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From the author of Where the River Ends, comes this page-turning story of love and survival.On a stormy winter night, two strangers wait for a flight at the Salt Lake City airport. Ashley Knox is an attractive, successful writer, who is flying East for her much anticipated wedding. Dr. Ben Payne has just wrapped up a medical conference and is also eager to get back East for a slate of surgeries he has scheduled for the following day. When the last outgoing flight is cancelled due to a broken de-icer and a forthcoming storm, Ben finds a charter plane that can take him around the storm and drop him in Denver to catch a connection. And when the pilot says the single engine prop plane can fit one more, if barely, Ben offers the seat to Ashley knowing that she needs to get back just as urgently. And then the unthinkable happens. The pilot has a heart attack mid-flight and the plane crashes into the High Uintas Wilderness-- one of the largest stretches of harsh and remote land in the United States. Ben, who has broken ribs and Ashley, who suffers a terrible leg fracture, along with the pilot's dog, are faced with an incredibly harrowing battle to survive. Fortunately, Ben is a medical professional and avid climber (and in a lucky break, has his gear from a climb earlier in the week). With little hope for rescue, he must nurse Ashley back to health and figure out how they are going to get off the mountain, where the temperature hovers in the teens. Meanwhile, Ashley soon realizes that the very private Ben has some serious emotional wounds to heal as well. He explains to Ashley that he is separated from his beloved wife, but in a long standing tradition, he faithfully records messages for her on his voice recorder reflecting on their love affair. As Ashley eavesdrops on Ben's tender words to his estranged wife she comes to fear that when it comes to her own love story, she's just settling. And what's more: she begins to realize that the man she is really attracted to, the man she may love, is Ben. As the days on the mountains become weeks, their survival become increasingly perilous. How will they make it out of the wilderness and if they do, how will this experience change them forever? Both a tender and page-turning read, The Mountain Between Us will reaffirm your belief in the power of love to sustain us.From the Hardcover edition.
"No writer better articulates ourinterest in the confluence of hope, eccentricity, and the timelessness of the bold and strange than Paul Collins."--DAVE EGGERS On Long Island, a farmer finds a duck pond turned red with blood. On the Lower East Side, two boys playing at a pier discover a floating human torso wrapped tightly in oilcloth. Blueberry pickers near Harlem stumble upon neatly severed limbs in an overgrown ditch. Clues to a horrifying crime are turning up all over New York, but the police are baffled: There are no witnesses, no motives, no suspects. The grisly finds that began on the afternoon of June 26, 1897, plunged detectivesheadlong into the era's most baffling murder mystery. Seized upon by battling media moguls Joseph Pulitzer and William Randolph Hearst, the case became a publicity circus. Reenactments of the murder were staged in Times Square, armed reporters lurked in the streets of Hell's Kitchen in pursuit of suspects, and an unlikely trio--a hard-luck cop, a cub reporter, and an eccentric professor--all raced to solve the crime. What emerged was a sensational love triangle and an even more sensational trial: an unprecedented capital case hinging on circumstantial evidence around a victim whom the police couldn't identify with certainty, and who the defense claimed wasn't even dead. The Murder of the Century is a rollicking tale--a rich evocation of America during the Gilded Age and a colorful re-creation of the tabloid wars that have dominated media to this day. From the Hardcover edition.
Everybody loves a winner, and the Rabbs are major league. Marty is the Red Sox star pitcher, Linda the loving wife. She loves everyone except the blackmailer out to wreck her life. Is Marty throwing fast balls or throwing games? It doesn't take long for Spenser to link Marty's performance with Linda's past...or to find himself trapped between a crazed racketeer and an enforcer toting an M-16. America's favorite pastime has suddenly become a very dangerous sport, and one wrong move means strike three, with Spenser out for good!
Spencer had gone to London--and not to look at the Queen. He'd gone to track down a bunch of bombers who'd blown his client's wife and kids away. His job was to catch them. Or kill them. His client wasn't choosy.
Bestselling author Nora Roberts dazzles once again with a powerful tale of passion, murder, and small-town scandal. In this classic novel, a woman returns to the home she left behind, to a past that is waiting to kill her. . . . A decade ago, sculptor Clare Kimball fled Emmitsboro, Maryland, to take the art world by storm. Now she's celebrated as the artist of her generation. But no amount of success can eclipse the nightmares that haunt her--or the memories of her father's suicide. Just as her star is shining brighter than ever, Clare leaves it all behind to face her demons. Emmitsboro sheriff Cameron Rafferty loved Clare from afar all through high school. Now that she's back, they form a bond that grows stronger each day--fueled by an attraction that's been simmering for years. But Clare's past soon rises up with a vengeance, rocking the town with a sinister murder that is clearly linked to her return. As an investigation gets under way, Clare and Cameron will learn that evil can linger anywhere--even in those you love and trust the most. But it's a discovery that may come too late to save them. ...
The restoration of a majestic old home provides the exhilarating backdrop for Danielle Steel's 66th bestselling novel, the story of a young woman's dream, an old man's gift, and the surprises that await us behind every closed door.... Perched on a hill overlooking San Francisco, the house was magnificent, built in 1923 by a wealthy man for the woman he adored. For her and for this house, he would spare no expense and overlook no detail, from the endless marble floors to the glittering chandeliers. Almost a century later, with the once-grand house now in disrepair, a young woman walks through its empty rooms. Sarah Anderson, a perfectly sensible estate lawyer, is about to do something utterly out of character. An elderly client has died and left her two gifts. One is a generous inheritance. The other, a priceless message: to use his money for something wonderful, something daring. And in this old house, surrounded by crumbling grandeur, Sarah knows just what it is. A respected attorney and self-described workaholic, Sarah had always lived life by the book. With a steady, if sputtering, relationship and a tiny apartment that has suited her just fine, Sarah cannot explain the force that draws her to the mansion and its history-to the story of a woman who once lived in the house, then mysteriously left it, to a child who grew up there, and a drama that unfolded in war-torn France...and to a history she never knew she had. Taking the biggest risk of her life, Sarah enlists the help of architect Jeff Parker, who shares Sarah's passion for bringing the exquisite old house back to life. As she and Jeff work to restore the home's every detail, as one relationship shatters and another begins, Sarah makes a series of powerful discoveries: about the true meaning of a dying man's last gift...about the extraordinary legacies that are passed from generation to generation...and about a future she's only just beginning to imagine. In a novel of daring and hope, of embracing life and taking chances, Danielle Steel brilliantly captures one woman's courageous choice to pour herself into a dream-and receive its gifts in return.From the Hardcover edition.
Charming, debonair, and impeccably attired in a black tuxedo, Dean Martin was coolness incarnate. His music provided the soundtrack of romance, and his image captivated movie and television audiences for more than fifty years. His daughter Deana was among his most devoted fans, but she also knew a side of him that few others ever glimpsed.In this heartfelt memoir, Deana recalls the constantly changing blended family that marked her youth, along with the unexpected moments of silliness and tenderness that this unusual Hollywood family shared. She candidly reveals the impact of Dean's fame and characteristic aloofness, but delights in sharing wonderful, never-before-told stories about her father and his pallies known as the Rat Pack. This enchanting account of life as the daughter of one of Hollywood's sexiest icons will leave you entertained, delighted, and nostalgic for a time gone by.From the Trade Paperback edition.
In December 1995, Jean-Dominique Bauby, the 43-year-old editor of French Elle, suffered a massive stroke that left him permanently paralyzed, a victim of "locked in syndrome." Once known for his gregariousness and wit, Bauby now finds himself imprisoned in an inert body, able to communicate only by blinking his left eye. The miracle is that in doing so he was able to compose this stunningly eloquent memoir.In a voice that is by turns wistful and mischievous, angry and sardonic, Bauby gives us a celebration of the liberating power of consciousness: what it is like to spend a day with his children, to imagine lying in bed beside his wife, to conjure up the flavor of delectable meals even as he is fed through at tube. Most of all, this triumphant book lets us witness an indomitable spirit and share in the pure joy of its own survival.From the Trade Paperback edition.
When Goldy, owner of Goldilocks' Catering, faces the challenge of whipping up a sumptuous lowfat feast for the Mignon Cosmetics' company banquet, she rises to the occasion brilliantly...only to discover just how ugly the beauty biz can be!On the day of the banquet Goldy finds herself confronting an angry mob of demonstrators--"Spare the Hares"--who object to Mignon Cosmetics' animal-testing policies. As she struggles to carry forty pounds of lowfat fare from her van to the mall where the banquet is being held, she hears an ominoussqueal of tires and a horrifying thump. Seconds later, a Mignon employee lies dead on the pavement. And soon the police discover that this hit-and-run was noaccident.Now Goldy is enmeshed up to her saute pans in a homicide investigation. Could the murder have had something to do with Spare the Hares--or with the exotic flower found near the dead body? Though busy serving up Hoisin Turkey and Grand Marnier Cranberry Muffins, Goldy decides to start digging at Mignon'smillion-dollar cosmetics counter. But when another murder takes place and Goldy herself is attacked, the caterer turned sleuth knows she must step up hersearch for a gruesome killer. For this time was only a warning. Next time she'll be dead--and it won't be pretty.From the Paperback edition.
"I move throughout the world without a plan, guided by instinct, connecting through trust, and constantly watching for serendipitous opportunities." --From the PrefaceTales of a Female Nomad is the story of Rita Golden Gelman, an ordinary woman who is living an extraordinary existence. At the age of forty-eight, on the verge of a divorce, Rita left an elegant life in L.A. to follow her dream of connecting with people in cultures all over the world. In 1986 she sold her possessions and became a nomad, living in a Zapotec village in Mexico, sleeping with sea lions on the Galapagos Islands, and residing everywhere from thatched huts to regal palaces. She has observed orangutans in the rain forest of Borneo, visited trance healers and dens of black magic, and cooked with women on fires all over the world. Rita's example encourages us all to dust off our dreams and rediscover the joy, the exuberance, and the hidden spirit that so many of us bury when we become adults.From the Trade Paperback edition.
#1 NEW YORK TIMES BESTSELLER Past midnight, Chyna Shepard, twenty-six, gazes out a moonlit window, unable to sleep on her first night in the Napa Valley home of her best friend's family. Instinct proves reliable. A murderous sociopath, Edgler Foreman Vess, has entered the house, intent on killing everyone inside. A self-proclaimed "homicidal adventurer," Vess lives only to satisfy all appetites as they arise, to immerse himself in sensation, to live without fear, remorse, or limits, to live with intensity. Chyna is trapped in his deadly orbit. Chyna is a survivor, toughened by a lifelong struggle for safety and self-respect. Now she will be tested as never before. At first her sole aim is to get out alive--until, by chance, she learns the identity of Vess's next intended victim, a faraway innocent only she can save. Driven by a newly discovered thirst for meaning beyond mere self-preservation, Chyna musters every inner resource she has to save an endangered girl . . . as moment by moment, the terrifying threat of Edgler Foreman Vess intensifies.erhaps his most inventive, emotionally intricate, and terrifyingly suspenseful novel yet.From the Hardcover edition.
44 SCOTLAND STREET - Book 2 The residents and neighbors of 44 Scotland Street and the city of Edinburgh come to vivid life in these gently satirical, wonderfully perceptive serial novels, featuring six-year-old Bertie, a remarkably precocious boy--just ask his mother. Back are all our favorite denizens of a Georgian townhouse in Edinburgh. Bertie the immensely talented six year old is now enrolled in kindergarten, and much to his dismay, has been clad in pink overalls for his first day of class. Bruce has lost his job as a surveyor, and between admiring glances in the mirror, is contemplating becoming a wine merchant. Pat is embarking on a new life at Edinburgh University and perhaps on a new relationship, courtesy of Domenica, her witty and worldly-wise neighbor. McCall Smith has much in store for them as the brief spell of glorious summer sunshine gives way to fall a season cursed with more traditionally Scottish weather.Full of McCall Smith's gentle humor and sympathy for his characters, Espresso Tales is also an affectionate portrait of a city and its people who, in the author's own words, "make it one of the most vibrant and interesting places in the world."From the Trade Paperback edition.
Aging and creativity can seem a particularly fraught relationship for artists, who often face age-related difficulties as their audience s expectations are at a peak. In"Four Last Songs," Linda and Michael Hutcheon explore this issue via the late works of some of the world s greatest composers. Giuseppe Verdi (1813 1901), Richard Strauss (1864 1949), Olivier Messiaen (1908 92), and Benjamin Britten (1913 76) all wrote operas late in life, pieces that reveal unique responses to the challenges of growing older. Verdi s"Falstaff," his only comedic success, combated Richard Wagner s influence by introducing young Italian composers to a new model of national music. Strauss, on the other hand, struggling with personal and political problems in Nazi Germany, composed the self-reflexive"Capriccio," a life review of opera and his own legacy. Though it exhausted him physically and emotionally, Messiaen at the age of seventy-five finishedhis only opera, "Saint Francois d Assise," which marked the pinnacle of his career. Britten, meanwhile, suffering from heart problems, refused surgery until he had completed his masterpiece, "Death in Venice. " For all four composers, age, far from sapping their creative power, provided impetus for some of their best accomplishments. With its deft treatment of these composers final years and works, "Four Last Songs" provides a valuable look at the challenges and opportunities that present themselves as artists grow older. "
Though the practical value of maps during the sixteenth century is well documented, their personal and cultural importance has been relatively underexamined. In Worldly Consumers, Genevieve Carlton explores the growing availability of maps to private consumers during the Italian Renaissance and shows how map acquisition and display became central tools for constructing personal identity and impressing one's peers. Drawing on a variety of sixteenth-century sources, including household inventories, epigrams, dedications, catalogs, travel books, and advice manuals, Worldly Consumers studies how individuals displayed different maps in their homes as deliberate acts of self-fashioning. One citizen decorated with maps of Bruges, Holland, Flanders, and Amsterdam to remind visitors of his military prowess, for example, while another hung maps of cities where his ancestors fought or governed, in homage to his auspicious family history. Renaissance Italians turned domestic spaces into a microcosm of larger geographical places to craft cosmopolitan, erudite identities for themselves, creating a new class of consumers who drew cultural capital from maps of the time.
In the years since the passage of the Patient Protection and Affordable Care Act (PPACA, or, colloquially, Obamacare), most of the discussion about it has been political. But as the politics fade and the law's many complex provisions take effect, a much more interesting question begins to emerge: How will the law affect the American health care regime in the coming years and decades? This book brings together fourteen leading scholars from the fields of law, economics, medicine, and public health to answer that question. Taking discipline-specific views, they offer their analyses and predictions for the future of health care reform. By turns thought-provoking, counterintuitive, and even contradictory, the essays together cover the landscape of positions on the PPACA's prospects. Some see efficiency growth and moderating prices; others fear a strangling bureaucracy and spiraling costs. The result is a deeply informed, richly substantive discussion that will trouble settled positions and lay the groundwork for analysis and assessment as the law's effects begin to become clear.
In"Capitalism and Cartography in the Dutch Golden Age," Elizabeth A. Sutton explores the fascinating but previously neglected history of corporate cartography during the Dutch Golden Age, from ca. 1600 to 1650. She examines how maps were used as propaganda tools for the Dutch West India Company in order to encourage the commodification of land and an overall capitalist agenda. Building her exploration around the central figure of Claes Jansz Vischer, an Amsterdam-based publisher closely tied to the Dutch West India Company, Sutton shows how printed maps of Dutch Atlantic territories helped rationalize the Dutch Republic s global expansion. Maps of land reclamation projects in the Netherlands, as well as the Dutch territories of New Netherland (now New York) and New Holland (Dutch Brazil), reveal how print media were used both to increase investment and to project a common narrative of national unity. Maps of this era showed those boundaries, commodities, and topographical details that publishers and the Dutch West India Company merchants and governing Dutch elite deemed significant to their agenda. In the process, Sutton argues, they perpetuated and promoted modern state capitalism. "
When Patrick Buchanan took the stage at the Republican National Convention in 1992 and proclaimed, "There is a religious war going on for the soul of our country," his audience knew what he was talking about: the culture wars, which had raged throughout the previous decade and would continue until the century's end, pitting conservative and religious Americans against their liberal, secular fellow citizens. It was an era marked by polarization and posturing fueled by deep-rooted anger and insecurity. Buchanan's fiery speech marked a high point in the culture wars, but as Andrew Hartman shows in this richly analytical history, their roots lay farther back, in the tumult of the 1960s--and their significance is much greater than generally assumed. Far more than a mere sideshow or shouting match, the culture wars, Hartman argues, were the very public face of America's struggle over the unprecedented social changes of the period, as the cluster of social norms that had long governed American life began to give way to a new openness to different ideas, identities, and articulations of what it meant to be an American. The hot-button issues like abortion, affirmative action, art, censorship, feminism, and homosexuality that dominated politics in the period were symptoms of the larger struggle, as conservative Americans slowly began to acknowledge--if initially through rejection--many fundamental transformations of American life. As an ever-more partisan but also an ever-more diverse and accepting America continues to find its way in a changing world, A War for the Soul of America reminds us of how we got here, and what all the shouting has really been about.
Peter Balakian is a renowned poet, scholar, and memoirist; but his work as an essayist often prefigures and illuminates all three. "I think of vise and shadow as two dimensions of the lyric (literary and visual) imagination," he writes in the preface to this collection, which brings together essayistic writings produced over the course of twenty-five years. Vise, "as in grabbing and holding with pressure," but also in the sense of the vise-grip of the imagination, which can yield both clarity and knowledge. Consider the vise-grip of some of the poems of our best lyric poets, how language might be put under pressure "as carbon might be put under pressure to create a diamond. " And shadow, the second half of the title: both as noun, "the shaded or darker portion of the picture or view or perspective," "partial illumination and partial darkness"; and as verb, to shadow, "to trail secretly as an inseparable companion" or a "force that follows something with fidelity; to cast a dark light on something--a person, an event, an object, a form in nature. " Vise and Shadow draws into conversation such disparate figures as W. B. Yeats, Hart Crane, Joan Didion, Primo Levi, Robert Rauschenberg, Bob Dylan, Elia Kazan, and Arshile Gorky, revealing how the lyric imagination of these artists grips experience, "shadows history," and "casts its own type of illumination," creating one of the deepest kinds of human knowledge and sober truth. In these elegantly written essays, Balakian offers a fresh way to think about the power of poetry, art, and the lyrical imagination as well as history, trauma, and memory.
When we speak of clouds these days, it is as likely that we mean data clouds or network clouds as cumulus or stratus. In their sharing of the term, both kinds of clouds reveal an essential truth: that the natural world and the technological world are not so distinct. In The Marvelous Clouds, John Durham Peters argues that though we often think of media as environments, the reverse is just as true--environments are media. Peters defines media expansively as elements that compose the human world. Drawing from ideas implicit in media philosophy, Peters argues that media are more than carriers of messages: they are the very infrastructures combining nature and culture that allow human life to thrive. Through an encyclopedic array of examples from the oceans to the skies, The Marvelous Clouds reveals the long prehistory of so-called new media. Digital media, Peters argues, are an extension of early practices tied to the establishment of civilization such as mastering fire, building calendars, reading the stars, creating language, and establishing religions. New media do not take us into uncharted waters, but rather confront us with the deepest and oldest questions of society and ecology: how to manage the relations people have with themselves, others, and the natural world. A wide-ranging meditation on the many means we have employed to cope with the struggles of existence--from navigation to farming, meteorology to Google--The Marvelous Clouds shows how media lie at the very heart of our interactions with the world around us. Peters's book will not only change how we think about media but provide a new appreciation for the day-to-day foundations of life on earth that we so often take for granted.
Proceeding from the bold and provocative claim that there never has been a comprehensive and systematic theory of race, Mustafa Emirbayer and Matthew Desmond set out to reformulate how we think about this most difficult of topics in American life. In The Racial Order, they draw on Bourdieu, Durkheim, and Dewey to present a new theoretical framework for race scholarship. Animated by a deep and reflexive intelligence, the book engages the large and important issues of social theory today and, along the way, offers piercing insights into how race actually works in America. Emirbayer and Desmond set out to examine how the racial order is structured, how it is reproduced and sometimes transformed, and how it penetrates into the innermost reaches of our racialized selves. They also consider how--and toward what end--the racial order might be reconstructed. In the end, this project is not merely about race; it is a theoretical reconsideration of the fundamental problems of order, agency, power, and social justice. The Racial Order is a challenging work of social theory, institutional and cultural analysis, and normative inquiry.
Ground-breaking when first published in 1945, Black Metropolis remains a landmark study of race and urban life. Based on a mass of research conducted by Works Progress Administration field workers in the late 1930s, it is a historical and sociological account of the people of Chicago's South Side, the classic urban ghetto. Drake and Cayton's findings not only offer a generalized analysis of black migration, settlement, community structure, and black-white race relations in the early part of the twentieth century, but also tell us what has changed in the last hundred years and what has not. This edition includes the original Introduction by Richard Wright and a new Foreword by William Julius Wilson. "Black Metropolis is a rare combination of research and synthesis, a book to be deeply pondered. . . . No one who reads it intelligently can ever believe again that our racial dilemma can be solved by pushing buttons, or by gradual processes which may reach four or five hundred years into the future. "--Bucklin Moon, The Nation "This volume makes a great contribution to the building of the future American and the free world. "--Louis Wirth, New York Times "By virtue of its range, its labor and its insight, the book seems certain to become a landmark not only in race studies but in the broader field of social anthropology. "--Thomas Sancton, New Republic
In We Were Adivasis, anthropologist Megan Moodie examines the Indian state's relationship to "Scheduled Tribes," or adivasis--historically oppressed groups that are now entitled to affirmative action quotas in educational and political institutions. Through a deep ethnography of the Dhanka in Jaipur, Moodie brings readers inside the creative imaginative work of these long-marginalized tribal communities. She shows how they must simultaneously affirm and refute their tribal status on a range of levels, from domestic interactions to historical representation, by relegating their status to the past: we were adivasis. Moodie takes readers to a diversity of settings, including households, tribal council meetings, and wedding festivals, to reveal the aspirations that are expressed in each. Crucially, she demonstrates how such aspiration and identity-building are strongly gendered, requiring different dispositions required of men and women in the pursuit of collective social uplift. The Dhanka strategy for occupying the role of adivasi in urban India comes at a cost: young women must relinquish dreams of education and employment in favor of community-sanctioned marriage and domestic life. Ultimately, We Were Adivasis explores how such groups negotiate their pasts to articulate different visions of a yet uncertain future in the increasingly liberalized world.
After Japanese bombs hit Pearl Harbor, the American right stood at a crossroads. Generally isolationist, conservatives needed to forge their own foreign policy agenda if they wanted to remain politically viable. When Mao Zedong established the People's Republic of China in 1949--with the Cold War just underway--they had a new object of foreign policy, and as Joyce Mao reveals in this fascinating new look at twentieth-century Pacific affairs, that change would provide vital ingredients for American conservatism as we know it today. Mao explores the deep resonance American conservatives felt with the defeat of Chiang Kai-Shek and his exile to Taiwan, which they lamented as the loss of China to communism and the corrosion of traditional values. In response, they fomented aggressive anti-communist positions that urged greater action in the Pacific, a policy known as "Asia First. " While this policy would do nothing to oust the communists from China, it was powerfully effective at home. Asia First provided American conservatives a set of ideals--American sovereignty, selective military intervention, strident anti-communism, and the promotion of a technological defense state--that would bring them into the global era with the positions that are now their hallmark.
One of the best books ever written on one of humanity's greatest epics, W. R. Johnson's classic study of Vergil's "Aeneid" challenges centuries of received wisdom. Johnson rejects the political and historical reading of the epic as a record of the glorious prehistory of Rome and instead foregrounds Vergil's enigmatic style and questioning of the heroic myths. With an approach to the text that is both grounded in scholarship and intensely personal, and in a style both rhetorically elegant and passionate, Johnson offers readings of specific passages that are nuanced and suggestive as he focuses on the "somber and nourishing fictions" in Vergil's poem. A timeless work of scholarship, "Darkness Visible" will enthrall classicists as well as students and scholars of the history of criticism--specifically the way in which politics influence modern readings of the classics--and of poetry and literature.
Between the early seventeenth and the mid-nineteenth century, the field of natural history in Japan separated itself from the discipline of medicine, produced knowledge that questioned the traditional religious and philosophical understandings of the world, developed into a system (called honzogaku) that rivaled Western science in complexity--and then seemingly disappeared. Or did it? In The Knowledge of Nature and the Nature of Knowledge in Early Modern Japan, Federico Marcon recounts how Japanese scholars developed a sophisticated discipline of natural history analogous to Europe's but created independently, without direct influence, and argues convincingly that Japanese natural history succumbed to Western science not because of suppression and substitution, as scholars traditionally have contended, but by adaptation and transformation. The first book-length English-language study devoted to the important field of honzogaku, The Knowledge of Nature and the Nature of Knowledge in Early Modern Japan will be an essential text for historians of Japanese and East Asian science, and a fascinating read for anyone interested in the development of science in the early modern era.
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