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Le Maya Q'atzij/Our Maya Word: Poetics of Resistance in Guatemala (Indigenous Americas)
by Emil’ KemeBringing to the fore the voices of Maya authors and what their poetry tells us about resistance, sovereignty, trauma, and regeneration In 1954, Guatemala suffered a coup d&’etat, resulting in a decades-long civil war. During this period, Indigenous Mayans were subject to displacement, disappearance, and extrajudicial killing. Within the context of the armed conflict and the postwar period in Guatemala, K&’iche&’ Maya scholar Emil&’ Keme identifies three historical phases of Indigenous Maya literary insurgency in which Maya authors use poetry to dignify their distinct cultural, political, gender, sexual, and linguistic identities.Le Maya Q&’atzij / Our Maya Word employs Indigenous and decolonial theoretical frameworks to critically analyze poetic works written by ten contemporary Maya writers from five different Maya nations in Iximulew/Guatemala. Similar to other Maya authors throughout colonial history, these authors and their poetry criticize, in their own creative ways, the continuing colonial assaults to their existence by the nation-state. Throughout, Keme displays the decolonial potentialities and shortcomings proposed by each Maya writer, establishing a new and productive way of understanding Maya living realities and their emancipatory challenges in Iximulew/Guatemala.This innovative work shows how Indigenous Maya poetics carries out various processes of decolonization and, especially, how Maya literature offers diverse and heterogeneous perspectives about what it means to be Maya in the contemporary world.
Hush Hush, Forest
by Mary CasanovaLyrical words and elegant woodcuts capture the quiet beauty of the forest as day fades to night and autumn gives way to the North Woods winter While we are tucked in, snug in warm blankets as we listen to bedtime stories, the woods around us whisper another tale. As the golden leaves waft through the lengthening shadows, the loon sings one last lullaby, the whirring hummingbird takes one last sip, the industrious beaver saws one last branch for her lodge. Here, in enchanting words and woodcuts, is the magic of night falling and winter approaching in the North Woods. Hush Hush, Forest peers through twilight&’s window at the raccoon preening, the doe and fawn bedding down, the last bat of the season flitting away. The owl surveys, the rabbit scurries, the bear hunkers, readying her den.Marking the rhythm between the falling leaf and the falling snowflake, picturing the rituals of creatures big and small as they prepare for the long winter&’s sleep, this charming book captures a time of surpassing wonder for readers of all ages—and bids everyone in the hushed forest a peaceful good night.
The Groove of the Poem: Reading Philippe Beck (Univocal)
by Jacques Rancière&“Music is the brute that shows. It is the avowal of materials, And stutters between its clanging of things.&”How should one think this musical groove of the poem whose back and forth motion shuffles the material of ordinary language and revives the frozen speech of old chants? This question by renowned French thinker Jacques Rancière is the entry point for his earnest and careful reading of one of France&’s most singular and important contemporary poets. For Rancière, Philippe Beck sets himself the task of a poetry after poetry whereby Beck re-writes and transforms the poems of the past, reanimating faded genres, poetizing the prose of popular tales and even commentaries regarding poems. To read and follow this groove traced as such cannot simply be done by way of taking the poems as objects of study. It supposes a dialogue regarding what these poems attempt to do as well as an idea of a poetry which serves as their foundation. This book on Philippe Beck is thus also a book made with him.
The Contest: The 1968 Election and the War for America's Soul
by Michael SchumacherA dramatic, deeply informed account of one of the most consequential elections and periods in American history 1968—rife with riots, assassinations, anti–Vietnam War protests, and realpolitik—was one of the most tumultuous years in the twentieth century, culminating in one of the most consequential presidential elections in American history. The Contest tells the story of that contentious election and that remarkable year. Bringing a fresh perspective to events that still resonate half a century later, this book is especially timely, giving us the long view of a turning point in American culture and politics.Author Michael Schumacher sets the stage with a deep look at the people with important roles in the unfolding drama: Lyndon B. Johnson, Robert F. Kennedy, Eugene McCarthy, George Wallace, Richard Nixon, and especially Hubert H. Humphrey, whose papers and journals afford surprising new insights. Following these politicians in the lead-up to the primaries, through the chaotic conventions, and down the home stretch to the general election, The Contest combines biographical and historical details to create a narrative as intimate in human detail as it is momentous in scope and significance.An election year when the competing forces of law and order and social justice were on the ballot, the Vietnam War divided the country, and the liberal regime begun with Franklin D. Roosevelt was on the defensive, 1968 marked a profound shift in the nation&’s culture and sense of itself. Thorough in its research and spellbinding in the telling, Schumacher&’s book brings sharp focus to that year and its lessons for our current critical moment in American politics.
Gunflint Burning: Fire in the Boundary Waters
by Cary J. GriffithOn May 5, 2007, two days into his twenty-seventh trip to the Boundary Waters, Stephen Posniak found a perfect spot on Ham Lake and set about making a campfire. Over the next two weeks, the fire he set would consume 75,000 acres of forest and 144 build
The Poetics of Cruising: Queer Visual Culture from Whitman to Grindr
by Jack ParlettA groundbreaking new history of urban cruising through the lenses of urban poets The Poetics of Cruising explores the relationship between cruising, photography, and the visual in the work of leading poets, from Walt Whitman in the nineteenth century to Eileen Myles in the twenty-first. What is it that happens, asks Jack Parlett, and what is it that is sought, in this often transient moment of perception we call cruising, this perceptual arena where acts of looking between strangers are intensified and eroticized? Parlett believes that this moment is not only optical in nature but visual: a mode of looking that warrants comparison with the ways in which we behold still and moving images. Whether it&’s Whitman&’s fixation with daguerreotypes, Langston Hughes&’s hybrid photographic works, or Frank O&’Hara&’s love of Hollywood movie stars, argues Parlett, the history of poets cruising abounds with this intermingling between the verbal and the visual, the passing and the fixed. To look at someone in the act of cruising, this history suggests, is to capture, consider, and aestheticize, amid the flux and instantaneity of urban time. But it is also to reveal the ambivalence at the heart of this erotic search, where power may be unevenly distributed across glances, and gendered and racialized bodies are marked. Thus, in identifying for the first time this confluence of cruising, poetry, and visual culture, Parlett concludes that the visual erotic economy associated with gay cruising today, exemplified by the photographic grid of an app like Grindr, is not a uniquely contemporary phenomenon. Innovative, astute, and highly readable, and drawing on compelling archival material, The Poetics of Cruising is a must for scholars of queer and LGBTQ literature and culture, modern and contemporary poetry, visual studies, and the history of sexuality.
The Streel: A Deadwood Mystery
by Mary LogueWomen Writing the West WILLA Award FinalistFrom &“the reigning royalty of Minnesota murder mysteries&” (The Rake) comes a striking new heroine: a young Irish immigrant caught up in a deadly plot in nineteenth-century DeadwoodWhen I was fifteen and my brother Seamus sixteen, we attended our own wake. Our family was in mourning, forced to send us off to America.The year is 1880, and of all the places Brigid Reardon and her brother might have dreamed of when escaping Ireland&’s potato famine by moving to America, Deadwood, South Dakota, was not one of them. But Deadwood, in the grip of gold fever, is where Seamus lands and where Brigid joins him after eluding the unwanted attentions of the son of her rich employer in St. Paul—or so she hopes. But the morning after her arrival, a grisly tragedy occurs; Seamus, suspected of the crime, flees, and Brigid is left to clear his name and to manage his mining claim, which suddenly looks more valuable and complicated than he and his partners supposed.Mary Logue, author of the popular Claire Watkins mysteries, brings her signature brio and nerve to this story of a young Irish woman turned reluctant sleuth as she tries to make her way in a strange and often dangerous new world. From the famine-stricken city of Galway to the bustling New York harbor, to the mansions of Summit Avenue in St. Paul, and finally to the raucous hustle of boomtown Deadwood, Logue&’s new thriller conjures the romance and the perils, and the tricky everyday realities, of a young immigrant surviving by her wits and grace in nineteenth-century America.
Black Food Matters: Racial Justice in the Wake of Food Justice
by Hanna Garth Ashanté M. ReeseAn in-depth look at Black food and the challenges it faces today For Black Americans, the food system is broken. When it comes to nutrition, Black consumers experience an unjust and inequitable distribution of resources. Black Food Matters examines these issues through in-depth essays that analyze how Blackness is contested through food, differing ideas of what makes our sustenance &“healthy,&” and Black individuals&’ own beliefs about what their cuisine should be. Primarily written by nonwhite scholars, and framed through a focus on Black agency instead of deprivation, the essays here showcase Black communities fighting for the survival of their food culture. The book takes readers into the real world of Black sustenance, examining animal husbandry practices in South Carolina, the work done by the Black Panthers to ensure food equality, and Black women who are pioneering urban agriculture. These essays also explore individual and community values, the influence of history, and the ongoing struggle to meet needs and affirm Black life. A comprehensive look at Black food culture and the various forms of violence that threaten the future of this cuisine, Black Food Matters centers Blackness in a field that has too often framed Black issues through a white-centric lens, offering new ways to think about access, privilege, equity, and justice. Contributors: Adam Bledsoe, U of Minnesota; Billy Hall; Analena Hope Hassberg, California State Polytechnic U, Pomona; Yuson Jung, Wayne State U; Kimberly Kasper, Rhodes College; Tyler McCreary, Florida State U; Andrew Newman, Wayne State U; Gillian Richards-Greaves, Coastal Carolina U; Monica M. White, U of Wisconsin–Madison; Brian Williams, Mississippi State U; Judith Williams, Florida International U; Psyche Williams-Forson, U of Maryland, College Park; Willie J. Wright, Rutgers U.
With Stones in Our Hands: Writings on Muslims, Racism, and Empire (Muslim International)
by Sohail Daulatzai Junaid RanaBringing together scholars and activists, With Stones in Our Hands confronts the rampant anti-Muslim racism and imperialism across the globe today After September 11, 2001, the global War on Terror has made clear that Islam and Muslims are central to an imperial system of racism. Prior to 9/11, white supremacy had a violent relationship of dominance with Islam and Muslims. Racism against Muslims today borrows from centuries of white supremacy and is a powerful and effective tool to maintain the status quo.With Stones in Our Hands compiles writings by scholars and activists who are leading the struggle to understand and combat anti-Muslim racism. Through a bold call for a politics of the Muslim Left and the poetics of the Muslim International, this book offers a glimpse into the possibilities of social justice, decolonial struggle, and political solidarity. The essays in this anthology reflect a range of concerns such as the settler colonial occupation of Palestine, surveillance and policing, blackness and radical protest traditions, militarism and empire building, social movements, and political repression. With Stones in Our Hands offers new ideas to achieve decolonization and global solidarity.Contributors: Rabab Ibrahim Abdulhadi, Abdullah Al-Arian, Arshad Imtiaz Ali, Evelyn Alsultany, Vivek Bald, Abbas Barzegar, Hatem Bazian, Sylvia Chan-Malik, Arash Davari, Fatima El-Tayeb, Hafsa Kanjwal, Ronak K. Kapadia, Maryam Kashani, Robin D. G. Kelley, Su&‘ad Abdul Khabeer, Nadine Naber, Selim Nadi, Sherene H. Razack, Atef Said, Steven Salaita, Stephen Sheehi.
Asians on Demand: Mediating Race in Video Art and Activism
by Feng-Mei HebererDoes media representation advance racial justice? While the past decade has witnessed a push for increased diversity in visual media, Asians on Demand grapples with the pressing question of whether representation is enough to advance racial justice. Surveying a contemporary, cutting-edge archive of video works from the Asian diaspora in North America, Europe, and East Asia, this book uncovers the ways that diasporic artists challenge the narrow—and damaging—conceptions of Asian identity pervading mainstream media. Through an engagement with grassroots activist documentaries, experimental video diaries by undocumented and migrant workers, and works by high-profile media artists such as Hito Steyerl and Ming Wong, Feng-Mei Heberer showcases contemporary video productions that trouble the mainstream culture industry&’s insistence on portraying ethnic Asians as congenial to dominant neoliberal values. Undermining the demands placed on Asian subjects to exemplify institutional diversity and individual exceptionalism, this book provides a critical and nuanced set of alternatives to the easily digestible forms generated by online streaming culture and multicultural lip service more broadly. Employing feminist, racial, and queer critiques of the contemporary media landscape, Asians on Demand highlights how the dynamics of Asian representation play out differently in Germany, the United States, Taiwan, and Spain. Rather than accepting the notion that inclusion requires an uncomplicated set of appearances, the works explored in this volume spotlight a staunch resistance to formulating racial identity as an instantly accessible consumer product.
Futures of Digital Scholarly Editing
by Kenneth M. PriceExploring technology, ethics, and culture to unlock digital scholarship&’s futureFutures of Digital Scholarly Editing navigates the ever-shifting terrain of digital academia, examining practical and ethical considerations as technology continues to evolve. In this indispensable collection, digital humanities practitioners and scholars work with a wide range of archival materials to confront key challenges surrounding the adaptation and sustainability of digital editorial projects as well as their societal impact. Broaching essential questions at the nexus of technology and culture, Futures of Digital Scholarly Editing is organized around three principal frameworks: access, sustainability, and interoperability; ethics and community involvement; and the evolution of textual scholarship. From addressing outdated technical infrastructures to fostering new collaborations, this volume serves as a beacon guiding scholars and institutions through the complexities of digital editing in an era of profound technological and societal transformation. Contributors: Stephanie P. Browner, The New School; Julia Flanders, Northeastern U; Ed Folsom, U of Iowa; Nicole Gray, U of Nebraska–Lincoln; Cassidy Holahan, U of Nevada, Las Vegas; Fotis Jannidis, U of Würzburg; Aylin Malcolm, U of Guelph; Sarah Lynn Patterson, U of Massachusetts Amherst; Elena Pierazzo, U of Tours; K.J. Rawson, Northeastern U; Whitney Trettien, U of Pennsylvania; John Unsworth, U of Virginia; Dirk Van Hulle, U of Oxford; Robert Warrior, U of Kansas; Marta L. Werner, Loyola U Chicago. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.
White Birch, Red Hawthorn: A Memoir
by Nora Murphy&“This is conquered land.&” The Dakota woman&’s words, spoken at a community meeting in St. Paul, struck Nora Murphy forcefully. Her own Irish great-great grandparents, fleeing the potato famine, had laid claim to 160 acres in a virgin maple grove in Minnesota. That her dispossessed ancestors&’ homestead, The Maples, was built upon another, far more brutal dispossession is the hard truth underlying White Birch, Red Hawthorn, a memoir of Murphy&’s search for the deeper connections between this contested land and the communities who call it home.In twelve essays, each dedicated to a tree significant to Minnesota, Murphy tells the story of the grove that, long before the Irish arrived, was home to three Native tribes: the Dakota, Ojibwe, and Ho-Chunk. She notes devastating strategies employed by the U.S. government to wrest the land from the tribes, but also revisits iconic American tales that subtly continue to promote this displacement—the Thanksgiving story, the Paul Bunyan myth, and Laura Ingalls Wilder&’s Little House books. Murphy travels to Ireland to search out another narrative long hidden—that of her great-great-grandmother&’s transformative journey from North Tipperary to The Maples.In retrieving these stories, White Birch, Red Hawthorn uncovers lingering wounds of the past—and the possibility that, through connection to this suffering, healing can follow. The next step is simple, Murphy tells us: listen.
Critical Mass: Social Documentary in France from the Silent Era to the New Wave
by Steven UngarThirty-five years of nonfiction films offer a unique lens on twentieth-century French social issuesCritical Mass is the first sustained study to trace the origins of social documentary filmmaking in France back to the late 1920s. Steven Ungar argues that socially engaged nonfiction cinema produced in France between 1945 and 1963 can be seen as a delayed response to what filmmaker Jean Vigo referred to in 1930 as a social cinema whose documented point of view would open the eyes of spectators to provocative subjects of the moment.Ungar identifies Vigo&’s manifesto, his 1930 short À propos de Nice, and late silent-era films by Georges Lacombe, Boris Kaufman, André Sauvage, and Marcel Carné as antecedents of postwar documentaries by Eli Lotar, René Vautier, Alain Resnais, Chris Marker, and Jean Rouch, associated with critiques of colonialism and modernization in Fourth and early Fifth Republic France. Close readings of individual films alternate with transitions to address transnational practices as well as state- and industry-wide reforms between 1935 and 1960. Critical Mass is an indispensable complement to studies of nonfiction film in France, from Georges Lacombe&’s La Zone (1928) to Chris Marker&’s Le Joli Mai (1963).
Peace Corps Fantasies: How Development Shaped the Global Sixties (Critical American Studies)
by Molly GeidelTo tens of thousands of volunteers in its first decade, the Peace Corps was &“the toughest job you&’ll ever love.&” In the United States&’ popular imagination to this day, it is a symbol of selfless altruism and the most successful program of John F. Kennedy&’s presidency. But in her provocative new cultural history of the 1960s Peace Corps, Molly Geidel argues that the agency&’s representative development ventures also legitimated the violent exercise of American power around the world and the destruction of indigenous ways of life.In the 1960s, the practice of development work, embodied by iconic Peace Corps volunteers, allowed U.S. policy makers to manage global inequality while assuaging their own gendered anxieties about postwar affluence. Geidel traces how modernization theorists used the Peace Corps to craft the archetype of the heroic development worker: a ruggedly masculine figure who would inspire individuals and communities to abandon traditional lifestyles and seek integration into the global capitalist system.Drawing on original archival and ethnographic research, Geidel analyzes how Peace Corps volunteers struggled to apply these ideals. The book focuses on the case of Bolivia, where indigenous nationalist movements dramatically expelled the Peace Corps in 1971. She also shows how Peace Corps development ideology shaped domestic and transnational social protest, including U.S. civil rights, black nationalist, and antiwar movements.
Interactive Cinema: The Ambiguous Ethics of Media Participation (Electronic Mediations #63)
by Marina HassapopoulouConnecting interactive cinema to media ethics and global citizenship Interactive Cinema explores various cinematic practices that work to transform what is often seen as a primarily receptive activity into a participatory, multimedia experience. Surveying a multitude of unorthodox approaches throughout the history of motion pictures, Marina Hassapopoulou offers insight into a range of largely ephemeral and site-specific projects that consciously assimilate viewers into their production. Analyzing examples of early cinema, Hollywood B movies, museum and gallery installations, virtual-reality experiments, and experimental web-based works, Hassapopoulou travels across numerous platforms, highlighting a diverse array of strategies that attempt to unsettle the allegedly passive spectatorship of traditional cinema. Through an exploration of these radically inventive approaches to the medium, many of which emerged out of sociopolitical crises and periods of historical transition, she works to expand notions of interactivity by considering it in both technological and phenomenological terms. Deliberately revising and expanding Eurocentric scholarship to propose a much broader, transnational scope, the book emphasizes the ethical dimensions of interactive media and their links to larger considerations around community building, citizenship, and democracy. By combining cutting-edge theory with updated conventional film studies methodologies, Interactive Cinema presses at the conceptual limits of cinema and offers an essential road map to the rapidly evolving landscape of contemporary media.
Along the Journey River: A Mystery
by Carole laFavorSeveral sacred artifacts have gone missing from the Minnesota Red Earth Reservation and the suspect list is continuously growing. While it could be the racists from the bordering town, or a young man struggling with problems at home, or the county coroner and his cronies, the need for answers and apprehending the culprit is amplified when Jed Morriseau, the Tribal Chairman, is murdered. Investigating these mysterious occurrences because of tribal traditions and the honor of her family, Renee LaRoche works to track down the people responsible. But can she maintain her intense investigation as well as her new relationship with Samantha Salisbury, the visiting women&’s studies professor at the white college nearby? Renee is caught between the traditions of her tribe and efforts to help her chimook lover accept their cultural differences.
Take My Word for It: A Dictionary of English Idioms
by Anatoly LibermanThree centuries of English idioms—their unusual origins and unexpected interpretationsTo pay through the nose. Raining cats and dogs. By hook or by crook. Curry favor. Drink like a fish. Eat crow. We hear such phrases every day, but this book is the first truly all-encompassing etymological guide to both their meanings and origins. Spanning more than three centuries, Take My Word for It is a fascinating, one-of-a-kind window into the surprisingly short history of idioms in English. Widely known for his studies of word origins, Anatoly Liberman explains more than one thousand idioms, both popular and obscure, occurring in both American and British standard English and including many regional expressions.The origins, and even the precise meaning, of most idioms are often obscure and lost in history. Based on a critical analysis of countless conjectures, with exact, in-depth references (rare in the literature on the subject), Take My Word for It provides not only a large corpus of idiomatic phrases but also a vast bibliography. Detailed indexes and a thesaurus make the content accessible at a glance, and Liberman&’s introduction and conclusion add historical dimensions. The result of decades of research by a leading authority, this book is both instructive and absorbing for scholars and general readers, who won&’t find another resource as comparable in scope or based on data even remotely as exhaustive.
Afro-Sweden: Becoming Black in a Color-Blind Country
by Ryan Thomas SkinnerA compelling examination of Sweden&’s African and Black diasporaContemporary Sweden is a country with a worldwide progressive reputation, despite an undeniable tradition of racism within its borders. In the face of this contradiction of culture and history, Afro-Swedes have emerged as a vibrant demographic presence, from generations of diasporic movement, migration, and homemaking. In Afro-Sweden, Ryan Thomas Skinner uses oral histories, archival research, ethnography, and textual analysis to explore the history and culture of this diverse and growing Afro-European community.Skinner employs the conceptual themes of &“remembering&” and &“renaissance&” to illuminate the history and culture of the Afro-Swedish community, drawing on the rich theoretical traditions of the African and Black diaspora. Remembering fosters a sustained meditation on Afro-Swedish social history, while Renaissance indexes a thriving Afro-Swedish public culture. Together, these concepts illuminate significant existential modes of Afro-Swedish being and becoming, invested in and contributing to the work of global Black studies.The first scholarly monograph in English to focus specifically on the African and Black diaspora in Sweden, Afro-Sweden emphasizes the voices, experiences, practices, knowledge, and ideas of these communities. Its rigorously interdisciplinary approach to understanding diasporic communities is essential to contemporary conversations around such issues as the status and identity of racialized populations in Europe and the international impact of Black Lives Matter.
The Long 2020 (21st Century Studies)
by Richard Grusin Maureen RyanSharply intelligent, often personal reflections on the global crises of 2020 that are still ongoing By all accounts, 2020 was the longest year in recent memory, as people in the United States and across the globe careened from one unfolding catastrophe to another. The consequences of this devastating year are sure to impact the planet for decades, if not centuries, to come. This collection considers the question of that long 2020 from the perspective of the lived experience of the year, its long and deep roots in various human and nonhuman pasts, and the transformation of our sense of the future.The Long 2020 assembles a strikingly interdisciplinary group of scholars and thinkers to address how the many crises of 2020—epidemiological, political, ecological, and social—have unfolded, examining both their origins as well as their ongoing effects. The contributors address questions of time, history, and scale as they have played out, and continue to play out; the relationship between home and environment, with a focus on architecture, breathing, and human–nonhuman relations; and the experience of cultural, political, and social life, deploying cultural and political theory to explore questions of race, gender and sexuality, and democracy.The global pandemic has still not abated, reflecting the need to rethink our interrelatedness to viruses and other species. In bringing together this diverse group of authors, The Long 2020 offers a variety of perspectives on the impacts of that fraught year, the effects of which continue to permeate daily life.Contributors: Stacy Alaimo, U of Oregon; Elisabeth Anker, George Washington U; Janelle Baker, Athabasca U, Alberta, Canada; Daniel A. Barber, U of Pennsylvania Weitzman School of Design; Adia Benton, Northwestern U; Levi R. Bryant, Collin College; Beatriz Colomina, Princeton U; William E. Connolly, Johns Hopkins U; Cary Gabriel Costello, U of Wisconsin–Milwaukee; Megan Craig, Stony Brook U; Wai Chee Dimock, Harvard U; Paulla Ebron, Stanford U; Nirmala Erevelles, U of Alabama; Roderick A. Ferguson, Yale U; Rosa E. Ficek, U of Puerto Rico at Cayey; Stefanie Fishel, U of the Sunshine Coast in Queensland; Jonathan Flatley, Wayne State U; Jennifer Gabrys, U of Cambridge; David Gissen, Parsons School of Design and the New School, New York; Dehlia Hannah, The Royal Danish Academy of Fine Arts; Karen Ho, U of Minnesota; Bonnie Honig, Brown U; Frédéric Keck, Laboratory of Social Anthropology (CNRS Paris); Eben Kirksey, Deakin Institute in Melbourne, Australia; Bernard C. Perley, U of British Columbia, Vancouver; Tom Rademacher; Renya Ramirez, U of California, Santa Cruz; Zoe Todd (Métis); Anna Tsing, U of California, Santa Cruz; Sarah E. Vaughn, U of California, Berkeley; Rebecca Wanzo, Washington U; McKenzie Wark, Eugene Lang College, New York City.
Making Things and Drawing Boundaries: Experiments in the Digital Humanities (Debates in the Digital Humanities)
by Jentery SayersIn Making Things and Drawing Boundaries, critical theory and cultural practice meet creativity, collaboration, and experimentation with physical materials as never before. Foregrounding the interdisciplinary character of experimental methods and hands-on research, this collection asks what it means to &“make&” things in the humanities. How is humanities research manifested in hand and on screen alongside the essay and monograph? And, importantly, how does experimentation with physical materials correspond with social justice and responsibility? Comprising almost forty chapters from ninety practitioners across twenty disciplines, Making Things and Drawing Boundaries speaks directly and extensively to how humanities research engages a growing interest in &“maker&” culture, however &“making&” may be defined.Contributors: Erin R. Anderson; Joanne Bernardi; Yana Boeva; Jeremy Boggs; Duncan A. Buell; Amy Burek; Trisha N. Campbell; Debbie Chachra; Beth Compton; Heidi Rae Cooley; Nora Dimmock; Devon Elliott; Bill Endres; Katherine Faull; Alexander Flamenco; Emily Alden Foster; Sarah Fox; Chelsea A. M. Gardner; Susan Garfinkel; Lee Hannigan; Sara Hendren; Ryan Hunt; John Hunter; Diane Jakacki; Janelle Jenstad; Edward Jones-Imhotep; Julie Thompson Klein; Aaron D. Knochel; J. K. Purdom Lindblad; Kim Martin; Gwynaeth McIntyre; Aurelio Meza; Shezan Muhammedi; Angel David Nieves; Marcel O&’Gorman; Amy Papaelias; Matt Ratto; Isaac Record; Jennifer Reed; Gabby Resch; Jennifer Roberts-Smith; Melissa Rogers; Daniela K. Rosner; Stan Ruecker; Roxanne Shirazi; James Smithies; P. P. Sneha; Lisa M. Snyder; Kaitlyn Solberg; Dan Southwick; David Staley; Elaine Sullivan; Joseph Takeda; Ezra Teboul; William J. Turkel; Lisa Tweten.
Sweetness in the Blood: Race, Risk, and Type 2 Diabetes
by James Doucet-BattleA bold new indictment of the racialization of science Decades of data cannot be ignored: African American adults are far more likely to develop Type 2 diabetes than white adults. But has science gone so far in racializing diabetes as to undermine the search for solutions? In a rousing indictment of the idea that notions of biological race should drive scientific inquiry, Sweetness in the Blood provides an ethnographic picture of biotechnology&’s framings of Type 2 diabetes risk and race and, importantly, offers a critical examination of the assumptions behind the recruitment of African American and African-descent populations for Type 2 diabetes research.James Doucet-Battle begins with a historical overview of how diabetes has been researched and framed racially over the past century, chronicling one company&’s efforts to recruit African Americans to test their new diabetes risk-score algorithm with the aim of increasing the clinical and market value of the firm&’s technology. He considers African American reticence about participation in biomedical research and examines race and health disparities in light of advances in genomic sequencing technology. Doucet-Battle concludes by emphasizing that genomic research into sub-Saharan ancestry in fact underlines the importance of analyzing gender before attempting to understand the notion of race. No disease reveals this more than Type 2 diabetes.Sweetness in the Blood challenges the notion that the best approach to understanding, managing, and curing Type 2 diabetes is through the lens of race. It also transforms how we think about sugar, filling a neglected gap between the sugar- and molasses-sweetened past of the enslaved African laborer and the high-fructose corn syrup- and corporate-fed body of the contemporary consumer-laborer.
Gichigami Hearts: Stories and Histories from Misaabekong
by Linda LeGarde GroverAward-winning author Linda LeGarde Grover interweaves family and Ojibwe history with stories from Misaabekong (the place of the giants) on Lake Superior Long before there was a Duluth, Minnesota, the massive outcropping that divides the city emerged from the ridge of gabbro rock running along the westward shore of Lake Superior. A great westward migration carried the Ojibwe people to this place, the Point of Rocks. Against this backdrop—Misaabekong, the place of the giants—the lives chronicled in Linda LeGarde Grover&’s book unfold, some in myth, some in long-ago times, some in an imagined present, and some in the author&’s family history, all with a deep and tenacious bond to the land, one another, and the Ojibwe culture.Within the larger history, Grover tells the story of her ancestors&’ arrival at the American Fur Post in far western Duluth more than two hundred years ago. Their fortunes and the family&’s future are inextricably entwined with tales of marriages to voyageurs, relocations to reservation lands, encounters with the spirits of the lake and wood creatures, the renewal of life—in myth and in art, the search for meaning in the transformations of our day is always vital. Finally, in one man&’s struggles, age-old tribulations, the intergenerational traumas of extended families and communities, and a uniquely Ojibwe appreciation for the natural and spiritual worlds converge, forging the Ojibwe worldview and will to survive as his legacy to his descendants.Blending the seen and unseen, the old and the new, the amusing and the tragic and the hauntingly familiar, this lyrical work encapsulates a way of life forever vibrant at the Point of Rocks.
Architecture and Objects (Art After Nature)
by Graham HarmanThinking through object-oriented ontology—and the work of architects such as Rem Koolhaas and Zaha Hadid—to explore new concepts of the relationship between form and function Object-oriented ontology has become increasingly popular among architectural theorists and practitioners in recent years. Architecture and Objects, the first book on architecture by the founder of object-oriented ontology (OOO), deepens the exchange between architecture and philosophy, providing a new roadmap to OOO&’s influence on the language and practice of contemporary architecture and offering new conceptions of the relationship between form and function. Graham Harman opens with a critique of Heidegger, Derrida, and Deleuze, the three philosophers whose ideas have left the deepest imprint on the field, highlighting the limits of their thinking for architecture. Instead, Harman contends, architecture can employ OOO to reconsider traditional notions of form and function that emphasize their relational characteristics—form with a building&’s visual style, function with its stated purpose—and constrain architecture&’s possibilities through literalism. Harman challenges these understandings by proposing de-relationalized versions of both (zero-form and zero-function) that together provide a convincing rejoinder to Immanuel Kant&’s dismissal of architecture as &“impure.&”Through critical engagement with the writings of Peter Eisenman and fresh assessments of buildings by Rem Koolhaas, Frank Gehry, and Zaha Hadid, Architecture and Objects forwards a bold vision of architecture. Overcoming the difficult task of &“zeroing&” function, Harman concludes, would place architecture at the forefront of a necessary revitalization of exhausted aesthetic paradigms.
Honeymoons in Temporary Locations
by Ashley ShelbyEclectic, experimental, and wildly imaginative climate fictions from a familiar world hauntingly transformed Climate disaster–induced fugue states, mutinous polar bears, support groups for recently displaced millionaires, men who hear trees, and women who lose their wives on environmental refugee resettlement trips. In these dispatches from a weirding world, the absurd and fantastic are increasingly indistinguishable from reality. Exploring this liminal moment, Ashley Shelby&’s collection of climate fictions imagines a near future that is both unnervingly familiar and subversively strange. Set in the same post-climate-impact era, these stories range from playfully satirical to poignantly humane, bending traditional narrative forms and coming together into a brilliant and unusual contemplation of our changing world. Featuring the Hugo-nominated novelette &“Muri,&” Honeymoons in Temporary Locations processes the unthinkable through riotous inventions like guided tours of submerged cities, Craigslist ads placed by climate refugees, and cynical pharmaceutical efforts to market a drug to treat solastalgia, the existential distress caused by environmental change. Shelby reengineers the dystopic bleakness that characterizes so much climate fiction by embracing an eclectic experimentalism leavened with humor, irony, and the inevitable bathos that characterizes the human experience. Unexpected and clever, this innovative collection confirms her status as a visionary writer whose work expands the forms, attitudes, and possibilities of climate fiction.
Curiosity Studies: A New Ecology of Knowledge
by Perry Zurn Arjun ShankarThe first English-language collection to establish curiosity studies as a unique field From science and technology to business and education, curiosity is often taken for granted as an unquestioned good. And yet, few people can define curiosity. Curiosity Studies marshals scholars from more than a dozen fields not only to define curiosity but also to grapple with its ethics as well as its role in technological advancement and global citizenship. While intriguing research on curiosity has occurred in numerous disciplines for decades, no rigorously cross-disciplinary study has existed—until now. Curiosity Studies stages an interdisciplinary conversation about what curiosity is and what resources it holds for human and ecological flourishing. These engaging essays are integrated into four clusters: scientific inquiry, educational practice, social relations, and transformative power. By exploring curiosity through the practice of scientific inquiry, the contours of human learning, the stakes of social difference, and the potential of radical imagination, these clusters focus and reinvigorate the study of this universal but slippery phenomenon: the desire to know. Against the assumption that curiosity is neutral, this volume insists that curiosity has a history and a political import and requires precision to define and operationalize. As various fields deepen its analysis, a new ecosystem for knowledge production can flourish, driven by real-world problems and a commitment to solve them in collaboration. By paying particular attention to pedagogy throughout, Curiosity Studies equips us to live critically and creatively in what might be called our new Age of Curiosity.Contributors: Danielle S. Bassett, U of Pennsylvania; Barbara M. Benedict, Trinity College; Susan Engel, Williams College; Ellen K. Feder, American U; Kristina T. Johnson, Massachusetts Institute of Technology; Narendra Keval; Christina León, Princeton U; Tyson Lewis, U of North Texas; Amy Marvin, U of Oregon; Hilary M. Schor, U of Southern California; Seeta Sistla, Hampshire College; Heather Anne Swanson, Aarhus U.