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On the northwest coast of France, just around the corner from the English Channel, is the little town of Locmariaquer (pronounced "loc-maria-care"). The inhabitants of this town have a special relationship to the world, for it is their efforts that maintain the supply of the famous Belon oysters, called les plates ("the flat ones"). A vivid account of the cultivation of Belon oysters and an excursion into the myths, legends, and rich, vibrant history of Brittany and its extraordinary people, The Oysters of Locmariaquer is also an unforgettable journey to the heart of a fascinating culture and the enthralling, accumulating drama of a unique devotion.
A haunting examination of groupthink and mass hysteria in a rural community The place is Salem, Massachusetts, in 1692, an enclave of rigid piety huddled on the edge of a wilderness. Its inhabitants believe unquestioningly in their own sanctity. But in Arthur Miller's edgy masterpiece, that very belief will have poisonous consequences when a vengeful teenager accuses a rival of witchcraft--and then when those accusations multiply to consume the entire village.First produced in 1953, at a time when America was convulsed by a new epidemic of witch-hunting, The Crucible brilliantly explores the threshold between individual guilt and mass hysteria, personal spite and collective evil. It is a play that is not only relentlessly suspenseful and vastly moving but that compels readers to fathom their hearts and consciences in ways that only the greatest theater ever can."A drama of emotional power and impact" --New York Postst hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing: "Political opposition...is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
James McGregor Stewart (1889-1955) was perhaps the foremost Canadian corporate lawyer of his day. He was also an appellate counsel, venture capitalist, Conservative Party fundraiser, bibliographer of Rudyard Kipling, and sometime university teacher of classics. A leader of the bar in the inter-war period, he was the first Maritimer to serve as president of the Canadian Bar Association. He distinguished himself mainly in constitutional cases before the Judicial Committee of the Privy Council. During his career, Stewart was also head of the leading law firm in eastern Canada (now Stewart McKelvey Stirling Scales), director and vice-president of the Royal Bank of Canada, and senior counsel to the Royal Commission on Dominion-Provincial Relations.Above all, Stewart was committed to the idea of law as a truly learned profession and to the bar as the most important legal institution. To this day, no lawyer has held such prestige and power both within and outside Atlantic Canada; in his time he was the only Maritime lawyer who gained full acceptance by every branch of the Canadian establishment.Thematic rather that chronological in approach, this fascinating legal biography provides both a history of a uniquely Canadian career and an interpretation of its significance for Stewart's time and ours.
Hockey Night in Canada has reached a great age (and for television, practically an immortal one) because it made itself into something that Canada couldn't live without. It is this surge of emotion that connected us all each week, and which connects us through the years to now. Hockey Night in Canada didn't just aim a camera at a game and observe what happened-it actively gave the country a prism through which it could see itself and its evolving diversity. We look where the eye of Hockey Night in Canada looks, and it looks at us. We remember what it remembers. We feel what it feels. That is the dynamic that has made the show much more than a long-lived TV success; it is a cultural juggernaut. Ask fans where they saw their first hockey game, and chances are it was on Hockey Night in Canada. Ask the players-male or female-what first got them into the rink, and the answer will be the same: they wanted to be like the players on Hockey Night in Canada.
The Selected Poetry of Edna St. Vincent Millay is a collection of some of her most loved poems. Brought together in this volume are the individual works of Renascence and Other Poems, A Few Figs From Thistles, Second April, and The Ballad of the Harp-Weaver.
Eric Arthur fell in love with Toronto the first time he saw it. The year was 1923; he was twenty-five years old, newly arrived to teach architecture at the University of Toronto. For the next sixty years he dedicated himself to saving the great buildings of Toronto's past. Toronto, No Mean City sounded a clarion call in his crusade. First published in 1964, it sparked the preservation movement of the 1960s and 1970s and became its bible. This reprint of the third edition, prepared by Stephen Otto, updates Arthur's classic to include information and illustrations uncovered since the appearance of the first edition.Four new essays were commissioned for this reprint. Christopher Hume, architecture critic and urban affairs columnist for the Toronto Star, addresses the changes to the city since the appearance of the third edition in 1986. Architect and heritage preservation activist Catherine Nasmith assesses the current status of the city's heritage preservation movement. Susan Crean, a freelance writer in Toronto, explores Toronto's vibrant arts scene. Mark Kingwell, professor and cultural commentator, reflects on the development of professional and amateur sports in and around town.Readers will delight in these anecdotal accounts of the city's rich architectural heritage.
First there was the mystery of the film star and the diamond . . . then came the 'suicide' that was murder . . . the mystery of the absurdly chaep flat . . . a suspicious death in a locked gun-room . . . a million dollar bond robbery . . . the curse of a pharoah's tomb . . . a jewel robbery by the sea . . . the abduction of a Prime Minister . . . the disappearance of a banker . . . a phone call from a dying man . . . and, finally, the mystery of the missing will. What links these fascinating cases? Only the brilliant deductive powers of Hercule Poirot!
Learn how to transform an ordinary backyard garden into a true showpiece. Originally published in 1924, Peter Bisset shares with readers timeless advice and tips for creating a variety of water gardens. After experiencing one, it's easy to see why these gardens hold such appeal; these splashing fountains and ponds make hot days seem cooler, and they also attract birds and butterflies to your backyard. Even tiny tabletop fountains offer soothing sounds to drown out a busy street or a noisy neighbor.The Water Gardening Idea Book gives in full detail all the practical information necessary for the selection, grouping, and successful cultivation of aquatic and other plants required in the making of a water garden and its surroundings. It's perfect for both amateurs and those with green thumbs looking to take their gardens to the next level. Readers will enjoy projects of varying difficulty, starting with simple container gardens to the large estate or park fountains and ponds. Whether you're interested in creating a casual pond or a formal fountain, with The Water Gardening Idea Book you'll be able to create them with confidence.
Nearly ninety years after its first publication, this celebratory edition of The Weary Blues reminds us of the stunning achievement of Langston Hughes, who was just twenty-four at its first appearance. Beginning with the opening "Proem" (prologue poem)--"I am a Negro: / Black as the night is black, / Black like the depths of my Africa"--Hughes spoke directly, intimately, and powerfully of the experiences of African Americans at a time when their voices were newly being heard in our literature. As the legendary Carl Van Vechten wrote in a brief introduction to the original 1926 edition, "His cabaret songs throb with the true jazz rhythm; his sea-pieces ache with a calm, melancholy lyricism; he cries bitterly from the heart of his race . . . Always, however, his stanzas are subjective, personal," and, he concludes, they are the expression of "an essentially sensitive and subtly illusive nature." That illusive nature darts among these early lines and begins to reveal itself, with precocious confidence and clarity. In a new introduction to the work, the poet and editor Kevin Young suggests that Hughes from this very first moment is "celebrating, critiquing, and completing the American dream," and that he manages to take Walt Whitman's American "I" and write himself into it. We find here not only such classics as "The Negro Speaks of Rivers" and the great twentieth-century anthem that begins "I, too, sing America," but also the poet's shorter lyrics and fancies, which dream just as deeply. "Bring me all of your / Heart melodies," the young Hughes offers, "That I may wrap them / In a blue cloud-cloth / Away from the too-rough fingers / Of the world."From the Hardcover edition.
The discovery of an ancient holy relic in an English country church ignites the ultimate battle of good and evil in this deeply thoughtful metaphysical thriller An unidentified body lies lifeless in the offices of a British publishing house. Soon after it is discovered, an urgent request from an author arrives by post, pleading for the deletion of an important paragraph from an upcoming publication. These unlikely incidents mark the beginning of a secret war waged in the English countryside but threatening to engulf all of humankind. On the side of the godly, an archdeacon, an eccentric duke, a book editor, and a young boy must confront the dark magic of relentless satanic forces--for behind the facade of a common pharmacy, sinister plans are being laid for the negation of everything. The most horrible of conspiracies, its success hangs on the acquisition of an object of enormous supernatural power recently discovered in a small parish church: the Holy Grail. Preceding The Da Vinci Code and the Left Behind novels by half a century, War in Heaven is the first novel written by Charles Williams, an esteemed member of the famed Oxford literary society known as the Inklings, which included such notables as C. S. Lewis, Owen Barfield, and J. R. R. Tolkien. This is a provocative, page-turning tale of faith, morality, and magic--an amalgam of thriller, fantasy, metaphysics, and theology that engages and entertains. This ebook includes a new introduction by Jonathan Ryan.
James Thurber, whimsical fantasist and deadpan chronicler of everyday absurdities, brought American humor into the 20th century. His comic persona, a modern citydweller whose zaniest flights of free association are tinged with anxiety, remains hilarious, subtly disturbing, and instantly recognizable. Here, in over 1000 pages, editor Garrison Keillor presents the best and most extensive collection ever assembled. Over 100 pieces include "The Secret Life of Walter Mitty" and "The Catbird Seat," the brilliantly satirical Fables for Our Time, the classic My Life and Hard Times, and the best of The Owl in the Attic, Let Your Mind Alone!, My World--And Welcome to It, and the other famous books. Plus 500 wonderful drawings, including The Seal in the Bedroom and celebrated sequences like "The Masculine Approach" and "The War Between Men and Women." Rounding out the volume is a selection from The Years with Ross, a memoir of the New Yorker publisher, and a number of wonderful early pieces never collected by Thurber.
An ancient stone possessing awesome and terrifying powers wreaks havoc in this intelligent and provocative literary excursion into the supernatural A remarkable object has fallen into the hands of the abominable scientist Sir Giles Tumulty. Once positioned at the center of the crown of King Solomon, it is a stone of astonishing and terrifying power, capable of good and evil alike. Anyone who touches it can move through time and space, perform miracles, and heal or kill. The stone can replicate itself, and does so during the course of Sir Giles's inhuman experiments, subsequently falling into numerous unworthy hands throughout England. There are those who will attempt to use the stone for personal gain, only to discover that it is they themselves being used by a power beyond their comprehension; some will find themselves trapped in eternally repeating nightmares from which there is no escape; still others will be freed from their earthly burdens. And so begins the battle between the forces of darkness and light for control of the most dangerous object in existence. A gripping metaphysical thriller by Charles Williams, who along with C. S. Lewis, Owen Barfield, and J. R. R. Tolkien was one of Oxford's famed Inklings, Many Dimensions is at once a gripping supernatural adventure and a thought-provoking exploration of the good and evil that dwell in the heart of every human being.
One man must save the human race from total destruction when a small British village is invaded by a terrifying host of archetypal creatures released from the spiritual world In the small English town of Smetham on the outskirts of London, a wall separating two worlds has broken down. The meddling and meditations of a local mage, Mr. Berringer, has caused a rift in the barrier between the corporeal and the spiritual, and now all hell has broken loose. Strange creatures are descending on Smethem--terrifying supernatural archetypes wreaking wholesale havoc, destruction, and death. Some residents, like the evil, power-hungry Mr. Foster, welcome the horrific onslaught. Others, like the cool and intellectual Damaris, refuse to accept what her eyes and heart tell her until it is far too late. Only a student named Anthony, emboldened by his unwavering love for Damaris, has the courage to face the horror head on. But if he alone cannot somehow restore balance to the worlds, all of humankind will surely perish in the impending apocalypse. An extraordinary metaphysical fantasy firmly based in Platonic ideals, The Place of the Lion is a masterful blending of action and thought by arguably the most provocative of the University of Oxford's renowned Inklings--the society of writers in the 1930s that included such notables as C. S. Lewis, J. R. R. Tolkien, and Owen Barfield. With unparalleled imagination, literary skill, and intelligence, the remarkable Charles Williams has created a truly unique thriller, a tour de force of the fantastic that masterfully engages the mind, heart, and spirit.
A charismatic and immortal leader rises up out of Africa to violently alter humankind's destiny There is great unrest on the African continent, and explosive uprisings that originated there are finding their way to Britain's shores. A man named Nigel Considine, a charismatic leader who calls himself the High Executive, is raising a great army to conquer the world. Universal love is his stated goal, to be achieved through violence if necessary, and his dogma has unleashed a terrible backlash of brutality, prejudice, and hatred throughout so-called civilized London. But who is this immortal prophet-king whose words inflame the passions of untold thousands of disciples? Is he a power-hungry madman, as the unrepentant agnostic Sir Bernard Travers has flatly stated, or is he the Antichrist, as Travers's dearest friend, the vicar Ian Caithness, believes? Perhaps the deathless Considine is the light of the age--indeed, of all ages: a saintly personage to be adored and followed without qualm or question, as the poet Roger Ingram is beginning to suspect. But be he master criminal or twisted genius, supernatural demon or savior reborn, the High Executive's coming is destined to change the world. No twentieth-century author explored themes of faith, spirituality, and the supernatural with more verve and originality than the phenomenal Charles Williams, who along with colleagues C. S. Lewis, J. R. R. Tolkien, and Owen Barfield, was a member of the University of Oxford's famed Inklings literary society. Blending fantasy adventure with breathtaking spiritual concepts, Williams's acclaimed works, including Shadows of Ecstasy, are must-reads for any lover of intelligent, thought-provoking metaphysical fiction.
"Fascinating." --Douglas PrestonJohn Douglas is. . ."The FBI's pioneer and master of investigative profiling." -Patricia Cornwell"At his best describing terrible crimes." -Houston Chronicle"A real genius." -Entertainment Weekly"At the top of his form." -James PattersonIt is mankind's most abominable crime: murder. No one is better acquainted with the subject and its wrenching challenges than John Douglas, the FBI's pioneer of criminal profiling, and the model for Agent Jack Crawford in The Silence of the Lambs. In this provocative and deeply personal book, the most prominent criminal investigator of our time offers a rare look into the workings not only of the justice system--but of his own heart and mind. Writing with award-winning partner Mark Olshaker, Douglas opens up about his most notorious and baffling cases--and shows what it's like to confront evil in its most monstrous form. "Douglas can claim a rare authenticity regarding the evil that men do." --Kirkus Reviews"A fascinating and, at times, graphic tour of the criminal mind." --Library JournalIncludes dramatic photos
Since his death in 1948, Aldo Leopold has been increasingly recognized as one of the indispensable figures of American environmentalism. A pioneering forester, sportsman, wildlife manager, and ecologist, he was also a gifted writer whose farsighted land ethic is proving increasingly relevant in our own time. Now, Leopold's essential contributions to our literature--some hard-to-find or previously unpublished--are gathered in a single volume for the first time. Here is his classic A Sand County Almanac, hailed--with Thoreau's Walden and Carson's Silent Spring--as one of the main literary influences on the modern environmental movement. Published in 1949, it is still astonishing today: a vivid, firsthand, philosophical tour de force. Along with Sand County are more than fifty articles, essays, and lectures exploring the new complexities of ecological science and what we would now call environmental ethics. Leopold's sharp-eyed, often humorous journals are illustrated here for the first time with his original photographs, drawings, and maps. Also unique to this collection is a selection of over 100 letters, most of them never before published, tracing his personal and professional evolution and his efforts to foster in others the love and sense of responsibility he felt for the land.
The National Book Award-winning biography that tells the story of how young Teddy Roosevelt transformed himself from a sickly boy into the vigorous man who would become a war hero and ultimately president of the United States, told by master historian David McCullough.Mornings on Horseback is the brilliant biography of the young Theodore Roosevelt. Hailed as "a masterpiece" (John A. Gable, Newsday), it is the winner of the Los Angeles Times 1981 Book Prize for Biography and the National Book Award for Biography. Written by David McCullough, the author of Truman, this is the story of a remarkable little boy, seriously handicapped by recurrent and almost fatal asthma attacks, and his struggle to manhood: an amazing metamorphosis seen in the context of the very uncommon household in which he was raised. The father is the first Theodore Roosevelt, a figure of unbounded energy, enormously attractive and selfless, a god in the eyes of his small, frail namesake. The mother, Mittie Bulloch Roosevelt, is a Southerner and a celebrated beauty, but also considerably more, which the book makes clear as never before. There are sisters Anna and Corinne, brother Elliott (who becomes the father of Eleanor Roosevelt), and the lovely, tragic Alice Lee, TR's first love. All are brought to life to make "a beautifully told story, filled with fresh detail" (The New York Times Book Review). A book to be read on many levels, it is at once an enthralling story, a brilliant social history and a work of important scholarship which does away with several old myths and breaks entirely new ground. It is a book about life intensely lived, about family love and loyalty, about grief and courage, about "blessed" mornings on horseback beneath the wide blue skies of the Badlands.nt scholarship, which does away with several old myths and breaks entirely new ground. For the first time, for example, Roosevelt's asthma is examined closely, drawing on information gleaned from private Roosevelt family papers and in light of present-day knowledge of the disease and its psychosomatic aspects. At heart it is a book about life intensely lived...about family love and family loyalty...about courtship and childbirth and death, fathers and sons...about winter on the Nile in the grand manner and Harvard College...about gutter politics in washrooms and the tumultuous Republican Convention of 1884...about grizzly bears, grief and courage, and "blessed" mornings on horseback at Oyster Bay or beneath the limitless skies of the Badlands. "Black care rarely sits behind a rider whose pace is fast enough," Roosevelt once wrote. It is the key to his life and to much that is so memorable in this magnificent book.
In the winter of 1912, Sherwood Anderson (1876-1941) abruptly left his office and spent three days wandering through the Ohio countryside, a victim of "nervous exhaustion." Over the next few years, abandoning his family and his business, he resolved to become a writer. Novels and poetry followed, but it was with the story collection Winesburg, Ohio that he found his ideal form, remaking the American short story for the modern era. Hart Crane, one of the first to recognize Anderson's genius, quickly hailed his accomplishment: "America should read this book on her knees." Here--for the first time in a single volume--are all the collections Anderson published during his lifetime: Winesburg, Ohio (1919), The Triumph of the Egg (1921), Horses and Men (1923), and Death in the Woods (1933), along with a generous selection of stories left uncollected or unpublished at his death. Exploring the hidden recesses of small town life, these haunting, understated, often sexually frank stories pivot on seemingly quiet moments when lives change, futures are recast, and pasts come to reckon. They transformed the tone of American storytelling, inspiring writers like Hemingway, Faulkner, and Mailer, and defining a tradition of midwestern fiction that includes Charles Baxter, editor of this volume.
[from the back cover] "An Erle Stanley Gardner Special When a very respectable man, a candidate for councilman on a reform ticket' in fact, is picked up drunk as a hoot-owl and involved with a girl hitch-hiker, there are apt to be headlines. The Blade printed them in large, black type. That led to a libel suit and a secret investigation by a Blade reporter. At least it was supposed to be secret. But apparently the wrong person or persons unknown got wind of it, because the reporter soon became a corpse lying in a vacant lot. Sidney Griff, the criminologist, teamed with the Blade's publisher to track down missing girls, phony checks, and finally a long forgotten murder. The publisher threw his weight around with muscular abandon. Griff played human checkers with suspects, forcing them to move and reveal themselves. Between them, they wound up the case with a blast of gunfire and a shocking discovery."
Married at last, Lord Peter and Harriet find their honeymoon interrupted by a killerIt took several near-death experiences for Lord Peter Wimsey to convince Harriet Vane to be his wife, but she has finally relented. When the dapper detective marries Britain's most popular mystery author--just a few short years after rescuing her from the hangman's noose--the press could not be more excited. But Lord Peter and his bride have no interest in spending their wedding night surrounded by reporters. They sneak out of their own reception to begin their honeymoon early, out of sight of the world. Unfortunately, for some couples, calamity is inescapable. On their first morning together, the newlyweds discover the house's caretaker bludgeoned to death in the manor's basement. If they thought finding a few minutes alone was difficult, they're up against even steeper odds. In a house full of suspects, identifying the killer won't be easy. This ebook features an illustrated biography of Dorothy L. Sayers including rare images from the Marion E. Wade Center at Wheaton College.
In this provocative, classic metaphysical thriller, a group of suburban amateur actors plagued by personal demons and terrors explore the pathways to heaven and hell Certain inhabitants of Battle Hill, a small community on the outskirts of London, are preparing to mount a new play by the neighborhood's most illustrious resident, the writer Peter Stanhope. Each actor struggles with self-absorption, doubt, fear, and sin. But "the Hill" is not like other places. Here the past and present intermingle, ghosts walk among the living, and reality is often clouded by dreams and the dark fantastic. For young Pauline Anstruther, who is caring for an aging grandmother and frightened by the specter of a doppelgänger who gets closer with each visitation, the prospect of heaven exists in the renowned playwright's willingness to bear the burden of her terror. For eminent historian Lawrence Wentworth, the rejection of his desire pulls him deeper inside himself, leaving him vulnerable to the lure of the succubus and opening wide the entrance to hell. A brilliant theological thriller, Descent into Hell is an extraordinary fictional meditation on sin and personal salvation by one of the twentieth century's most original and provocative literary artists. Charles Williams, a member of the Inklings alongside fellow Oxfordians C. S. Lewis, J. R. R. Tolkien, and Owen Barfield, has written a powerful work at once profoundly disturbing and gloriously uplifting, an ingenious amalgam of metaphysics, religious thought, and darkest fantasy.
Originally published in 1937 as "The Commercial Empire of the St. Lawrence, 1760 - 1850" and re-issued in its present form in 1956, Donald Creighton's study of the St. Lawrence became an essential text in Canadian history courses. This, his first book, helped establish Creighton as the foremost English Canadian historian of his generation. In it, he examines the trading system that developed along the St. Lawrence River and he argues that the exploitation of key staple products by colonial merchants along the St. Lawrence River system was key to Canada's economic and national development. Creighton tells the story of the St. Lawrence empire largely from the perspective of these Canadian merchants, who, above all others, struggled to win the territorial empire of the St. Lawrence and to establish the Canadian commercial state. Christopher H. Moore, historian and Governor General Award winner, has written a new introduction to this classic text.
In a crumbling Calcutta mansion, with faded frescos and a jasmine-covered garden, the Lemarchant family live, clinging to the fringes of respectability: neither Indian nor English, they are accepted by no one and exploited by all. After only a day in India, Stephen Bright meets Rosa Lemarchant. In an ill-fitting dress once belonging to her sister, she is awkward and shy, and couldn't be more different from the stories he has heard of fast 'Eurasian' girls. Ignorant of Calcutta's strict codes of conformity, he falls in love with Rosa and becomes enchanted by the building in which she lives, determined to uncover its secrets. Mystery pervades this story of a memory-haunted house in old Calcutta, as secret as a sundial in a ruined garden.
Lady Diana Cooper was an aristocrat, a socialite, an actress of stage and early screen. When she married rising political star Duff Cooper, they became the golden couple who knew everyone who was anyone; they sat at the very heart of British public life.Diana's letters to her only son, John Julius Norwich, cover the period 1939 to 1952. They take us from the rumblings of war, through the Blitz, which the Coopers spent holed up in the Dorchester (because it was newer, and therefore less vulnerable, than the Ritz), to rural Sussex where we see Diana blissfully setting up a smallholding as part of the war effort. After a spell with the Free French in Algiers, Duff was appointed British Ambassador to France and the couple settled into the glorious embassy in post-Liberation Paris.Over and beyond all the glitz, Diana emerges in these letters as highly intelligent, funny, fiercely loyal: a woman who disliked extravagance, who was often cripplingly shy, who was happiest in the countryside with her cow and goats and whose greatest love and preoccupation were her husband and son.As a portrait of a time and some of history's most dramatic and important events, these letters are invaluable. But they also give us a vivid and touching portrait of the love between a mother and son, separated by war, oceans--and the constraints of the time they lived in.
The Pulitzer Prize-winning epic of the Great Depression, a book that galvanized--and sometimes outraged--millions of readers.First published in 1939, Steinbeck's Pulitzer Prize-winning epic of the Great Depression chronicles the Dust Bowl migration of the 1930s and tells the story of one Oklahoma farm family, the Joads--driven from their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into Haves and Have-Nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity. A portrait of the conflict between the powerful and the powerless, of one man's fierce reaction to injustice, and of one woman's stoical strength, the novel captures the horrors of the Great Depression and probes into the very nature of equality and justice in America. At once a naturalistic epic, captivity narrative, road novel, and transcendental gospel, Steinbeck's powerful landmark novel is perhaps the most American of American Classics.This Centennial edition, specially designed to commemorate one hundred years of Steinbeck, features french flaps and deckle-edged pages.For more than sixty-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,500 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
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