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The identity and role of writing has evolved in the age of digital media. But how did writing itself make digital media possible in the first place? Lydia H. Liu offers here the first rigorous study of the political history of digital writing and its fateful entanglement with the Freudian unconscious. Liu's innovative analysis brings the work of theorists and writers back into conversation with one another to document significant meetings of minds and disciplines. She shows how the earlier avant-garde literary experiments with alphabetical writing and the word-association games of psychoanalysis contributed to the mathematical making of digital media. Such intellectual convergence, she argues, completed the transformation of alphabetical writing into the postphonetic, ideographic system of digital media, which not only altered the threshold of sense and nonsense in communication processes but also compelled a new understanding of human-machine interplay at the level of the unconscious. Ranging across information theory, cybernetics, modernism, literary theory, neurotic machines, and psychoanalysis, The Freudian Robot rewrites the history of digital media and the literary theory of the twentieth century.
Doing Honest Work in College: How to Prepare Citations, Avoid Plagiarism, and Achieve Real Academic Successby Charles Lipson
Since its publication in 2004, Doing Honest Work in College has become an integral part of academic integrity and first-year experience programs across the country. This helpful guide explains the principles of academic integrity in a clear, straightforward way and shows students how to apply them in all academic situations--from paper writing and independent research to study groups and lab work. Teachers can use this book to open a discussion with their students about these difficult issues. Students will find a trusted resource for citation help whether they are studying comparative literature or computer science. Every major reference style is represented. Most important of all, many universities that adopt this book report a reduction in cheating and plagiarism on campus. For this second edition, Charles Lipson has updated hundreds of examples and included many new media sources. There is now a full chapter on how to take good notes and use them properly in papers and assignments. The extensive list of citation styles incorporates guidelines from the American Anthropological Association. The result is the definitive resource on academic integrity that students can use every day. "Georgetown's entering class will discover that we actually have given them what we expect will be a very useful book, Doing Honest Work in College. It will be one of the first things students see on their residence hall desks when they move in, and we hope they will realize how important the topic is. "--James J. O'Donnell, Provost, Georgetown University "A useful book to keep on your reference shelf. "--Bonita L. Wilcox, English Leadership Quarterly
Our lives are full of small tensions, our closest relationships full of struggle: between woman and man, artist and customer, purist and commercialist, professional and client-and between the dominant and the submissive. In Dominatrix, Danielle Lindemann draws on extensive fieldwork and interviews with professional dominatrices in New York City and San Francisco to offer a sophisticated portrait of these unusual professionals, their work, and their clients. Prior research on sex work has focused primarily on prostitutes and most studies of BDSM absorb pro-domme/client relationships without exploring what makes them unique. Lindemann satisfies our curiosity about these paid encounters, shining a light on one of the most secretive and least understood of personal relationships and unthreading a heretofore unexamined patch of our social tapestry. Upending the idea that these erotic laborers engage in simple exchanges and revealing the therapeutic and analytic nature of their work, Lindemann makes a major contribution to cultural studies, anthropology, and queer studies with her analysis of how gender, power, sexuality, and hierarchy shape all of our social experiences.
With US soldiers stationed around the world and engaged in multiple conflicts, Americans will be forced for the foreseeable future to come to terms with those permanently disabled in battle. At the moment, we accept rehabilitation as the proper social and cultural response to the wounded, swiftly returning injured combatants to their civilian lives. But this was not always the case, as Beth Linker reveals in her provocative new book, War's Waste. Linker explains how, before entering World War I, the United States sought a way to avoid the enormous cost of providing injured soldiers with pensions, which it had done since the Revolutionary War. Emboldened by their faith in the new social and medical sciences, reformers pushed rehabilitation as a means to "rebuild" disabled soldiers, relieving the nation of a monetary burden and easing the decision to enter the Great War. Linker's narrative moves from the professional development of orthopedic surgeons and physical therapists to the curative workshops, or hospital spaces where disabled soldiers learned how to repair automobiles as well as their own artificial limbs. The story culminates in the postwar establishment of the Veterans Administration, one of the greatest legacies to come out of the First World War.
In The Cruel Radiance, Susie Linfield challenges the idea that photographs of political violence exploit their subjects and pander to the voyeuristic tendencies of their viewers. Instead she argues passionately that looking at such images--and learning to see the people in them--is an ethically and politically necessary act that connects us to our modern history of violence and probes the human capacity for cruelty. Grappling with critics from Walter Benjamin and Bertolt Brecht to Susan Sontag and the postmoderns--and analyzing photographs from such events as the Holocaust, China's Cultural Revolution, and recent terrorist acts--Linfield explores the complex connection between photojournalism and the rise of human rights ideals. In the book's concluding section, she examines the indispensable work of Robert Capa, James Nachtwey, and Gilles Peress and asks how photography should respond to the increasingly nihilistic trajectory of modern warfare. A bracing and unsettling book, The Cruel Radiance convincingly demonstrates that if we hope to alleviate political violence, we must first truly understand it--and to do that, we must begin to look.
In "AirOCOs Appearance," Jayne Elizabeth Lewis enlists her readers in pursuit of the elusive concept of atmosphere in literary works. She shows how diverse conceptions of air in the eighteenth century converged in British fiction, producing the modern literary sense of atmosphere and moving novelists to explore the threshold between material and immaterial worlds. a"AirOCOs Appearance "links the emergence of literary atmosphere to changing ideas about air and the earthOCOs atmosphere in natural philosophy, as well as to the eraOCOs theories of the supernatural and fascination with social mannersOCoor, as they are now known, OC airs. OCO Lewis thus offers a striking new interpretation of several standard features of the EnlightenmentOCothe scientific revolution, the decline of magic, character-based sociability, and the rise of the novelOCothat considers them in terms of the romance of air that permeates and connects them. As it explores key episodes in the history of natural philosophy and in major literary works like "Paradise Lost," OC The Rape of the Lock, OCO "Robinson Crusoe," and "The Mysteries of Udolpho," this book promises to change the atmosphere of eighteenth-century studies and the history of the novel.
In this far-reaching exploration of the evolution of warfare in human history, Jack S. Levy and William R. Thompson provide insight into the perennial questions of why and how humans fight. Beginning with the origins of warfare among foraging groups, The Arc of War draws on a wealth of empirical data to enhance our understanding of how war began and how it has changed over time. The authors point to the complex interaction of political economy, political and military organization, military technology, and the threat environment--all of which create changing incentives for states and other actors. They conclude that those actors that adapt survive, and those that do not are eliminated. In modern times, warfare between major powers has become exceedingly costly and therefore quite rare, while lesser powers are too weak to fight sustained and decisive wars or to prevent internal rebellions. Conceptually innovative and historically sweeping, The Arc of War represents a significant contribution to the existing literature on warfare.
Greater Ethiopia combines history, anthropology, and sociology to answer two major questions. Why did Ethiopia remain independent under the onslaught of European expansionism while other African political entities were colonized? And why must Ethiopia be considered a single cultural region despite its political, religious, and linguistic diversity? Donald Levine's interdisciplinary study makes a substantial contribution both to Ethiopian interpretive history and to sociological analysis. In his new preface, Levine examines Ethiopia since the overthrow of the monarchy in the 1970s. "Ethiopian scholarship is in Professor Levine's debt. . . . He has performed an important task with panache, urbanity, and learning. "--Edward Ullendorff, Times Literary Supplement "Upon rereading this book, it strikes the reader how broad in scope, how innovative in approach, and how stimulating in arguments this book was when it came out. . . . In the past twenty years it has inspired anthropological and historical research, stimulated theoretical debate about Ethiopia's cultural and historical development, and given the impetus to modern political thinking about the complexities and challenges of Ethiopia as a country. The text thus easily remains an absolute must for any Ethiopianist scholar to read and digest. "-J. Abbink, Journal of Modern African Studies
pstrongI'm not sure what you have been told about me, but I'm not nearly as bad as they make me out to be. His deliciously deep voice carried a little bit of ego.ppemI'm sure you are exactly as bad as they make you out to be....emstrongppBrad De Luca is used to getting whatever, and whomever, he wants. The premier divorce attorney in town, he is a forty-year-old playboy who's bedded half the city-including his own clients. And when the newest intern at his firm poses a challenge, his seductive prowess goes into overdrive.ppPre-law student Julia Campbell is fresh off a failed engagement and happy with her new independence. Even if she weren't warned away from Brad at every turn, she'd know he was bad news. The last thing she needs is an older man who could destroy her job prospects, not to mention her innocence. But before she knows it, the incorrigible charmer has her under his spell. His deviant tastes plunge her deep into a forbidden world of sexual exploration...but her heart may not survive the fall.ppThis book contains explicit sex scenes, including a MFM ménage.p
Two unforgettable fan-favorite stories from the master of romantic suspense, Lisa Jackson. Sail Away Adam Drake has been falsely accused and is hell-bent on clearing his name. Only his former boss's captivating daughter, Marnie, holds the key to proving his innocence... Million Dollar Baby Chandra Hill has given up on having a family. That is, until a baby is left abandoned in her barn, and she finds herself connecting immediately with both the baby and the handsome emergency room doctor who looks after him...
Dean Barclay had nothing to do with my decision to flee my old life, but he is 100 percent of the reason I vowed to never look back.I've never forgotten how it felt to follow Dean-dangerous, daring, determined-away from the crowd and climb into his beat-up old Trans Am. I was sixteen and gloriously alive for the first time. When I felt his hand cover my leg and move upward, it was over. I was his. Forever.Until I left. Him, my mom, and the trailer park. Without so much as a goodbye.Now Dean's back, crashing uninvited into my carefully cultivated, neat little lawyerly life. Eight years behind bars have turned him rougher and bigger-and more sexually demanding than any man I've ever met. I can't deny him anything...and that just might end up costing me everything.101,800 words
A richly illustrated culinary tour of the United States through fifty signature dishes, and a radical exploration of our gastronomic heritage. Following his critically acclaimed Preparing the Ghost, renowned essayist Matthew Gavin Frank takes on America's food. In a surprising style reminiscent of Maggie Nelson or Mark Doty, Frank examines a quintessential dish in each state, interweaving the culinary with personal and cultural associations of each region. From key lime pie (Florida) to elk stew (Montana), The Mad Feast commemorates the unexpected origins of the familiar. Brazenly dissecting the myriad intersections between history and food, Frank, in this gorgeously designed volume, considers politics, sexuality, violence, grief, and pleasure: the cool, creamy whoopie pie evokes toughness in the face of New England winters, while the stewlike perloo serves up an exploration of food and race in the South. Tracing an unpredictable map of our collective appetites, The Mad Feast presents a beguiling flavor profile of the American spirit.
Anatomy professor David Bainbridge applies the science of evolutionary biology and psychology to look at women's bodies in our ancestral past, our self-image-obsessed present, and our surgically enhanced future. Few things are as tantalizing as a woman's curves...and yet, humans are the only mammals on earth whose females have curvy bodies. Why? And what does this unique body shape mean for us? In Curvology, researcher David Bainbridge uses his scientific know-how to get to the bottom of this anatomical mystery and to explore the social and psychological consequences of our cultural fixation with curves and fat. Bainbridge brings thorough and clear-headed scientific research to this topic, as well as an admirable understanding of the real-life ramifications of the fascinating statistics and provocative studies he cites. Blending evolutionary biology, cultural observation, and cutting-edge psychology, Bainbridge critically synthesize the science and history of women's body shape, from ancient homonids to the age of the selfie, offering insights into how women's bodies became objects of fascination and raising awareness about what this scrutiny does to our brains. Packed with controversial and compelling findings that drive us to think about the significance of our curves and what they mean for future generations, Curvology offers not just a compelling collection of facts and studies, but an endlessly fascinating take on evolution and its consequences.
Nathalie Sarraute's stunning debut--vignettes of "inner movements"--foreshadowed the rise of the nouveau roman. Hailed as a masterpiece by Jean Genet, Marguerite Duras, and Jean-Paul Sartre, Tropisms is considered one of the defining texts of the nouveau roman movement. Nathalie Sarraute has defined her work as the "movements that are hidden under the commonplace, harmless instances of our everyday lives." Like figures in a grainy photograph, Sarraute's characters are blurred and shadowy, while her narrative never develops beyond a stressed moment. Instead, Sarraute brilliantly finds and elaborates subtle details--when a relationship changes, when we fall slightly deeper into love, or when something innocent tilts to the smallest degree toward suspicion.
Why Therapy Works: Using Our Minds to Change Our Brains (Norton Series on Interpersonal Neurobiology)by Louis Cozolino
The story of why psychotherapy actually works. That psychotherapy works is a basic assumption of anyone who sees a therapist. But why does it work? And why does it matter that we understand how it works? In Why Therapy Works, Louis Cozolino explains the mechanisms of psychotherapeutic change from the bottom up, beginning with the brain, and how brains have evolved--especially how brains evolved to learn, unlearn, and relearn, which is at the basis of lasting psychological change. Readers will learn why therapists have to look beyond just words, diagnoses, and presenting problems to the inner histories of their clients in order to discover paths to positive change. The book also shows how our brains have evolved into social organs and how our interpersonal lives are a source of both pain and power. Readers will explore with Cozolino how our brains are programmed to connect in intimate relationships and come to understand the debilitating effects of anxiety, stress, and trauma. Finally, the book will lead to an understanding of the power of story and narratives for fostering self-regulation, neural integration, and positive change. Always, the focus of the book is in understanding underlying therapeutic change, moving beyond the particular of specific forms of therapy to the commonalities of human evolution, biology, and experience. This book is for anyone who has experienced the benefits of therapy and wondered how it worked. It is for anyone thinking about whether therapy is right for them, and it is for anyone who has looked within themselves and marveled at people's ability to experience profound transformation.
"A great American writer...Highsmith's writing is wicked...it puts a spell on you." --Entertainment Weekly Soon to be a major motion picture. Patricia Highsmith's story of romantic obsession may be one of the most important, but still largely unrecognized, novels of the twentieth century. First published in 1952 and touted as "the novel of a love that society forbids," the book soon became a cult classic. Based on a true story plucked from Highsmith's own life, Carol tells the riveting drama of Therese Belivet, a stage designer trapped in a department-store day job, whose routine is forever shattered by a gorgeous epiphany--the appearance of Carol Aird, a customer who comes in to buy her daughter a Christmas toy. Therese begins to gravitate toward the alluring suburban housewife, who is trapped in a marriage as stultifying as Therese's job. They fall in love and set out across the United States, ensnared by society's confines and the imminent disapproval of others, yet propelled by their infatuation. Carol is a brilliantly written story that may surprise Highsmith fans and will delight those discovering her work. This authorized edition includes an afterword by Patricia Highsmith. Previously titled The Price of Salt.
The best of short literary memoirs, essays, and reflections, many of which were written expressly for this collection. Also available The late Judith Kitchen, editor of the perennially popular anthologies Short Takes, In Short, and In Brief, was greatly influential in recognizing and establishing flash creative nonfiction as a form in its own right. In Brief Encounters, she and writer/editor/actor Dinah Lenney expand this vibrant field with nearly eighty new selections: shorts--as these sharply focused pieces have come to be known-- representing an impressive range of voices, perspectives, sensibilities, and forms. Brief Encounters features the work of the emerging and the established--including Stuart Dybek, Roxanne Gay, Eduardo Galeano, Leslie Jamison, and Julian Barnes--arranged by theme to explore the human condition in ways intimate, idiosyncratic, funny, sad, provocative, lyrical, unflinching. From the rant to the rave, the meditation to the polemic, the confession to the valediction, this collection of shorts--this celebration of true and vivid prose--will enlarge your world.
The professional and personal lives of the pioneers of an enduring magazine. From its birth in 1925 to the early days of the Cold War, The New Yorker slowly but surely took hold as the country's most prestigious, entertaining, and informative general-interest periodical. In Cast of Characters, Thomas Vinciguerra paints a portrait of the magazine's cadre of charming, wisecracking, driven, troubled, brilliant writers and editors. He introduces us to Wolcott Gibbs, theater critic, all-around wit, and author of an infamous 1936 parody of Time magazine. We meet the demanding and eccentric founding editor Harold Ross, who would routinely tell his underlings, "I'm firing you because you are not a genius," and who once mailed a pair of his underwear to Walter Winchell, who had accused him of preferring to go bare-bottomed under his slacks. Joining the cast are the mercurial, blind James Thurber, a brilliant cartoonist and wildly inventive fabulist, and the enigmatic E. B. White--an incomparable prose stylist and Ross's favorite son--who married The New Yorker's formidable fiction editor, Katharine Angell. Then there is the dashing St. Clair McKelway, who was married five times and claimed to have no fewer than twelve personalities, but was nonetheless a superb reporter and managing editor alike. Many of these characters became legends in their own right, but Vinciguerra also shows how, as a group, The New Yorker's inner circle brought forth a profound transformation in how life was perceived, interpreted, written about, and published in America. Cast of Characters may be the most revealing--and entertaining--book yet about the unique personalities who built what Ross called not a magazine but a "movement."
The successful realization of diversity, resilience, usefulness, profitability, or beauty in landscape design requires a firm understanding of the stakeholders' values. This collection, which incorporates a wide variety of geographic locations and cultural perspectives, reinforces the necessity for clear and articulate comprehension of the many factors that guide the design process. As the contributors to this collection reveal, dominant and emerging social, political, philosophical, and economic concerns perpetually assert themselves in designed landscapes, from manifestations of class consciousness in Napa Valley vineyards to recurring themes and conflicts in American commemorative culture as seen in designs for national memorials. One essay demonstrates the lasting impact of the doctrine of Manifest Destiny on the culture and spaces of the Midwest, while another considers the shifting historical narratives that led to the de-domestication and subsequent re-wilding of the Oostvaardersplassen in the Netherlands. These eleven essays help foster the ability to conduct a balanced analysis of various value systems and produce a lucid visualization of the necessary tradeoffs. Offering an array of case studies and theoretical arguments, Values in Landscape Architecture and Environmental Design encourages professionals and educators to bring self-awareness, precision, and accountability to their consideration of landscape designs.
During the second half of the twentieth century, the forest industry removed more than 300 billion cubic feet of timber from southern forests. Yet at the same time, partnerships between public and private entities improved the inventory, health, and productivity of this vast and resilient resource. A comprehensive and multilayered history, Forestry in the U.S. South explores the remarkable commercial and environmental gains made possible through the collaboration of industry, universities, and other agencies. This authoritative assessment starts by discussing the motives and practices of early lumber companies, which, having exhausted the forests of the Northeast by the turn of the twentieth century, aggressively began to harvest the virgin pine of the South, with production peaking by 1909. The rapidly declining supply of old-growth southern pine triggered a threat of timber famine and inspired efforts to regulate the industry. By mid-century, however, industrial forestry had its own profit incentive to replenish harvested timber. This set the stage for a unique alliance between public and private sectors, which conducted cooperative research on tree improvement, fertilization, seedling production, and other practices germane to sustainable forest management. By the close of the 1990s, concerns about an inadequate timber supply gave way to questions about how to utilize millions of acres of pine plantations approaching maturity. No longer concerned with the future supply of raw material and facing mounting global competition the U.S. pulp and paper industry consolidated, restructured, and sold nearly 20 million acres of forests to Timber Investment Management Organizations (TIMOs) and Real Estate Investment Trusts (REITs), resulting in an entirely new dynamic for private forestry in the South. Incomparable in scope, Forestry in the U.S. South spotlights the people and organizations responsible for empowering individual forest owners across the region, tripling the production of pine stands and bolstering the livelihoods of thousands of men and women across the South.
"Call Jeff Wood's The Glacier what you will-a novel-in-screenplay-form; a prose poem on the themes of death, suburbia, and the cruel symmetries of cosmic time; a surreal prophecy from America's anguished heartland-it will remain what it was always aiming to be, and that's one of the most indelible and visionary movies you've ever seen."-Jon Raymond, author of Old Joy, Wendy and Lucy, and Meek's CutoffA spellbinding work in the spirit of Tarkovsky or Jodorowsky that reimagines the American frontier at the turn of the millennium, a time when suburban development was metastasizing and the Social was about to implode. Following a caterer at a convention center, a surveyor residing in a storage unit, and the masses lining up for an Event on the horizon, The Glacier is a poetic rendering of the pre-apocalypse and a requiem for the passing of one world into another.Jeff Wood is an actor and writer from Ohio currently living in Brooklyn and Berlin. He is a founding member of the experimental film/art group Rufus Corporation and the Wallabout Oyster Theatre Brooklyn. His ten-year collaboration with Eve Sussman and Rufus Corporation has resulted in the works 89 Seconds at Alcazar; The Rape of the Sabine Women; and numerous international screenings including the Whitney Museum of American Art, MoMA NYC, MoMA SF, IFC Center NY, and Sundance New Frontier. He is a 2014 Fellow in Screenwriting from the New York Foundation for the Arts.
"Taking Sides is more than a book; it's a politic aimed at the heart of every radical struggling against a racist state." --Luis A. Fernandez, author of Policing DissentTaking Sides is a critical response to divisive debates within current movements against police violence and white supremacy, especially since Michael Brown's murder. These sharp interventions ask activists to avoid easy--and safe--answers and take on the hard work of building real grassroots solidarity across racial lines.Cindy Milstein is author of Anarchism and Its Aspirations. Her essays appeared in Realizing the Impossible, Confronting Capitalism, and Globalize Liberation.
"Gritty from east to west, Marseille is the perfect venue for the latest in Akashic's venerable Noir series. While earlier entries in this 70-volume series have sometimes been bleak and atmospheric, this one is all red meat....Just as Marseille is tailor-made for noir, this dark banquet is tailor-made for noir fans."--Kirkus Reviews"This entry in Akashic's noir series navigates the seedy side of Marseille with 14 stories that range from the creepily introspective to the downright brutal."--Publishers WeeklyAkashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.The Akashic Noir Series first ventured into France with Paris Noir, and now moves one step deeper...Featuring brand-new stories translated from French by David Ball and Nicole Ball: François Beaune, Philippe Carrese, Patrick Coulomb, Cédric Fabre, René Frégni, Christian Garcin, Salim Hatubou, Rebecca Lighieri, Emmanuel Loi, Marie Neuser, Pia Petersen, Serge Scotto, Minna Sif, and François Thomazeau.Cet ouvrage publié dans le cadre du programme d'aide à la publication bénéficie du soutien du Ministèe des Affaires Etrangères et du Service Culturel de l'Ambassade de France représenté aux Etats-Unis.This work, published as part of a program of aid for publication, received support from the French Ministry of Foreign Affairs and the Cultural Service of the French Embassy in the United States.
"Humaydan writes in her introduction to this haunting anthology that 'all of the stories are somehow framed by the Lebanese civil war, which lasted from approximately 1974 until 1990....' The crimes in this Akashic noir volume are often submerged in the greater tragedy of a beautiful city constantly torn within and without by violence."--Publishers WeeklyTranslated by Michelle Hartman.Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.Featuring brand-new stories by: Rawi Hage, Muhammad Abi Samra, Leila Eid, Hala Kawtharani, Marie Tawk, Bana Baydoun, Hyam Yared, Najwa Barakat, Alawiyeh Sobh, Mazen Zahreddine, Abbas Beydoun, Bachir Hilal, Zena El Khalil, Mazen Maarouf, and Tarek Abi Samra.Most of the writers in this volume are still living in Beirut, so this is an important contribution to Middle East literature--not the "outsider's perspective" that often characterizes contemporary literature set in the region.From the introduction by Iman Humaydan (translated by Michelle Hartman):"Beirut is a city of contradiction and paradox. It is an urban and rural city, one of violence and forgiveness, memory and forgetfulness. Beirut is a city of war and peace. This short story collection is a part of a vibrant, living recovery of Beirut. Beirut Noir recovers the city once again through writing, through the literary visions of its authors..."From within this collection of stories, a general attitude toward Beirut emerges: the city is viewed from a position of critique, doubt, disappointment, and despair. The stories here show the vast maze of the city that can't be found in tourist brochures or nostalgic depictions of Beirut that are completely out of touch with reality. Perhaps this goes without saying in a collection of stories titled Beirut Noir. But the 'noir' label here should be viewed from multiple angles, and it takes on many different forms in the stories. No doubt this is because it is imbricated in the distinct moments that Beirut has lived through and how they are depicted in the stories."
Leading change just got a whole lot easier. Think you need awe-inspiring visions, complicated plans, and fist-pounding speeches to inspire change? Think again. A rising tide of real leaders ranging from banking executives and heads of multinational manufacturers to hospital administrators and small business owners have discovered a surprisingly simple way to deliver steady results in spite of unrelenting change. Brimming with compelling stories and grounded in research, Domino: The Simplest Way to Inspire Change reveals two approaches to leading change: Change by Addition and Change by Decision. Disturbingly, Change by Addition is far less effective, but is used far more often. Until now. Luckily, Change by Decision is not only more effective it also requires less time and fewer resources--allowing ordinary managers to take their teams in exciting new directions. Understand how to free yourself and your team from the shackles of change by addition. Explore stories of real leaders in a multitude of industries to see how the Domino techniques apply in any situation Examine the leadership skills that inspire smart strategies and adaptive teams Execute plans quicker and easier by mastering the art of effective change leadership Domino: The Simplest Way to Inspire Change is a radically simple book that highlights a new approach for executing change and inspiring agility in the workplace.
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