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From the acclaimed, bestselling author of two beloved classics, Fall On Your Knees and The Way the Crow Flies, Adult Onset is a powerful drama that makes vividly real the pressures of life and love, and the undercurrents that run deep through even the most devoted families. Mary Rose MacKinnon is a successful author of YA fiction doing a tour of duty as stay-at-home mom while her partner, Hilary, takes a turn focusing on her career. She tries valiantly to balance the (mostly) solo parenting of two young children with the relentless needs of her aging parents. But amid the hilarities of full-on domesticity arises a sense of dread. Do other people notice the dents in the expensive refrigerator? How long will it take Mary Rose to realize that the car alarm that has been going off all morning is hers, and how on earth did the sharpest pair of scissors in the house wind up in her toddler's hands? As frustrations mount, she experiences a flare-up of forgotten symptoms of a childhood illness that compel her to rethink her own upbringing, her own family history. Over the course of one outwardly ordinary week, Mary Rose's world threatens to unravel, and the specter of violence raises its head with dangerous implications for her and her children. With humor and unerring emotional accuracy, Adult Onset explores the pleasures and pressures of family bonds, powerful and yet so easily twisted and broken. Ann-Marie MacDonald has crafted a searing, terrifying, yet ultimately uplifting story.
Set against a backdrop of Rome, Renaissance artworks, and images of Mary Magdalene, Trompe l'Oeil portrays the ripple effects of a family tragedy and the ways in which its members perceive and misperceive themselves and each other. During a vacation in Rome, the Murphy family experiences a life-altering tragedy. In the immediate aftermath, James, Nora, and their children find solace in their Massachusetts coast home, but as the years pass the weight of the loss disintegrates the increasingly fragile marriage and leaves its mark on each family member. Trompe l'Oeil seamlessly alternates among several characters' points of view, capturing the details of their daily lives as well as their longing for connection and fear of abandonment. Through the turbulence of marriage, the challenges of parenthood, job upheavals, and calamities large and small, Trompe l'Oeil examines family legacies, the ways those legacies persist, and the ways they might be transcended. Nancy Reisman is a master of psychological acuity, creating characters who are wholly unique and yet express our own longings and anxieties. Trompe l'Oeil haunts not only with its story but also with the beauty of its insight into hopes, desires, and fears.
Part fairy-tale, part magic, yet always savagely realistic Claire Fuller's haunting and powerful debut Our Endless Numbered Days will appeal to fans of Eowyn Ivey's The Snow Child and Christian Baker Kline's Orphan Train . Peggy Hillcoat is eight years old when her survivalist father, James, takes her from their home in London to a remote hut in the woods and tells her that the rest of the world has been destroyed. Deep in the wilderness, Peggy and James make a life for themselves. They repair the hut, bathe in water from the river, hunt and gather food in the summers and almost starve in the harsh winters. They mark their days only by the sun and the seasons. When Peggy finds a pair of boots in the forest and begins a search for their owner, she unwittingly begins to unravel the series of events that brought her to the woods and, in doing so, discovers the strength she needs to go back to the home and mother she thought she'd lost. After Peggy's return to civilization, her mother learns the truth of her escape, of what happened to James on the last night out in the woods, and of the secret that Peggy has carried with her ever since.
Part fable, part allegory, The Boatmaker is the haunting and passionate story of a voyage of self-discovery. A fierce and complicated man wakes from a fever dream compelled to build a boat and sail away from the isolated island where he was born. Encountering the wider world for the first time, the reluctant hero falls into a destructive love affair, is swept up into a fanatical religious movement, and finds himself a witness to racial hatred unlike anything he's ever known. The boatmaker is tempted, beaten, and betrayed: his journey marked by chilling episodes of violence and horror while he struggles to summon the strength to make his own way. The Boatmaker is a fable for our times, a passionate love story, and an odyssey of self-discovery.
Since 1984, Literary Arts has welcomed many of the world's most renowned authors and storytellers to its stage. In celebration of their thirty-year anniversary, Tin House Books has collected highlights from the series in a single volume. Since 1984, Literary Arts has welcomed many of the world's most renowned authors and storytellers to its stage for one of the country's largest lectures series. Sold-out crowds congregate at Portland's Arlene Schnitzer Concert Hall to hear these writers' discuss their work and their thoughts on the trajectory of contemporary literature and culture. In celebration of Literary Arts' thirty-year anniversary, Tin House Books has collected highlights from the series in a single volume. Whether it's Wallace Stegner exploring how we use fiction to make sense of life or Ursula K. Le Guin on where ideas come from, Margaret Atwood on the need for complex female characters or Robert Stone on morality and truth in literature, Edward P. Jones on the role of imagination in historical novels or Marilynne Robinson on the nature of beauty, these essays illuminate not just the world of letters but the world at large.
It's the summer of 1972 and girlhood has never been more fraught, but Darcy Steinke captures all of it with an intimate, startling grace. When Jesse's family moves to Roanoke, Virginia, in the summer of 1972, she's twelve years old and already mindful of the schism between innocence and femininity, the gap between childhood and the world of adults. Her father, a former pastor, cycles through spiritual disciplines as quickly as he cycles through jobs. Her mother is chronically dissatisfied, glumly fetishizing the Kennedys and anyone else who symbolizes status and wealth. The residents of the Bent Tree housing development may not seem like beacons of the secret knowledge that Jesse is looking for, but they're all she's got. Her neighbor tans on the front lawn and tells tales of her married lover; her classmate playacts being a Bunny at Hugh Hefner's Playboy Club; the boy she's interested in fantasizes about moving to Hollywood and befriending David Soul. In the midst of her half-understanding, Jesse finds space to set up her room with her secret treasures: a Venus Flytrap, her Cher 45s, and The Big Book of Burial Rites. But outside await new sexual mores, muddled social customs, and confused spirituality. It's a terrifying time--in the shadow of Manson and the hangover from the idealistic sixties--when alienation overtakes liberation. Girlhood has never been more fraught than in Jesse's telling, its expectations threatening to turn at any point into delicious risk, or real danger. Darcey Steinke captures all of this with an intimate, startling grace.
Teetering between the ridiculous and the sublime, The Wilds blends Southern gothic strangeness with dystopian absurdities, sci-fi speculations, and fairy-tale transformations. At an obscure South Carolina nursing home, a lost world reemerges as a disabled elderly woman undergoes newfangled brain-restoration procedures and begins to explore her environment with the assistance of strap-on robot legs. At a deluxe medical spa on a nameless Caribbean island, a middle-aged woman hopes to revitalize her fading youth with grotesque rejuvenating therapies that combine cutting-edge medical technologies with holistic approaches and the pseudo-religious dogma of Zen-infused self-help. And in a rinky-dink mill town, an adolescent girl is unexpectedly inspired by the ravings and miraculous levitation of her fundamentalist friend's weird grandmother. These are only a few of the scenarios readers encounter in Julia Elliott's debut collection The Wilds. In her genre-bending stories, Elliott blends Southern gothic strangeness with dystopian absurdities, sci-fi speculations with fairy-tale transformations. Teetering between the ridiculous and the sublime, Elliott's language-driven fiction uses outlandish tropes to capture poignant moments in her humble characters' lives. Without abandoning the tenets of classic storytelling, Elliott revels in lush lyricism, dark humor, and experimental play.
Brimming with the creativity behind David Mitchell's masterpiece Cloud Atlas in a far north setting, The Search for Heinrich Schlogel is a sophisticated story with magical underpinnings. Martha Baillie's hypnotic novel follows Heinrich Schlögel from Germany to Canada, where he sets out on a solo hike into the interior of Baffin Island. His journey quickly becomes surreal; he experiences strange encounters and inexplicable visions. Time plays tricks on him. When he returns to civilization, he discovers that, though he has not aged, thirty years have passed. Narrated by an unnamed archivist who is attempting to piece together the truth of Heinrich's life, The Search for Heinrich Schlogel dances between reality and fantasy. Heinrich's story, as it unfolds, in today's disappearing North, asks us to consider our role in imagining the future into existence while considering the consequences of our past choices. Brimming with the creativity behind David Mitchell's masterpiece Cloud Atlas in a far north setting, The Search for Heinrich Schlogel is a sophisticated story with magical underpinnings.
D'Ambrosio is already considered one of America's premier short story writers, but Loitering cements his place as one of our great living essayists. Charles D'Ambrosio's essay collection Orphans spawned something of a cult following. In the decade since the tiny limited-edition volume sold out its print run, its devotees have pressed it upon their friends, students, and colleagues, only to find themselves begging for their copy's safe return. For anyone familiar with D'Ambrosio's writing, this enthusiasm should come as no surprise. His work is exacting and emotionally generous, often as funny as it is devastating. Loitering gathers those eleven original essays with new and previously uncollected work, so that a broader audience might discover one of our great living essayists. No matter his subject--Native American whaling, a Pentecostal "hell house," Mary Kay Letourneau, the work of J.D. Salinger, or, most often, his own family--D'Ambrosio approaches each piece with a singular voice and point of view; each essay, while unique and surprising, is unmistakably his own.
Set in New York City and in a Buddhist monastery in rural Vermont, The Understory is both a mystery and a psychological study and reveals that repression and self-expression can be equally destructive. The Understory--the debut novel from the critically acclaimed author of The Virgins --is the haunting portrayal of Jack Gorse, an ex-lawyer, now unemployed, who walls off his inner life with elaborate rituals and routines. Every day he takes the same walk from his Upper West Side apartment to the Brooklyn Bridge. He follows the same path through Central Park; he stops to browse in the same bookstore, to eat lunch in the same diner. Threatened with eviction from his longtime apartment and caught off-guard by an attraction to a near stranger, Gorse takes steps that lead to the dramatic dissolution of the only existence he's known. As the narrative alternates between his days in New York City and his present life in a Vermont Buddhist Monastery, The Understory unfolds as both a mystery and a psychological study, revealing that repression and self-expression can be equally destructive.
Fresh and candid, but turns earthy, defiant, and romantic, E. E. Cummings' poems celebrate the uniqueness of each individual, the need to protest the dehumanizing force of organizations, and the exuberant power of love. First published in 1931, ViVa contains four of E. E. Cummings' most experimental poems as well as some of his most memorable. The volume includes such no-famous celebrations as "i sing of Olaf glad and big" and "if there are any heavens my mother will (all be herself) have," along with such favorites as "Space being (don't forget to remember) Curved," "a clown's smirk in the skull of a baboon," and "somewhere I have never traveled, gladly beyond."
Lacy Johnson's rich and poetic memoir, The Other Side, chronicles her brutal kidnapping and imprisonment at the hands of an ex-boyfriend, her dramatic escape, and her hard-fought struggle to recover. Lacy Johnson bangs on the glass doors of a sleepy local police station in the middle of the night. Her feet are bare; her body is bruised and bloody; U-bolts dangle from her wrists. She has escaped, but not unscathed. The Other Side is the haunting account of a first passionate and then abusive relationship; the events leading to Johnson's kidnapping, rape, and imprisonment; her dramatic escape; and her hard-fought struggle to recover. At once thrilling, terrifying, harrowing, and hopeful, The Other Side offers more than just a true crime record. In language both stark and poetic, Johnson weaves together a richly personal narrative with police and FBI reports, psychological records, and neurological experiments, delivering a raw and unforgettable story of trauma and transformation.
Us Conductors is the story of the man who created the most magical musical instrument in the world, the theremin. It's a tale of electricity and espionage, jazz and kung-fu, Harlem and Siberia, and the way even doomed love can keep you alive. Locked in a cabin aboard a ship bearing him back to Russia and away from the love of his life, Lev Sergeyvich Termen begins to type his story: a tale of electricity, romance and the invention of the world's strangest instrument, the theremin. He recollects his early years as a scientist forging breakthroughs during the Bolshevik Revolution and his decade as a Manhattan celebrity and reluctant Soviet spy. Against the backdrop of Prohibition and the 1929 Crash, Termen spends his days in his workshop, devising inventions, and his nights in Harlem clubs, jostling with famous bandleaders and falling in love with the young violinist Clara Reisenberg. When the boat reaches his homeland, Termen finds it is not the Russia he remembers. He is imprisoned in the Gulag system, sent first to a Siberian work camp and then to a secret laboratory. In the face of all this, his love for Clara remains constant, passing through the ether like the theremin's song. Steeped in beauty, wonder, and looping heartbreak, Sean Michaels's debut novel explores the lies we tell, the truths we imagine, and the lengths we go to survive.
Wise beyond her years and hip to the unpredictable ways of life at all too early an age, A.J. Albany guides us through dope and deviance of the late 1960s and early 1970s in Hollywood shadowy underbelly and beyond. A. J. Albany's recollection of life with her father, the great jazz pianist Joe Albany, is the story of one girl's unsentimental education. Joe played with the likes of Charles Mingus, Lester Young, and Charlie Parker, but between gigs he slipped into drug-induced obscurity. It was during these times that his daughter knew him best. After her mother disappeared, six-year-old Amy Jo and her charming, troubled father set up housekeeping in a seamy Hollywood hotel. While Joe finished a set in some red-boothed dive, chances were you'd find Amy curled up to sleep on someone's fur coat, clutching a 78 of Louis Armstrong's "Sugar Blues" or, later, a photograph of the man himself, inscribed, "To little Amy Jo, always in love with you--Pops." Wise beyond her years and hip to the unpredictable ways of Old Lady Life at all too early an age, A. J. Albany guides us through the dope and deviance of the late 1960s and early 1970s in Hollywood's shadowy underbelly and beyond. What emerges is a raw, gripping, and surprisingly sympathetic portrait of a young girl trying to survive among the outcasts, misfits, and artists who surrounded her.
Mountford's follow up to A Young Man's Guide to Late Capitalism is at once a cogent political drama and an acute meditation on the fragile nature of identity. he Dismal Science tells of a middle-aged vice president at the World Bank, Vincenzo D'Orsi, who publicly quits his job over a seemingly minor argument with a colleague. A scandal inevitably ensues, and he systematically burns every bridge to his former life. After abandoning his career, Vincenzo, a recent widower, is at a complete loss as to what to do with himself. The story follows his efforts to rebuild his identity without a vocation or the company of his wife. An exploration of the fragile nature of identity, The Dismal Science reveals the terrifying speed with which a person's sense of self can be annihilated. It is at once a study of a man attempting to apply his reason to the muddle of life and a book about how that same ostensible rationality, and the mathematics of finance in particular, operates--with similarly dubious results--in our world.
This Is Between Us, Kevin Sampsell's utterly engrossing debut novel, is a confessional tale of love between two resilient people who have staked their hearts on each other. Chronicling five years of a troubled romance, This Is Between Us offers an intimate view of one couple's struggle--from the illicit beginnings of sexual obsession to the fragile architecture of a pieced-together family. Full of sweet moments, emotional time bombs, unexpected humor, and blunt sexuality, the daily life of this man and woman, both recently divorced, with children and baggage in tow, emerges in all of its complexity. In this utterly engrossing debut novel, Kevin Sampsell delivers a confessional tale of love between two resilient people who have staked their hearts on each other.
The essays in The Story About the Story Vol. II chart a trajectory that digs deep into the past and aims toward a future in which literature can play a new and more profound role in how we think, read, live, and write. In the second volume of The Story About the Story, editor J. C. Hallman continues to argue for an alternative to the staid five-paragraph-essay writing that has inoculated so many against the effects of good books. Writers have long approached writing about reading from an intensely personal perspective, incorporating their pasts and their passions into their process of interpretation. Never before collected in a single volume, the many essays Hallman has compiled build on the idea of a "creative criticism," and offers new possibilities for how to write about reading. The Story About the Story Vol. II documents not only an identifiable trend in writing about books that can and should be emulated, it also offers lessons from a remarkable range of celebrated authors that amount to an invaluable course on both how to write and how to read well. Whether they discuss a staple of the canon (Thomas Mann on Leo Tolstoy), the merits of a contemporary (Vivian Gornick on Grace Paley), a pillar of genre-writing (Jane Tompkins on Louis L'Amour), or, arguably, the funniest man on the planet (David Shields on Bill Murray), these essays are by turns poignant, smart, suggestive, intellectual, humorous, sassy, scathing, laudatory, wistful, and hopeful--and above all deeply engaged in a process of careful reading. The essays in The Story About the Story Vol. II chart a trajectory that digs deep into the past and aims toward a future in which literature can play a new and more profound role in how we think, read, live, and write.
Following his massive--and massively successful--Moby Dick in Pictures, artist Matt Kish has set himself upon an equally impressive, and no less harrowing, task: illustrating each page of Joseph Conrad's masterpiece, Heart of Darkness. Following his massive--and massively successful--Moby Dick in Pictures, artist Matt Kish has set himself upon an equally impressive, and no less harrowing, task: illustrating each page of Joseph Conrad's masterpiece, Heart of Darkness. Kish's rich, imaginative drawings and paintings mirror Conrad's original text and serve to illuminate Marlow's journey into the heart of the Congo, and into the depths of the human soul. Heart of Darkness is a text ripe for analysis and argument, formally and thematically; it explores matters of imperialism, racism, gender, and the duality of human nature. Kish's illustrations add another layer, and another voice in the conversation. Heart of Darkness is an essential edition for fans and students of Conrad's work, but is, above all, a piece of art all its own. Kish's introduction lends context to his approach, details his relationship and struggle with Conrad's work, and illuminates his own creative process. An index in the rear of the book catalogs the sentences and phrases that inspired each of the one hundred original pieces of art.
Inspired by the midnineties squat evictions on New York's Lower East Side, Cari Luna's gritty debut novel vividly imagines the lives of five squatters, showing readers a life that few people, including New Yorkers who passed the squats every day, know about or understand. In the midnineties, New York's Lower East Side contained a city within its shadows: a community of squatters who staked their claims on abandoned tenements and lived and worked within their own parameters, accountable to no one but each other. On May 30, 1995, the NYPD rolled an armored tank down East Thirteenth Street and hundreds of police officers in riot gear mobilized to evict a few dozen squatters from two buildings. With gritty prose and vivid descriptions, Cari Luna's debut novel, The Revolution of Every Day, imagines the lives of five squatters from that time. But almost more threatening than the city lawyers and the private developers trying to evict them are the rifts within their community. Amelia, taken in by Gerrit as a teen runaway seven years earlier, is now pregnant by his best friend, Steve. Anne, married to Steve, is questioning her commitment to the squatter lifestyle. Cat, a fading legend of the downtown scene and unwitting leader of one of the squats, succumbs to heroin. The misunderstandings and assumptions, the secrets and the dissolution of the hope that originally bound these five threaten to destroy their homes as surely as the city's battering rams. Amid this chaos, Amelia struggles with her ambivalence about becoming a mother while knowing that her pregnancy has given her fellow squatters a renewed purpose to their fight--securing the squats for the next generation. Told from multiple points of view, The Revolution of Every Day shows readers a life that few people, including the New Yorkers who passed the squats every day, know about or understand.
The Virgins is the story of Aviva Rossner and Seung Jung's erotic awakening at Auburn Academy re-imagined in richly detailed episodes by their classmate Bruce, a once-embittered voyeur, now repentant narrator, whose envy spurs the novel's tragic end. * A New York Times Editor's Choice selection * A Chicago Tribune Editor's Choice selection * A Best Book of 2013, The New Yorker * A Best Book of 2013, The New Republic * A Critics' Choice selection for 2013, Salon * A Best Indie Title of 2013, Library Journal * One of Redbook's "Top Ten Beach Reads of 2013" * One of O Magazine's "Ten Titles to Pick Up Now," August 2013 * Featured in The Millions's "Most-Anticipated" List 2013 * A "This Week's Hot Reads" selection, The Daily Beast * A Vanity Fair Hot Type selection * The Virgins was a finalist for the John Gardner Award * Publishers Weekly named The Virgins one of the best boarding school books of all time It's 1979, and Aviva Rossner and Seung Jung are notorious at Auburn Academy. They're an unlikely pair at an elite East Coast boarding school (she's Jewish; he's Korean American) and hardly shy when it comes to their sexuality. Aviva is a formerly bookish girl looking for liberation from an unhappy childhood; Seung is an enthusiastic dabbler in drugs and a covert rebel against his demanding immigrant parents. In the minds of their titillated classmates--particularly that of Bruce Bennett-Jones--the couple lives in a realm of pure, indulgent pleasure. But, as is often the case, their fabled relationship is more complicated than it seems: despite their lust and urgency, their virginity remains intact, and as they struggle to understand each other, the relationship spirals into disaster. The Virgins is the story of Aviva and Seung's descent into confusion and shame, as re-imagined in richly detailed episodes by their classmate Bruce, a once-embittered voyeur turned repentant narrator. With unflinching honesty and breathtaking prose, Pamela Erens brings a fresh voice to the tradition of the great boarding school novel.
An essential addition to the library of any cocktailians, entertainers, nostalgics, or those who just like to relax with a cold beverage, Shake 'Em Up delivers all the joy of a Jazz-Age cocktail party, without the fear of temperance officers knocking down your door. As the authors say: Shake 'Em Up is "for People Who Fling Parties, People Who Go to Parties . . . People Who Don't Really Drink but Feel That a Cocktail or Two Enlivens Conversation--in short, for the American People," and that's as true today as it was upon the book's original publication, "in the twelfth year of Volstead, 1930." Virginia Elliott and Phil D. Stong created a handbook for polite--if not entirely legal--drinking during the height of Prohibition, but the advice remains sound, the voice charming, and the cocktails strong. Whether you're looking for the proper way to mix a Brandy Punch, what you ought to serve alongside a Bijou Cocktail, or a dependable hangover cure, Shake 'Em Up has you covered. Need advice on how to catch up with your already-inebriated guests, or guidance on what to do when said guests end up a little too inebriated? Here, too, Shake 'Em Up will point you in the right direction. Looking for a step-by-step guide to making bathtub gin? Well, sadly, that page has been censored by the United States District Attorney for the Southern District of New York. An essential addition to the library of any cocktailians, entertainers, nostalgics, or those who just like to relax with a cold beverage, Shake 'Em Up delivers all the joy of a Jazz-Age cocktail party, without the fear of temperance officers knocking down your door.
Haunted by unfulfilled dreams and disappointments, and often acting out of mixed intentions and questionable motives, the boys turned young men of these stories are nevertheless portrayed with depth, tenderness, and humanity. Jodi Angel's gritty and heartbreaking prose leaves readers empathizing with people they wouldn't ordinarily trust or believe in. Jodi Angel's second story collection, You Only Get Letters from Jail, chronicles the lives of young men trapped in the liminal space between adolescence and adulthood. From picking up women at a bar hours after mom's overdose to coveting a drowned girl to catching rattlesnakes with gasoline, Angel's characters are motivated by muscle cars, manipulative women, and the hope of escape from circumstances that force them either to grow up or give up. Haunted by unfulfilled dreams and disappointments, and often acting out of mixed intentions and questionable motives, these boys turned young men are nevertheless portrayed with depth, tenderness, and humanity. Angel's gritty and heartbreaking prose leaves readers empathizing with people they wouldn't ordinarily trust or believe in.
The Celestials is a historical novel of immigration, multiculturalism, labor, community and exclusion, alienation and reinvention, and our country's peculiar history and relationship with all those things. It's about our shared sense that we're all aliens of some kind--at home in no place. In June of 1870, seventy-five Chinese laborers arrived in North Adams, Massachusetts, to work for Calvin Sampson, one of the biggest industrialists in that busy factory town. Except for the foreman, the Chinese didn't speak English. They didn't know they were strikebreakers. The eldest of them was twenty-two. Combining historical and fictional elements, The Celestials beautifully reimagines the story of Sampson's "Chinese experiment" and the effect of the newcomers' threatening and exotic presence on the New England locals. When Sampson's wife, Julia, gives birth to a mixed-race baby, the infant becomes a lightning rod for the novel's conflicts concerning identity, alienation, and exile.
Inspired by real events, Horses of God follows four childhood friends growing up in a slum outside of Casablanca as they make the life-changing decisions that will lead them to become Islamist martyrs. On May 16, 2003, fourteen suicide bombers launched a series of attacks throughout Casablanca. It was the deadliest attack in Morocco's history. The bombers came from the shantytowns of Sidi Moumen, a poor suburb on the edge of a dump whose impoverished residents rarely if ever set foot in the cosmopolitan city at their doorstep. Mahi Binebine's novel Horses of God follows four childhood friends growing up in Sidi Moumen as they make the life-changing decisions that will lead them to become Islamist martyrs. The seeds of fundamentalist martyrdom are sown in the dirt-poor lives of Yachine, Nabil, Fuad, and Ali, all raised in Sidi Moumen. The boys' soccer team, The Stars of Sidi Moumen, is their main escape from the poverty, violence, and absence of hope that pervade their lives. When Yachine's older brother Hamid falls under the spell of fundamentalist leader Abu Zoubeir, the attraction of a religion that offers discipline, purpose, and guidance to young men who have none of these things becomes too seductive to ignore. Narrated by Yachine from the afterlife, Horses of God portrays the sweet innocence of childhood and friendship as well as the challenges facing those with few opportunities for a better life. Binebine navigates the controversial situation with compassion, creating empathy for the boys, who believe they have no choice but to follow the path offered them.
Cities of Refuge weaves a web of incrimination and inquiry, where mysteries live within mysteries, and stories within stories, and the power to save or condemn rests in the forces of history, and in the realm of our deepest longings. One summer night on a side street in downtown Toronto, Kim Lystrander is attacked by a stranger. In the weeks and months that follow, she returns to the night, in writing, searching for harbingers of the incident and clues to the identity of her assailant. The attack also torments Kim's father, and as he investigates the crime on his own, he begins to unravel. Entwined in their stories are Kim's ailing mother, a young Colombian man living in the country illegally, and a woman whose faith-based belief in the duty to give asylum to any who seek it, even those judged guilty, endangers them all. A novel of profound moral tension and luminous prose, Cities of Refuge shows how a single act of violence connects close-by fears to distant political terrors. It weaves a web of incrimination and inquiry in which mysteries live within mysteries, and stories within stories, and the power to save or condemn rests not only in the forces of history but also in the realm of our deepest longings.