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At once informative and entertaining, inspiring and challenging, My Los Angeles provides a deep understanding of urban development and change over the past forty years in Los Angeles and other city regions of the world. Once the least dense American metropolis, Los Angeles is now the country's densest urbanized area and one of the most culturally heterogeneous cities in the world. Soja takes us through this urban metamorphosis, analyzing urban restructuring, deindustrialization and reindustrialization, the globalization of capital and labor, and the formation of an information-intensive New Economy. By examining his own evolving interpretations of Los Angeles and the debates on the so-called Los Angeles School of urban studies, Soja argues that a radical shift is taking place in the nature of the urbanization process, from the familiar metropolitan model to regional urbanization. By looking at such concepts as new regionalism, the spatial turn, the end of the metropolis era, the urbanization of suburbia, the global spread of industrial urbanism, and the transformative urban-industrialization of China, Soja offers a unique and remarkable perspective on critical urban and regional studies.
Film Manifestoes and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focussing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world.This volume collects the major European "waves" and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme '95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.
One of California's most remarkable wetlands, Suisun Marsh is the largest tidal marsh on the West Coast and a major feature of the San Francisco Estuary. This productive and unique habitat supports endemic species, is a nursery for native fishes, and is a vital link for migratory waterfowl. The 6,000-year-old marsh has been affected by human activity, and humans will continue to have significant impacts on the marsh as the sea level rises and cultural values shift in the century ahead. This study includes in-depth information about the ecological and human history of Suisun Marsh, its abiotic and biotic characteristics, agents of ecological change, and alternative futures facing this ecosystem.
What if your name was a lie? What if your whole life was a lie? In a split second freelance writer Ridley Jones saves a small child from being run over, her life changes forever. A newspaper photographer catches everything on film and Ridley becomes an instant media darling. But just as her life seems to be settling back to normal, an unmarked envelope slipped under her door shatters everything. It contains a newspaper article along with an old photograph of a man, a woman who looks eerily like Ridley...
A groundbreaking book about why the one thing we all fear--ambivalence--is the one thing we must accept to find lasting love.If Love Could Think is an entertaining and practical book that addresses with warmth and intelligence the age-old question relevant to any stage of a relationship: why does love go wrong, and what can we do to make it right?After many years of treating patients with relationship problems, psychologist Alon Gratch has identified seven common patterns of failed love. These patterns include, for example, narcissistic love, when a person has so idealized the partner and the relationship that they can't possibly continue to measure up; one-way love, when a person loves someone who doesn't return that love; triangular love, when a third party, be it a mother, an affair, or a job is involved in the relationship; and forbidden love, the kind of relationship that is generally off-limits, such as when a teacher dates a student. In If Love Could Think, Gratch shows us that all of these patterns stem from one fundamental problem--our own ambivalence.With his trademark combination of depth and humor, and using many individual stories as engaging examples, Gratch walks us through the ways we get stuck in these patterns. In each case we are looking for perfect or ideal love. Every pattern creates an obstacle so we don't have to face our own ambivalence about the relationship or the other person. But humans aren't perfect, so no matter how wonderful love can be, there is no such thing as pure love. Ambivalence implies the existence not only of love but also of anger, disapproval, or disappointment. As Dr. Gratch shows, there are really only two choices: accept ambivalence as part of any loving relationship, or continue to repeat the patterns of illusory love. Happily, using a simple yet powerful three-step approach, If Love Could Think helps readers to use their own minds to break these patterns of failed relationships and find real and lasting love.From the Hardcover edition.
New and completely updated editionHilarious and addictive, this chronicle of a small-town girl's stint as a celebrity nanny reveals what really happens in the diaper trenches of Hollywood.When Oregon native Suzanne Hansen becomes a live-in nanny to the children of Hollywood über-agent Michael Ovitz, she thinks she's found the job of her dreams. But Hansen's behind-the-scenes access soon gets her much more than she bargained for: working twenty-four hours a day, juggling the shifting demands of the Hollywood elite, and struggling to comprehend wealth unimaginable to most Americans, not to mention dealing with the expected tantrums and the unexpected tense-and intense-atmosphere in the house where she lives with her employers.When the thankless drudgery takes its toll and Hansen finally quits, her boss threatens to blackball her from ever nannying in Hollywood again. Discouraged but determined, Hansen manages to land gigs with Debra Winger and then Danny DeVito and Rhea Perlman. Attentive, welcoming parents with a relaxed attitude toward celebrity-looks like Hansen's fallen into a real-life happy ending. But the round-the-clock workdays continue, rubbing some of the glitter off L.A. living, and Hansen's not sure how much longer she can pretend to be Mary Poppins. Even bosses who treat her like family can't help as she struggles to find meaning in her work while living in a town that seems to lack respect for nannies and everyone else who comes in the employee's entrance-but without whom many showbiz households would grind to a halt.Peppering her own journey with true stories and high drama experienced by other nannies to the stars, Hansen offers an intriguing, entertaining mix of tales from the cribs of the rich and famous. You'll Never Nanny in This Town Again is a treat for everyone who is fascinated by the skewed priorities of Tinseltown, for anyone who has wondered how high-wattage supermoms do it all, and for readers who love peeking behind the curtains of celebrity, all of whom will devour this unparalleled-and unabashedly true-account of one girl's tour of duty as Hollywood's hired help.From the Hardcover edition.
You are cordially invited to attend...The Sweet Potato Queens are bona fide experts at planning a marvelous marriage (and ending one--flip this book right on over if you're looking for advice on dumping a deadweight hubby!), so who better to provide this handy wedding planner? And even if you're not planning your own nuptials, surely you have dreamt about your perfect day, regardless of whether you've met Mr. Right yet! In this essential manual, you'll learn:* How to plan a truly regal wedding* What to wear (and what not to wear) to your own wedding, or to anyone else's* How to organize the sassiest games and sauciest entertainment for the occasion* How to plan and prepare the greasiest, tastiest wedding vittles for your big-ass guestsYou are hereby summoned to appear . . .The Sweet Potato Queens know a thing or two about ending a marriage (and beginning one--flip this book on over if you're planning on attaching yourself to the ol' ball and chain!), so who better to provide this crucial divorce guide? Besides, whether you're getting your own personal divorce or not, chances are you'll be calling Mr. Right Mr. I-Don't-Think-So sometime in the future! In this practical handbook, you'll learn:* How to survive even the nastiest divorce while maintaining your queenly composure * Why it's appropriate--and necessary!--to throw divorce showers and send out divorce announcements * Why love is even better the second, third, or fourth time aroundFrom the Hardcover edition.
George Tilson is an eighteen-year-old farm boy from Iowa. Enlisted in the Army during World War II and arriving in Normandy just after D-day, he is nicknamed Heck for his reluctance to swear. From summers of farm labor Heck is already strong. He knows how to accept orders and how to work uncomplainingly. But in combat Heck witnesses a kind of brutality unlike anything he could have imagined. Fear consumes his every thought and Heck soon realizes a terrible thing about himself: He is a coward. Possessed of this dark knowledge, Heck is then faced with an impossible task.From the Trade Paperback edition.
In the boldly eclectic title poem of his collection, John Updike employs the meters of Dante, Spenser, Pope, Whitman, and Pound, as well as the pictographic tactics of concrete poetry, to take an inventory of his life at the end of his thirty-fifth year--at midpoint. These cantos form both a joke on the antique genre of the long poem and an attempt to write one: an earnest meditation on the mysteries of the ego, lost time, and the mundane. The remainder of the volume is a six years' harvest of light verse and incidental lyrics--poems dealing with love and death, animals and angels, places and persons, dream artifacts and the naked ape. As a writer of humorous verse Mr. Updike is alone in his generation; to serious poetry he brings the vision and warmth characteristic of his prose.
"Drinking a toast to the visible world, his impending disappearance from it be damned." That's how John Updike describes one of his elderly protagonists in this, his final collection of short stories. He might have been writing about himself. In My Father's Tears, the author revisits his signature characters, places, and themes--Americans in suburbs, cities, and small towns grappling with faith and infidelity--in a gallery of portraits of his aging generation, men and women for whom making peace with the past is now paramount. The Seattle Times called My Father's Tears "a haunting collection" that "echoes the melancholy of Chekhov, the romanticism of Wordsworth and the mournful spirit of Yeats."
When seventeen-year-old Anju wins an all-expenses-paid scholarship to study in New York for a year, she jumps at the chance to leave her home town in Kerala and embrace all that America has to offer. But there are bittersweet consequences ahead, not only for Anju, but also for the father and older sister she has left behind. For when the lie behnd Anju's scholarship is suddenly revealed she is left without a visa and, too proud to confess to her family, goes into hiding. She accepts a job in a suburban beauty salon and the offer of a roof over her head from the kindly Bird, who strangely seems to know more about Anju's past than Anju herself has told her. Meanwhile, Anju's family are on a mission to find her, trying not to contemplate the possibility that they might never see her again. . . Atlas of Unknowns is vibrant, moving and breathtakingly told -- the debut of an irresistible and utterly original new voice in fiction.
More than three decades after the events described in The Witches of Eastwick, Alexandra, Jane, and Sukie--widowed, aging, and with their occult powers fading--return for the summer to the Rhode Island town where they once made piquant scandal and sometimes deadly mischief. But what was then a center of license and liberation is now a "haven of wholesomeness" populated by hockey moms and househusbands primly rebelling against their absent, reckless, self-involved parents. With spirits still free but energy waning, the three women reconstitute their coven to confront not only this youthful counterspell of propriety but also the enmity of those longtime townsfolk who, through their youthful witchery, they irreparably harmed. In this wise and wicked satire on the way we make peace with our pasts, John Updike proves himself a wizard on every page.
The Hungarians is the most comprehensive, clear-sighted, and absorbing history ever of a legendarily proud and passionate but lonely people. Much of Europe once knew them as "child-devouring cannibals" and "bloodthirsty Huns." But it wasn't long before the Hungarians became steadfast defenders of the Christian West and fought heroic freedom struggles against the Tatars (1241), the Turks (16-18th centuries), and, among others, the Russians (1848-49 and 1956). Paul Lendvai tells the fascinating story of how the Hungarians, despite a string of catastrophes and their linguistic and cultural isolation, have survived as a nation-state for more than 1,000 years. Lendvai, who fled Hungary in 1957, traces Hungarian politics, culture, economics, and emotions from the Magyars' dramatic entry into the Carpathian Basin in 896 to the brink of the post-Cold War era. Hungarians are ever pondering what being Hungarian means and where they came from. Yet, argues Lendvai, Hungarian national identity is not only about ancestry or language but also an emotional sense of belonging. Hungary's famous poet-patriot, Sándor Petofi, was of Slovak descent, and Franz Liszt felt deeply Hungarian though he spoke only a few words of Hungarian. Through colorful anecdotes of heroes and traitors, victors and victims, geniuses and imposters, based in part on original archival research, Lendvai conveys the multifaceted interplay, on the grand stage of Hungarian history, of progressivism and economic modernization versus intolerance and narrow-minded nationalism. He movingly describes the national trauma inflicted by the transfer of the historic Hungarian heartland of Transylvania to Romania under the terms of the Treaty of Trianon in 1920--a trauma that the passing of years has by no means lessened. The horrors of Nazi and Soviet Communist domination were no less appalling, as Lendvai's restrained account makes clear, but are now part of history. An unforgettable blend of eminent readability, vibrant humor, and meticulous scholarship, The Hungarians is a book without taboos or prejudices that at the same time offers an authoritative key to understanding how and why this isolated corner of Europe produced such a galaxy of great scientists, artists, and entrepreneurs.
In a fascinating "urban biography," Michael Hamm tells the story of one of Europe's most diverse cities and its distinctive mix of Ukrainian, Polish, Russian, and Jewish inhabitants. A splendid urban center in medieval times, Kiev became a major metropolis in late Imperial Russia, and is now the capital of independent Ukraine. After a concise account of Kiev's early history, Hamm focuses on the city's dramatic growth in the nineteenth and early twentieth centuries. The first historian to analyze how each of Kiev's ethnic groups contributed to the vitality of the city's culture, he also examines the violent conflicts that developed among them. In vivid detail, he shows why Kiev came to be known for its "abundance of revolutionaries" and its anti-Semitic violence.
All social scientists learn the celebrated theories and frameworks of their predecessors, using them to inform their own research and observations. But before there can be theory, there must be theorizing. Theorizing in Social Science introduces the reader to the next generation of theory construction and suggests useful ways for creating social theory. What makes certain types of theories creative, and how does one go about theorizing in a creative way? The contributors to this landmark collection#151;top social scientists in the fields of sociology, economics, and management#151;draw on personal experiences and new findings to provide a range of answers to these questions. Some turn to cognitive psychology and neuroscience's impact on our understanding of human thought, others encourage greater dialogue between and across the arts and sciences, while still others focus on the processes by which observation leads to conceptualization. Taken together, however, the chapters collectively and actively encourage a shift in the place of theory in social science today. Appealing to students and scientists across disciplines, this collection will inspire innovative approaches to producing, teaching, and learning theory.
Winner of the 2014 Felix Pollak Prize in Poetry, selected by Naomi Shihab Nye Inspired by thrift store knit sleeves, punk rock record sleeves, and, of course, print book sleeves, Angela Sorby explores how the concrete world hails us in waves of color and sound. She asks implicitly, #147;What makes the sleeve wave? Is it the body or some force larger than the self?" As Sorby's tough, ironic, and subtly political voice repeatedly insists, we apprehend, use, and release more energy than we can possibly control. This collection includes two main parts#151;one visual, one aural#151;flanking a central pastoral poem sung by Virgilian sheep. Meant to be read both silently and aloud, the poems in The Sleeve Waves meditate on how almost everything#151;like light and sound#151;comes to us in waves that break and vanish and yet continue.
One March morning, writer Floyd Skloot was inexplicably struck by an attack of unrelenting vertigo that ended 138 days later as suddenly as it had begun. With body and world askew, everything familiar had transformed. Nothing was ever still. Revertigo is Skloot's account of that unceasingly vertiginous period, told in an inspired and appropriately off-kilter form. This intimate memoir#151;tenuous, shifting, sometimes humorous#151;demonstrates Skloot's considerable literary skill honed as an award-winning essayist, memoirist, novelist, and poet. His recollections of a strange, spinning world prompt further musings on the forces of uncertainty, change, and displacement that have shaped him from childhood to late middle age, repeatedly knocking him awry, realigning his hopes and plans, even his perceptions. From the volatile forces of his mercurial, shape-shifting early years to his obsession with reading, acting, and writing, from the attack of vertigo to a trio of postvertigo (but nevertheless dizzying) journeys to Spain and England, and even to a place known only in his mother's unhinged fantasies, Skloot makes sense of a life's phantasmagoric unpredictability.
In the years before the Mexican Revolution, Mexico is ruled by a tiny elite that apes European culture, grows rich from foreign investment, and prizes racial purity. The vast majority of Mexicans, who are native or of mixed native and Spanish blood, are politically powerless and slowly starving to death. Presiding over this corrupt system is Don Porfirio Díaz, the ruthless and inscrutable president of the Republic. Against this backdrop, The City of Palaces opens in a Mexico City jail with the meeting of Miguel Sarmiento and Alicia Gavilán. Miguel is a principled young doctor, only recently returned from Europe but wracked by guilt for a crime he committed as a medical student ten years earlier. Alicia is the spinster daughter of an aristocratic family. Disfigured by smallpox, she has devoted herself to working with the city's destitute. This unlikely pair#151;he a scientist and atheist and she a committed Christian#151;will marry. Through their eyes and the eyes of their young son, José, readers follow the collapse of the old order and its bloody aftermath. The City of Palaces is a sweeping novel of interwoven lives: Miguel and Alicia; José, a boy as beautiful and lonely as a child in a fairy tale; the idealistic Francisco Madero, who overthrows Díaz but is nevertheless destroyed by the tyrant's political system; and Miguel's cousin Luis, shunned as a #147;sodomite. " A glittering mosaic of the colonial past and the wealth of the modern age, The City of Palaces is a story of faith and reason, cathedrals and hovels, barefoot street vendors and frock-coated businessmen, grand opera and silent film, presidents and peasants, the living and the dead.
Anne Herrmann, a dual citizen born in New York to Swiss parents, offers in Coming Out Swiss a witty, profound, and ultimately universal exploration of identity and community. #147;Swissness"#151;even on its native soil a loose confederacy, divided by multiple languages, nationalities, religion, and alpen geography#151;becomes in the diaspora both nowhere (except in the minds of immigrants and their children) and everywhere, reflected in pervasive clichés. In a work that is part memoir, part history and travelogue, Herrmann explores all our Swiss clichés (chocolate, secret bank accounts, Heidi, Nazi gold, neutrality, mountains, Swiss Family Robinson) and also scrutinizes topics that may surprise (the #147;invention" of the Alps, the English Colony in Davos, Switzerland's role during World War II, women students at the University of Zurich in the 1870s). She ponders, as well, marks of Swissness that have lost their identity in the diaspora (Sutter Home, Helvetica, Dadaism) and the enduring Swiss American community of New Glarus, Wisconsin. Coming Out Swiss will appeal not just to the Swiss diaspora but also to those drawn to multi-genre writing that blurs boundaries between the personal and the historical.
Prisoners, Lovers, and Spies is a book about concealing and revealing secret communications. It is the first history of invisible writing, uncovered through stories about scoundrels and heroes. Spies were imprisoned or murdered, adultery unmasked, and battles lost because of faulty or intercepted secret communications. Yet, successfully hidden writing helped save lives, win battles, and ensure privacy; occasionally it even changed the course of history. Kristie Macrakis combines a storyteller's sense of drama with a historian's respect for evidence in this page-turning history of intrigue and espionage, love and war, magic and secrecy. From the piazzas of ancient Rome to the spy capitals of the Cold War, Macrakis's global history reveals the drama and importance of invisible ink. From Ovid's advice to use milk for illicit love notes, to John Gerard's dramatic escape from the tower of London aided by orange juice ink messages, to al-Qaeda's hidden instructions in pornographic movies, this book presents spellbinding stories of secret messaging that chart its evolution in sophistication and its impact on history. An appendix includes fun kitchen chemistry recipes for readers to try out at home.
As scientific and observational evidence on global warming piles up every day, questions of economic policy in this central environmental topic have taken center stage. But as author and prominent Yale economist William Nordhaus observes, the issues involved in understanding global warming and slowing its harmful effects are complex and cross disciplinary boundaries. For example, ecologists see global warming as a threat to ecosystems, utilities as a debit to their balance sheets, and farmers as a hazard to their livelihoods. In this important work, William Nordhaus integrates the entire spectrum of economic and scientific research to weigh the costs of reducing emissions against the benefits of reducing the long-run damages from global warming. The book offers one of the most extensive analyses of the economic and environmental dynamics of greenhouse-gas emissions and climate change and provides the tools to evaluate alternative approaches to slowing global warming. The author emphasizes the need to establish effective mechanisms, such as carbon taxes, to harness markets and harmonize the efforts of different countries. This book not only will shape discussion of one the world's most pressing problems but will provide the rationales and methods for achieving widespread agreement on our next best move in alleviating global warming.
The remarkable popular protest in Kiev and across Ukraine following the cooked presidential election of November 2004 has transformed the politics of eastern Europe. Andrew Wilson witnessed the events firsthand and here looks behind the headlines to ascertain what really happened and how it will affect the future of the region.It is a dramatic story: an outgoing president implicated via secret tape-recordings in corruption and murder; a shadowy world of political cheats and manipulators; the massive covert involvement of Putin's Russia; the poisoning of the opposition challenger; and finally the mass protest of half a million Ukrainians that forced a second poll and the victory of Viktor Yushchenko.As well as giving an account of the election and its aftermath, the book examines the broader implications of the Orange Revolution and of Russia's serious miscalculation of its level of influence. It explores the likely chain reaction in Moldova, Belarus, and the nervous autocracies of the Caucasus, and points to a historical transformation of the geopolitics of Eurasia.
Stemming from his anthropological field work among black religious groups in Philadelphia in the early 1940s, Arthur Huff Fauset believed it was possible to determine the likely direction that mainstream black religious leadership would take in the future, a direction that later indeed manifested itself in the civil rights movement. The American black church, according to Fauset and other contemporary researchers, provided the one place where blacks could experiment without hindrance in activities such as business, politics, social reform, and social expression. With detailed primary accounts of these early spiritual movements and their beliefs and practices, Black Gods of the Metropolis reveals the fascinating origins of such significant modern African American religious groups as the Nation of Islam as well as the role of lesser known and even forgotten churches in the history of the black community.In her new foreword, historian Barbara Dianne Savage discusses the relationship between black intellectuals and black religion, in particular the relationship between black social scientists and black religious practices during Fauset's time. She then explores the complexities of that relationship and its impact on the intellectual and political history of African American religion in general.
Eileen Reeves examines a web of connections between journalism, optics, and astronomy in early modern Europe, devoting particular attention to the ways in which a long-standing association of reportage with covert surveillance and astrological prediction was altered by the near simultaneous emergence of weekly newsheets, the invention of the Dutch telescope, and the appearance of Galileo Galilei's astronomical treatise, The Starry Messenger.Early modern news writers and consumers often understood journalistic texts in terms of recent developments in optics and astronomy, Reeves demonstrates, even as many of the first discussions of telescopic phenomena such as planetary satellites, lunar craters, sunspots, and comets were conditioned by accounts of current events. She charts how the deployment of particular technologies of vision--the telescope and the camera obscura--were adapted to comply with evolving notions of objectivity, censorship, and civic awareness. Detailing the differences between various types of printed and manuscript news and the importance of regional, national, and religious distinctions, Evening News emphasizes the ways in which information moved between high and low genres and across geographical and confessional boundaries in the first decades of the seventeenth century.
By the middle of the fourteenth century, Christian control of the Iberian Peninsula extended to the borders of the emirate of Granada, whose Muslim rulers acknowledged Castilian suzerainty. No longer threatened by Moroccan incursions, the kings of Castile were diverted from completing the Reconquest by civil war and conflicts with neighboring Christian kings. Mindful, however, of their traditional goal of recovering lands formerly ruled by the Visigoths, whose heirs they claimed to be, the Castilian monarchs continued intermittently to assault Granada until the late fifteenth century.Matters changed thereafter, when Fernando and Isabel launched a decade-long effort to subjugate Granada. Utilizing artillery and expending vast sums of money, they methodically conquered each Naṣrid stronghold until the capitulation of the city of Granada itself in 1492. Effective military and naval organization and access to a diversity of financial resources, joined with papal crusading benefits, facilitated the final conquest. Throughout, the Naṣrids had emphasized the urgency of a jihād waged against the Christian infidels, while the Castilians affirmed that the expulsion of the "enemies of our Catholic faith" was a necessary, just, and holy cause. The fundamentally religious character of this last stage of conflict cannot be doubted, Joseph F. O'Callaghan argues.
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