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Architectures of Slavery: Ruins and Reconstructions (Race, Place, and Justice)
by Nathaniel Robert Walker Rachel Ama Asaa EngmannThe material legacies of slavery across the Atlantic world Atlantic slavery has bequeathed architectural legacies from the plantation ruins that fill the valleys of Cuba to the servant&’s quarters of middle-class apartment housing in Brazil; from picturesque New England waterfronts to the modernist ranch-house suburbs of Savannah; and from the castle-studded coastline of Ghana to steel-framed commercial high-rises in South Carolina. The stories of these places are woven together by historical threads stretched across the past five hundred years, connecting them first through empire and forced migration, then by modern economic development and heritage tourism. Architectures of Slavery brings new clarity and critical insight to these visible injustices that still haunt so many societies in the Atlantic world, empowering its people to build more democratic and just places in the future.
Architectures of Small-Cell Networks and Interference Management (SpringerBriefs in Computer Science)
by Tho Le-Ngoc Duy Trong NgoThis Springer Brief presents the architectures of small-cell networks and recent advances in interference management. The key challenges and values of small cells are first introduced, followed by the reviews of various small-cell architectures and interference management techniques in both heterogeneous CDMA and heterogeneous OFDMA small-cell networks. New adaptive power control and dynamic spectrum access techniques are discussed to promote a harmonized coexistence of diverse network entities in both 3G and 4G small-cell networks. Analytically devised from optimization and game theories, autonomous solutions are shown to effectively manage the intra-tier and cross-tier interferences in small cells. Informative and practical, this Springer Brief is designed for researchers and professionals working in networking and resource management. The content is also valuable for advanced-level students interested in network communications and power allocation.
Architectures of Spatial Justice
by Dana CuffA field-defining work that demonstrates how architects are breaking with professional conventions to advance spatial justice and design more equitable buildings and cities.As state violence, the pandemic, and environmental collapse have exposed systemic inequities, architects and urbanists have been pushed to confront how their actions contribute to racism and climate crisis—and how they can effect change. Establishing an ethics of spatial justice to lead architecture forward, Dana Cuff shows why the discipline requires critical examination—in relation to not only buildings and the capital required to realize them but privilege, power, aesthetics, and sociality. That is, it requires a reevaluation of architecture&’s fundamental tenets.Organized around projects and topics, Architectures of Spatial Justice is a compelling blend of theory, history, and applied practice that focuses on two foundational conditions of architecture: its relation to the public and its dependence on capital. The book draws on studies of architectural projects from around the world, with instructive case studies from Chile, Mexico, Japan, and the United States that focus in particular on urban centers, where architecture is most directly engaged with social justice issues.Emerging from more than two decades of the author&’s own project-based research, Architectures of Spatial Justice examines ethically driven practices that break with professional conventions to correct long-standing inequities in the built environment, uncovering architecture&’s limits—and its potential.
Architectures of Transversality: Paul Klee, Louis Kahn and the Persian Imagination (Routledge Research in Architecture)
by Shima MohajeriArchitectures of Transversality investigates the relationship between modernity, space, power, and culture in Iran. Focusing on Paul Klee’s Persian-inspired miniature series and Louis Kahn’s unbuilt blueprint for a democratic public space in Tehran, it traces the architectonics of the present as a way of moving beyond universalist and nationalist accounts of modernism. Transversality is a form of spatial production and practice that addresses the three important questions of the self, objects, and power. Using Deleuzian and Heideggerian theory, the book introduces the practices of Klee and Kahn as transversal spatial responses to the dialectical tension between existential and political territories and, in doing so, situates the history of the silent, unrepresented and the unbuilt – constructed from the works of Klee and Kahn – as a possible solution to the crisis of modernity and identity-based politics in Iran.
Architectures of the Unforeseen: Essays in the Occurrent Arts
by Brian MassumiA beautifully written study of three pioneering artists, entwining their work and our understanding of creativity Bringing the creative process of three contemporary artists into conversation, Architectures of the Unforeseen stages an encounter between philosophy and art and design. Its gorgeous prose invites the reader to think along with Brian Massumi as he thoroughly embodies the work of these artists, walking the line that separates theory from art and providing equally nurturing sustenance for practicing artists and working philosophers.Based on Massumi&’s lengthy—and in two cases decades-long—relationships with digital architect Greg Lynn, interactive media artist Rafael-Lozano Hemmer, and mixed-media installation creator Simryn Gill, Architectures of the Unforeseen delves into their processes of creating art. The book&’s primary interest is in what motivates each artist&’s practice—the generative knots that inspire creativity—and in how their pieces work to give off their unique effects. More than a series of profiles or critical pieces, Massumi&’s essays are creative, developing new philosophical concepts and offering rigorous sentiments about art and creativity.Asking fundamental questions about nature, culture, and the emergence of the new, Architectures of the Unforeseen is important original research on artists that are pioneers in their field. Equally valuable to the everyday reader and those engaged in scholarly work, it is destined to become an important book not only for the fields of digital architecture, interactive media, and installation art, but also more basically for our knowledge of art and creativity.
Architecture’s Disability Problem (Routledge Research in Architecture)
by Wanda Katja LiebermannArchitecture’s Disability Problem explores the intersection of architecture and disability in the United States from the perspective of professional practice. This book uncovers why, despite the profound effect of the Americans with Disabilities Act on the architectural profession, there has been so little interest in design for disability in mainstream architecture. To counter this, the book investigates alternative approaches to designing with disability, through three case studies. These showcase both buildings and how design processes driven by disabled people shape design and professional roles.Combining historical research, formal and discourse analysis, and interviews with people who design, construct, use buildings, and advocate for access, the book develops a social understanding of how the buildings work at functional, affective, and symbolic levels. Architecture’s Disability Problem is aimed at three primary readers: practicing architects, architectural scholars, and members of disability scholar-activist communities. Grounded in detailed design studies, the author hopes to unearth the social meaning-making of architecture related to disability. Ultimately, the book makes an argument for a focus on disability in its own right—as well as on the body—in place of the dominance of formal, object-oriented approaches.This book presents and argues for a fundamental shift in the way architectural education, policy, and practice views and engages with disability. It will be key reading for students, researchers, practitioners and policy-makers.
Architect’s Guide to NEC4
by Frances ForwardThis user friendly guide introduces, explains, and demystifies the NEC4 contract on a practical, work-based level. Made for architects by an architect, it explores the best approach to collaborative and contractual partnering work practices. Alongside explanations of the contracts and clauses, it presents the key areas of distinction from alternative standard form contracts and examines the integrated project management principles that bring the NEC4 contracts together as a whole. It's the perfect companion book for professionals who are new to the NEC contract family and former users trying to understand the latest updates.
Architect’s Pocket Book of Modern Management and Practice (Routledge Pocket Books)
by Ben VickeryThis book is an easily digestible guide to the management and practice knowledge needed to establish and run an architectural practice. It is of particular interest to those starting out in the profession and to students, whilst also being useful to architects more widely who need succinct information to assist them in the daily management of their work. The book sits beside the Architect’s Legal Pocket Book providing legal information and the Architect’s Pocket Book providing guidance in design. It covers all the main management and practice topics relevant to the running of an architectural business including setting up the company, the profession, project management, fees, office management, financial management and teamwork. It also looks at the state of the construction industry and the architectural profession today, new forms of practice, and how the profession is changing. The book is interweaved with pearls of wisdom and experience and reflections from architects, bringing the topics to life and aiding the reader’s understanding.
Archival Basics: A Practical Manual For Working With Historical Collections (American Association For State And Local History Ser.)
by Charlie ArpArchival Basics for Historic Record Collections is an introduction to the concepts, policies, infrastructure and tasks needed to collect, preserve and make archival collections available to researchers. The book is based on content presented in workshops by the Council of State Archivists and presented in an on-line course by the American Association of State and Local History since 2003. Arp focuses on the discreet tasks necessary to manage archival collections. This is a practical, how-to book on managing archival collections designed for those who have responsibility for such collections but lack formal archival training.
Archival Communities: Constructing the Past in the Early United States
by Derek Kane O'LearyThe story behind the creation of the first archives in the new United States Archives, the foundational resource for historical research, do not emerge from a vacuum. The records, documents, and data that make up the historian&’s quarry are never neutral but are themselves the product of historical forces and individual choices. What materials are included in the archive, and why? Whose voices are preserved for posterity, and whose are silenced? In recent years, scholars have increasingly made archives themselves the subject of investigation. With Archival Communities, Derek Kane O&’Leary takes up this crucial task for the era of the early United States, arguing that key components of America&’s archives emerged from within an Atlantic world of circulating scholars, evidence, practices, and ideas. As he shows, US archives—and the historical narratives spawned by the documents preserved within them—drew their initial materials and meaning from this international context. And while demonstrating the disproportionate imprint of powerful men, O&’Leary&’s Atlantic frame reveals a far broader community of people who engaged in early archival efforts on the national, state, and local levels, including women who influenced the act of collection and public perceptions of the young nation&’s historical record.
Archival Material: Early Papers on History, Volume 25 (Collected Works of Bernard Lonergan #25)
by Lonergan Research InstituteIn the mid- to late-1930s, while he was a student at the Gregorian University in Rome, Bernard Lonergan wrote a series of eight essays on the philosophy and theology of history. These essays foreshadow a number of the major themes in his life’s work. The significance of these essays is enormous, not only for an understanding of the later trajectory of Lonergan’s own work but also for the development of a contemporary systematic theology. In an important entry from 1965 in his archival papers, Lonergan wrote that the "mediated object" of systematics is Geschichte or the history that is lived and written about. In the same entry, he stated that the "doctrines" that this systematic theology would attempt to understand are focused on "redemption." The seeds of such a theology are planted in the current volume, where the formulae that are so pronounced in his later work first appear. Students of Lonergan’s work will find their understanding of his philosophy profoundly affected by the essays in this volume.
Archival Resources of Republican China in North America
by Chengzhi Wang Su ChenNorth America maintains the largest collection of archival materials relating to the Chinese Republican era (1911–1949) outside of China. Most of the archival materials are also unique, and the collections contain special materials supplementing historical records in China and Taiwan. In many cases, North America's holdings represent the best and only public access to the tumultuous Republican government and society of the first half of the twentieth century. <P><P>An essential guide for researchers and students of Republican China, this volume, presented in both English and Chinese, covers personal papers, correspondences, memoirs, diaries, photographs, moving images, and other materials held at academic and research institutions across the United States and Canada. It includes concise descriptions of the people, organizations, and events connected to each entry and notes when certain collections are closely related and when materials are digitized for online access. The book corrects common errors associated with the library records of many archives and updates or completes information on the objects of these records. More than a straightforward itemization, this book adds significant depth to any research on the history and global import of China's modern development.
Archival Silences: Missing, Lost and, Uncreated Archives
by David Thomas Michael MossArchival Silences demonstrates emphatically that archival absences exist all over the globe. The book questions whether benign ‘silence’ is an appropriate label for the variety of destructions, concealment and absences that can be identified within archival collections. Including contributions from archivists and scholars working around the world, this truly international collection examines archives in Australia, Brazil, Denmark, England, India, Iceland, Jamaica, Malawi, The Philippines, Scotland, Turkey and the United States. Making a clear link between autocratic regimes and the failure to record often horrendous crimes against humanity, the volume demonstrates that the failure of governments to create records, or to allow access to records, appears to be universal. Arguing that this helps to establish a hegemonic narrative that excludes the ‘other’, this book showcases the actions historians and archivists have taken to ensure that gaps in archives are filled. Yet the book also claims that silences in archives are inevitable and argues not only that recordkeeping should be mandated by international courts and bodies, but that we need to develop other ways of reading archives broadly conceived to compensate for absences. Archival Silences addresses fundamental issues of access to the written record around the world. It is directed at those with a concern for social justice, particularly scholars and students of archival studies, history, sociology, international relations, international law, business administration and information science.
Archival Storytelling: A Filmmaker's Guide To Finding, Using, And Licensing Third-party Visuals And Music
by Sheila Curran Bernard Kenn RabinArchival Storytelling is an essential, pragmatic guide to one of the most challenging issues facing filmmakers today: the use of images and music that belong to someone else. Where do producers go for affordable stills and footage? How do filmmakers evaluate the historical value of archival materials? What do vérité producers need to know when documenting a world filled with rights-protected images and sounds? How do filmmakers protect their own creative efforts from infringement?Filled with advice and insight from filmmakers, archivists, film researchers, music supervisors, intellectual property experts, insurance executives and others, Archival Storytelling defines key terms-copyright, fair use, public domain, orphan works and more-and challenges filmmakers to become not only archival users but also archival and copyright activists, ensuring their ongoing ability as creators to draw on the cultural materials that surround them.Features conversations with industry leaders including Patricia Aufderheide, Hubert Best, Peter Jaszi, Jan Krawitz, Lawrence Lessig, Stanley Nelson, Rick Prelinger, Geoffrey C. Ward and many others.
Archival Storytelling: A Filmmaker’s Guide to Finding, Using, and Licensing Third-Party Visuals and Music
by Sheila Curran Bernard Kenn RabinFully revised and updated, Archival Storytelling second edition is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today. Whether you’re a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials—images, audio, or music that you yourself did not create—to use them in your work. This book explains what’s involved in researching and licensing visuals and music, and exactly what media makers need to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists. This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us.
Archival Strategies and Techniques (Qualitative Research Methods #31)
by Dr Michael Ray HillHistorical and biographical work is becoming a more common type of qualitative research done by social scientists and usually requires the extensive use of formal archives housed in universities, governments, museums and other institutions. This practical and concise book provides an introduction for the novice on conducting archival research and covers such topics as contacting and preparing to work in archives, the protocol of using archives, and ways of organizing and referencing the useful data from the archive.
Archival Studies, M. A. Final History Paper-VI, SDE, AU
by School Of Distance EducationThis is the prescribed text book for students pursuing MA Final History at School Of Distance Education, Andhra University for the subject History of Archival Studies
Archival and Secondary Data (The SAGE Quantitative Research Kit)
by Tarani Chandola Cara BookerData archives provide rich and expansive sources of information for researchers. This book highlights the utility of secondary data analyses whilst showing you how to select the right datasets for your study, and in turn get the most out of your research. Topics include: · Generating your research question · Selecting appropriate datasets and variables · Examining univariate, bivariate and multivariate associations · Visualisng your data with tables and graphs Part of The SAGE Quantitative Research Kit, this book boosts students with know-how and confidence, to help them succeed on their quantitative research journey.
Archival and Secondary Data (The SAGE Quantitative Research Kit)
by Tarani Chandola Cara BookerData archives provide rich and expansive sources of information for researchers. This book highlights the utility of secondary data analyses whilst showing you how to select the right datasets for your study, and in turn get the most out of your research. Topics include: · Generating your research question · Selecting appropriate datasets and variables · Examining univariate, bivariate and multivariate associations · Visualisng your data with tables and graphs Part of The SAGE Quantitative Research Kit, this book boosts students with know-how and confidence, to help them succeed on their quantitative research journey.
Archive Everything: Mapping the Everyday
by Gabriella GiannachiIn Archive Everything, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival. Archives now consist of not only documents and sites but also artworks, installations, museums, social media platforms, and mediated and mixed reality environments. Giannachi tracks the evolution of these diverse archival practices across the centuries. Archives today offer a multiplicity of viewing platforms to replay the past, capture the present, and map our presence. Giannachi uses archaeological practices to explore all the layers of the archive, analyzing Lynn Hershman Leeson's !Women Art Revolution project, a digital archive of feminist artists. She considers the archive as a memory laboratory, with case studies that include visitors' encounters with archival materials in the Jewish Museum in Berlin. She discusses the importance of participatory archiving, examining the "multimedia roadshow" Digital Diaspora Family Reunion as an example. She explores the use of the archive in works that express the relationship between ourselves and our environment, citing Andy Warhol and Ant Farm, among others. And she looks at the transmission of the archive through the body in performance, bioart, and database artworks, closing with a detailed analysis of Lynn Hershman Leeson's Infinity Engine.
Archive Everything: Mapping the Everyday
by Gabriella GiannachiHow the archive evolved to include new technologies, practices, and media, and how it became the apparatus through which we map the everyday.In Archive Everything, Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival. Archives now consist of not only documents and sites but also artworks, installations, museums, social media platforms, and mediated and mixed reality environments. Giannachi tracks the evolution of these diverse archival practices across the centuries. Archives today offer a multiplicity of viewing platforms to replay the past, capture the present, and map our presence. Giannachi uses archaeological practices to explore all the layers of the archive, analyzing Lynn Hershman Leeson's !Women Art Revolution project, a digital archive of feminist artists. She considers the archive as a memory laboratory, with case studies that include visitors' encounters with archival materials in the Jewish Museum in Berlin. She discusses the importance of participatory archiving, examining the “multimedia roadshow” Digital Diaspora Family Reunion as an example. She explores the use of the archive in works that express the relationship between ourselves and our environment, citing Andy Warhol and Ant Farm, among others. And she looks at the transmission of the archive through the body in performance, bioart, and database artworks, closing with a detailed analysis of Lynn Hershman Leeson's Infinity Engine.
Archive No. 89: Volume 1 (Volume 1 #1)
by Sun MingYuanA woman's head soaked in formalin was accidentally found by Tang Doberman, the head of the police officer. As a police officer, he intended to investigate the matter, and as the police officers continued to obstruct him, he fell deeper and deeper into the darkness was spreading. How could he reverse the shocking murder caused by a head? [Previous Chapter] [Table of Contents] [Next Chapter] Reader: 189081841
Archive No. 89: Volume 2 (Volume 2 #2)
by Sun MingYuanA woman's head soaked in formalin was accidentally found by Tang Doberman, the head of the police officer. As a police officer, he intended to investigate the matter, and as the police officers continued to obstruct him, he fell deeper and deeper into the darkness was spreading. How could he reverse the shocking murder caused by a head?
Archive No. 89: Volume 3 (Volume 3 #3)
by Sun MingYuanA woman's head soaked in formalin was accidentally found by Tang Doberman, the head of the police officer. As a police officer, he intended to investigate the matter, and as the police officers continued to obstruct him, he fell deeper and deeper into the darkness was spreading. How could he reverse the shocking murder caused by a head?
Archive Stories: Facts, Fictions, and the Writing of History
by Antoinette BurtonDespite the importance of archives to the profession of history, there is very little written about actual encounters with them--about the effect that the researcher's race, gender, or class may have on her experience within them or about the impact that archival surveillance, architecture, or bureaucracy might have on the histories that are ultimately written. This provocative collection initiates a vital conversation about how archives around the world are constructed, policed, manipulated, and experienced. It challenges the claims to objectivity associated with the traditional archive by telling stories that illuminate its power to shape the narratives that are "found" there. Archive Stories brings together ethnographies of the archival world, most of which are written by historians. Some contributors recount their own experiences. One offers a moving reflection on how the relative wealth and prestige of Western researchers can gain them entry to collections such as Uzbekistan's newly formed Central State Archive, which severely limits the access of Uzbek researchers. Others explore the genealogies of specific archives, from one of the most influential archival institutions in the modern West, the Archives nationales in Paris, to the significant archives of the Bakunin family in Russia, which were saved largely through the efforts of one family member. Still others explore the impact of current events on the analysis of particular archives. A contributor tells of researching the 1976 Soweto riots in the politically charged atmosphere of the early 1990s, just as apartheid in South Africa was coming to an end. A number of the essays question what counts as an archive--and what counts as history--as they consider oral histories, cyberspace, fiction, and plans for streets and buildings that were never built, for histories that never materialized. Contributors. Tony Ballantyne, Marilyn Booth, Antoinette Burton, Ann Curthoys, Peter Fritzsche, Durba Ghosh, Laura Mayhall, Jennifer S. Milligan, Kathryn J. Oberdeck, Adele Perry, Helena Pohlandt-McCormick, John Randolph, Craig Robertson, Horacio N. Roque Ramrez, Jeff Sahadeo, Rene Sentilles