Wilde
by Richard EllmannOscar Wilde, although most commonly known as a playright, was also a critic. The Artist as Critic is a wide selection of Wilde's book reviews as well as famous longer works such as "The Portrait of Mr. W.H.," "The Soul Man under Socialism," and the four essays which make up Intentions.
The Artist as Monster: The Cinema of David Cronenberg
by William BeardPAPERBACK INCLUDES TWO NEW CHAPTERSDavid Cronenberg is one of the most fascinating filmmakers in the world today. His provocative work has stimulated debate and received major retrospectives in museums, galleries, and cinematheques around the world. William Beard's The Artist as Monster was the first book-length scholarly work in English on Cronenberg's films, analyzing all of his features from Stereo (1969) to Crash (1996). In this paperback edition, Beard includes new chapters on eXistenZ (1999) and Spider (2002).Through close readings and visual analyses, Beard argues that the structure of Cronenberg's cinema is based on a dichotomy between, on the one hand, order, reason, repression, and control, and on the other, liberation, sexuality, disease, and the disintegration of self and of the boundaries that define society. The instigating figure in the films is a scientist character who, as Cronenberg evolves as a filmmaker, gradually metamorphoses into an artist, with the ground of liberation and catastrophe shifting from experimental subject to the self.Bringing a wealth of analytical observation and insight into Cronenberg's films, Beard's sweeping, comprehensive work has established the benchmark for the study of one of Canada's best-known filmmakers.
The Artist as Producer: Russian Constructivism in Revolution
by Maria GoughThe Artist as Producer reshapes our understanding of the fundamental contribution of the Russian avant-garde to the development of modernism. Focusing on the single most important hotbed of Constructivist activity in the early 1920s--the Institute of Artistic Culture (INKhUK) in Moscow--Maria Gough offers a powerful reinterpretation of the work of the first group of artists to call themselves Constructivists. Her lively narrative ranges from famous figures such as Aleksandr Rodchenko to others who are much less well known, such as Karl Ioganson, a key member of the state-funded INKhUK whose work paved the way for an eventual dematerialization of the integral art object. Through the mining of untapped archives and collections in Russia and Latvia and a close reading of key Constructivist works, Gough highlights fundamental differences among the Moscow group in their handling of the experimental new sculptural form--the spatial construction--and of their subsequent shift to industrial production. The Artist as Producer upends the standard view that the Moscow group's formalism and abstraction were incompatible with the sociopolitical imperatives of the new Communist state. It challenges the common equation of Constructivism with functionalism and utilitarianism by delineating a contrary tendency toward non-determinism and an alternate orientation to process rather than product. Finally, the book counters the popular perception that Constructivism failed in its ambition to enter production by presenting the first-ever case study of how a Constructivist could, and in fact did, operate within an industrial environment. The Artist as Producer offers provocative new perspectives on three critical issues--formalism, functionalism, and failure--that are of central importance to our understanding not only of the Soviet phenomenon but also of the European vanguards more generally.
Artist, Audience, Accomplice: Ethics and Authorship in Art of the 1970s and 1980s
by Sydney StutterheimIn Artist, Audience, Accomplice, Sydney Stutterheim introduces a new figure into the history of performance art and related practices of the 1970s and 1980s: the accomplice. Occupying roles including eyewitness, romantic partner, studio assistant, and documenter, this figure is situated between the conventional subject positions of the artist and the audience. The unseen and largely unacknowledged contributions of such accomplices exceed those performed by a typical audience because they share in the responsibility for producing artworks that entail potential ethical or legal transgressions. Stutterheim analyzes the art of Chris Burden, Hannah Wilke, Martin Kippenberger, and Lorraine O’Grady, showing how each cannily developed strategies of shared culpability that evoked questions about the accomplice’s various rights and roles. In this way, Stutterheim argues that the artist’s authority is not sovereign, total, or exclusive but, rather, fluid and relational. By examining the development of an alternative model of participatory art that relies on a network of accomplices, Stutterheim radically revises current understandings of artistic agency, aesthetic property, and acknowledged authorship.
The Artist: Being Iniesta
by Andrés IniestaAndrés Iniesta is the Barcelona and Spain legend, rated by the likes of Cristiano Ronaldo, Lionel Messi, Luis Suarez and Paul Scholes as one of the greatest footballers of all time. This is the thinking fan's footballer with a thinking fan's football book.Andrés Iniesta was twelve years old when scouts invited him into Barcelona's famous La Masia academy. Shortly after he joined the club, Barca legend Pep Guardiola remarked of him, 'This lad is going to retire us all.'Iniesta rapidly became a permanent fixture in the Barca midfield, propelling the club to a raft of trophies, including eight La Liga championships and four Champions League titles. With his country he has won the European Championship twice, and scored the winning goal in the 2010 World Cup final.Behind the wonderfully graceful passing and movement, and the accolades and trophies he has garnered, there exists an intelligent and thoughtful man who, until now, has let his beautifully skilful feet do the talking. In The Artist: Being Iniesta, the Spanish maestro paints a vivid self-portrait, in his own words but also in those of his coaches, team-mates, opponents, friends and family. The result is intriguing.
The Artist: Being Iniesta
by Andrés IniestaAndrés Iniesta is the Barcelona and Spain legend, rated by the likes of Cristiano Ronaldo, Lionel Messi, Luis Suarez and Paul Scholes as one of the greatest footballers of all time. This is the thinking fan's footballer with a thinking fan's football book.Andrés Iniesta was twelve years old when scouts invited him into Barcelona's famous La Masia academy. Shortly after he joined the club, Barca legend Pep Guardiola remarked of him, 'This lad is going to retire us all.'Iniesta rapidly became a permanent fixture in the Barca midfield, propelling the club to a raft of trophies, including eight La Liga championships and four Champions League titles. With his country he has won the European Championship twice, and scored the winning goal in the 2010 World Cup final.Behind the wonderfully graceful passing and movement, and the accolades and trophies he has garnered, there exists an intelligent and thoughtful man who, until now, has let his beautifully skilful feet do the talking. In The Artist: Being Iniesta, the Spanish maestro paints a vivid self-portrait, in his own words but also in those of his coaches, team-mates, opponents, friends and family. The result is intriguing.(P)2016 Headline Digital