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Beethoven for a Later Age: Living with the String Quartets
by Edward Dusinberre&“A richly detailed portrayal of the intimate workings of a great string quartet . . . as revealed to us through the recollections of its first violinist.&”—Philip Roth Edward Dusinberre, first violinist of the renowned Takács Quartet, offers a rare peek inside the workings of his ensemble, while providing an insightful history of Beethoven&’s sixteen string quartets and their performance. Founded in Hungary in 1975 and now based in Boulder, Colorado, the Takács is one of the world&’s preeminent string quartets, and performances of Beethoven have been at the center of their work together for over forty years. Using the history of both the Takács Quartet and the Beethoven quartets as a foundation, Beethoven for a Later Age provides a backstage look at the daily life of a quartet, showing the necessary creative tension between individual and group and how four people can at the same time forge a lasting artistic connection and enjoy making music together over decades. In an accessible style, suitable for novices and chamber music enthusiasts alike, Dusinberre illuminates the variety and contradictions of Beethoven&’s quartets, which were composed against the turbulent backdrop of the Napoleonic Wars and their aftermath, and he brings the technical aspects of the music to life. &“We are given intimate insight into the almost impossible-to-describe musical process of rehearsal and performance, the artistic and human interaction that links these modern musicians with their forebears and Beethoven himself.&”—Garrick Ohlsson, pianist &“This singular memoir . . . will be something between informative and revelatory to readers from musicians to music lovers.&”—Jan Swafford, author of Beethoven: Anguish and Triumph
Beethoven for Kids: His Life and Music with 21 Activities
by Helen BauerLudwig van Beethoven, one of the most influential composers of all time, is brought vividly to life and made relevant to today's young musicians in Beethoven for Kids. Children will learn about Beethoven's troubled childhood and family life, early gift and passion for music, volatile personality, championing of equality and freedom, and persistence in his work despite increasing hearing loss. The great musicians, thinkers, and movements of Beethoven's time, from Mozart and Haydn to the bold new ideas of the Enlightenment, are presented and their profound effect on the composer's life and music explained. Twenty-one engaging activities, including singing musical variations, dancing a Viennese waltz, creating an operatic diorama, and making a model eardrum, illuminate Beethoven's life, times, and work. A time line, a glossary, online resources, and recordings and reading lists for further listening and study round out this comprehensive resource.
Beethoven Hero
by Scott BurnhamBringing together reception history, music analysis and criticism, the history of music theory, and the philosophy of music, Beethoven Hero explores the nature and persistence of Beethoven's heroic style. What have we come to value in this music, asks Scott Burnham, and why do generations of critics and analysts hear it in much the same way? Specifically, what is it that fosters the intensity of listener engagement with the heroic style, the often overwhelming sense of identification with its musical process? Starting with the story of heroic quest heard time and again in the first movement of the Eroica Symphony, Burnham suggests that Beethoven's music matters profoundly to its listeners because it projects an empowering sense of self, destiny, and freedom, while modeling ironic self-consciousness. In addition to thus identifying Beethoven's music as an overarching expression of values central to the age of Goethe and Hegel, the author describes and then critiques the process by which the musical values of the heroic style quickly became the controlling model of compositional logic in Western music criticism and analysis. Apart from its importance for students of Beethoven, this book will appeal to those interested in canon formation in the arts and in music as a cultural, ethical, and emotional force--and to anyone concerned with what we want from music and what music does for us.
Beethoven in Russia: Music and Politics
by Frederick W. SkinnerHow did Ludwig van Beethoven help overthrow a tsarist regime? With the establishment of the Russian Musical Society and its affiliated branches throughout the empire, Beethoven's music reached substantially larger audiences at a time of increasing political instability. In addition, leading music critics of the regime began hearing Beethoven's dramatic works as nothing less than a call to revolution. Beethoven in Russia deftly explores the interface between music and politics in Russia by examining the reception of Beethoven's works from the late 18th century to the present. In part 1, Frederick W. Skinner's clear and sweeping review examines the role of Beethoven's more dramatic works in the revolutionary struggle that culminated in the Revolution of 1917. In part 2, Skinner reveals how this same power was again harnessed to promote Stalin's campaign of rapid industrialization. The appropriation of Beethoven and his music to serve the interests of the state remained the hallmark of Soviet Beethoven reception until the end of communist rule. With interdisciplinary appeal in the areas of history, music, literature, and political thought, Beethoven in Russia shows how Beethoven's music served as a call to action for citizens and weaponized state propaganda in the great political struggles that shaped modern Russian history.
Beethoven in the Bunker: Musicians Under the Nazi Regime
by Fred BrouwersThis compelling survey examines the remarkable relationship between the Nazis and classical music through the stories of musicians, composers, and conductors across the political spectrum.May 1945. A Soviet military patrol searches Hitler&’s secret bunker in Berlin. They find bodies, documents, jewelry, paintings—and also an extensive collection of 78 rpm records. It comes as no surprise that this collection includes work by Beethoven, Wagner, and Bruckner. The same goes for a procession of other giants promoted by the Nazi regime: &“It seems as if the Nazis put a steel helmet on Mozart, girded Schubert with a saber, and wrapped barbed wire around Johann Strauss&’s neck,&” composer Robert Stolz once said. But how is it possible that Hitler&’s favorites also included &“forbidden&” Jewish and Russian composers and performers? While Hitler sat secretly enjoying previously recorded music in his bunker, musicians made of flesh and blood were denied a means of making a living. They died in concentration camps or in other war-related circumstances. They survived but ended up in psychiatric care; they managed to flee just in time; they sided with the regime—out of conviction or coercion—or they joined the resistance. From fiery conductor Arturo Toscanini, who defied Mussolini and Hitler, to opportunistic composer Richard Strauss and antisemitic pianist Elly Ney, who collaborated with the Third Reich to varying extents and for different reasons, Fred Brouwers profiles the complex figures of this extraordinarily fascinating chapter in music history.
Beethoven, A Life
by Jan CaeyersThis internationally bestselling biography of Ludwig van Beethoven, now translated into English for the first time, offers connoisseurs and newcomers alike an unparalleled story of the composer’s life and works. With unprecedented access to the archives at the Beethoven House in Bonn, renowned Beethoven conductor and scholar Jan Caeyers expertly weaves together a deeply human and complex image of Beethoven—his troubled youth, his unpredictable mood swings, his desires, relationships, and conflicts with family and friends, the mysteries surrounding his affair with the "immortal beloved," and the dramatic tale of his deafness. Caeyers also offers new insights into Beethoven’s music and its gradual transformation from the work of a skilled craftsman into that of a consummate artist. Demonstrating an impressive command of the vast scholarship on this iconic composer, Caeyers brings Beethoven’s world alive with elegant prose, memorable musical descriptions, and vivid depictions of Bonn and Vienna—the cities where Beethoven produced and performed his works. Caeyers explores how Beethoven’s career was impacted by the historical and philosophical shifts taking place in the music world, and conversely, how his own trajectory changed the course of the music industry. Equal parts absorbing cultural history and lively biography, Beethoven, A Life paints a complex portrait of the musical genius who redefined the musical style of his day and went on to become one of the great pillars of Western art music.
The Beethoven Medal (Pennington #2)
by K. M. Peyton"There are plenty of nice steady boys you could go out with," her mother told her, but Ruth Hollis knew that beside Patrick other boys would seem insipid and dull. Ruth was quiet, but she had a streak of stubbornness in her nature, and she enjoyed a challenge. When she was younger and crazy about horses, she had always liked to ride the most difficult ponies; so perhaps it wasn't surprising that now, as a girl of sixteen, she should find herself involved with Patrick Pennington--a singularly complex, wild, and talented young man. Nevertheless, Ruth found herself wondering if this particular challenge was going to prove too much for her--with far-reaching consequences for herself and her family. K. M. Peyton, winner of the Carnegie Medal and the Guardian Award for her distinguished contribution to children's literature, has written a tender, funny, and convincing story of two very appealing young people on the verge of love.
The Beethoven Medal: Book 2 (Pennington #2)
by K M PeytonBeing in love with Patrick Pennington isn't easy. With his all-consuming passion for music, and his desperate need for freedom, Ruth isn't sure there's room for her in his life. Will he ever love and need her in return?
Beethoven or Bust: A Practical Guide to Understanding and Listening to Great Music
by David HurwitzA book intended for those people who have a budding curiosity in music of all types, but who don't have the slightest idea of where to begin.
The Beethoven Quartet Companion
by Robert Winter Robert MartinWhile the Beethoven string quartets are to chamber music what the plays of Shakespeare are to drama, even seasoned concertgoers will welcome guidance with these personal and sometimes enigmatic works.This collection offers Beethoven lovers both detailed notes on the listening experience of each quartet and a stimulating range of more general perspectives: Who has the quartets' audience been? How were the quartets performed before the era of sound recordings? What is the relationship between "classical" and "romantic" in the quartets? How was their reception affected by social and economic history? What sorts of interpretive decisions are made by performers today?The Companion brings together a matchless group of Beethoven experts. Joseph Kerman is perhaps the world's most renowned Beethoven scholar. Robert Winter, an authority on sketches for the late quartets, has created interactive programs regarded as milestones in multimedia publishing. Maynard Solomon has written an acclaimed biography of Beethoven. Leon Botstein is the conductor of the American Symphony Orchestra as well as a distinguished social historian and college president. Robert Martin writes from his experience as cellist of the Sequoia Quartet. And the book is anchored by the program notes of Michael Steinberg, who has served as Artistic Advisor of the San Francisco Symphony and the Minnesota Orchestra.
The Beethoven Sonatas and the Creative Experience
by Kenneth DrakeThe definitive study of Beethoven&’s piano sonatas is &“remarkable as an insider&’s account of the works in an individual perspective.&” (European Music Teacher) In &“one of the most interesting, useful and even exciting books on the process of musical creation&” (American Music Teacher), Kenneth O. Drake groups the Beethoven piano sonatas according to their musical qualities, rather than their chronology. He explores the interpretive implications of rhythm, dynamics, slurs, harmonic effects, and melodic development and identifies specific measures where Beethoven skillfully employs these compositional devices. An interpreter searching for meaning, Drake begins with Beethoven&’s expressive treatment of the keyboard—the variations of touch, articulation, line, color, use of silence, and the pacing of musical ideas. He then analyzes individual sonatas, exploring motivic development, philosophic overtones, and technical demands. Hundreds of musical examples illustrate this exploration of emotional and interpretive implications of &“the 32.&” Here musicians are encouraged to exercise intuition and independence of thought, complementing their performance skills with logical conclusions about ideas and relationships within the score.
Beethoven Studies 4 (Cambridge Composer Studies)
by Keith Chapin David Wyn JonesDid you know that Beethoven contemplated, however fleetingly, writing more than forty symphonies and that for the Missa solemnis he sought stimulus from a Latin-German dictionary? And what about the underappreciated sociable side of Beethoven's music to set alongside the familiar one of the heroic? Beethoven Studies 4 is a collection of ten chapters that approach the composer and his music from an appealing range of critical standpoints, aesthetic, analytical, biographical, historical and performance. Alongside essays that offer new information on Beethoven's compositional practice and broaden understanding of the music's contemporary and posthumous appeal, there are essays on his interaction with specific environments, Bonn and post-Napoleonic Austria, and vocal and piano performance practice. The volume will appeal to cultural historians and practitioners as well as Beethoven enthusiasts.
Beethoven Symphonies Nos. 6-9 Transcribed for Solo Piano
by Franz LisztThe greatest piano virtuoso of the 19th century, Franz Liszt possessed an astonishing ability to recreate orchestral fabric at the keyboard, enabling pianists to reproduce the texture and grandeur of symphonic works. This volume is the second of Dover's two-part set of Liszt’s piano transcriptions of Beethoven's nine symphonies, reproduced from the edition authorized by Liszt himself. Its contents include Symphony No. 6 in F major, Op. 68, "Pastorale"; Symphony No. 7 in A major, Op. 92; Symphony No. 8 in F major, Op. 93; and Symphony No. 9 in D minor, Op. 125, "Choral."The collection also contains engrossing pieces of background information, including a facsimile of Liszt's handwritten French preface to his Beethoven transcriptions (along with its English translation), as well as an introduction by Dr. Alan Walker, author of the definitive three volume Liszt biography.A memorable tribute from one musical genius to another, these beautiful transcriptions will delight pianists and music lovers alike.
Beethoven Symphonies Nos. 6-9 Transcribed for Solo Piano (Dover Classical Piano Music)
by Franz LisztSecond volume in a Dover series of Liszt's piano transcriptions of Beethoven's nine symphonies includes Symphony No. 6 in F major, Op. 68, "Pastorale"; Symphony No. 7 in A major, Op. 92; Symphony No. 8 in F major, Op. 93; and Symphony No. 9 in D minor, Op. 125, "Choral." Also contains Liszt's handwritten French preface to his transcriptions and an English translation, plus an introduction by Dr. Alan Walker, author of the definitive Liszt biography.
Beethoven the Pianist
by Tilman SkowroneckThe widely held belief that Beethoven was a rough pianist, impatient with his instruments, is not altogether accurate: it is influenced by anecdotes dating from when deafness had begun to impair his playing. Presenting a new, detailed biography of Beethoven's formative years, this book reviews the composer's early career, outlining how he was influenced by teachers, theorists and instruments. Skowroneck describes the development and decline of Beethoven's pianism, and pays special attention to early pianos, their construction and their importance for Beethoven and the modern pianist. The book also includes new discussions of legato and Beethoven's trills, and a complete annotated review of eyewitnesses' reports about his playing. Skowroneck presents a revised picture of Beethoven which traces his development from an impetuous young musician into a virtuoso in command of many musical resources.
Beethoven Variations: Poems on a Life
by Ruth PadelA fascinating poetic journey into the mind and heart of a musical genius, from the author of the celebrated Darwin: A Life in PoemsRuth Padel's new sequence of poems, in four movements, is a personal voyage through the life and legend of one of the world's greatest composers. She uncovers the man behind the music, charting his private thoughts and feelings through letters, diaries, sketchbooks, and the conversation books he used as his hearing declined. She gives us Beethoven as a battered four-year-old, weeping at the clavier; the young virtuoso pianist agonized by his encroaching deafness; the passionate, heartbroken lover; the clumsy eccentric making coffee with exactly sixty beans. Padel's quest takes her into the heart of Europe and back to her own musical childhood: Her great-grandfather, who studied in Leipzig with a pupil of Beethoven's, became a concert pianist before migrating to Britain; her parents met making music; and Padel grew up playing the viola, Beethoven's instrument as a child. Her book is a poet and string player's intimate connection across the centuries with an artist who, though increasingly isolated, ended even his most harrowing works on a note of hope.
Beethoven Was One-sixteenth Black and Other Stories
by Nadine GordimerWith this new collection Nadine Gordimer tosses the frontiers of politics, memory and love, in a startling variety of stories. A middle-aged academic, once an anti-apartheid activist, embarks on an unadmitted hopeful pursuit of the possibilities of his own racial idenity-in the New South Africa, to be found in his great-grandfather's fortune-hunting interlude living rough on diamond diggings far from his young wife in London. "Dreaming of the Dead" wittily conjures up a lunch in a New York Chinese restaurant, where Susan Sontag and Edward Said return in surprising new avatars as guests in the dream of a loving friend. The "historian" in "History" is a parrot who scandalises a restaurant clientele with the voice reproduction of quarrels and clandestine love-talk on which it has eavesdropped. "Alternate Endings" proposes the way writers choices in how to end their stories-and three, each relating to the same situation but different resolution, arrived at by the three sense sight, hearing and smell. these along with other stories highlight Gordimer's t
Beethoven's Anvil: Music in Mind and Culture
by William BenzonA cognitive scientists and co-founder of the Afro-Eurasian Connection music ensemble, Benzon argues that music connects people not so much to the physical world as to the social world that comes into being through music. It is comprised of groups ranging from two to billions that become a community by dancing and singing. Despite the title, he looks to the future rather than the past, describing building block for communities.
Beethoven’s Dedications: Stories Behind the Tributes
by Artur PereiraThe dedication of a piece of music is a feature generally overlooked, but it can reveal a great deal about the work, the composer, the society and the music world in which the composer lived.This book explores the musical, biographical and sociological aspects of the practice of dedicating new compositions in the late 18th and early 19th centuries, and makes a significant contribution towards a better understanding of the impact these tributes had on Beethoven’s life and work, and their function within the context of the musical, cultural and economic environments in which they appeared. As the first of its kind, this study demonstrates that, as a result of their different functions, published dedications and handwritten inscriptions are distinct from one another, and for that reason they have been classified in different categories. This book, therefore, challenges the idea of what exactly can be termed as a ‘dedication’, a concept which extends far beyond the dedication of musical works.
Beethoven's Eroica: The First Great Romantic Symphony
by James Hamilton-PatersonAn ode to Beethoven's revolutionary masterpiece, his Third Symphony In 1805, the world of music was startled by an avant-garde and explosive new work. Intellectually and emotionally, Beethoven's Third Symphony, the "Eroica," rudely broke the mold of the Viennese Classical symphony and revealed a powerful new expressiveness, both personal and societal. Even the whiff of actual political revolution was woven into the work-it was originally inscribed to Napoleon Bonaparte, a dangerous hero for a composer dependent on conservative royal patronage. With the first two stunning chords of the "Eroica," classical music was transformed.In Beethoven's Eroica, James Hamilton-Paterson reconstructs this great moment in Western culture, the shock of the music and the symphony's long afterlife.
Beethoven's French Piano: A Tale of Ambition and Frustration
by Tom BeghinUsing a replica of Beethoven’s Erard piano, scholar and performer Tom Beghin launches a striking reinterpretation of a key period of Beethoven’s work. In 1803 Beethoven acquired a French piano from the Erard Frères workshop in Paris. The composer was “so enchanted with it,” one visitor reported, “that he regards all the pianos made here as rubbish by comparison.” While Beethoven loved its sound, the touch of the French keyboard was much heavier than that of the Viennese pianos he had been used to. Hoping to overcome this drawback, he commissioned a local technician to undertake a series of revisions, with ultimately disappointing results. Beethoven set aside the Erard piano for good in 1810. Beethoven’s French Piano returns the reader to this period of Beethoven’s enthusiasm for all things French. What traces of the Erard’s presence can be found in piano sonatas like his “Waldstein” and “Appassionata”? To answer this question, Tom Beghin worked with a team of historians and musicians to commission the making of an accurate replica of the Erard piano. As both a scholar and a recording artist, Beghin is uniquely positioned to guide us through this key period of Beethoven’s work. Whether buried in archives, investigating the output of the French pianists who so fascinated Beethoven, or seated at the keyboard of his Erard, Beghin thinks and feels his way into the mind of the composer, bringing startling new insights into some of the best-known piano compositions of all time.
Beethoven's French Piano: A Tale of Ambition and Frustration
by Tom BeghinUsing a replica of Beethoven’s Erard piano, scholar and performer Tom Beghin launches a striking reinterpretation of a key period of Beethoven’s work. In 1803 Beethoven acquired a French piano from the Erard Frères workshop in Paris. The composer was “so enchanted with it,” one visitor reported, “that he regards all the pianos made here as rubbish by comparison.” While Beethoven loved its sound, the touch of the French keyboard was much heavier than that of the Viennese pianos he had been used to. Hoping to overcome this drawback, he commissioned a local technician to undertake a series of revisions, with ultimately disappointing results. Beethoven set aside the Erard piano for good in 1810. Beethoven’s French Piano returns the reader to this period of Beethoven’s enthusiasm for all things French. What traces of the Erard’s presence can be found in piano sonatas like his “Waldstein” and “Appassionata”? To answer this question, Tom Beghin worked with a team of historians and musicians to commission the making of an accurate replica of the Erard piano. As both a scholar and a recording artist, Beghin is uniquely positioned to guide us through this key period of Beethoven’s work. Whether buried in archives, investigating the output of the French pianists who so fascinated Beethoven, or seated at the keyboard of his Erard, Beghin thinks and feels his way into the mind of the composer, bringing startling new insights into some of the best-known piano compositions of all time.
Beethoven's Hair: An Extraordinary Historical Odyssey and a Scientific Mystery Solved
by Russell MartinReaders will follow the strange, yet true, journey made by a lock of Ludwig van Beethovens hair from the time it was clipped from the composers head on his deathbed in Germany in 1827 to a World War II refugee safe house in Denmark in 1943 to its eventual sale at auction in 1994. From this lock of hair, scientists were able to discover the cause of Beethovens death, a question that had long puzzled scientists and musicologists.
Beethoven's Heroic Symphony (Once Upon a Masterpiece #4)
by Anna Harwell CelenzaDiscover the little-known story of Beethoven's beloved masterwork. As the best pianist in Vienna, Ludwig van Beethoven had everything: talent, money, fame. But he also had a terrible secret. He was slowly going deaf. Though his hearing deserted him, the maestro never lost his music. Seeking inspiration for his compositions, Beethoven hit upon Napoleon Bonaparte, then considered a liberator and a folk hero. Soon after Beethoven completed the work, Napoleon declared himself Emperor of France; betrayed and enraged, Beethoven tore his copy of the score to pieces. But his friend Ferdinand rescued a copy, and in time, Beethoven renamed it Eroica: the Heroic Symphony, dedicated to hero in each and every one of us.
Beethoven's Letters
by Ludwig Van BeethovenLudwig van Beethoven (1770-1827), the protagonist of freedom for music, disentangled music from the control of the ruling class. In publishing his music and writing for the rising classes, Beethoven claimed freedom and expressed the emotions of the new rulers, the artists. The Eroica, Fidelio, and the piano works express the emotions of the new rulers -- the intense love, the need for companionship of people, the forces that conspired to defeat the artist, and the strength and superiority of the artist in overcoming the weaknesses. The letters of Beethoven are the principal nonmusical expression of his personality in its relationship with the world of his time.In what he called the "dry letters of the alphabet," Beethoven depicted his fears, his loves, and his friendly relations: his fears of deafness and of corrupted texts by pirating printers; his loves, Bettina Brentano and Giulietta Guicciardi; and his friendly relations with Baron Zmeskall, Frau Nannette Streicher, and the music publishers Steiner and Company. He praises the poetry of Goethe and Schiller but condemns Goethe for his obeisance toward royalty. He solicits help during his perpetual trouble with his health and with his servants. He castigates publishers, sets prices for his works, and calculates letters of dedication. He expresses his love for his nephew, Carl, but documents the trouble that Carl was causing him by taking up his precious time. And although Beethoven liked to decorate the letters with musical openings and closings and an occasional song to the receiver, he increasingly signed his letters, "In haste."The 457 letters collected here are the most important of the letters of the spirit that was to shape and move a century. Explanatory notes comment upon works, on persons mentioned, and on the puns of which Beethoven was fond. The letters chronicle his business, his needs, his humor and bitterness, and his philosophy. They will give many insights into Beethoven's methods, his influences, his moods, and the conditions under which the master worked.