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Gain a solid understanding of the principles of trigonometry and how these concepts apply to real life with McKeague/Turner's TRIGONOMETRY, Sixth Edition. This book's proven approach presents contemporary concepts in brief, manageable sections using current, detailed examples and interesting applications. Captivating illustrations drawn from Lance Armstrong's cycling success, the Ferris wheel, and even the human cannonball show trigonometry in action. Unique Historical Vignettes offer a fascinating glimpse at how many of the central ideas in trigonometry began.
The eighth Sergeant Cribb Investigation set in the seedy underbelly of Victorian London Though the beautiful Miriam Cromer has confessed to the murder of her husband's assistant, she is still confident of her acquittal. But then she is sentenced to hang. She blames her husband, but he has an alibi. Sergeant Cribb and Constable Thackeray must discover what really happened at Park Lodge on 12th March, 1888, and quickly.From the Trade Paperback edition.
In the fifth Sergeant Cribb mystery, either anarchists or Irish terrorists are setting off explosions in public places. Is the villain an American athlete? A beautiful Irish woman? Could Constable Thackeray be involved? <P> Peter Lovesey is the author of twenty-six highly praised mystery novels and has been awarded the Crime Writers' Association Gold, Silver, and Diamond daggers.
Sergeant Cribb and Constable Thackeray prove themselves among Scotland Yard's finest as they pursue the trail of a mysterious and vicious criminal through the riotous music halls of nineteenth-century London. Performers have been falling victim to a series of bizarre and humiliating practical jokes perpetrated during performances. But no one is laughing the night a young woman is murdered during her disappearing act at the Paragon Music Hall. Cribb and Thackeray go undercover to investigate . . .
It's tough for eleven-year-old Ned to stop eating. At four-feet-eight inches tall he weighs one hundred and nine pounds, and he keeps growing--wider. When his pareents send him to a summer diet camp, he and his bunkmates can't quite give up their old habits. The joys of candy and doughnuts are so appealing that "cheating" adventures seems to be the only answer. The problem, of course, is how to lose weight and keep eating sweets. When Ned finally realizes that there is only one way to lose weight for good, his whole family is glad to help, except Grandma. How can he resist temptation without hurting his grandma and himself?From the Trade Paperback edition.
She Gave Him Her Heart. . .And He Betrayed Her.Sensual and arousing, Niall MacDonald filled Caitlin MacLeod with intense longing. And this independent daughter of a powerful Scottish chieftain-a woman who'd vowed never to belong to any man--willingly surrendered her love. She never imagined he was her sworn enemy, a man who had seduced her solely for gain. He wedded and bedded her, then fled with her clan's most priceless treasure. Driven by rage and heartbreak, Caitlin vowed toreclaim what was rightfully hers. . .Could He Ever Win Back Her Trust?Caught in a trap of his own making, Niall cursed the fates for placing a tempting woman like Caitlin between his clan and his honor. He'd made his choice, and paid the price with his heart and soul. Now, suddenly, he has been given another chance. Once again, he will have to choose. And onceagain he must risk everything before he can claim his happiness-and win back the woman he treasures above all others...
"All this began long before I died," says the brain in a jar that narrates John Vernon's second novel. The brain once belonged to Charles Cooper, a 55-year-old water engineer in upstate New York, and has been kept alive by a perfusion pump invented by the man who may have been Coop's father-Charles Lindbergh. Then again, maybe not. Coop's suspicion that he is the kidnaped Lindbergh baby who never really died but instead was stolen as a child and raised by gangsters begins when, on a day like any other, while playing basketball with his ne're-do-well stepson, two women approach him, one claiming to be the mother he thought long dead, the other his sister. "As a rule, I'm not a paranoid man," he says, but these persistent strangers initiate a chain of clues and strange events that open before him like a bottomless pit. His search for an identity locks him inside a labyrinth of memory, historical detective work, deceit and obsession. Is he Lindbergh's son or the victim of an elaborate hoax designed to rob him of his inheritance? And is he deranged or rather is it "reality," as he says, that "has come down with an illness."? Lindbergh's Son is a map of a peculiar kind of American megalomania, one whose genealogies are floating, roots shallow, and borders ever shifting. "Franz Kafka, I think, is Mr. Vernon's true master . . . [His] story, with bits of new and old news falling into contradictory configurations, will excite those who love a mystery. It's a dark dream, told with twin passions for intellectual process and the bizarre required by this particular dark age." - New York Times Book Review"Striking and original and never dull . . . Truly novel, truly chancy and subversive." - St. Petersburg Times"A fascinating book, full of intrigue, verbal luminosity, and mysterious thrills. Vernon's imagination is all over the place with a virtuoso's irreverence for standard procedures. Let the reader beware and be dazzled by this rising and unique voice in American literature." - John Nichols, author of The Milagro Beanfield War and The Sterile Cuckoo"We are soon caught up in the autobiography of this brain-the way it shifts and assimilates facts, exchanges imagination and memory, forgets to remember, anything to justify itself, to keep on going." - Washington Post Book World
Little has been reported about "military caregivers"--the population of those who care for wounded, ill, and injured military personnel and veterans. This report summarizes the results of a study designed to describe the magnitude of military caregiving in the United States today, as well as to identify gaps in the array of programs, policies, and initiatives designed to support military caregivers.
A Vintage Shorts "Short Story Month" Selection Who explores the final frontier? The ship has reached the last world. Beamed down from the transporter bay is the captain, the XO, the medic, the security chief, the ethnographer, and finally an unnamed yeoman, the narrator of Charles Yu's mind-bending journey into the science fiction unknown. And the yeoman knows one thing, if he knows anything at all: the yeoman always dies. In the tradition of Jonathan Lethem and Douglas Adams, National Book Foundation 5 Under 35 award winner Charles Yu presents a story of searching (not wandering) and the galactic limits of home, from the utterly original collection Sorry Please Thank You. An eBook short.
In these quirkily imaginative short stories about writing and writers, the scrivener Quartermain (our "Bartleby") goes her stubborn way haunted by Pauline Johnson, Malcolm Lowry, Robin Blaser, Daphne Marlatt, and a host of other literary forebears. Who is writing whom, these stories ask in their musing reflections - the writer or the written? The thinker or the alphabet? The calligrapher or the pictograms hidden in her Chinese written characters?Intimate jealousies between writers, wagers of courage and ambition, and histories of the colours violet and yellow are some of the subjects in the first section, "Caravan." Struggles of mothers, fathers, and sisters (and the figures drawn in the Chinese written characters that represent them) unfold as tales of love, death, and revenge in the group of stories in the second section, "Orientalisme." In "Scriptorium," the third section, we find out how Bartleby's father, a Caucasian cook specializing in Chinese cuisine, got Bartleby into writing in the first place. In the fourth series of stories, "How to Write," we learn how Bartleby loses her I while meeting Allen Ginsberg, Alice Toklas, and a real Chinese cook who works in a fictional house of Ethel Wilson, and how Malcolm Lowry's life came to an end. The fifth and last section, "Moccasin Box," investigates how a Sebaldesque Bartleby is silenced by Pauline Johnson.Taking its cue from genre-bending writers like Robert Walser and Enrique Vila-Matas, I, Bartleby cunningly challenges boundaries between fiction and reality.
A Direct Path to Living the Life of Your Dreams What does tantra have to do with your relationships, work, money, creativity, sex, food and drink, being alone, meditation and yoga, aging and healing, politics, freedom, and enlightenment? Everything! Tantra is usually thought of as sex with some kind of mysticism thrown in. Marc Allen goes back to the original meaning of tantra and shows how it can be applied to every moment of your life, excluding nothing. Tantra for the West is filled with ancient and modern principles and practices that help you use all your experiences as part of your mental, emotional, and spiritual growth. Within your way of life -- whatever it may be -- within your everyday thoughts and feelings, within your fantasies and dreams are the keys to love, freedom, and fulfillment. As soon as you can see this, you'll find yourself on a direct path to realizing the life of your dreams. This highly acclaimed book has inspired readers all over the world for over thirty years, and is now completely revised, with new material added. It gives you simple keys and practical tools that can be wildly, creatively adapted to your individual needs. If you spend even a brief amount of time with this book, you will discover for yourself the transformative power of tantra.
Brion Gysin (1916-1986) was a visual artist, historian, novelist, and an experimental poet credited with the discovery of the 'cut-up' technique -- a collage of texts, not pictures -- which his longtime collaborator William S. Burroughs put to more extensive use. He is also considered one of the early innovators of sound poetry, which he defines as 'getting poetry back off the page and into performance.' Back in No Time gathers materials from the entire Gysin oeuvre: scholarly historical study, baroque fiction, permutated and cut-up poetry, unsettling memoir, selections from The Process and The Last Museum, and his unproduced screenplay of Burroughs' novel Naked Lunch. In addition, the Reader contains complete texts of several Gysin pieces that are difficult to find, including "Poem of Poems," "The Pipes of Pan," and "A Quick Trip to Alamut."
Offering both subtle and immediate pleasures, Lee Ann Brown's generous new book extends her unmistakable, original voice, every bit as Southern as it is avant-garde, gracious without being naive. Abounding in a playfulness of style, including songs and ballads, the poems in The Sleep That Changed Everything are by turns funny, serious, insightful and moving. Botanical and scientific language are used here as collage elements to chart cycles of desire and emotional transformation. Brown is committed to Whitman's idea that we all have many selves; thus her work embraces the immediacy of the New York School, the personal and literary wildness of the Beats, the word play and political astuteness of Language poetry and an eroticism all her own. In poems that are both highly literate and plain-spoken, Brown makes the life of the soul directly available in all its renegade garb.
Rachel Zucker's third book of poems is a darkly comic collection that looks unsparingly at the difficulties and compromises of married life. Formally innovative and blazingly direct, The Bad Wife Handbook cross-examines marriage, motherhood, monogamy, and writing itself. Rachel Zucker's upending of grammatical and syntactic expectations lends these poems an urgent richness and aesthetic complexity that mirrors the puzzles of real life. Candid, subversive, and genuinely moving, The Bad Wife Handbook is an important portrait of contemporary marriage and the writing life, of emotional connection and disconnection, of togetherness and aloneness.
A cigar-chomping storyteller who signaled "Action!" by shooting a gun, Samuel Fuller has been lionized as one of the most distinctive writer/directors ever to emerge from Hollywood. In such films as The Steel Helmet, Pickup on South Street, Shock Corridor, and The Big Red One, Fuller gleefully challenged classical and generic norms--and often standards of good taste--in an effort to shock and arouse audiences. Tackling war, crime, race, and sexuality with a candor rare for any period, Fuller's maverick vision was tested by Hollywood's transition from the studio system to independent filmmaking. Now, in the first full account of all of the director's audaciously original work, author Lisa Dombrowski brings his career into new relief. The Films of Samuel Fuller features close analysis of Fuller's pictures and draws on previously untapped production and regulatory files, script notes, and interviews to explore how artistic, economic, and industrial factors impacted Fuller's career choices and shaped the expression of his personal aesthetic. Fans of Fuller and American cinema will welcome this in-depth study of a provocative director who embodied both the unique opportunities and challenges of postwar filmmaking.
In 2014, the arrest and detention of thousands of desperate young migrants at the southwest border of the United States exposed the U.S. government's shadowy juvenile detention system, which had escaped public scrutiny for years. This book tells the story of six Central American and Mexican children who are driven from their homes by violence and deprivation, and who embark alone, risking their lives, on the perilous journey north. They suffer coercive arrests at the U.S. border, then land in detention, only to be caught up in the battle to obtain legal status. Whose Child Am I? looks inside a vast, labyrinthine system by documenting in detail the experiences of these youths, beginning with their arrest by immigration authorities, their subsequent placement in federal detention, followed by their appearance in deportation proceedings and release from custody, and, finally, ending with their struggle to build new lives in the United States. This book shows how the U.S. government got into the business of detaining children and what we can learn from this troubled history.
The United States has seen a dramatic rise in the number of informal day labor sites in the last two decades. Typically frequented by Latin American men (mostly "undocumented" immigrants), these sites constitute an important source of unskilled manual labor. Despite day laborers' ubiquitous presence in urban areas, however, their very existence is overlooked in much of the research on immigration. While standing in plain view, these jornaleros live and work in a precarious environment: as they try to make enough money to send home, they are at the mercy of unscrupulous employers, doing dangerous and underpaid work, and, ultimately, experiencing great threats to their identities and social roles as men. Juan Thomas Ordóñez spent two years on an informal labor site in the San Francisco Bay Area, documenting the harsh lives led by some of these men during the worst economic crisis that the United States has seen in decades. He earned a perspective on the immigrant experience based on close relationships with a cohort of men who grappled with constant competition, stress, and loneliness. Both eye-opening and heartbreaking, the book offers a unique perspective on how the informal economy of undocumented labor truly functions in American society.
Dreams and Nightmares takes a critical look at the challenges and dilemmas of immigration policy and practice in the absence of comprehensive immigration reform. The experiences of children and youth provide a prism through which the interwoven dynamics and consequences of immigration policy become apparent. Using a unique sociolegal perspective, authors Zatz and Rodriguez examine the mechanisms by which immigration policies and practices mitigate or exacerbate harm to vulnerable youth. They pay particular attention to prosecutorial discretion, assessing its potential and limitations for resolving issues involving parental detention and deportation, unaccompanied minors, and Dreamers who came to the United States as young children. The book demonstrates how these policies and practices offer a means of prioritizing immigration enforcement in ways that alleviate harm to children, and why they remain controversial and vulnerable to political challenges.
In Rio de Janeiro's favelas, traffickers assert power through conspicuous displays of wealth and force, brandishing high-powered guns, gold jewelry, and piles of cash and narcotics. Police, for their part, conduct raids reminiscent of action films or video games, wearing masks and riding in enormous armored cars called "big skulls." Images of these spectacles circulate constantly in local, national, and global media, masking everyday forms of violence, prejudice, and inequality. The Spectacular Favela offers a rich ethnographic examination of the political economy of spectacular violence in Rocinha, Rio's largest favela. Based on more than two years of residence in the community, the book explores how entangled forms of violence shape everyday life and how that violence is, in turn, connected to the market economy. Erika Robb Larkins shows how favela violence is produced as a marketable global brand. While this violence is projected in disembodied form through media, the favela is also sold as an embodied experience through the popular practice of favela tourism. The commodification of the favela becomes a form of violence itself; favela violence is transformed into a commercially viable byproduct of a profit-driven war on drugs, which serves to keep the poor marginalized. This book tells the story of how traffickers, police, cameras, tourists, and even anthropologists come together to create what the author calls the "spectacular favela."
What do you do in your teenage years when you realize what your parents taught you wasn't enough? You must go out and find books and poetry and pop songs and bad heroes--and build yourself.It's 1990. Johanna Morrigan, fourteen, has shamed herself so badly on local TV that she decides that there's no point in being Johanna anymore and reinvents herself as Dolly Wilde--fast-talking, hard-drinking gothic hero and full-time Lady Sex Adventurer. She will save her poverty-stricken Bohemian family by becoming a writer--like Jo in Little Women, or the Brontës--but without the dying-young bit.By sixteen, she's smoking cigarettes, getting drunk, and working for a music paper. She's writing pornographic letters to rock stars, having all the kinds of sex with all the kinds of men, and eviscerating bands in reviews of 600 words or less.But what happens when Johanna realizes she's built Dolly with a fatal flaw? Is a box full of records, a wall full of posters, and a head full of paperbacks enough to build a girl after all?Imagine The Bell Jar--written by Rizzo from Grease. How to Build a Girl is a funny, poignant, and heartbreakingly evocative story of self-discovery and invention, as only Caitlin Moran could tell it.
Arial knows the rules that keep her safe. She's been following them since she was a little girl: Do not tell. Do not show. But in a moment of terror, facing an attacker intent on taking more than just her life, Ari has no choice but to unleash the psychic powers she's been hiding since childhood. Now, with her abilities revealed, a bigger threat looms--something that makes her question everything she thought she knew about her parents and her secretive upbringing. But this isn't a fight she can face on her own.As the head of Devereaux Security, Beau Devereaux is no stranger to the strange. But when he takes on a new client--a beautiful young woman with an extraordinary gift--Beau isn't prepared for the extent of his attraction to her. What began as a simple assignment, just another job, quickly turns personal as Beau discovers he'll do anything at all to protect Ari. No matter what it costs him personally. Even his heart and soul.just another job, quickly turns personal as Beau discovers he'll do anything at all to protect Ari. Even if it costs him his life.
On the run from the CIA, intelligence operative Will Cochrane heads to the United States to uncover a diabolical spymaster at the center of an international conspiracy in this thrilling follow-up to SlingshotWill Cochrane crouches on a hilltop, assembling his sniper rifle. He's still thinking about being removed from his mission tracking the terrorist financier Cobalt. Instead, he's been sent to babysit a CIA operative and her asset in Norway, a routine assignment far below the skill level of the only agent to earn the code name Spartan. But as he scans the vista before him, he sees something that's just not possible, an eminent Russian spymaster--code-named Antaeus--whom Will is sure he killed three years ago. . . . Will reports to Langley immediately and the response is emphatic: Antaeus Must Not Be Touched. Further Inquiries Require Project Ferryman Clearance. Almost as soon as he hears this, Will sees Antaeus's men execute the asset Will was sent to protect, and Will decides to take a shot at the spymaster, knowing it will make him a marked man. Will manages to kill the attackers and save the CIA operative, but the elusive spymaster slips from his grasp, and both the CIA and MI6 tell him to surrender for disobeying orders. Now the only way to save his career--and his life--is to get into the U.S. and expose the truth about Project Ferryman. But to accomplish this Will has to outmaneuver four deadly Russian assassins and an elite FBI team controlled by officials who will stop at nothing to keep their sins and secrets safe.
Every summer on Butternut Lake the tourists arrive, the shops open, and the waves lap its tree-lined shores, just as they have for years. But this season everything changes for one mother and daughter who've always called the lake home. . . .Caroline's life is turned upside down the moment her ex-husband, Jack, strides through the door of her coffee shop. He seems changed--stronger, steadier, and determined to make amends with Caroline and their daughter, Daisy. Is he really different, or is he the same irresistibly charming but irresponsible man he was when he left Butternut Lake eighteen years ago? Caroline, whose life is stuck on pause as her finances are going down the tubes, is tempted to let him back into her life . . . but would it be wise?For Caroline's daughter, Daisy, the summer is filled with surprises. Home from college, she's reunited with the father she adores--but hardly knows--and swept away by her first true love. But Will isn't what her mother wants for her--all Caroline can see is that he's the kind of sexy "bad boy" Daisy should stay away from.As the long, lazy days of summer pass, Daisy and Caroline come to realize that even if Butternut Lake doesn't change, life does. . . .
In the tradition of Kristin Hannah and Susan Wiggs, Mary McNear introduces readers to the town of Butternut Lake and to the unforgettable people who call it home.It's summer, and after ten years away, Allie Beckett has returned to her family's cabin beside tranquil Butternut Lake, where as a teenager she spent so many carefree days. She's promised her five-year-old son, Wyatt, they will be happy there. She's promised herself this is the place to begin again after her husband's death in Afghanistan. The cabin holds so many wonderful memories, but from the moment she crosses its threshold Allie is seized with doubts. Has she done the right thing uprooting her little boy from the only home he's ever known?Allie and her son are embraced by the townsfolk, and her reunions with old acquaintances--her friend Jax, now a young mother of three with one more on the way, and Caroline, the owner of the local coffee shop--are joyous ones. And then there are newcomers like Walker Ford, who mostly keeps to himself--until he takes a shine to Wyatt . . . and to Allie.Everyone knows that moving forward is never easy, and as the long, lazy days of summer take hold, Allie must learn to unlock the hidden longings of her heart, and to accept that in order to face the future she must also confront--and understand--what has come before.
From the author of The Fools Tale comes a brilliantly crafted retelling of the legend of Lady GodivaAccording to legend, Lady Godiva lifted the unfair taxation of her people by her husband, Leofric, Earl of Mercia, by riding through the streets of Coventry wearing only a smile. Its a story thats kept tongues wagging for nearly a thousand years. But what would drive a lady of the court to take off everything and risk her reputation, her life, even her wardrobe--all for a few peasants pennies?In this daringly original, charmingly twisted take on an oft-imagined tale, Nicole Galland exposes a provocative view of Godiva not only in the flesh, but in all her glory. With history exonerating her dear husband, Godiva, helped along by her steadfast companion the abbess Edgiva, defies the tyranny of a new royal villain. Never before has Countess Godivas ride into infamy--and into an unexpected adventure of romance, deceit, and naked intrigue--been told quite like this.