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Regan Reilly -- the smart, saucy sleuth featured in all of Carol Higgins Clark's bestsellers -- is in New York attending a crime conference organized by her celebrity-author mother...and enjoying time with a new beau, Jack "no relation" Reilly. It's not long before trouble finds her: a family friend, Thomas Pilsner -- the president of the Settlers' Club on Gramercy Park -- desperately needs help. Two Settlers are dead, diamonds they were donating to the flagging club have vanished, and Thomas is rapidly becoming the prime suspect on all counts. As sharp as ever, Regan sets about solving the mystery of the disappearing diamonds and dead donors in order to save Thomas' neck...before the real killer finds him.
From Miami to Beverly Hills, from Mexico City, Acapulco and Las Vegas, LUCKY SANTANGELO is back! And so is the illegitimate son ANTHONY BONAR, of her one time Godfather and lethal enemy, ENZIO BONNATI. Lucky is preparing for the opening of her new multi-billion dollar hotel complex in Las Vegas, The Keys. But Anthony Bonar - drug lord and vicious killer - is out to stop her in any way he can. Meanwhile, MAX, Lucky's wild 16-year-old daughter, has run off to hook up with a man she met on the Internet. Instead of the gorgeous guy she thought she'd be meeting, he turns out to be an obsessed rich psycho with a deep-seated grudge against Lucky. And so the lethal games begin...
Madison Castelli - the beautiful, talented and street-smart journalist - returns in this thrilling and powerful follow-up to the bestselling LETHAL SEDUCTION... Distraught after finding out her father has been hiding secrets from her all her life - and is possibly involved with the mob - Madison flies to L.A. only to find herself held hostage by masked gunmen. Michael Castelli is being accused of murder. But has he been set up as pay-back for a deed in his past? And could his daughter's life or death situation be connected? He is determined to find out and exact his revenge. And what Michael Castelli wants, Michael Castelli gets...
In the picturesque village of Branscombe, New Hampshire, the townsfolk are preparing for the annual Festival of Joy. With preparations in full swing, a group of employees at the local market, recently cheated out of their Christmas bonus by their boss's new wife, learn that they have won $180 million in the lottery. On the advice of a pair of crooks masquerading as financial advisers, one of their co-workers, Duncan, decided at the last minute not to play. He goes missing and the next day his girlfriend Flower also disappears. A second winning lottery ticket was purchased in the next town but the winner hasn't come forward. Could Duncan have secretly bought it? The Clarks' endearing heroes - Alvirah Meehan, the amateur sleuth, and private investigator Regan Reilly - have arrived in Branscombe for the festival. Alvirah and Regan are just the people to find out what is amiss. As they dig beneath the surface, they find that life in Branscombe is not as tranquil as it appears. So much for an old-fashioned weekend in the country ...
L.A.-based private detective Regan Reilly gets a call from her best gal pal, urging her to come to Hawaii for one last girls' weekend before Regan ties the knot with Jack "no relation" Reilly, and so she happily packs her bags. At the Waikiki Waters Playground and Resort, the body of Dorinda Dawes, the hotel's gossipy PR woman, washes ashore wearing a valuable lei that once belonged to a Hawaiian princess and was stolen from a museum in Honolulu thirty years ago. The resort manager doesn't believe that Dorinda drowned accidentally and persuades Regan to take on the case. The more she starts digging, the more danger she is in. Can Regan find out what really happened before it's too late for her and the other vacationers at the Waikiki Waters?
The white buffalo is a sacred and holy creature to the Lakota. Buffalo Dreamer, a holy woman, and her husband, Rising Eagle, have not only been blessed to see the white buffalo, they have eaten of its heart and have been told by the sacred beast that as long as the Lakota have the white buffalo hide, all will be well.But all is not well. White hunters have stolen the sacred white robe and great misfortune has befallen the Lakota. Settlers continue to invade Lakota territory, backed by vicious cavalry forces that massacre women and children. The Lakota are starving and their anger is growing.Led by Rising Eagle, a great force of Lakota and other tribes wage war upon the white man. Together they battle to regain the land stolen from them, to protect the precious buffalo the white man wantonly destroys, and to search for the sacred white robe.
In Mystic Dreamers, best-selling author Rosanne Bittner began a compelling saga with the meeting of Buffalo Dreamer, a holy woman, and Rising Eagle, a warrior whose powers were unmatched, for he had been blessed by the Feathered One. Now, in a new story sure to enthrall both new readers and devoted fans, Bittner follows Buffalo Dreamer, Rising Eagle, and their children through the great Indian wars and the settling of the West, where, in addition to the risks and rewards of daily life, they and their Lakota tribe must face the influx of white settlers and soldiers into their lands and into their lives. In Mustic Visions, we experience Buffalo Dreamer's increasingly powerful visions of the bluecoats and a coming war. We learn the fate of Little Big Boy and Never Sleeps, and of Never Sleeps's mother, Fall Leaf Woman. And we meet the one who is destined to lead the Lakota People in their greatest trial ever, Crazy Horse!
During the Dark Ages, a thing named Temple slaughtered Gabriel's family. A man with snake eyes charged him to pursue the assassin wherever he may strike next, and destroy him. Gabriel never believed he'd still be following Temple almost a thousand years later. Because Temple may be a demon, the man with snake eyes cursed Gabriel with a life long enough to hunt him down. Now he has picked up Temple's scent again. The Caribbean sea is awash with pirate blood, and in such turmoil the outcome of any fight is far from certain.Free bonus novelette:Dead Man's HandIn the wilderness of the American West, the assassin is set to strike again. Despite his centuries-long curse, Gabriel is still but a man, scarred and bitter. The town of Deadwood has seen many such men... though it's never seen anything quite like the half-demon known as Temple.
Her name is Binti, and she is the first of the Himba people ever to be offered a place at Oomza University, the finest institution of higher learning in the galaxy. But to accept the offer will mean giving up her place in her family to travel between the stars among strangers who do not share her ways or respect her customs.Knowledge comes at a cost, one that Binti is willing to pay, but her journey will not be easy. The world she seeks to enter has long warred with the Meduse, an alien race that has become the stuff of nightmares. Oomza University has wronged the Meduse, and Binti's stellar travel will bring her within their deadly reach.If Binti hopes to survive the legacy of a war not of her making, she will need both the the gifts of her people and the wisdom enshrined within the University, itself -- but first she has to make it there, alive.PRAISE FOR BINTI"Binti is a supreme read about a sexy, edgy Afropolitan in space! It's a wondrous combination of extra-terrestrial adventure and age-old African diplomacy. Unforgettable!" -- Wanuri Kahiu, award-winning Kenyan film director of Punzi and From a Whisper
For over a decade, Rosanne Bittner has enchanted her readers with tales of adventure and romance in the times before the White Man settled the West. Now, in the tradition of Kathleen O'Neal Gear and W. Michael Gear, the bestselling author of Song of the Wolf and the Savage Destiny Indian series turns her hand to historical fiction with a wonderful new story of Native America sure to capture you and carry you on an adventure of love and hate, good and evil, life and death.In 1833, Star Dancer, a Sichangu (Brulé Sioux), is promised in marriage to Stalking Wolf, an Oglala warrior whom she has never met. What begins as a loveless union develops into a moving story of a man and a woman led by powers beyond their control. Dreams, visions, and mystic experiences fill this provocative love story that launches a saga about the Lakota and their first meeting with the White Man.
He signed up to fight with visions of honour and glory, of fighting for king and country, of making his family proud at long last.But on a battlefield during the Great War, Robert Jones is shot, and wonders how it all went so very wrong, and how things could possibly get any worse.He'll soon find out. When the attacking enemy starts to shapeshift into a nightmarish demonic force, Jones finds himself fighting an impossible war against an enemy that shouldn't exist.Andy Remic's A Song for No Man's Land is the first in an ongoing series.
A missing eye.A broken wing.A stolen country.The last job didn't end well.Years go by, and scars fade, but memories only fester. For the animals of the Captain's company, survival has meant keeping a low profile, building a new life, and trying to forget the war they lost. But now the Captain's whiskers are twitching at the idea of evening the score.PRAISE FOR THE BUILDERS"A living, breathing world of vivid, winsome characters hellbent on their blaze of glory and as unforgiving as a runaway train carrying all your friends over a cliff. I haven't cared about animals this much since Watership Down." -- Delilah S. Dawson, author of Hit and Wicked as They Come"Nobody does dark like Polansky. The Builders is Redwall meets Unforgiven, combining the endearing wit of Disney's Robin Hood with all the grit and violence of a spaghetti western." -- Myke Cole, author of the Shadow Ops series"If Sam Peckinpah and Brian Jacques had a strange peyote ritual and shared a collective dream, it might look something liek this. Brutish, nasty, short -- much like life -- Polansky's The Builders is also funny, exciting, and extremely original. The Wild Bunch meets Watership Down." -- John Hornor Jacobs, author of The Incorruptibles
Katya deals in Authenticities and Captures, trading on nostalgia for a past long gone. Her clients are rich and they demand items and experiences with only the finest verifiable provenance. Other people's lives have value, after all.But when her A.I. suddenly stops whispering in her ear she finds herself cut off from the grid and loses communication with the rest of the world. The man who stepped out of the trees while hunting deer cut her off from the cloud, took her A.I. and made her his unwilling guest. There are no Authenticities or Captures to prove Katya's story of what happened in the forest. You'll just have to believe her.
"One of the world's most inspired and unusual poets . . . [Seidel's] poems are a triumph of cosmic awe in the face of earthly terror." --Hillel Italie, USA TodayFrederick Seidel has been called many things. A "transgressive adventurer," "a demonic gentleman," a "triumphant outsider," "a great poet of innocence," and "an example of the dangerous Male of the Species," just to name a few. Whatever you choose to call him, one thing is certain: "he radiates heat" (The New Yorker). Now add to that: the poet of aging and decrepitude. Widening Income Inequality, Seidel's new poetry collection, is a rhymed magnificence of sexual, historical, and cultural exuberance, a sweet and bitter fever of Robespierre and Obamacare and Apollinaire, of John F. Kennedy and jihadi terror and New York City and Italian motorcycles. Rarely has poetry been this true, this dapper, or this dire. Seidel is "the most poetic of the poets and their leader into hell."
The Chatter of the Visible examines the paradoxical narrative features of the photomontage aesthetics of artists associated with Dada, Constructivism, and the New Objectivity. While montage strategies have commonly been associated with the purposeful interruption of and challenge to narrative consistency and continuity, McBride offers a historicized reappraisal of 1920s and 1930s German photomontage work to show that its peculiar mimicry was less a rejection of narrative and more an extension or permutation of it-a means for thinking in narrative textures exceeding constraints imposed by "flat" print media (especially the novel and other literary genres). McBride's contribution to the conversation around Weimar-era montage is in her situation of the form of the work as a discursive practice in its own right, which affords humans a new way to negotiate temporality; as a particular mode of thinking that productively relates the particular to the universal; or as a culturally specific form of cognition. Book jacket.
The year 2016 will mark the centennial of the birth of Albert Murray (1916-2013), who in thirteen books was by turns a lyrical novelist, a keen and iconoclastic social critic, and a formidable interpreter of jazz and blues. Not only did his prizewinning study Stomping the Blues (1976) influence musicians far and wide, it was also a foundational text for Jazz at Lincoln Center, which he cofounded with Wynton Marsalis and others in 1987. Murray Talks Music brings together, for the first time, many of Murray's finest interviews and essays on music--most never before published--as well as rare liner notes and prefaces.For those new to Murray, this book will be a perfect introduction, and those familiar with his work--even scholars--will be surprised, dazzled, and delighted. Highlights include Dizzy Gillespie's richly substantive 1985 conversation; an in-depth 1994 dialogue on jazz and culture between Murray and Wynton Marsalis; and a long 1989 discussion on Duke Ellington between Murray, Stanley Crouch, and Loren Schoenberg. Also interviewed by Murray are producer and impresario John Hammond and singer and bandleader Billy Eckstine. All of thse conversations were previously lost to history. A celebrated educator and raconteur, Murray engages with a variety of scholars and journalists while making insightful connections among music, literature, and other art forms--all with ample humor and from unforeseen angles.Leading Murray scholar Paul Devlin contextualizes the essays and interviews in an extensive introduction, which doubles as a major commentary on Murray's life and work. The volume also presents sixteen never-before-seen photographs of jazz greats taken by Murray.No jazz collection will be complete without Murray Talks Music, which includes a foreword by Gary Giddins and an afterword by Greg Thomas.
Thirty years ago, few residents of Asian cities had ever been on a plane, much less outside their home countries. Today, flying, and flying abroad, is commonplace. How has this leap in cross-border mobility affected the design and use of such cities? And how is it accelerating broader socioeconomic and political changes in Asian societies? In Airport Urbanism, Max Hirsh undertakes an unprecedented study of airport infrastructure in five Asian cities--Bangkok, Hong Kong, Shenzhen, Kuala Lumpur, and Singapore. Through this lens he examines the exponential increase in international air traffic and its implications for the planning and design of the contemporary city. By investigating the low-cost, informal, and transborder transport systems used by new members of the flying public--such as migrant workers, retirees, and Asia's emerging middle class--he uncovers an architecture of incipient global mobility that has been inconspicuously inserted into places not typically associated with the infrastructure of international air travel. Drawing on material gathered in restricted zones of airports and border control facilities, Hirsh provides a fascinating, up-close view of the mechanics of cross-border mobility. Moreover, his personal experience of growing up and living on three continents inflects his analyses with unique insight into the practicalities of international migration and into the mindset of people on the move.
EVE Online is a socially complex, science-fiction-themed universe simulation and massively multiplayer online game (MMOG) first released in 2003. Notorious for its colossal battles and ruthless player culture, it has hundreds of thousands of players today. In this fascinating book, scholars, players, and EVE's developer (CCP Games) examine the intricate world of EVEOnline--providing authentic accounts of lived experience within a game with more than a decade of history and millions of "real" dollars behind it.Internet Spaceships Are Serious Business features contributions from outstanding EVE Online players, such as The Mittani, an infamous member of the game's community, as well as academics from around the globe. They cover a wide range of subjects: the game's technicalities and its difficulty; its projection of humanity's future in space; the configuration of its unique, single-server game world; the global nature of warfare in its "nullsec" territory (and how EVE players have formed a global concept of time); stereotypes of Russian players; espionage play; in-game memorials to Vile Rat (aka U.S. State Department official Sean Smith, murdered in the 2012 Benghazi attack); its gendered playing experience; and CCP Games' relationship with players; and its history and legacy.Internet Spaceships Are Serious Business is a must for EVE Online players interested in a broad perspective on their all-consuming game. It is also accessible to scholars, game designers seeking to understand and replicate the successful aspects unique to EVE Online, and even those who have never played this notoriously complex game.Contributors: William Sims Bainbridge, National Science Foundation; Chribba; Jedrzej Czarnota; Kjartan Pierre Emilsson; Dan Erdman; Rebecca Fraimow; Martin R. Gibbs, U of Melbourne; Catherine Goodfellow; Kathryn Gronsbell; Keith Harrison; Kristin MacDonough; Mantou (Zhang Yuzhou); Oskar Milik; The Mittani (Alexander Gianturco); Joji Mori; Richard Page; Christopher Paul, Seattle U; Erica Titkemeyer, U of North Carolina at Chapel Hill; Nick Webber, Birmingham City U.
Howard Phillips Lovecraft, the American author of "weird tales" who died in 1937 impoverished and relatively unknown, has become a twenty-first-century star, cropping up in places both anticipated and unexpected. Authors, filmmakers, and shapers of popular culture like Stephen King, Neil Gaiman, and Guillermo del Toro acknowledge his influence; his fiction is key to the work of posthuman philosophers and cultural critics such as Graham Harman and Eugene Thacker; and Lovecraft's creations have achieved unprecedented cultural ubiquity, even showing up on the animated program South Park.The Age of Lovecraft is the first sustained analysis of Lovecraft in relation to twenty-first-century critical theory and culture, delving into troubling aspects of his thought and writings. With contributions from scholars including Gothic expert David Punter, historian W. Scott Poole, musicologist Isabella van Elferen, and philosopher of the posthuman Patricia MacCormack, this wide-ranging volume brings together thinkers from an array of disciplines to consider Lovecraft's contemporary cultural presence and its implications. Bookended by a preface from horror fiction luminary Ramsey Campbell and an extended interview with the central author of the New Weird, China Miéville, the collection addresses the question of "why Lovecraft, why now?" through a variety of approaches and angles. A must for scholars, students, and theoretically inclined readers interested in Lovecraft, popular culture, and intellectual trends, The Age of Lovecraft offers the most thorough examination of Lovecraft's place in contemporary philosophy and critical theory to date as it seeks to shed light on the larger phenomenon of the dominance of weird fiction in the twenty-first century.Contributors: Jessica George; Brian Johnson, Carleton U; James Kneale, U College London; Patricia MacCormack, Anglia Ruskin U, Cambridge; Jed Mayer, SUNY New Paltz; China Miéville, Warwick U; W. Scott Poole, College of Charleston; David Punter, U of Bristol; David Simmons, Northampton U; Isabella van Elferen, Kingston U London.
City blue laws drove the liquor trade and its customers--hard-drinking lumberjacks, pensioners, farmhands, and railroad workers--into the oldest quarter of Minneapolis. In the fifty-cent-a-night flophouses of the city's Gateway District, they slept in cubicles with ceilings of chicken wire. In rescue missions, preachers and nuns tried to save their souls. Sociology researchers posing as vagrants studied them. And in their midst John Bacich, aka Johnny Rex, who owned a bar, a liquor store, and a cage hotel, documented the gritty neighborhood's last days through photographs and film of his clientele.The King of Skid Row follows Johnny Rex into this vanished world that once thrived in the heart of Minneapolis. Drawing on hours of interviews conducted in the three years before Bacich's death in 2012, James Eli Shiffer brings to life the eccentric characters and strange events of an American skid row. Supplemented with archival and newspaper research and his own photographs, Bacich's stories re-create the violent, alcohol-soaked history of a city best known for its clean, progressive self-image. His life captures the seamy, richly colorful side of the city swept away by a massive urban renewal project in the early 1960s and gives us, in a glimpse of those bygone days, one of Minneapolis's most intriguing figures--spinning some of its most enduring and enthralling tales.
The 1992 Los Angeles rebellion, also known as the Rodney King riots, followed the acquittal of four police officers who had been charged with assault and the use of excessive force against a Black motorist. The violence included widespread looting and destruction of stores, many of which were owned or operated by Korean Americans in neighborhoods that were predominantly Black and Latina/o. Civil Racism examines a range of cultural reactions to the "riots" anchored by calls for a racist civility, a central component of the aesthetics and politics of the post-civil rights era.Lynn Mie Itagaki argues that the rebellion interrupted the rhetoric of "civil racism," which she defines as the preservation of civility at the expense of racial equality. As an expression of structural racism, Itagaki writes, civil racism exhibits the active--though often unintentional--perpetuation of discrimination through one's everyday engagement with the state and society. She is particularly interested in how civility manifests in societal institutions such as the family, the school, and the neighborhood, and she investigates dramatic, filmic, and literary texts by African American, Asian American, and Latina/o artists and writers that contest these demands for a racist civility.Itagaki specifically addresses what she sees as two "blind spots" in society and in scholarship. One is the invisibility of Asians and Latinas/os in media coverage and popular culture that, she posits, importantly shapes Black-White racial formations in dominant mainstream discourses about race. The second is the scholarly separation of two critical traditions that should be joined in analyses of racial injustice and the 1992 Los Angeles rebellion: comparative race studies and feminist theories.Civil Racism insists that the 1992 "riots" continue to matter, that the artistic responses matter, and that--more than twenty years later--debates about issues of race, ethnicity, class, and gender are more urgent than ever.
Electrifying, provocative, and controversial when first published thirty years ago, Donna Haraway's "Cyborg Manifesto" is even more relevant today, when the divisions that she so eloquently challenges--of human and machine but also of gender, class, race, ethnicity, sexuality, and location--are increasingly complex. The subsequent "Companion Species Manifesto," which further questions the human-nonhuman disjunction, is no less urgently needed in our time of environmental crisis and profound polarization.Manifestly Haraway brings together these momentous manifestos to expose the continuity and ramifying force of Haraway's thought, whose significance emerges with engaging immediacy in a sustained conversation between the author and her long-term friend and colleague Cary Wolfe. Reading cyborgs and companion species through and with each other, Haraway and Wolfe join in a wide-ranging exchange on the history and meaning of the manifestos in the context of biopolitics, feminism, Marxism, human-nonhuman relationships, making kin, literary tropes, material semiotics, the negative way of knowing, secular Catholicism, and more.The conversation ends by revealing the early stages of Haraway's "Chthulucene Manifesto," in tension with the teleologies of the doleful Anthropocene and the exterminationist Capitalocene. Deeply dedicated to a diverse and robust earthly flourishing, Manifestly Haraway promises to reignite needed discussion in and out of the academy about biologies, technologies, histories, and still possible futures.
Although little known today, Raymond Ruyer was a post-World War II French philosopher whose works and ideas were significant influences on major thinkers, including Deleuze, Guattari, and Simondon. With the publication of this translation of Neofinalism, considered by many to be Ruyer's magnum opus, English-language readers can see at last how this seminal mind allied philosophy with science.Unfazed by the idea of philosophy ending where science began, Ruyer elaborated a singular, nearly unclassifiable metaphysics and reactivated philosophy's capacity to reflect on its canonical questions: What exists? How are we to account for life? What is the status of subjectivity? And how is freedom possible? HaNeofinalism offers a systematic and lucidly argued treatise that deploys the innovative concepts of self-survey, form, and absolute surface to shape a theory of the virtual and the transspatial. It also makes a compelling plea for a renewed appreciation of the creative activity that organizes spatiotemporal structures and makes possible the emergence of real beings in a dynamic universe.
This best-selling textbook presents a comprehensive and accessible overview of the study of memory. Written by three of the world's leading researchers in the field, it contains everything the student needs to know about the scientific approach to memory and its applications. Each chapter of the book is written by one of the three authors, an approach which takes full advantage of their individual expertise and style, creating a more personal and accessible text. This enhances students' enjoyment of the book, allowing them to share the authors' own fascination with human memory. The book also draws on a wealth of real-world examples throughout, showing students exactly how they can relate science to their everyday experiences of memory. Key features of this edition: Thoroughly revised throughout to include the latest research and updated coverage of key ideas and models A brand new chapter on Memory and the Brain, designed to give students a solid understanding of methods being used to study the relationship between memory and the brain, as well as the neurobiological basis of memory Additional pedagogical features to help students engage with the material, including many 'try this' demonstrations, points for discussion, and bullet-pointed chapter summaries The book is supported by a companion website featuring extensive online resources for students and lecturers.
From Jesus to Christianity: How Four Generations of Visionaries & Storytellers Created the New Testament and Christian Faithby L. Michael White
The Story of the New Testament and Christian Origins
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