Browse Results

Showing 97,051 through 97,075 of 100,000 results

Beckett, Deleuze and the Televisual Event

by Colin Gardner

An expressive dialogue between Deleuze's philosophical writings on cinema and Beckett's innovative film and television work, the book explores the relationship between the birth of the event - itself a simultaneous invention and erasure - and Beckett's attempts to create an incommensurable space within the interstices of language as a (W)hole.

Beckett, Lacan and the Gaze (Samuel Beckett in Company #6)

by Llewellyn Brown

Forming a pair with the voice, the gaze is a central structuring element of Samuel Beckett’s creation. And yet it takes the form of a strangely impersonal visual dimension testifying to the absence of an original exchange of gazes capable of founding personal identity and opening up the world to desire. The collapse of conventional reality and the highlighting of seeing devices—eyes, mirrors, windows—point to the absence of a unified representation. While masks and closed spaces show the visible to be opaque and devoid of any beyond, light and darkness, spectres—manifestations without origin—reveal a realm beyond the confines of identity, where nothing provides a mediation with the seen, or sets it within perspective. Finally, Beckett’s use of the audio-visual media deepens his exploration of the irreducibly real part of existence that escapes seeing.This study systematically examines these essential aspects of the visual in Beckett’s creation. The theoretical elaborations of Jacques Lacan—in relation with corresponding developments in the history and philosophy of the visual arts—offer an indispensible framework to understand the imaginary not as representation, but as rooted in the fundamental opacity of existence.

Beckett, Lacan, and the Voice (Samuel Beckett in Company #1)

by Llewellyn Brown

The voice traverses Beckett's work in its entirety, defining its space and its structure. Emanating from an indeterminate source situated outside the narrators and characters, while permeating the very words they utter, it proves to be incessant. It can alternatively be violently intrusive, or embody a calming presence. Literary creation will be charged with transforming the mortification it inflicts into a vivifying relationship to language. In the exploration undertaken here, Lacanian psychoanalysis offers the means to approach the voice's multiple and fundamentally paradoxical facets with regards to language that founds the subject's vital relation to existence. Far from seeking to impose a rigid and purely abstract framework, this study aims to highlight the singularity and complexity of Beckett's work, and to outline a potentially vast field of investigation.

Beckett, Lacan, and the Voice

by Llewellyn Brown Jean-Michel Rabaté

The voice traverses Beckett's work in its entirety, defining its space and its structure. Emanating from an indeterminate source situated outside the narrators and characters, while permeating the very words they utter, it proves to be incessant. It can alternatively be violently intrusive, or embody a calming presence. Literary creation will be charged with transforming the mortification it inflicts into a vivifying relationship to language. In the exploration undertaken here, Lacanian psychoanalysis offers the means to approach the voice's multiple and fundamentally paradoxical facets with regards to language that founds the subject's vital relation to existence. Far from seeking to impose a rigid and purely abstract framework, this study aims to highlight the singularity and complexity of Beckett's work, and to outline a potentially vast field of investigation.

Beckett, Modernism and the Material Imagination

by Steven Connor

Steven Connor, one of the most influential critics of twentieth-century literature and culture, has spent much of his career writing and thinking about Samuel Beckett. This book presents Connor's finest published work on Beckett alongside fresh essays that explore how Beckett has shaped major themes in modernism and twentieth-century literature. Through discussions of sport, nausea, slowness, flies, the radio switch, religion and academic life, Connor shows how Beckett's writing is characteristic of a distinctively mundane or worldly modernism, arguing that it is well-attuned to our current concern with the stressed relations between the human and natural worlds. Through Connor's analysis, Beckett's prose, poetry and dramatic works animate a modernism profoundly concerned with life, worldly existence and the idea of the world as such. Lucid, provocative, wide-ranging, and richly informed by critical and cultural theory, this book is required reading for anyone teaching or studying Beckett, modernism and twentieth-century literary studies.

Beckett on File (Routledge Library Editions: Beckett #1)

by Virginia Cooke

This book, first published in 1985, assembles essential facts on Samuel Beckett and makes vital but elusive information available. It contains a comprehensive checklist of all the writer’s plays, with a detailed performance history, excerpted reviews, and most importantly, a selection of Beckett’s own comments on their work drawn from essays, interviews, letters and diaries. Other features include a chronology of life and work, a checklist of non-dramatic writings and an annotated bibliography.

Beckett Ongoing: Aesthetics, Ethics, Politics (New Interpretations of Beckett in the Twenty-First Century)

by Michael Krimper Gabriel Quigley

“You must go on. I can’t go on. I’ll go on.” These are some of the most quoted lines written by Samuel Beckett, which speak to the impulse of persevering in times of crisis and impossibility. Yet few readers of Beckett agree about what this paradoxical formula could mean, let alone what mode of engagement it would seem to indicate, be it committed, autonomous, or something else entirely. This volume of essays explores what that mode of engagement could be, all the while elucidating the ethical and political stakes of the “ongoing” in both Beckett’s life and work. Across multiple disciplines in the humanities, the authors delve into questions of political subjectivity and representation, the ethics of powerlessness and refusal, the aesthetics of syncopation and destitution, multimedia experiments between genre, as well as Beckett’s wider impact on transnational itineraries of modernism and philosophy up to the contemporary.

Beckett/Philosophy: A Collection

by Matthew Feldman Karim Mamdani

"Beckett criticism has been greatly enhanced, and sometimes chastened, by genetic scholarship, as this anthology... attests."—Andre Furlani, Modernism/Modernity"This collection of essays... represents the most comprehensive analysis of Beckett's relationship to philosophy in print, how philosophical issues, conundrums, and themes play out amid narrative intricacies. The volume is thus both an astonishingly comprehensive overview and a series of detailed readings of the intersection between philosophical texts and Samuel Beckett's oeuvre, offered by a plurality of voices and bookended by an historical introduction and a thematic conclusion."—S. E. Gontarski, Journal of Beckett Studies"Helps us to consider not only how Beckett made use of philosophy but how his own thought might be understood philosophically."—Anthony Uhlmann, University of Western Sydney

Beckett Remembering/Remembering Beckett

by Samuel Beckett Elizabeth Knowlson James Knowlson

In life, Beckett was notoriously reticent, preferring to let his work speak for itself. In the first half of this collection, he reveals many of his inner thoughts and honest opinions about his life, writing, friends, and colleagues in candid interviews published for the first time in this book. He discusses his friendship with James Joyce and his role in the Resistance during the Nazi occupation of France. Also included are newly discovered photographs of Beckett--as a young boy, as a teacher, as best man at a friend's wedding, and with painter Henri Hayden.In the second half, friends and colleagues share their memories of Beckett as a schoolboy, a teacher, a struggling young writer, and a sudden success in 1953 with the appearance of Waiting for Godot. Readers will be enchanted by the poignant remembrances by those who knew him best, worked with him most closely, or admired him for his enduring influence: including actors Hume Cronyn, Jean Martin, Jessica Tandy, and Billie Whitelaw and fellow playwrights and authors Edward Albee, Paul Auster, E. M. Cioran, J. M. Coetzee, Eugène Ionesco, Edna O'Brien, and Tom Stoppard.

Beckett Remembering/Remembering Beckett: A Celebration

by Samuel Beckett James Knowlson Elizabeth Knowlson

In life, Beckett was notoriously reticent, preferring to let his work speak for itself. In the first half of this collection, he reveals many of his inner thoughts and honest opinions about his life, writing, friends, and colleagues in candid interviews published for the first time in this book. He discusses his friendship with James Joyce and his role in the Resistance during the Nazi occupation of France. Also included are newly discovered photographs of Beckett-as a young boy, as a teacher, as best man at a friend’s wedding, and with painter Henri Hayden.In the second half, friends and colleagues share their memories of Beckett as a schoolboy, a teacher, a struggling young writer, and a sudden success in 1953 with the appearance of Waiting for Godot. Readers will be enchanted by the poignant remembrances by those who knew him best, worked with him most closely, or admired him for his enduring influence: including actors Hume Cronyn, Jean Martin, Jessica Tandy, and Billie Whitelaw and fellow playwrights and authors Edward Albee, Paul Auster, E. M. Cioran, J. M. Coetzee, Eugène Ionesco, Edna O’Brien, and Tom Stoppard.

Beckett Remembering / Remembering Beckett

by James Knowlson

This revealing collection offers fresh insights into one of the 20th century's greatest, most enigmatic writers. In life, Samuel Beckett was one of the most private of men, preferring to let his writing speak for itself. In this commemorative volume, through interviews with his official biographer, he speaks of his youth, his home and family, his schools in Dublin, his life in Paris as an exchange student from Trinity College Dublin, his early writings, and his war years in the south of France. The second part of the work includes dozens of pieces written about him by those who knew him best, worked with him most closely, or admired him for his enduring influence, among them Edward Albee, Paul Auster, J. M. Coetzee, Hume Cronyn, Eugène Ionesco, Anthony Minghella, Tom Stoppard, and Jessica Tandy. Of special interest are remembrances of Beckett as a young man from fellow students at Trinity College Dublin and from L'Ecole Normale Supérieure in Paris. For those familiar with Beckett's work, this will enhance their knowledge; for those who are not, it is a revealing introduction to the Nobel Prize-winning author's life and work.

Beckett the Playwright (Routledge Library Editions: Beckett #2)

by John Fletcher John Spurling

This book, first published in 1985, stresses Beckett’s success as an innovator in the theatre through a close reading and analysis of his plays. The differing backgrounds of the two authors enables them to approach Beckett’s drama in a particularly fruitful way: ‘Their analysis is clever yet level-headed, readable but does not shirk complexities.’ (Times Educational Supplement). ‘Brilliant collection of essays on Beckett and his works.’ (Irish Times)

Beckett the Shape Changer: A Symposium (Routledge Library Editions: Beckett #3)

by Katharine Worth

The essays in this book, first published in 1975, suggest how best to approach Beckett, how to read him, how to get closer to the concrete experience offered by this most concrete of writers. It aims to bring out the full diversity of Beckett’s art as dramatist and story-teller. His astonishing flexibility and inventiveness is stressed throughout, either in studies of single novels, or from the whole range of the fiction and stage drama, or from the experiments in other media: the solitary film, the radio plays. Beckett’s bilingualism, one of the strangest aspects of his Proteanism, is examined through a comparison of the French and English texts of some of his stage plays. The emphasis of the essays is literary rather than philosophical: they explore narrative and dramatic processes, the strange partial transitions between them, the fine relations of form and feeling which Beckett aims at through whatever medium he is using, and his humaneness, expressed through the many nuances of his humour. The shorter fiction and the later writings also receive close attention.

Beckett's Art of Mismaking

by Leland de la Durantaye

Leland de la Durantaye helps us understand Beckett's strangeness and notorious difficulty by arguing that Beckett's lifelong campaign was to mismake on purpose--not to denigrate himself, or his audience, or reconnect with the child or savage within, but because he believed that such mismaking is in the interest of art and will shape its future.

Beckett’s Art of Salvage

by Julie Bates

This innovative exploration of the recurring use of particular objects in Samuel Beckett's work is the first study of the material imagination of any single modern author. Across five decades of aesthetic and formal experimentation in fiction, drama, poetry and film, Beckett made substantial use of only fourteen objects - well-worn not only where they appear within his works but also in terms of their recurrence throughout his creative corpus. In this volume, Bates offers a striking reappraisal of Beckett's writing, with a focus on the changing functions and impact of this set of objects, and charts, chronologically and across media, the pattern of Beckett's distinctive authorial procedure. The volume's identification of the creative praxis that emerges as an 'art of salvage' offers an integrated way of understanding Beckett's writing, opens up new approaches to his work, and offers a fresh assessment of his importance and relevance today.

Beckett's Cinderella

by Dixie Browning

Secret heiress Liza Chandler didn't want the money-or the rugged millionaire who'd suddenly come into her life. But Beckett had made a vow to get the job done. . . ;and he wasn't the type to take no for an answer. Especially not when he discovered that beneath Liza's plain-Jane exterior hid a passionate woman just waiting to be protected. But would Liza trust Beckett enough to take his money. . . ;and let him into her heart?

Beckett's Convenient Bride

by Dixie Browning

Police detective Carson Beckett had skirted the altar as smoothly as a sly criminal avoided handcuffs. Now the time had come to settle down and fulfill his ailing mother's wish-and he was halfway there with an unofficial promise to wed his childhood sweetheart. But first he had to repay an old family debt to the last of the Chandler heirs. When his search led him to the gray-eyed, mesmerizing Kit Chandler, his usual logic deserted him. Instinctively, he changed from benefactor to protector when Kit became the target of someone else's wrath. And when tension turned to passion, Carson realized he was in deep. He would get to the altar, but with whom?

Beckett's Dedalus

by Peter J. Murphy

Given that the Nobel Prize-winning author Samuel Beckett (1906-1989) was personally acquainted with the modernist master James Joyce, and even helped research and promote Finnegans Wake, it should come as no surprise that Beckett was greatly influenced by Joyce's own work. However, much analysis of Beckett's work tends to argue that he forged his own artistic identity in opposition to Joyce, seeking and eventually finding styles and methods unoccupied by his "mentor." Beckett's Dedalus is a comprehensive reassessment of this line of criticism and traces the nature and extent of Joyce's influence in more complex, contestatory, and complementary ways throughout all of Beckett's major fiction. Paying close attention to the extensive network of allusions Beckett derived from Joyce's writing, P.J. Murphy reveals how Beckett consistently echoed and engaged in dialogue with Joyce's works, especially A Portrait of the Artist as a Young Man and, in particular, its protagonist Stephen Dedalus. This study proposes that the relationship between the two writers was a complex life-giving and art-building dialogue concerned with aesthetic theories, depictions of reality, and the artistic integrity needed to carry out these critical investigations. Beckett's Dedalus is a fascinating study of the literary influence one generation has on the next. It will change the way we consider the relationship between two of the greatest writers of the twentieth century.

Beckett’s Imagined Interpreters and the Failures of Modernism (New Interpretations of Beckett in the Twenty-First Century)

by Nick Wolterman

Samuel Beckett’s work is littered with ironic self-reflexive comments on presumed audience expectations that it should ultimately make explicable sense. An ample store of letters and anecdotes suggests Beckett’s own preoccupation with and resistance to similar interpretive mindsets. Yet until now such concerns have remained the stuff of scholarly footnotes and asides. Beckett’s Imagined Interpreters and the Failures of Modernism addresses these issues head-on and investigates how Beckett’s ideas about who he writes for affect what he writes. What it finds speaks to current understandings not only of Beckett’s techniques and ambitions, but also of modernism’s experiments as fundamentally compromised challenges to enshrined ways of understanding and organizing the social world. Beckett’s uniquely anxious audience-targeting brings out similarly self-doubting strategies in the work of other experimental twentieth-century writers and artists in whom he is interested: his corpus proves emblematic of a modernism that understands its inability to achieve transformative social effects all at once, but that nevertheless judiciously complicates too-neat distinctions drawn within ongoing culture wars. For its re-evaluations of four key points of orientation for understanding Beckett’s artistic ambitions—his arch critical pronouncements, his postwar conflations of value and valuelessness, his often-ambiguous self-commentary, and his sardonic metatheatrical play—as well as for its running dialogue with wider debates around modernism as a social phenomenon, this book is of interest to students and researchers interested in Beckett, modernism, and the relations between modern and contemporary artistic and social developments.

Beckett's Industrial Chocolate Manufacture and Use

by Gregory R. Ziegler Mark S. Fowler Steve T. Beckett

Since the publication of the first edition of Industrial Chocolate Manufacture and Use in 1988, it has become the leading technical book for the industry. From the beginning it was recognised that the complexity of the chocolate industry means that no single person can be an expert in every aspect of it. For example, the academic view of a process such as crystallisation can be very different from that of a tempering machine operator, so some topics have more than one chapter to take this into account. It is also known that the biggest selling chocolate, in say the USA, tastes very different from that in the UK, so the authors in the book were chosen from a wide variety of countries making the book truly international. Each new edition is a mixture of updates, rewrites and new topics. In this book the new subjects include artisan or craft scale production, compound chocolates and sensory.This book is an essential purchase for all those involved in the manufacture, use and sale of chocolate containing products, especially for confectionery and chocolate scientists, engineers and technologists working both in industry and academia.The new edition also boasts two new co-editors, Mark Fowler and Greg Ziegler, both of whom have contributed chapters to previous editions of the book. Mark Fowler has had a long career at Nestle UK, working in Cocoa and Chocolate research and development – he is retiring in 2013. Greg Ziegler is a professor in the food science department at Penn State University in the USA.

Beckett's Intermedial Ecosystems: Closed Space Environments across the Stage, Prose and Media Works (Elements in Beckett Studies)

by Anna McMullan

This Element draws on the concept of ecosystems to investigate selected Beckett works across different media which present worlds where the human does not occupy a privileged place in the order of creation: rather Beckett's human figures are trapped in a regulated system in which they have little agency. Readers, listeners or viewers are complicit in the operation of techniques of observation inherent to the system, but also reminded of the vulnerability of those subjected to it. Beckett's work offers new paradigms and practices which reposition the human in relation to space, time and species.

Beckett's Intuitive Spectator: Me to Play (New Interpretations of Beckett in the Twenty-First Century)

by Michelle Chiang

Beckett’s Intuitive Spectator: Me to Play investigates how audience discomfort, instead of a side effect of a Beckett pedagogy, is a key spectatorial experience which arises from an everyman intuition of loss. With reference to selected works by Henri Bergson, Immanuel Kant and Gilles Deleuze, this book charts the processes of how an audience member’s habitual way of understanding could be frustrated by Beckett’s film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition.

Beckett's Late Stage: Trauma, Language, and Subjectivity (Samuel Beckett in Company #4)

by Rhys Tranter

Beckett's Late Stage reexamines the Nobel laureate's postwar prose and drama in the light of contemporary trauma theory. Through a series of sustained close readings, the study demonstrates how the comings and goings of Beckett's prose unsettles the Western philosophical tradition; it reveals how Beckett's live theatrical productions are haunted by the rehearsal of traumatic repetition, and asks what his ghostly radio recordings might signal for twentieth-century modernity. Drawing from psychoanalytic and poststructuralist traditions, Beckett's Late Stage explores how the traumatic symptom allows us to rethink the relationship between language, meaning, and identity after 1945.

Beckett's Political Imagination

by Emilie Morin

Beckett's Political Imagination charts unexplored territory: it investigates how Beckett's bilingual texts re-imagine political history, and documents the conflicts and controversies through which Beckett's political consciousness and affirmations were mediated. The book offers a startling account of Beckett's work, tracing the many political causes that framed his writing, commitments, collaborations and friendships, from the Scottsboro Boys to the Black Panthers, from Irish communism to Spanish republicanism to Algerian nationalism, and from campaigns against Irish and British censorship to anti-Apartheid and international human rights movements. Emilie Morin reveals a very different writer, whose career and work were shaped by a unique exposure to international politics, an unconventional perspective on political action and secretive political engagements. The book will benefit students, researchers and readers who want to think about literary history in different ways and are interested in Beckett's enduring appeal and influence.

Beckham

by David Beckham Tom Watt

In England, where he spent ten seasons leading his storied club Manchester United and his nation to soccer glory, he is so wildly popular that his countrymen voted him the face they'd most want to see imprinted on their money. (Winston Churchill finished second.) In Japan, where he is worshiped as much for his headline-making fashion trends as for his ability to bend a ball around a wall of defenders, women styled their bikini waxes after the blond mohawk he sported during the 2002 World Cup. And in Spain, within days of his $41 million trade to Real Madrid, his new team received two million requests to buy his number 23 jersey. The legend of David Beckham -- soccer god, global sex symbol, style icon -- has been celebrated around the world, arguably more than Tiger Woods and Michael Jordan combined. Now, with the publication of his long-awaited autobiography, the man who inspired the surprise hit movie Bend It Like Beckham is set to conquer the last remaining outpost where soccer is not a national religion: the United States. Beckham is a classic rags-to-riches saga: a boy, David, is born to a poor East End London family. He develops prodigious soccer skills, and his parents nurture him until he becomes one of the most gifted athletes of his generation. He grows up to marry Victoria -- a Spice Girl, "Posh" -- and enters a celebrity whirlwind of Princess Diana -- esque proportions. Together, the Beckhams are Britain's new royal couple -- their 240-acre estate outside of London is known as Beckingham Palace -- and their presence at parties or charity events guarantees endless tabloid stories and photos as well as adoring mobs that must be restrained by police barricades. Their life is as much a study in managing fame as it is in sports and pop phenomena. In Beckham he talks candidly about the pressures of celebrity -- his wife and sons were the targets of a 2002 kidnapping plot; how he balances his roles as a devoted husband and besotted father with his globetrotting existence as an international soccer player; the behind-the-scenes stories of his most memorable career moments, such as the penalty kick against archrival Argentina in the World Cup that redeemed him to a nation who blamed him for their failure in the previous World Cup; the controversy surrounding his move to Real Madrid and the falling out with the man who shaped his career, Manchester United's famously combative manager Sir Alex Ferguson; and, finally, his love of America -- his first son was conceived in and named Brooklyn -- where, like the great PelÉ, David can imagine playing out his final seasons. So much has been written about David Beckham that it's easy to think we know everything about the world's most famous athlete, but only Beckham himself can set the record straight on his beliefs, his dreams, his loves, his fears, and, above all, his sense of who he is. Beckham is an intimate account of an extraordinary life, a life in which, against all odds, he has managed to keep both feet on the ground.

Refine Search

Showing 97,051 through 97,075 of 100,000 results