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Brand new stories by: Ken Bruen, Eoin Colfer, Jason Starr, Laura Lippman, Olen Steinhauer, Peter Spiegelman, Kevin Wignall, Jim Fusilli, John Rickards, Patrick J. Lambe, Charlie Stella, Ray Banks, James O. Born, Sarah Weinman, Pat Mullan, Gary Phillips, Craig McDonald, Duane Swierczynski, Reed Farrel Coleman, and others.Irish crime-fiction sensation Ken Bruen and cohorts shine a light on the dark streets of Dublin. Dublin Noir features an awe-inspiring cast of writers who between them have won all major mystery and crime-fiction awards. This collection introduces secret corners of a fascinating city and surprise assaults on the "Celtic Tiger" of modern Irish prosperity.
From crime stories in the classic hard-boiled style to the vividly experimental, from the determination of those risking everything to the desperation of those with nothing left to lose, Detroit Noir delivers unforgettable tales that capture the city's dark vitality.Includes stories by: Joyce Carol Oates, Loren D. Estleman, Craig Holden, P.J. Parrish, Desiree Cooper, Nisi Shawl, M.L. Liebler, Craig Bernier, Joe Boland, Megan Abbott, Dorene O'Brien, Lolita Hernandez, Peter Markus, Roger K. Johnson, Michael Zadoorian, and E.J. Olsen.
"Delhi Noir has no lack of true-to-life characters getting twisted, mangled and discarded. Which is why, like the proverbial train wreck, even as you cringe, you won't be able to look away."--San Francisco Chronicle"This book is a chance to get a fix on some of India's best crime writers, most of whom are totally unknown in North America. Like the rest of this superb series (Brooklyn Noir, L.A. Noir, Toronto Noir, etc.), we are introduced to the city by stories set in locations iconic to the city. In the case of Delhi, that means we go to come very dark spots indeed."--Globe & MailBrand new stories by: Irwin Allan Sealy, Omair Ahmad, Radhika Jha, Ruchir Joshi, Nalinaksha Bhattacharya, Meera Nair, Siddharth Chowdhury, Mohan Sikka, Palash K. Mehrotra, Hartosh Singh Bal, Hirsh Sawhney, Tabish Khair, Uday Prakash, and Manjula Padmanabhan.The eyes of the world are gazing at India--the world's largest democracy. But the books you read about this Asian giant only show part of the picture.Delhi Noir's fourteen original stories are written by the best Indian writers alive today--the ones you haven't yet heard of but should have. They are veteran authors who have appeared on the Booker Prize short list and budding geniuses who your grandchildren will read about in English class. Delhi Noir is a world of sex in parks, male prostitution, and vigilante rickshaw drivers. It is one plagued by religious riots, soulless corporate dons, and murderous servants. This is India uncut, the one you're missing out on because mainstream publishing houses and glossy magazines can't stomach it. offers bone-chilling, mesmerizing takes on the country's chaotic capital, a city where opulence and poverty are constantly clashing, where old-world values and the information age wage a constant battle.Editor Hirsh Sawhney has written for the Times Literary Supplement, the Guardian, Time Out New York, Outlook, and the Indian Express. He splits his time between Delhi and Brooklyn.
Brand new stories by: George Pelecanos, James Grady, Kenji Jasper, Jim Beane, Jabari Asim, Ruben Castaneda, James Patton, Norman Kelley, Jennifer Howard, Richard Currey, Lester Irby, and others.Mystery sensation Pelecanos pens the lead story and edits this groundbreaking collection of stories detailing the seedy underside of the nation's capital. This is not an anthology of ill-conceived and inauthentic political thrillers. Instead, in D.C. Noir, pimps, whores, gangsters, and con-men run rampant in zones of this city that most never hear about.
"Chicago Noir is a legitimate heir to the noble literary tradition of the greatest city in America. Nelson Algren and James Farrell would be proud." --Stephen Elliott, author of Happy Baby"If ever a city was made to be the home of noir, it's Chicago. These writers go straight to Chicago's noir heart." --Aleksandar Hemon, author of Nowhere ManBrand new stories by: Neal Pollack, Achy Obejas, Alexai Galaviz-Budziszewski, Adam Langer, Joe Meno, Peter Orner, Kevin Guilfoile, Bayo Ojikutu, Jeff Allen, Luciano Guerriero, Claire Zulkey, Andrew Ervin, M.K. Meyers, Todd Dills, C.J. Sullivan, Daniel Buckman, Amy Sayre-Roberts, and Jim Arndorfer.The city of Chicago has spent much time and money over the last decade marketing itself as a tourist-friendly place for the whole family. It's got a shiny new Millennium Park, a spaceship in the middle of Soldier Field, and thousands of identical faux-brick condo buildings that seem to spring from the ground overnight. Chicago's rough-and-tumble tough-guy reputation has been replaced by a postcard with a lake view.But that city's not gone. The hard-bitten streets once represented by James Farrell and Nelson Algren may have shifted locales, and they may be populated by different ethnicities, but Chicago is still a place where people struggle to survive and where, for many, crime is the only means for their survival. The stories in Chicago Noir reclaim that territory.Chicago Noir is populated by hired killers and jazzmen, drunks and dreamers, corrupt cops and ticket scalpers and junkies. It's the Chicago that the Department of Tourism doesn't want you to see, a place where hard cases face their sad fates, and pay for their sins in blood. These are stories about blocks that visitors are afraid to walk. They tell of a Chicago beyond Oprah, Michael Jordan, and deep-dish pizza. This isn't someone's dream of Chicago. It's not even a nightmare. It's just the real city, unfiltered. Chicago Noir.
Brand-new stories by: Leonardo Padura, Pablo Medina, Alex Abella, Arturo Arango, Lea Aschkenas, Moises Asis, Arnaldo Correa, Mabel Cuesta, Yohamna Depestre, Michel Encinosa Fu, Mylene Fernandez Pintado, Carolina Garcia-Aguilera, Miguel Mejides, Achy Obejas, Oscar F. Ortiz, Ena Lucia Portela, Mariela Varona Roque, and Yoss.??To most outsiders, Havana is a tropical sin city: a Roman ruin of sex and noise, a parallel universe familiar but exotic, and embargoed enough to serve as a release valve for whatever desire or pulse has been repressed or denied. Habaneros know that this is neither new--long before Havana collapsed during the Revolution's Special Period, all the way back to colonial times, it had already been the destination of choice for foreigners who wanted to indulge in what was otherwise forbidden to them--nor particularly true.In the real Havana--the lawless Havana that never appears in the postcards or tourist guides--the concept of sin has been banished by the urgency of need. And need--aching and hungry--inevitably turns the human heart darker, feral, and criminal. In this Havana, crime, though officially vanquished by revolutionary decree, is both wistfully quotidian and personally vicious.In the stories of Havana Noir, current and former residents of the city--some international sensations such as Leonardo Padura, others exciting new voices like Yohamna Depestre--uncover crimes of violence and loveless sex, of mental cruelty and greed, of self-preservation and collective hysteria.Achy Obejas is the award-winning author of Days of Awe, Memory Mambo, and We Came all the Way from Cuba So You Could Dress Like This? Her poems, stories, and essays have appeared in dozens of anthologies. A long-time contributor to the Chicago Tribune, she was part of the 2001 investigative team that earned a Pulitzer Prize for the series, "Gateway to Gridlock." Currently, she is the Sor Juana Writer-in-Residence at DePaul University in Chicago. She was born in Havana.??Praise for Havana Noir: Miami Herald, 11/25/07Sewer-dwelling dwarves who run a black market. An engineer moonlighting as a beautician to make ends meet. Street toughs pondering existentialism. An aging aristocrat with an unsolvable dilemma. A Chinese boy bent on avenging his father's death.These are the characters you will meet in this remarkable collection, the latest edition of an original noir series featuring stories set in a distinct neighborhood of a particular city. Throughout these 18 stories, current and former residents of Havana -- some well-known, some previously undiscovered -- deliver gritty tales of depravation, depravity, heroic perseverance, revolution and longing in a city mythical and widely misunderstood.This is noir of a different shade and texture, shadowy and malevolent, to be sure, but desperate, too, heartbreakingly wounded, the stories linked more by the acrid pall of a failed but seemingly interminable experiment than by genre. Ambiguities abound, and ingenuity flourishes even as morality evaporates in the daily struggle for self-preservation.In this dark light the best of these stories are also the most disturbing. What For, This Burden by Michel Encinosa Fu, a resident of Havana, is a brutal and wrenching tale of brothers involved in drug deals and child prostitution; they peddle their own sister. The Red Bridge, by Yoss, another Havana resident, depicts a violent incident in the lives of two friends with apparently great potential who, though acutely aware of the depravity of their situation, are powerless or unwilling to extract themselves from the mean streets of El Patio.Cuban engineer Mariela Varona Roque's offering, The Orchid, is a short but powerful tale of the demise of a young boy frequently entrusted to the care of a browbeaten neighbor obsessed with his solitary orchid.Isolation, poverty and despair even in the midst of friends and family, lead to unthinkable cruelty, a common thread in these and other stories. But just as prevalent are resilience, hope, honor and ferocious devotion to the island. Pablo Mendina's Johnny Ve...
Brand-new stories by: Thomas Adcock, Kevin Baker, Thomas Bentil, Lawrence Block, Jerome Charyn, Suzanne Chazin, Terrence Cheng, Ed Dee, Joanne Dobson, Robert Hughes, Marlon James, Sandra Kitt, Rita Laken, Miles Marshall Lewis, Pat Picciarelli, Abraham Rodriguez Jr., S.J. Rozan, Steven Torres, and Joe Wallace. S.J. Rozan was born and raised in the Bronx and is a lifelong New Yorker. She's the author of eight novels in the Lydia Chin/Bill Smith series, and of the stand-alones Absent Friends and In This Rain (forthcoming). Her books have won Edgar, Nero, Macavity, and Shamus awards for best novel. She's at work on another series novel, Shanghai Moon.
"Compelling and gorgeously written, this is a coming-of-age novella like no other. Chris Abani explores the depths of loss and exploitation with what can only be described as a knowing tenderness. An extraordinary, necessary book."--Cristina Garcia, author of Dreaming in Cuban"Abani's voice brings perspective to every moment, turning pain into a beautiful painterly meditation on loss and aloneness."--Aimee Bender, author of The Girl in the Flammable Skirt"Abani's empathy for Abigail's torn life is matched only by his honesty in portraying it. Nothing at all is held back. A harrowing piece of work."--Peter Orner, author of The Esther StoriesTough, spirited, and fiercely independent Abigail is brought as a teenager to London from Nigeria by relatives who attempt to force her into prostitution. She flees, struggling to find herself in the shadow of a strong but dead mother. In spare yet haunting and lyrical prose reminiscent of Marguerite Duras, Abani brings to life a young woman who lives with a strength and inner light that will enlighten and uplift the reader.Chris Abani is a poet and novelist and the author, most recently, of GraceLand, which won the 2005 PEN/Hemingway Prize, a Silver Medal in the California Book Awards, and was a finalist for several other prizes including the Los Angeles Times Book Prize. His other prizes include a PEN Freedom-to-Write Award, a Prince Claus Award, and a Lannan Literary Fellowship. He lives and teaches in California.
Brand-new stories by: David Simon, Laura Lippman, Tim Cockey, Rob Hiaasen, Robert Ward, Sujata Massey, Jack Bludis, Rafael Alvarez, Marcia Talley, Joseph Wallace, Lisa Respers France, Charlie Stella, Sarah Weinman, Dan Fesperman, Jim Fusilli, and Ben Neihart.Laura Lippman has lived in Baltimore most of her life and she would have spent even more time there if the editors of the Sun had agreed to hire her earlier. She attended public schools and has lived in several of the city's distinctive neighborhoods, including Dickeyville, Tuscany-Canterbury, Evergreen, and South Federal Hill.
"A psychologically and emotionally astute family portrait, with dark themes like racism, cancer and the bittersweet longing of the immigrant."--New York Times Book Review (Editors Choice)"Nunez has created a moving and insightful character study while delving into the complexities of identity politics. Highly recommended."--Library Journal (*starred review*)"Nunez deftly explores family strife and immigrant identity in her vivid latest . . . with expressive prose and convincing characters that immediately hook the reader."--Publishers Weekly (*starred review*)"Nunez offers an intimate portrait of the unknowable secrets and indelible ties that bind husbands and wives, mothers and daughters."--Booklist"The award-winning author of Prospero's Daughter has written a novel more intimate than her usual big-picture work; this moving exploration of immigrant identity has a protagonist caught between race, class and a mothers love."--Ms. Magazine"Probing and lyrical, this fantastic novel is one of Nunez's best yet."--Edwidge DanticatANNA IN-BETWEEN is Elizabeth Nunez's finest literary achievement to date. In spare prose, with laserlike attention to every word and the juxtaposition of words to each other, Nunez returns to her themes of emotional alienation, within the context of class and color discrimination, so richly developed in her earlier novels.Anna, the novel's main character, who has a successful publishing career in the U.S., is the daughter of an upper-class Caribbean family. While on vacation in the island home of her birth she discovers that her mother, Beatrice, has breast cancer. Beatrice categorically rejects all efforts to persuade her to go to the U.S. for treatment, even though it is, perhaps, her only chance of survival.Elizabeth Nunez is an award-winning author of seven novels. She is a distinguished professor at Hunter College, CUNY, and divides her time between Amityville, New York, and Brooklyn.
"The Age of Dreaming is a masterpiece of the sort that doesn't just seduce the reader--it leaves you transformed. Nina Revoyr deserves to be counted among the top ranks of novelists at work today."--Jerry Stahl, author of I, Fatty"This is a riveting, wise, and gorgeous novel."--Mary Yukari Waters"Brilliant and original. . . . The carefully restrained voice of its narrator recalls Ishiguro's The Remains of the Day."--Alison Lurie, Pulitzer Prize winnerJun Nakayama was a silent film star in the early days of Hollywood, but by 1964, he is living in complete obscurity--until a young writer, Nick Bellinger, reveals that he has written a screenplay with Nakayama in mind. Jun is intrigued by the possibility of returning to movies, but he begins to worry that someone might delve too deeply into the past and uncover the events that led to the abrupt end of his career in 1922. These events include the changing racial tides in California and the unsolved murder of his favorite director, Ashley Bennett Tyler.The Age of Dreaming is part historical novel, part mystery, and part unrequited love story.Nina Revoyr was born in Tokyo to a Japanese mother and a Polish-American father, and grew up in Japan, Wisconsin, and Los Angeles. She is the author of two previous novels, The Necessary Hunger and Southland, which was a Book Sense 76 pick, winner of the Ferro-Grumley and Lambda Literary awards, a finalist for an Edgar Award, and one of the Los Angeles Times' "Best Books of 2003." She lives and works in Los Angeles.
Brand-new stories by: Michael Connelly, Janet Fitch, Susan Straight, Hector Tobar, Patt Morrison, Robert Ferrigno, Gary Phillips, Christopher Rice, Naomi Hirahara, Jim Pascoe, Scott Phillips, Diana Wagman, Lienna Silver, Brian Ascalon Roley, and Denise Hamilton. Denise Hamilton writes the Eve Diamond series. Her books have been shortlisted for the Edgar, Macavity, Anthony, and Willa Cather awards. The Los Angeles Times named Last Lullaby a Best Book of 2004, and it was also a USA Today Summer Pick and a finalist for a Southern California Booksellers Association 2004 award. Her fourth Eve Diamond novel, Savage Garden, is a Los Angeles Times bestseller and was shortlisted for the Southern California Booksellers Association award for Best Mystery of 2005.
New York's punchiest borough asserts its criminal legacy with all new stories from a magnificent set of today's best writers. Brooklyn Noir moves from Coney Island to Bedford-Stuyvesant to Bay Ridge to Red Hook to Bushwick to Sheepshead Bay to Park Slope and far deeper, into the heart of Brooklyn's historical and criminal largesse, with all of its dark splendor. Each contributor presents a brand new story set in a distinct neighborhood.Brooklyn Noir mixes masters of the mystery genre with the best of New York's literary fiction community--and, of course, leaves room for new blood. These brilliant and chilling stories see crime striking in communities of Russians, Jamaicans, Hasidic Jews, Puerto Ricans, Italians, Irish and many other ethnicities--in the most diverse urban location on the planet.Contributors include Pete Hamill, Nelson George, Sidney Offit, Arthur Nersesian, Pearl Abraham, Ellen Miller, Maggie Estep, Adam Mansbach, CJ Sullivan, Chris Niles, Norman Kelley, and many others.Akashic Books announces Brooklyn novelist Tim McLoughlin as the editor of the anthology (in addition to his contributing a story). McLoughlin's respect on any Brooklyn street predates the publication of his debut novel Heart of the Old Country (Akashic, 2001), a selection of the Barnes & Noble Discover Great New Writers Program that was hailed by Entertainment Weekly as "an inspired cross between Richard Price and Ross McDonald." For years, McLoughlin has worked in the Kings County Supreme Court in downtown Brooklyn.Praise for McLoughlin's Heart of the Old Country:". . . cracks with the authenticity that only a writer with a perfect ear can accomplish."--Bob Leuci, author of Blaze"McLoughlin writes about South Brooklyn with a fidelity to people and place reminiscent of James T. Farrell's Studs Lonigan and George Orwell's Down and Out in Paris and London."--Sidney Offit, author of Memoir of the Bookie's Son
"Dennis Lehane advises us not to judge the genre by its Hollywood images of sharp men in fedoras lighting cigarettes for femmes fatales standing in the dark alleys. . . . [Lehane] writes persuasively of the gentrification that has . . . left people feeling crushed."-New York Times Book ReviewBrand-new stories by: Dennis Lehane, Stewart O'Nan, Patricia Powell, John Dufresne, Lynne Heitman, Don Lee, Russ Aborn, Itabari Njeri, Jim Fusilli, Brendan DuBois, and Dana Cameron.Dennis Lehane (Mystic River, The Given Day) has proven himself to be a master of both crime fiction and literary fiction. Here, he extends his literary prowess to that of master curator. In keeping with the Akashic Noir series tradition, each story in Boston Noir is set in a different neighborhood of the city-the impressively diverse collection extends from Roxbury to Cambridge, from Southie to the Boston Harbor, and all stops in between.Lehane's own contribution-the longest story in the volume-is set in his beloved home neighborhood of Dorchester and showcases his phenomenal ability to grip the heart, soul, and throat of the reader.In 2003, Lehane's novel Mystic River was adapted into film and quickly garnered six Academy Award nominations (with Sean Penn and Tim Robbins each winning Academy Awards). Boston Noir launches in November 2009 just as Shutter Island, the film based on Lehane's best-selling 2003 novel of the same title, hits the big screen.Dennis Lehane is the author of The New York Times bestseller Mystic River (also an Academy Award-winning major motion picture); Prayers for Rain; Gone, Baby, Gone (also a major motion picture); Sacred; Darkness, Take My Hand; A Drink Before the War, which won the Shamus Award for Best First Novel; and, most recently, The Given Day. A native of Dorchester, Massachusetts, he splits his time between the Boston area and Florida.
Ruins has been selected for the Barnes & Noble Discover Great New Writers program!A true believer is faced with a choice between love for his family and the Cuban Revolution."Daring, tough, and deeply compassionate, Achy Obejas's Ruins is a breathtaker. Obejas writes like an angel, which is to say: gloriously . . . one of the Cuba's most important writers." --Junot Diaz, Winner of the Pulitzer Prize for Fiction"In the Havana of Ruins, scarcity can only be fought with ingenuity, and the characters work very hard at the exquisite art of getting by. The plot rests on the schemes of its weary, obsessive, dreamy hero--a character so brilliantly drawn that he can't be dismissed or forgotten. A tender and wildly accurate portrait, in a gem of a novel." --Joan Silber, author of The Size of the World"Obejas evinces a new, focused lyricism as she penetrates to the very heart of the Cuban paradox in a story as pared down and intense as its narrator's life." --Booklist (*starred review*)"Compassionate and intriguing . . . Obejas plays out [the book's] conflicts in measured, simple prose, allowing her descriptions of the mundane--houses, food, dominoes--to illuminate a setting filled with heartbreak, confusion and decay . . . At her best, Obejas controls the mixture of humor and pathos that suffuse this poor community." --Los Angeles Times"Ruins is a beautifully written novel, a moving testament to the human spirit of an unlikely hero who remains unbroken even as the world collapses around him . . . A fine literary achievement, it's Achy Obejas at her very best." --El Paso Times"[A] superb novel . . . Highly recommended." --Library Journal"[An] honest and superbly written book." --Miami Herald"With the deft and evocative detail of a poet's, Obejas's prose is as illuminating and honest as her struggling protagonist." --Publishers WeeklyUsnavy has always been a true believer. When the Cuban Revolution triumphed in 1959, he was just a young man and eagerly signed on for all of its promises. But as the years have passed, the sacrifices have outweighed the glories and he's become increasingly isolated in his revolutionary zeal. His friends openly mock him, his wife dreams of owning a car totally outside their reach, and his beloved fourteen-year-old daughter haunts the coast of Havana, staring north.In the summer of 1994, a few years after the collapse of the Soviet Union, the government allows Cubans to leave at will and on whatever will float. More than 100,000 flee--including Usnavy's best friend. Things seem to brighten when he stumbles across what may or may not be a priceless Tiffany lamp that reveals a lost family secret and fuels his long repressed feelings . . . But now Usnavy is faced with a choice between love for his family and the Revolution that has shaped his entire life.Achy Obejas is the author of various books, including the award-winning novel Days of Awe and the best-selling poetry chapbook This Is What Happened in Our Other Life. She is the editor of Akashic's critically acclaimed crime-fiction anthology Havana Noir, and the translator (into Spanish) for Junot Diaz's The Brief Wondrous Life of Oscar Wao. Currently, she is the Sor Juana Writer in Residence at DePaul University in Chicago. She was born in Havana and continues to spend extended time there.
To Keep Love Blurry is about the charged and troubled spaces between intimately connected people: husbands and wives, parents and children, writers and readers. These poems include sonnets, villanelles, and long poems, as well as two poetic prose pieces, tracing how a son becomes a husband and then a father. Robert Lowell is a constant figure throughout the book, which borrows its four-part structure from that poet's seminal Life Studies. Craig Morgan Teicher won the Colorado Prize for Poetry. He is poetry reviews editor for Publishers Weekly magazine and served as vice president on the board of the National Book Critics Circle.
Theophobia is the latest volume in Bruce Beasley's ongoing spiritual meditation which forms a kind of postmodern devotional poetry in a reinvention of the tradition of John Donne, George Herbert, Emily Dickinson, Gerard Manley Hopkins, and T. S. Eliot. Theophobia is structured around a series of poems called "Pilgrim's Deviations" and forms a deviant and deviating pilgrimage through science, history, politics, and popular culture. Beasley seeks the Biblical Kingdom of God among Dolly the cloned sheep, the wonders and horrors of extremophilic creatures living in astonishing intensities of temperature, robotic phone operators, and Wikipedia's explanation of the mysteries of the Holy Spirit. Bruce Beasley is the author of six poetry collections, most recently The Corpse Flower: New and Selected Poems (University of Washington Press, 2007). He has won fellowships from the NEA and the Artist Trust of Washington and three Pushcart Prizes.
"Aimee Parkison most often begins softly, slowly stripping away each layer of social interaction to get at what is numinous and frightening and necessary about living in the real world. These are stories both about the difficulty and the intense suddenness of human connection, about the profound link that exists between being in love and being alone."-Brian EvensonFrom "The Glass Girl":On certain evenings in dark motels, she could transform her lip into the edge of the bottle, imagining her face was made of amber glass and the men paused above her only to take a drink of breath. Over the years, men drank and drank until there were only two sips left inside. They began sucking the air out of the glass that grew warm in the wrong places because of heat radiating off their hands. The men's breath along with white feathers fell over autumn winds drifting through open windows.In this collection, Kurt Vonnegut Fiction Prize-winner Aimee Parkison's characters struggle to understand what happens when the innocent party becomes the guilty party. With magical realist flair, secrets are aired with dirty laundry, but the stains never come clean. Carol Anshaw writes, "Aimee Parkison offers a distinct new voice to contemporary fiction. Her seductive stories explore childhood as a realm of sorrows, and reveal the afflictions of adults who emerge from this private geography."Aimee Parkison has an MFA from Cornell University. She is associate professor of English at the University of North Carolina at Charlotte, where she teaches creative writing.
A winner of the Minnesota Book Award in fiction, poetry, and non-fiction, Barton Sutter's latest collection details life on the Canadian border, presents portraits of northern plants and animals, rejoices in marriage, and traces the ancient ways of Siberian reindeer herders. The late Bill Holm called it "unlike anything Sutter (or anyone else) has done before." Sutter's poetry reminds us that other cultures have survived for millennia by living closer to the ground.Born in 1949, Barton Sutter was raised in Minnesota and Iowa. He retired from the University of Wisconsin-Superior in 2011 and now lives in Duluth, Minnesota.
Selected by Jane Hirshfield from over six hundred manuscripts, Litany for the City is the winner of the tenth annual A. Poulin, Jr. Poetry Prize. Of Litany for the City, Hirshfield writes, "This book carries both startling imaginative freedoms and the impulsion of a person navigating the terrain of his life by means of the star-chart and sextant of poems--a winning combination, for me."Ryan Teitman is a Wallace Stegner Fellow in Poetry at Stanford University. He holds an MA and MFA from Indiana University. He currently lives in Berkeley, California.
She admits she is pleased when the new placard is raised, "Madame Tussaud's House of Wax." She stands in the crowd with François at her side. He leans close enough to touch her ear with the fringe of his mustache and whispers, "What part of the museum would the famous Madame Tussaud like to survey on her inaugural visit?""The Chamber of Horrors, I think," she says softly."Really, my dear? All that grim fantasy and blood?""There is no fantasy about it, François. It is an embryo, a showing of what is to come."Blending historical fiction with fantasy and the macabre, Adam McOmber's debut short story collection brings the influence of Angela Carter, Isak Dinesen, and Edgar Allan Poe to the next generation. In "The Automatic Garden," a solitary architect from the court at Versailles builds a water-powered pleasure garden; in "There Are No Bodies Such as This," we read a haunted and romantic fiction about the creation of Madame Tussaud's wax museum; in "Fall, Orpheum," a small town movie palace becomes the temple for an entire town's devotion and sacrifice. McOmber seamlessly blends history, artifice, and desire to create a dream of the past that intertwines with our own notions of modern life.Adam McOmber's stories appear in Conjunctions, StoryQuarterly, Third Coast, The Greensboro Review, Arts & Letters, and Quarterly West. He is assistant director of creative nonfiction at Columbia College Chicago and associate editor of the literary magazine Hotel Amerika.
"Singular and deeply pleasurable. Christopher Kennedy's prosetry is a lonely anarchic nation-state unto itself, half vacation funspot, half eerie purgatorial layover."-Dave EggersThe poems in Ennui Prophet, Christopher Kennedy's fourth collection, range from deeply personal explorations of relationships with family and friends, to examinations of the political climate in the first decade of the millennium. Whether personal or public, Kennedy gazes through a slightly distorted lens to better see the world around us.Christopher Kennedy's previous book, Encouragement for a Man Falling to His Death (BOA Editions Ltd., 2007) received the Isabella Gardner Poetry Award. He directs Syracuse University's MFA program in creative writing.
Your Father on the Train of Ghosts is one of the most extensive collaborations in American poetry. Over the course of a year, acclaimed poets G.C. Waldrep and John Gallaher wrote poems back and forth, sometimes once or twice a week, sometimes five or six a day. As the collaboration deepened, a third "voice" emerged that neither poet can claim as solely their own.The poems of Your Father on the Train of Ghosts read as lyric snapshots of a culture we are all too familiar with, even as it slips from us: malls and supermarkets, museums and parades, toxic waste and cheesecakes, ghosts and fire, fathers and sons. Ultimately, these fables and confessions constitute a sort of gentle apocalypse, a user-friendly self-help manual for the end of time.G.C. Waldrep is author of Goldbeater's Skin (2003 Colorado Prize for poetry), Disclamor, and Archicembalo (2008 Dorset Prize). He has won awards from the Poetry Society of America and Academy of American Poets, fellowships at Yaddo and the MacDowell Colony; and an NEA fellowship. He holds an MFA in poetry from the Iowa Writers' Workshop and teaches at Bucknell University.John Gallaher is author of Gentlemen in Turbans, Ladies in Cauls, The Little Book of Guesses (Levis Poetry Prize), and Map of the Folded World. His poetry has been included in The Best American Poetry series and numerous journals and anthologies. He co-edits The Laurel Review, GreenTower Press, and the Akron Series of Contemporary Poetics. He teaches at Northwest Missouri State University.
Walking the Dog's Shadow rose to the top of nearly eight hundred submissions to win the ninth annual A. Poulin, Jr. Poetry Prize. Tony Hoagland, who served as final judge for the contest, writes, "Deborah Brown's poems remind me a little of the great Polish poet, Wistawa Szymborska. They both make thinking look easy. . . . Brown's poems aren't just about a eureka moment; they taste of the whole journey. Walking the Dog's Shadow is a beautiful book, wise and sure of itself, fresh with wit and gravity, serious and true."Deborah Brown teaches literature and writing at the University of New Hampshire-Manchester.
"These poems move mysteriously by means of a profound inner concentration, giving expression to the deepest laws of the mind. Their linguistic 'making' is informed by vivid evidence of a serious self-making, soul-making, and heart-making. We are lucky to have these English incarnations of Nikola Madzirov."-Li-Young LeeBorn 1973 in a family of Balkan Wars refugees, Nikola Madzirov's poetry has already been translated into thirty languages and published in collections and anthologies in the United States, Europe, and Asia. A regular participant in international literary festivals, he has received several international awards including an International Writing Program fellowship at the University of Iowa. Remnants of Another Age is his first full-length American collection and carries a foreword by Carolyn Forché who writes, "Nikola Madzirov's Remnants of Another Age is aptly titled, as these poems seem to spring from elsewhere in time, reflective of a preternaturally wise and attentive sensibility. As we read these poems, they begin to inhabit us, and we are the better for having opened ourselves to them. Madzirov is a rare soul and a true poet.""I SAW DREAMS"I saw dreams that no one remembersand people wailing at the wrong graves.I saw embraces in a falling airplaneand streets with open arteries.I saw volcanoes asleep longer thanthe roots of the family treeand a child who's not afraid of the rain.Only it was me no one saw,only it was me no one saw.
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