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In book two of the bestselling Chronicles of the Overworld trilogy, Nihal and Sennar forge ahead on their questNihal joins the most prestigious chivalric order of the Overworld: the Dragon Knights. Sent to complete her training, she finds herself up against a determined and valiant gnome, an Oarf named Ido. The encounter shakes Nihal's certainties; suddenly, she realizes that there are those who fight for higher ideals than mere revenge. At the same time, she is forced to face her shadowy past and solve the mystery of a stone that seems to have tremendous power.Meanwhile, Sennar is promoted to the Council of Sorcerers, which leads the resistance against the Tyrant in the lands that are still free. Sennar is sent to the Underworld, a watery realm about which very little is known, to request military aid. It is an almost hopeless mission. Together, Nihal and Sennar must try their hardest to emerge victorious.
Our house is full of candles that have never been lit. Like the two of us. . . . We don't live together; we're killing time together.Elena is unsatisfied with her life. Her marriage drags on wearily without passion. Then one day, something changes. Feelings of love and desire spring up within her, and Elena realizes that she deserves more; she deserves happiness. I wondered how many men it took to prepare me. . . . Actually, I realized that the question was wrong--how many women did I have to wear in order to prepare myself?Told in the voice of a supremely real and honest woman, Daybreak will inspire readers to look at their lives with a renewed sense of independence, fearlessness, and optimism.
This book provides close examination of ontology and the work of Professor Barry Smith, one of the most prolific philosophers of the modern day. In this book numerous scholars who have collaborated with Smith explore the various disciplines in which the impact of his work has been felt over the breadth of his career, including biology, computer science and informatics, cognitive science, economics, genetics, geography, law, neurology, and philosophy itself. While offering in-depth perspectives on ontology, the book also expands upon the breadth of Smith's influence. With insights from renowned and influential scholars from many different countries, this book is an informative and enlightening celebration of all Smith has contributed to numerous academic schools of thought.
This book argues that in recent decades an unrestrained vampire-capitalism has emerged, disengaged from the needs of citizens and workers, leading to a deepening of social class, generational, gender, educational and ethnic divisions. The author explores how our cultural obsession with self-realization undermines our capacity for collective action and ability to confront threats such as climate change and the impact of the rapid advance of technology on labour. Drawing on sociology and political economy as well as worldwide case studies, the chapters interrogate how we arrived at these dilemmas and how we might escape them through establishing alternative social economies. Vampire Capitalism will be of interest to students and scholars across a range of disciplines, including sociology, social theory, globalisation studies, development studies, political economy, geography, politics and social policy.
This book provides a clear, systematic and up-to-date picture of the vast and dynamic industry of lobbying and Public Affairs in Europe, not only at EU level, but specifically in each of the 28 EU Member States. Using contributions from political scientists and lobbyists from each country, the volume offers a comprehensive review of the European lobbying industry, tackling elements such as the institutional framework and the political culture of each country, the perception of lobbyists by public opinion and politicians, the professionalization and the numbers of the industry in each country, the regulation of the sector (through dedicated laws, self-imposed ethical codes, etc. ). This is a benchmark publication for all those studying or working in the field of Lobbying, Public Affairs, Communication and Business and Politics in or with EU countries.
Based on extensive Japanese-language materials, this book is the first to examine the development of Japan's Ground Self-Defense Force. It addresses: how the GSDF was able to emerge as the post-war successor of the Imperial Japanese Army despite Japan's anti-militarist constitution; how the GSDF, despite the public skepticism and even hostility that greeted its creation, built domestic and international legitimacy; and how the GSDF has responded to changes in international and domestic environments. This path-breaking study of the world's third-largest-economic power's ground army is timely for two reasons. First, the resurgence of tensions in Northeast Asia over territorial disputes, and the emphasis recent Japanese governments have placed on using the GSDF for defending Japan's outlying islands is driving media coverage and specialist interest in the GSDF. Second, the March 11, 2011 Great East Japan Earthquake and Tsunami has focused global attention on the GSDF as Japan's lead disaster relief organization. This highly informative and thoroughly researched book provides insight for policy makers and academics interested in Japanese foreign and defense policies.
This book explores key historical episodes to understand the reasons and consequences of the enduring partiality problem in cooperation between Turkey and Iraq. Notwithstanding their mutual material interdependence and common cultural heritage, these two close neighbors have stayed far from achieving comprehensive cooperation. The author examines contextual-discursive dynamics shaping Turkey-Iraq partial cooperation around critical events, such as the Saadabad-Baghdad pacts, the Gulf War, the US Invasion, and the war against ISIS. Leading pro-government Turkish daily newspapers of the period are analyzed to highlight ambivalent ontological-rhetorical modes and ambiguous political narratives-frames that perpetuate paradoxes of partiality in Ankara's rationalization and contextualization of cooperation with Baghdad and Erbil.
This guidebook, aimed at those interested in studying media industries, provides direction in ways best suited to collaborative dialogue between media scholars and media professionals. While the study of media industries is a focal point at many universities around the world - promising, as it might, rich dialogues between academia and industry - understandings of the actual methodologies for researching the media industries remain vague. What are the best methods for analysing the workings of media industries - and how does one navigate those methods in light of complex deterrents like copyright and policy, not to mention the difficulty of gaining access to the media industries? Responding to these questions, Industrial Approaches to Media offers practical, theoretical, and ethical principles for the field of media industry studies, providing its first full methodological exploration. It features key scholars such as Henry Jenkins, Michele Hilmes, Paul McDonald and Alisa Perren.
This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation - cultural concealment and cultural performance - and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.
This book explores the ways in which notions of childhood are being influenced by a rapidly expanding consumer-media culture in the 21st Century. It has been argued that new stages of childhood are being created and defined by children's role as consumers. The concept of 'tween', girls aged between 9 and 14, has generated the greatest debate. While the fantasy world of 'tween' offers girls a space to fashion a young, feminine identity it has been widely argued that the consumer-media's messages pressure tween girls to consume and adopt highly sexualised appearances and behaviours. The author considers how the art of consumption for 'tween' girls is intrinsically linked with their desire for independence and belonging, and how their consumption is interwoven with other important social and cultural influences. The book will be of interest to scholars and students in the fields of Childhood and Youth Studies, Cultural Studies, Feminist and Women's Studies and Sociology.
This book explores changesin the values and ideas of a large part of the political Left in recentdecades. The author identifies that a questioning of the merits of economicgrowth; an ideal of environmental sustainability overriding the old radicalvisions of material abundance; a critique of instrumental reason; asuspiciousness towards universalist claims; and an attachment to subjective andpluralistic identities, have been dominant in the narratives of the Leftistmilieu and of social movements. Yet the author suggests that such changes, known as 'lifestyle activism', could beunderstood in a different way, one characterised by suspiciousness towards the belief that human action guided by reason can lead society towards a future that will be better and more affluent. Using a range of case studies from the 1960's to the present day anti-austerity movement, Sotirakopoulos argues that the New Left and its ideological heirs could beunderstood not so much as a continuation, but as an inversion from the Old Leftand, most importantly, from humanistic visions of modernity. The book will therefore be ideal reading for students and researchers of political sociology, radical politics, modern political ideologies, contentious politics and political theory and to scholars of new social movements and the New Left.
Can a rescued horse help Ali get through to her brother, who has returned from Afghanistan with PTSD? Ali used to love horses. But that was before the accident, when she was injured and her pony died. Before her brother Danny joined the military. Now Danny has returned from Afghanistan. He's learning to walk with the prosthetic that has replaced one of his legs, but he can't seem to find a way to reconnect with family and friends. Withdrawn and quick to anger, Danny suffers from terrible nightmares and frightening mood changes. When Ali realizes that an elderly neighbor has been neglecting her horses, she decides she has to act. Can Ali rise above her painful memories and love a horse again? And can Wind Dancer, also injured and traumatized, help Danny rediscover meaning in his life?
Maurizio Cattelan is undoubtedly the best known and most controversial contemporary Italian artist. His works include Hanged Children, the sculpture of John Paul II being struck by a meteorite--which was removed from a square in Milan due to public outcry--and, most recently, Finger, which was displayed in front of the Italian Stock Exchange headquarters. All of his works have aroused heated debate in the art world and the general public. Some believe Cattelan is one of the brightest geniuses of contemporary art, while others consider him only a vulgar--yet clever--provocateur. But who exactly is Maurizio Cattelan? Why does everything he creates cause a scandal?Francesco Bonami, who is the curator of numerous exhibitions and has collaborated with Cattelan on many projects, tells the true story, from the beginning of Cattelan's career to his current resounding success. In this officially unofficial biography, Maurizio Cattelan plays along and tells his story through Bonami, offering, as one of his most provocative works yet, his point of view on art and society--one that, as always, will have people talking.
The Cantoni family lives in a luxurious mansion right outside Milan. For three successful generations, the Cantonis have been running a prominent faucet-manufacturing business. Despite their respectable appearances, every member of the family has secrets and scars that they want to hide. The family rule is to sweep uncomfortable truths under the rug; the streak of madness afflicting Bianca, the dynasty's matriarch, is therefore kept quiet. The newest addition to the family is Léonie Tardivaux, a penniless young French girl who marries Guido Cantoni, Bianca's only grandson. Léonie becomes so much a part of the family that she too adopts the belief that some facts are better left untold. And yet she is a consummate wife, doting mother, and talented career woman who guides the family business through the rough waters of the economic recession. Meanwhile, she harbors her own secret: Every year, for just one day, she leaves it all behind and drives off to a romantic hotel on Lake Como.
Incarcerated for the murder of his wife, Giacomo Musso avows his innocence in this sweeping story of prejudice and ill-fated love It was devotion, or perhaps misfortune, that led Giacomo Musso, a thirty-five-year-old teacher, to incarceration in the maximum-security wing of the Novara penitentiary. He insists on his innocence while the newspapers run photos of the mutilated corpse of his wife. Out of desperation, Giacomo tells the story of his life--that is, the series of events that inevitably led him to this cell. Their marriage was not a red-hot affair, but rather a passion that grew slowly and steadily--a love meant to last. He and his wife, Shirin, decided to move back to Molini, the town in the Piedmontese mountains where Giacomo had been born. Shirin, raised in France after her family fled Iran, wanted the security of Giacomo's roots. But even in Molini, she remained a foreigner, treated with hate, intolerance, and bigotry. As Shirin becomes more isolated from the people around her, she grows increasingly distant from her husband. Before long, nothing is left of her or of their love, except for the memories Giacomo writes down in his diary in the hope that perhaps he can create a better ending to the story.
He says the institute is an apartment building. . . . "It's an apartment building for saints. . . . These poor foolish crazies are saints beneath their Chinese sheets, their mass-produced shrouds. The nun is a saint; the night-light on her bedside table makes her glow like an ex-voto. The doctor is the biggest saint of them all. He's the head saint. He's Jesus Christ." Thus Nicola recounts his thirty-five years in the "electric asylum." Reality and fantasy clash in his disordered mind, resulting in unpredictable revelations. This book and the theatrical monologue of the same name are the fruits of the nearly four years that Ascanio Celestini spent traveling through Italy listening to and recording stories about psychiatric hospitals. Thanks to the oral histories and recollections of nurses, doctors, and patients, he realized not only that the institution of the mental asylum is still running--despite groundbreaking 1978 Italian legislation geared toward the gradual and total dismantling of this system--but also that the anguish and fears of the "crazies" are still very much alive within us all. And it is for this reason that these phantasmagoric stories are capable of moving us to laughter and to tears.
This anthology explores tensions between the individualistic artistic ideals and the collective industrial realities of contemporary cultural production with eighteen all-new chapters presenting pioneering empirical research on the complexities and controversies of comics work. Art Spiegelman. Alan Moore. Osamu Tezuka. Neil Gaiman. Names such as these have become synonymous with the medium of comics. Meanwhile, the large numbers of people without whose collective action no comic book would ever exist in the first place are routinely overlooked. Cultures of Comics Work unveils this hidden, global industrial labor of writers, illustrators, graphic designers, letterers, editors, printers, typesetters, publicists, publishers, distributors, translators, retailers, and countless others both directly and indirectly involved in the creative production of what is commonly thought of as the comic book. Drawing upon diverse theoretical and methodological perspectives, an international and interdisciplinary cohort of cutting-edge researchers and practitioners intervenes in debates about cultural work and paves innovative directions for comics scholarship.
This book argues that that the rise of great firms - those with sustainable high return on invested capital (ROIC) - will lay the foundation for China's successful economic transformation. Drawn from the author's research on corporate finance and the Chinese economy, the author maintains that being big could be easy but means little for corporate China, especially in the context of China's transition from an investment-led economy to an efficiency-driven one. The work discusses both internal and external impediments that lead to lack of great companies in China and suggests institutional conditions which foster the rise of great companies in China, including, reversing the government's obsession with GDP, reforming the financial system, and promoting entrepreneurship. Policy makers, investors, corporate executives, and MBA students and scholars will appreciate case studies of Huawei, Alibaba, Xiaomi, and Lenovo, among others, that illustrate the endeavors made by Chinese entrepreneurs at the grassroots level and highlight what makes successful companies in China.
This volume illustrates the relevance of phenomenology to a range of contemporary concerns. Displaying both the epistemological rigor of classical phenomenology and the empirical analysis of more recent versions, its chapters discuss a wide range of issues from justice and value to embodiment and affectivity. The authors draw on analytic, continental, and pragmatic resources to demonstrate how phenomenology is an important resource for questions of personal existence and social life. The book concludes by considering how the future of phenomenology relates to contemporary philosophy and related academic fields.
This book presents an in-depth analysis of how statutory and third sector organisations have faced the challenge of dealing with former 'terrorists'. Offering a theoretically robust, empirically rich account of work with ex-prisoners and those considered 'at risk' of involvement in extremism in the United Kingdom, Marsden dissects the problems governments are facing in dealing with the effects of 'radicalisation'. Increasingly, governments are struggling with the challenge of dealing with those who have become involved in extremism, and yet, comparatively little is known about how and why people renounce violence. Nor are existing efforts to 'deradicalise' extremists well understood. Arguing that reintegration is a more appropriate framework than 'deradicalisation', Marsden looks in detail at the mechanisms by which people can be supported to move away from extremism. By drawing out implications for policy, practice and academic debates around disengagement from radical subcultures, this book makes a significant contribution to an issue only likely to grow in importance for scholars of criminological theory, terrorism and justice.
This book is the first anthology of research devoted to the booming world of Chinese film festivals, covering both mainstream and independent films. It also explores festivals in the Chinese-speaking world and festivals of Chinese films in the rest of the world. The book asks how Chinese film festivals function as sites of translation, translating Chinese culture to the world and world culture to Chinese-speaking audiences, and also how the international film festival model is being transformed as it is translated into the Chinese-speaking world.
This book explores therole and centrality of women in the development of collaborative theatrepractice, alongside the significance of collective creation and devising in thedevelopment of the modern theatre. Tracing a web of women theatremakers in Europeand North America, this book explores the connections between early twentiethcentury collective theatre practices such as workers theatre and the dramaticplay movement, and the subsequent spread of theatrical devising. Chaptersinvestigate the work of the Settlement Houses, total theatre in 1920s' France,the mid-century avant-garde and New Left collectives, the nomadic performancesof Europe's transnational theatre troupes, street-theatre protests, andcontemporary devising. In so doing, the book further elucidates a history of moderntheatre begun in A History of CollectiveCreation (2013) and CollectiveCreation in Contemporary Performance (2013), in which the seeminglymarginal and disparate practices of collective creation and devising arerevealed as central--and women theatremakers revealed as progenitors of thesepractices.
This second part of a two-volume series examines in detail the financing of America's major wars from the Spanish-American War to the Vietnam War. It interweaves analyses of political policy, military strategy and operations, and war finance and economic mobilization with examinations of the events of America's major armed conflicts, offering useful case studies for students of military history and spending policy, policymakers, military comptrollers, and officers in training.
Elite schools have always been social choreographers par excellence. The world over, they put together highly dexterous performances as they stage and restage changing relations of ruling. They are adept at aligning their social choreographies to shifting historical conditions and cultural tastes. In multiple theatres, they now regularly rehearse the irregular art of being global. Elite schools around the world are positioned at the intersecting pinnacles of various scales, systems and regimes of social, cultural, political and economic power. They have much in common but are also diverse. They illustrate how various modalities of power are enjoyed and put to work and how educational and social inequalities are shaped and shifted. They, thus, speak to the social zeitgeist. This book dissects this intricate choreography.
This book examines the concepts of Post/Humanism and Transhumanism as depicted in superhero comics. Recent decades have seen mainstream audiences embrace the comic book Superhuman. Meanwhile there has been increasing concern surrounding human enhancement technologies, with the techno-scientific movement of Transhumanism arguing that it is time humans took active control of their evolution. Utilising Deleuze and Guattari's notion of the rhizome as a non-hierarchical system of knowledge to conceptualize the superhero narrative in terms of its political, social and aesthetic relations to the history of human technological enhancement, this book draws upon a diverse range of texts to explore the way in which the posthuman has been represented in superhero comics, while simultaneously highlighting its shared historical development with Post/Humanist critical theory and the material techno-scientific practices of Transhumanism.
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