- Table View
- List View
Apocalypse Stories to Scare Your Socks Off! (Stories To Scare Your Socks Off! Ser.)
by Michael Dahl Laurie S. Sutton Megan Atwood Benjamin HarperA teeth-chattering collection of apocalypse stories for young horror fans! THIS IS NOT A DRILL! The stories in this book will SCARE YOUR SOCKS OFF! Will a deadly beast invade a family’s end-of-the-world bunker? Can anyone stop alien spiders from taking over planet Earth? Is drinking water turning humans into a horde of drooling monsters? Discover the answers to these creepy questions and more in this collection of eight apocalypse stories that’ll have you running for cover. Featuring four scream-worthy horror writers—including bestselling author Michael Dahl—this anthology is an absolute must-have for your next campout, sleepover, or Halloween party. Perfect for fans of genre classics—such as Scary Stories to Tell in the Dark and R.L. Stine’s Goosebumps series—and any seeker of nightmare-fuel. Other Stories to Scare Your Socks Off! Cryptid Stories to Scare Your Socks Off! Monster Stories to Scare Your Socks Off! Ghost Stories to Scare Your Socks Off! Sorcery Stories to Scare Your Socks Off! Zombie Stories to Scare Your Socks Off! Paranormal Stories to Scare Your Socks Off! Vampire Stories to Scare Your Socks Off!
Apocalypse Then: American Intellectuals and the Vietnam War, 1954-1975
by Robert R. TomesPrior to the Vietnam war, American intellectual life rested comfortably on shared assumptions and often common ideals. Intellectuals largely supported the social and economic reforms of the 1930s, the war against Hitler's Germany, and U.S. conduct during the Cold War. By the early 1960s, a liberal intellectual consensus existed. The war in Southeast Asia shattered this fragile coalition, which promptly dissolved into numerous camps, each of which questioned American institutions, values, and ideals. Robert R. Tomes sheds new light on the demise of Cold War liberalism and the development of the New Left, and the steady growth of a conservatism that used Vietnam, and anti-war sentiment, as a rallying point. Importantly, Tomes provides new evidence that neoconservatism retreated from internationalism due largely to Vietnam, only to regroup later with substantially diminished goals and expectations. Covering vast archival terrain, Apocalypse Then stands as the definitive account of the impact of the Vietnam war on American intellectual life.
Apocalypse Then: Stories
by Rick DemarinisDespite the world's insecurities, the most common drama of all is not of apocalypse now, but of apocalypse deferred; the pain of living is having to wait it out. In Apocalypse Then, DeMarinis's characters try alcohol, they try travel, and (most of all) they try off-limits love. They find themselves in harm's way, or put themselves there--but in life, as the title story states, "sometimes the worst doesn't happen."
Apocalypse Then: The Evolution of the North Atlantic Economy and the Global Crisis
by Tamim Bayoumi Trung BuiA report from the International Monetary Fund.
Apocalypse Unborn (Deathlands #82)
by James AxlerBlack Flame. Reborn primeval in the fires of thermonuclear hell, America's aftermath is one of manifest evil, savage endurance and lingering hope. Traversing the lawless continent on a journey without destination, Ryan Cawdor seeks humanity in an inhuman world. In the Deathlands, life is cheap, death is free and survival demands the highest price of all. Circus of Blood. Magus is a steel-eyed cybernetic sociopath whose bloodlust knows no bounds. Now, the savage Pacific isles above a long-submerged Southern California are his new arena. Ryan wants a second chance to chill Magus once and for all. But as the ringmaster of torture orchestrates his magnum opus, a stunning sideshow is under way. PreDark whitecoats believe they have found the key to turn back time and intercept the deed that erased human history.
Apocalypse Unseen
by James AxlerFar in the future, mankind endures the relentless onslaught of alien oppressors, an ancient battle whose tide has begun to turn through the efforts of the Cerberus rebels. This remarkable band of warriors fights an elusive enemy, traveling through dangerous portals of time and space, where reality and un-reality collide in stunning, deadly purpose…
Apocalypse Yesterday: A Novel
by Brock AdamsWith his best and craziest days behind him, a Florida call center employee struggles through mind-numbing drudgery day after day--but he just might have a way to reclaim the madness and his former life.The zombie apocalypse is over. The humans have won. Life is back to normal. And Rip is bored as hell. It's not much of a life sitting in a call center in the poor town of Spanish Shanty, Florida, answering emails like a drone and listening to customer complaints. Rip was ruler of a tiny kingdom in the Lazy River waterpark, killing zombies by day and making passionate love at night. He misses the danger, the camaraderie, and the blistering love he once knew. He longs to feel Santana--his trusty machete--in his hand, and Davia--the fiercest woman alive--in his arms once again. He can still picture it-- life on the razor's edge--and he would do anything to get that feeling back.But what if Rip could get it back? He's totally desperate. Not normal desperate--more like ready-to-restart-the-apocalypse desperate. Condemning humanity to a repeat merely for an adrenaline rush is probably not a good idea. But life at the call center is nothing more than a slow death, and Rip might not be able to go on without trying to find out.
Apocalypse against Empire: Theologies of Resistance in Early Judaism
by Anathea E. Portier-YoungA fresh and daring take on ancient apocalyptic books. The year 167 b.c.e. marked the beginning of a period of intense persecution for the people of Judea, as Seleucid emperor Antiochus IV Epiphanes attempted — forcibly and brutally — to eradicate traditional Jewish religious practices. In Apocalypse against Empire Anathea Portier-Young reconstructs the historical events and key players in this traumatic episode in Jewish history and provides a sophisticated treatment of resistance in early Judaism. Building on a solid contextual foundation, Portier-Young argues that the first Jewish apocalypses emerged as a literature of resistance to Hellenistic imperial rule. She makes a sturdy case for this argument by examining three extant apocalypses, giving careful attention to the interplay between social theory, history, textual studies, and theological analysis. In particular, Portier-Young contends, the book of Daniel, the Apocalypse of Weeks, and the Book of Dreams were written to supply an oppressed people with a potent antidote to the destructive propaganda of the empire — renewing their faith in the God of the covenant and answering state terror with radical visions of hope..
Apocalypse and Anti-Catholicism in Seventeenth-Century English Drama
by Adrian StreeteThis book examines the many and varied uses of apocalyptic and anti-Catholic language in seventeenth-century English drama. Adrian Streete argues that this rhetoric is not simply an expression of religious bigotry, nor is it only deployed at moments of political crisis. Rather, it is an adaptable and flexible language with national and international implications. It offers a measure of cohesion and order in a volatile century. By rethinking the relationship between theatre, theology and polemic, Streete shows how playwrights exploited these connections for a diverse range of political ends. Chapters focus on playwrights like Marston, Middleton, Massinger, Shirley, Dryden and Lee, and on a range of topics including imperialism, reason of state, commerce, prostitution, resistance, prophecy, church reform and liberty. Drawing on important recent work in religious and political history, this is a major re-interpretation of how and why religious ideas are debated in the early modern theatre.
Apocalypse and Golden Age: The End of the World in Greek and Roman Thought
by Christopher StarHow did the ancient Greeks and Romans envision the end of the world?What is the long-term future of the human race? Will the world always remain as it is or will it undergo a catastrophic change? What role do the gods, human morality, and the forces of nature play in bringing about the end of the world? In Apocalypse and Golden Age, Christopher Star reveals the answers that Greek and Roman authors gave to these questions. The first large-scale investigation of the various scenarios for the end of the world in classical texts, this book demonstrates that key thinkers often viewed their world as shaped by catastrophe. Star focuses on how this theme was explored over the centuries in the works of poets, such as Hesiod, Vergil, Ovid, and Lucan, and by philosophers, including the Presocratics, Plato, Epicurus, Lucretius, Cicero, and Seneca. With possibilities ranging from periodic terrestrial catastrophes to the total dissolution of the world, these scenarios address the ultimate limits that define human life and institutions, and place humanity in the long perspective of cosmic and natural history. These texts also explore various options for the rebirth of society after world catastrophe, such as a return of the Golden Age or the redevelopment of culture and political institutions. Greek and Roman visions of the end, Star argues, are not calls to renounce this world and prepare for a future kingdom. Rather, they are set within larger investigations that examine and seek to improve personal and political life in the present. Contextualizing classical thought about the apocalypse with biblical studies, Star shows that the seeds of our contemporary anxieties about globalization, politics, and technology were sown during the Roman period. Even the prevalent link between an earthly leader and the beginning of the end times can be traced back to Greek and Roman rulers, the emperor Nero in particular. Apocalypse and Golden Age enriches our understanding of apocalyptic thought.
Apocalypse and Reform from Late Antiquity to the Middle Ages
by James T. Palmer Matthew GabrieleApocalypse and Reform from Late Antiquity to the Middle Ages provides a range of perspectives on what reformist apocalypticism meant for the formation of Medieval Europe, from the Fall of Rome to the twelfth century. It explores and challenges accepted narratives about both the development of apocalyptic thought and the way it intersected with cultures of reform to influence major transformations in the medieval world. Bringing together a wealth of knowledge from academics in Britain, Europe and the USA this book offers the latest scholarship in apocalypse studies. It consolidates a paradigm shift, away from seeing apocalypse as a radical force for a suppressed minority, and towards a fuller understanding of apocalypse as a mainstream cultural force in history. Together, the chapters and case studies capture and contextualise the variety of ideas present across Europe in the Middle Ages and set out points for further comparative study of apocalypse across time and space. Offering new perspectives on what ideas of ‘reform’ and ‘apocalypse’ meant in Medieval Europe, Apocalypse and Reform from Late Antiquity to the Middle Ages provides students with the ideal introduction to the study of apocalypse during this period.
Apocalypse and the Millennium in the American Civil War Era: Radical Movements in the Southwest, 1895--1943 (Conflicting Worlds: New Dimensions of the American Civil War)
by Mark A. Noll Jennifer Graber Ryan Cordell Edward J. Blum Robert Nelson Nina Reid-Maroney Jason Phillips Zachary W. Dresser Charles Irons Joseph Moore Matthew Harper Ben Wright Scott NesbitIn the Civil War era, Americans nearly unanimously accepted that humans battled in a cosmic contest between good and evil and that God was directing history toward its end. The concept of God's Providence and of millennialism -- Christian anticipations of the end of the world -- dominated religious thought in the nineteenth century. During the tumultuous years immediately prior to, during, and after the war, these ideas took on a greater importance as Americans struggled with the unprecedented destruction and promise of the period. Scholars of religion, literary critics, and especially historians have acknowledged the presence of apocalyptic thought in the era, but until now, few studies have taken the topic as their central focus or examined it from the antebellum period through Reconstruction. By doing so, the essays in Apocalypse and the Millennium in the American Civil War Era highlight the diverse ways in which beliefs about the end times influenced nineteenth-century American lives, including reform culture, the search for meaning amid the trials of war, and the social transformation wrought by emancipation. Millennial zeal infused the labor of reformers and explained their successes and failures as progress toward an imminent Kingdom of God. Men and women in the North and South looked to Providence to explain the causes and consequences of both victory and defeat, and Americans, black and white, experienced the shock waves of emancipation as either a long-prophesied jubilee or a vengeful punishment. Religion fostered division as well as union, the essays suggest, but while the nation tore itself apart and tentatively stitched itself back together, Americans continued looking to divine intervention to make meaning of the national apocalypse. Contributors:Edward J. BlumRyan CordellZachary W. DresserJennifer GraberMatthew HarperCharles F. IronsJoseph MooreRobert K. NelsonScott Nesbit Jason PhillipsNina Reid-MaroneyBen Wright
Apocalypse and/or Metamorphosis
by Norman O. BrownHere is the final volume of Norman O. Brown's trilogy on civilization and its discontents, on humanity's long struggle to master its instincts and the perils that attend that denial of human nature. Following on his famous books Life Against Death and Love's Body, this collection of eleven essays brings Brown's thinking up to 1990 and the fall of Communism in Eastern Europe.Brown writes that "the prophetic tradition is an attempt to give direction to the social structure precipitated by the urban revolution; to resolve its inherent contradictions; to put an end to its injustice, inequality, anomie, the state of war . . . that has been its history from start to finish." Affiliating himself with prophets from Muhammad to Blake and Emerson, Brown offers further meditations on what's wrong with Western civilization and what we might do about it. Thus the duality in his title: crisis and the hope for change. In pieces both poetic and philosophical, Brown's attention ranges over Greek mythology, Islam, Spinoza, and Finnegan's Wake. The collection includes an autobiographical essay musing on Brown's own intellectual development. The final piece, "Dionysus in 1990," draws on Freud and the work of Georges Bataille to link the recent changes in the world's economies with mankind's primordial drive to accumulation, waste, and death.
Apocalypse as Holy War: Divine Politics and Polemics in the Letters of Paul (The Anchor Yale Bible Reference Library)
by Emma WassermanPrevailing theories of apocalypticism assert that in a world that rebels against God, a cataclysmic battle between good and evil is needed to reassert God’s dominion. Emma Wasserman, a rising scholar of early Christian history, challenges this interpretation and reframes Paul’s apocalyptic texts as myths about politics in the world of divinity. Wasserman argues that the most dominant historical-critical theories about Christian apocalypticism are ahistorical and tend to work with apologetic formulations of Christ’s victory and the uniqueness of Christianity. Assessing Paul’s claims about immanent war, divine enemies, and the transformation that will accompany Christ’s return, Wasserman sees him as envisioning a single, righteously ruled cosmic kingdom, the true nature of which will soon be revealed to all. A major scholarly contribution that ranges across Mediterranean and West Asian religious thought, this volume has broad implications for understanding Paul’s myth of heroic submission as well as his most distinctive ethical teachings.
Apocalypse for Beginners
by Nicolas DicknerFrom the author of Canada Reads winner Nikolski comes a sweet, smart and occasionally surreal romantic comedy, featuring two young friends who could become lovers -- if only one of them hadn't convinced herself that the end of the world is nigh.The Randall family was always a little strange. For generations, each member receives a prophetic vision of the apocalypse -- but always on a different date. When the End of Days fails to materialize, yet another Randall goes mad.In the summer of 1989, Hope Randall's mother, in an attempt to forestall the latest imminent apocalypse, loads up the Lada and heads west from Yarmouth. After their car dies in Rivière-du-Loup, the mother and daughter put down roots, as yet another day of reckoning comes and goes.Mickey Bauermann has never seen the likes of the red-headed wonder that is Hope, whose idea of a good time is spending Friday nights watching David Suzuki reveal the mysteries of science on TV. The Bauermann family has been in the concrete business for generations, but Mickey has other ideas of what he wants to do with his life. For now, he spends every available second with Hope, whose mother has become increasingly unhinged. The teens take refuge in Mickey's bungalow basement, aka The Bunker, where they watch the twentieth century crumble and transform on the small screen.But when Hope's destiny as a Randall is revealed by chance -- and by a bomb shelter's worth of ramen noodles -- the time for hiding out is past. For Hope, the only way to deal with the end of the world is to confront it head on. The journey begins...From the Trade Paperback edition.
Apocalypse in American Literature and Culture (Cambridge Themes in American Literature and Culture)
by John HayThe idea of America has always encouraged apocalyptic visions. The 'American Dream' has not only imagined the prospect of material prosperity; it has also imagined the end of the world. 'Final forecasts' constitute one of America's oldest literary genres, extending from the eschatological theology of the New England Puritans to the revolutionary discourse of the early republic, the emancipatory rhetoric of the Civil War, the anxious fantasies of the atomic age, and the doomsday digital media of today. For those studying the history of America, renditions of the apocalypse are simply unavoidable. This book brings together two dozen essays by prominent scholars that explore the meanings of apocalypse across different periods, regions, genres, registers, modes, and traditions of American literature and culture. It locates the logic and rhetoric of apocalypse at the very core of American literary history.
Apocalypse in British Art and Visual Culture in the Early Twentieth Century: Some Revelation (Routledge Research in Art History)
by Thomas BromwellThis book is the first substantial study of the presence and relationship with the concepts of apocalypse, eschatology, and millennium in modern British art from 1914 to 1945, addressing how and why practitioners in both religious and secular spheres turned to the subjects.The volume examines British art and visual culture’s relationship with the then-contemporary anxieties and hopes regarding the orientation of society and culture, arguing that there is an acute relationship to the particular forms of cultural discourse of eschatology, apocalypse, and millennium. Chapters identify the continued relevance of religion and religious themes in British art during the period, and demonstrate that eschatology, apocalypse, and millennium were thriving and surprisingly mainstream concepts in the period that remained vital in early to mid-twentieth-century society and culture.This book is a research monograph aimed at an audience of scholars and graduate students already familiar with the core focus of modern British art and cultural histories, especially those working on the late nineteenth and early twentieth centuries, or the concepts of apocalypse, eschatology, and millennium in Theology, Sociology, or other disciplinary settings. It will also be of interest to scholars and students working on war and visual culture, or histories of imperialism.It will benefit scholars of early twentieth-century British art, demonstrating the intersection of art and religion in the modern era, and critically qualifies the standard secular canon and narrative of modern British art, and the general neglect of religion in existing art-historical literature.
Apocalypse in Contemporary Japanese Science Fiction
by Motoko TanakaStarting with the history of apocalyptic tradition in the West and focusing on modern Japanese apocalyptic science fiction in manga, anime, and novels, Motoko Tanaka shows how science fiction reflected and coped with the devastation in Japanese national identity after 1945.
Apocalypse of Truth: Heideggerian Meditations
by Jean VioulacWe inhabit a time of crisis—totalitarianism, environmental collapse, and the unquestioned rule of neoliberal capitalism. Philosopher Jean Vioulac is invested in and worried by all of this, but his main concern lies with how these phenomena all represent a crisis within—and a threat to—thinking itself. In his first book to be translated into English, Vioulac radicalizes Heidegger’s understanding of truth as disclosure through the notion of truth as apocalypse. This “apocalypse of truth” works as an unveiling that reveals both the finitude and mystery of truth, allowing a full confrontation with truth-as-absence. Engaging with Heidegger, Marx, and St. Paul, as well as contemporary figures including Giorgio Agamben, Alain Badiou, and Slavoj Žižek, Vioulac’s book presents a subtle, masterful exposition of his analysis before culminating in a powerful vision of “the abyss of the deity.” Here, Vioulac articulates a portrait of Christianity as a religion of mourning, waiting for a god who has already passed by, a form of ever-present eschatology whose end has always already taken place. With a preface by Jean-Luc Marion, Apocalypse of Truth presents a major contemporary French thinker to English-speaking audiences for the first time.
Apocalypse of the Alien God: Platonism and the Exile of Sethian Gnosticism (Divinations: Rereading Late Ancient Religion)
by Dylan M. BurnsIn the second century, Platonist and Judeo-Christian thought were sufficiently friendly that a Greek philosopher could declare, "What is Plato but Moses speaking Greek?" Four hundred years later, a Christian emperor had ended the public teaching of subversive Platonic thought. When and how did this philosophical rupture occur? Dylan M. Burns argues that the fundamental break occurred in Rome, ca. 263, in the circle of the great mystic Plotinus, author of the Enneads. Groups of controversial Christian metaphysicians called Gnostics ("knowers") frequented his seminars, disputed his views, and then disappeared from the history of philosophy—until the 1945 discovery, at Nag Hammadi, Egypt, of codices containing Gnostic literature, including versions of the books circulated by Plotinus's Christian opponents. Blending state-of-the-art Greek metaphysics and ecstatic Jewish mysticism, these texts describe techniques for entering celestial realms, participating in the angelic liturgy, confronting the transcendent God, and even becoming a divine being oneself. They also describe the revelation of an alien God to his elect, a race of "foreigners" under the protection of the patriarch Seth, whose interventions will ultimately culminate in the end of the world.Apocalypse of the Alien God proposes a radical interpretation of these long-lost apocalypses, placing them firmly in the context of Judeo-Christian authorship rather than ascribing them to a pagan offshoot of Gnosticism. According to Burns, this Sethian literature emerged along the fault lines between Judaism and Christianity, drew on traditions known to scholars from the Dead Sea Scrolls and Enochic texts, and ultimately catalyzed the rivalry of Platonism with Christianity. Plunging the reader into the culture wars and classrooms of the high Empire, Apocalypse of the Alien God offers the most concrete social and historical description available of any group of Gnostic Christians as it explores the intersections of ancient Judaism, Christianity, Hellenism, myth, and philosophy.
Apocalypse of the Dead (Dead World #2)
by Joe MckinneyAnd The Dead Shall Rise. . . Two hellish years. That's how long it's been since the hurricanes flooded the Gulf Coast, and the dead rose up from the ruins. The cities were quarantined; the infected, contained. Any unlucky survivors were left to fend for themselves. A feast for the dead. And The Living Shall Gather. . . One boatload of refugees manages to make it out alive--but one passenger carries the virus. Within weeks, the zombie epidemic spreads across the globe. Now, retired U.S. Marshal Ed Moore must lead a group of strangers to safety, searching for sanctuary from the dead. A last chance for the living. Let The Battle Begin. In the North Dakota Grasslands, bands of survivors converge upon a single outpost. Run by a self-appointed preacher of fierce conviction--and frightening beliefs--it may be humanity's only hope. But Ed Moore and the others refuse to enter a suicide pact. They'd rather stand and fight in the final battle against the zombies. An apocalypse of the dead. "One of those rare books that starts fast and never ever lets up. . . a rollercoaster ride of action, violence and zombie horror." --Bram Stoker Award-winning author Jonathan Maberry on Dead City "Gritty suspense. . .You're gonna like this guy." --Tom Monteleone "A rising star on the horror scene."--Fearnet.com
Apocalypse on the Set
by Ben TaylorWith sky-high budgets and competing egos, almost any film production has the potential for disaster. But some become full-fledged nightmares. Take Pulgasari - a North Korean Godzilla clone dreamed up by Kim Jong II and created by a kidnapped South Korean director, with a budget of millions and a staff of seven hundred fed on truckloads of pheasants, wild geese and deer . . . The stories behind the other eight films, from The Adventures of Baron Munchausen and The Twilight Zone: The Movie to Waterworld and The Crow, are just as astounding and as gripping. This is a book film fans will devour. These bizarre, often hilarious cinematic endeavours confirm that truth is stranger than fiction, reality more volatile than narratives, and fate more improbable than plots.
Apocalypse on the Set: Nine Disastrous Film Productions
by Ben TaylorThe book starts with Pulgasari--a North Korean Godzilla clone dreamed up by Kim Jong-Il and created by a kidnapped Korean director, with a budget of millions and a staff of seven hundred fed on truckloads of pheasants, wild geese, and deer. The stories behind the other eight films, from The Adventures of Baron Munchausen and The Twilight Zone: The Movie to Apocalypse Now and The Crow, are just as astounding and gripping--this is a book film fans will devour. These bizarre, often hilarious cinematic endeavors confirm that truth is stranger than fiction, reality more volatile than narratives, and fate more improbable than plots.
Apocalypse on the Set: Nine Disastrous Film Productions
by Ben TaylorThe book starts with Pulgasari--a North Korean Godzilla clone dreamed up by Kim Jong-Il and created by a kidnapped Korean director, with a budget of millions and a staff of seven hundred fed on truckloads of pheasants, wild geese, and deer. The stories behind the other eight films, from The Adventures of Baron Munchausen and The Twilight Zone: The Movie to Apocalypse Now and The Crow, are just as astounding and gripping--this is a book film fans will devour. These bizarre, often hilarious cinematic endeavors confirm that truth is stranger than fiction, reality more volatile than narratives, and fate more improbable than plots.
Apocalypse to Go: A Nola O'Grady Novel (Nola O'Grady Series)
by Katharine KerrThe Apocalypse Squad is on the move! Secret Agent Nola O'Grady has enough trouble on her hands when a were-leopard accuses her of receiving stolen property, but things get worse fast. A mysterious trans-world law enforcement group wants to recruit her partner and bodyguard, Israeli Interpol officer Ari Nathan. His new loyalties might jeopardize their relationship. Then her younger brother Michael goes searching for their missing father and lands himself and their brother, Sean, in a world of trouble--quite literally, in a dangerous deviant-world version of San Francisco. Can Nola and Ari find them in time to save them from their kidnappers before they're murdered? The search will lead them through a city of secrets, but the worst secret of all lurks at the heart of the only thing Nola loves more than Ari: her family.