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American Cinematographers in the Great War, 1914–1918
by James W. Castellan Ron van Dopperen Copper C. GrahamA history of American cameramen covering the news of World War I, from the dangerous front line and the risk of execution to red tape and censorship.At the start of hostilities in World War I, when the United States was still neutral, American newsreel companies and newspapers sent a new kind of journalist, the film correspondent, to Europe to record the Great War. These pioneering cameramen, accustomed to carrying the Kodaks and Graflexes of still photography, had to lug cumbersome equipment into the trenches. Facing dangerous conditions on the front, they also risked summary execution as supposed spies while navigating military red tape, censorship, and the business interests of the film and newspaper companies they represented. Based on extensive research in European and American archives, American Cinematographers in the Great War, 1914–1918 follows the adventures of these cameramen as they managed to document and film the atrocities around them in spite of enormous difficulties.“The first book to explore the work and working conditions of American cinematographers active on the different fronts of the First World War. It is a pioneering study which has already attracted a good deal of attention in the academic and archive world.” —Historical Journal of Film, Radio and Television
The Kinetoscope: A British History
by Richard Brown Barry AnthonyThe story of how the motion-picture device was developed, and its role in Victorian society and early cinema.The position of the kinetoscope in film history is central and undisputed; indicative of its importance is the detailed attention American scholars have given to examining its history. However, the Kinetoscope’s development in Britain has not been well documented and much current information about it is incomplete and out of date.This book, for the first time, presents a comprehensive account of the unauthorized and often colorful development of British kinetoscopes, using many previously unpublished sources. The commercial and technical backgrounds of the kinetoscope are looked at in detail; the style and content of the earliest British films analyzed; and the device’s place in the wider world of Victorian popular entertainment examined. In addition, a unique legal case is revealed and a number of previously unrecorded film pioneers are identified and discussed.
Making a Splash: Mermaids (and Mermen) in 20th and 21st Century Audiovisual Media
by Philip HaywardThe representation of aquatic people in contemporary film and television—from their on-screen sexuality to the mockumentaries they’ve inspired.Mermaids have been a feature of western cinema since its inception and the number of films, television series, and videos representing them has expanded exponentially since the 1980s. Making a Splash analyses texts produced within a variety of audiovisual genres. Following an overview of mermaids in western culture that draws on a range of disciplines including media studies, psychoanalysis, and post-structuralism, individual chapters provide case studies of particular engagements with the folkloric figure. From Hans Christian Andersen’s “The Little Mermaid” to the creation of Ursula, Ariel’s tentacled antagonist in Disney’s 1989 film, to aspects of mermaid vocality, physicality, agency, and sexuality in films and even representations of mermen, this work provides a definitive overview of the significance of these ancient mythical figures in 110 years of western audio-visual media.
Communications Media, Globalization, and Empire
by Oliver Boyd-BarrettAn exploration of the political economy of media, and to what extent global communications and popular entertainment continue to serve elite interests.In Communications Media, Globalization, and Empire, an international team of experts analyzes and critiques the political economy of media communications worldwide. Their analysis takes particular account of the sometimes conflicting pressures of globalization and “neo-imperialism.” The first is commonly defined as the dismantling of barriers to trade and cultural exchange and responds significantly to lobbying of the world’s largest corporations, including media corporations. The second concerns US pursuit of national security interests as response to “terrorism,” at one level and, at others, to intensifying competition among both nations and corporations for global natural resources.
The Tortoise in Asia
by Tony GreyAn intellectually thrilling novel of a Roman commander who fights alongside the Huns—and finds his mind opened to the culture and beliefs of the East. Based on a popular legend in Gansu, the far western province of China, The Tortoise in Asia recounts the exploits of Marcus, a young Roman centurion schooled in the Greek classics who, after a devastating loss in a battle with the Parthians, is taken prisoner, marched along the Silk Road, and pressed into service as a border guard on the eastern frontier. After a daring escape, Marcus has many adventures working with the Hun army as a mercenary. Throughout this harrowing journey, Marcus learns about Chinese philosophies, uncovering the startling similarities between these philosophies and those of Greece.“Tony Grey’s book shows us that the Silk Roads are an endless and magical resource in which fact and fiction merge and the imagination revels.” —Edmund Capon
Beasts of the Forest: Denizens of the Dark Woods
by Jon Hackett and Seán HarringtonAn interdisciplinary engagement with the forest and its monsters through critical readings of folklore, fiction, film, music video and animation.Within the text there are a multitude of convergent critical perspectives used to engage and explore fictional and real monsters of the forest in media and folklore. The collection features chapters from a variety of academic perspectives: film and media studies, cultural studies, queer theory, Tolkien studies, mythology and popular music are featured. Under examination are a wide range of narratives and media forms that represent, reimagine and create the werewolves, witches and weird apparitions that inhabit the forest, along with the forest as a monstrous entity in itself.Whether they be our shelter and safe-haven or the domain of malevolent spirits and sprites, forests have the capacity to horrify and threaten those that venture into them without permission. Human interference has continually threatened forests across the world, yet this threat is reversed in myth, folklore and more recent cultural forms. This collection ranges widely to analyze how forests figure in contemporary culture, as well as the wider contexts in which such representations are inserted.
Animated 'Worlds'
by Suzanne BuchanWhat do we mean by the term "animation" when we are discussing film? Is it a technique? A style? A way of seeing or experiencing "a world" that has little relation to our own lived experience of "the world"? In Animated Worlds, contributors reveal the astonishing variety of "worlds" animation confronts us with. Essays range from close film analyses to phenomenological and cognitive approaches, spectatorship, performance, literary theory, and digital aesthetics. Authors include Vivian Sobchack, Richard Weihe, Thomas Lamarre, Paul Wells, and Karin Wehn.
Beyond the Screen: Institutions, Networks, and Publics of Early Cinema
by Marta Braun, Charlie Keil, Rob King, Paul Moore and Louis PelletierThis scholarly anthology presents a new framework for understanding early cinema through its usage outside the realm of entertainment.From its earliest origins until the beginning of the twentieth century, cinema provided widespread access to remote parts of the globe and immediate reports on important events. Reaching beyond the nickelodeon theatres, cinema became part of numerous institutions, from churches and schools to department stores and charitable organizations.Then, in 1915, the Supreme Court declared moviemaking a “busines, pure and simple,” entrenching the film industry’s role as a producer of “harmless entertainment.” In Beyond the Screen, contributors shed light on how pre-1915 cinema defined itself through institutional interconnections and publics interested in science, education, religious uplift, labor organizing, and more.
Early Cinema and the "National"
by Richard Abel, Giorgio Bertellini and Rob KingEssays on “how motion pictures in the first two decades of the 20th century constructed ‘communities of nationality’ . . . recommended.” —ChoiceWhile many studies have been written on national cinemas, Early Cinema and the “National” is the first anthology to focus on the concept of national film culture from a wide methodological spectrum of interests, including not only visual and narrative forms, but also international geopolitics, exhibition and marketing practices, and pressing linkages to national imageries.The essays in this richly illustrated landmark anthology are devoted to reconsidering the nation as a framing category for writing cinema history. Many of the 34 contributors show that concepts of a national identity played a role in establishing the parameters of cinema’s early development, from technological change to discourses of stardom, from emerging genres to intertitling practices. Yet, as others attest, national meanings could often become knotty in other contexts, when concepts of nationhood were contested in relation to colonial/imperial histories and regional configurations. Early Cinema and the “National” takes stock of a formative moment in cinema history, tracing the beginnings of the process whereby nations learned to imagine themselves through moving images.
The Man Who Made Movies: W.K.L. Dickson
by Paul SpehrThe story of W.K.L. Dickson—assistant to Edison, inventor, and key figure in early cinematography: “Valuable and comprehensive.” —Communication Booknotes QuarterlyW.K.L. Dickson was Thomas Edison’s assistant in charge of the experimentation that led to the Kinetoscope and Kinetograph—the first commercially successful moving image machines. In 1891–1892, he established what we know today as the 35mm format. Dickson also designed the Black Maria film studio and facilities to develop and print film, and supervised production of more than one hundred films for Edison.After leaving Edison, he became a founding member of the American Mutoscope Company, which later became the American Mutoscope & Biograph, then Biograph. In 1897, he went to England to set up the European branch of the company. Over the course of his career, Dickson made between five hundred and seven hundred films, which are studied today by scholars of the early cinema. This well-illustrated book offers a window onto early film history from the perspective of Dickson’s own oeuvre.
William James in Focus: Willing to Believe (American Philosophy)
by William J. Gavin“A bold and provocative introduction to James’s philosophy that will be of interest to many scholars of American philosophy.” —Transactions of the Charles S. Peirce SocietyWilliam James (1842–1910) is a canonical figure of American pragmatism. Trained as a medical doctor, James was more engaged by psychology and philosophy and wrote a foundational text, Pragmatism, for this characteristically American way of thinking. Distilling the main currents of James’s thought, William J. Gavin focuses on “latent” and “manifest” ideas in James to disclose the notion of “will to believe,” which courses through his work. For students who may be approaching James for the first time and for specialists who may not know James as deeply as they wish, Gavin provides a clear path to understanding James’s philosophy even as he embraces James’s complications and hesitations.“A concise and mostly effective sketch of James’ arc of thought, in which the theme of the impressive and engaging nature of James’ philosophical ‘outline’ is expressly tackled.” —Notre Dame Philosophical Reviews“Gavin’s book is meta-continuous, operating at more than one level at a time. Our responsibility is to take James seriously, and Gavin provides cogent reasons for doing so. William J. Gavin’s work continues to warrant the title ‘Jamesian.’” —The Pluralist“This praiseworthy volume presents a viewpoint on James that brings the novice reader into conversation and reminds the more experienced reader of the big-picture of James, of the zest and novelty of his vision.” —William James Studies
Trapped in Iran: A Mother's Desperate Journey to Freedom
by Kaylene Petersen Samieh HezariAn Iranian woman’s memoir of returning to Iran with her daughter, only to face challenges leaving with custody of her child.In 2009, Samieh Hezari made a terrible mistake. She flew from her adopted home of Ireland to her birthplace in Iran so her fourteen-month-old daughter, Rojha, could be introduced to the child’s father. When the violent and unstable father refused to allow his daughter to leave and demanded that Samieh renew their relationship, a two-week holiday became a desperate five-year battle to get her daughter out of Iran. If Samieh could not do so before Rojha turned seven, the father could take sole custody—forever. The father’s harassment and threats intensified, eventually resulting in an allegation of adultery that was punishable by stoning, but Samieh—a single mother trapped in a country she saw as restricting the freedom and future of her daughter—never gave up, gaining inspiration from other Iranian women facing similar situations. As both the trial for adultery and her daughter’s seventh birthday loomed the Irish government was unable to help, leaving Samieh to attempt multiple illegal escapes in an unforgettable, epic journey to freedom. Trapped in Iran is the harrowing and emotionally gripping story of how a mother defied a man and a country to win freedom for her daughter.
Nation of Cowards: Black Activism in Barack Obama's Post-Racial America (Blacks in the Diaspora)
by Martell Lee Teasley David H. IkardAn argument for intense and organized activism from the African American community to generate discussion on race in the United States.In a speech from which Nation of Cowards derives its title, Attorney General Eric Holder argued forcefully that Americans today need to talk more—not less—about racism. This appeal for candid talk about race exposes the paradox of Barack Obama’s historic rise to the US presidency and the ever-increasing social and economic instability of African American communities. David H. Ikard and Martell Lee Teasley maintain that such a conversation can take place only with passionate and organized pressure from Black Americans, and that neither Obama nor any political figure is likely to be in the forefront of addressing issues of racial inequality and injustice. The authors caution Blacks not to slip into an accommodating and self-defeating “post-racial” political posture, settling for the symbolic capital of a Black president instead of demanding structural change. They urge the Black community to challenge the social terms on which it copes with oppression, including acts of self-imposed victimization.“A clarion call to our nation’s conscience. Free from overly academic jargon, but full of powerful wordplay and brilliant juxtapositions, this book is a fascinating tour de force from start to finish. Those seeking a clear and concise explanation of the state of African America and the ongoing need for a “black agenda” during—and even after—the administration of the first African American president need look no further.” —Reiland Rabaka, author of The Hip Hop Movement and Du Bois: A Critical Introduction“Nation of Cowards offers an analysis of the Obama administration is as thorough as it is compact. Here are the hard questions that must be asked of the first black presidency and an insightful draft of how history may regard it. Ikard and Teasley are well ahead of that curve.” —Jelani Cobb, author of The Substance of Hope:Barack Obama & the Paradox of Progress
Anatomy of a Killing: Life and Death on a Divided Island
by Ian Cobain&“A concise and gripping history of the Troubles, revealing the people behind the pain and violence&” from the award-winning investigative journalist (Vice).On the morning of Saturday 22nd April 1978, members of an Active Service Unit of the IRA hijacked a car and crossed the countryside to the town of Lisburn. Within an hour, they had killed an off-duty policeman in front of his young son.In Anatomy of a Killing, award-winning journalist Ian Cobain documents the hours leading up to the killing, and the months and years of violence, attrition and rebellion surrounding it. Drawing on interviews with those most closely involved, as well as court files, police notes, military intelligence reports, IRA strategy papers, memoirs and government records, this is a unique perspective on the Troubles, and a revelatory work of investigative journalism.&“As gripping as a thriller, except that this isn&’t fiction but cold, spine-tingling reality.&” —Daily Mail &“A remarkable piece of forensic journalism.&” —Ed Moloney, author of Voices from the Grave&“Reads like a work of fiction . . . True and harrowing.&” —Irish Sunday Independent (Books of the Year)</
My Father's Letters: Correspondence from the Soviet Gulag
by MemorialA profoundly moving and historical record—letters sent by sixteen fathers imprisoned in the Gulag camps to their children during the 1930s–1950s.&“They will live as human beings and die as human beings; and in this alone lies man&’s eternal and bitter victory over all the grandiose and inhuman forces that ever have been or will be.&” —Vasily Grossman, Life and FateBetween the 1930s and 1950s, millions of people were sent to the Gulag in the Soviet Union. My Father&’s Letters tells the stories of sixteen men—mostly members of the intelligentsia, and loyal Soviet subjects—who were imprisoned in the Gulag camps, through the letters they sent back to their wives and children. Here are letters illustrated by fathers keen to educate their children in science and natural history; the tragic missives of a former military man convinced that the terrible mistake of his arrest will be rectified; the &“letter&” stitched on a bedsheet with a fishbone and smuggled out of a maximum security camp. My Father&’s Letters is an immediate source of life in prison during Stalin&’s Great Terror. Almost none of the men writing these letters survived.&“My Father&’s Letters is well presented and deeply moving. The translation is fluent and all the necessary background information is clearly provided. Some passages conjure up the life of an individual family—and of an entire culture—with heart-breaking vividness.&” —Robert Chandler &“Astoundingly, these stories are not miserable. Yes, the men mention their inadequate shelter, clothing and food, but the overwhelming impact is the expression of their love for their families . . . My Father&’s Letters is beautifully produced.&” —Vin Arthey, Scotsman
The Essential Dewey: Ethics, Logic, Psychology (The Essential Dewey #2)
by Larry A. Hickman and Thomas M. AlexanderThe second half of the insightful anthology of essays and book chapters from the American technical philosopher.In addition to being one of the greatest technical philosophers of the twentieth century, John Dewey (1859–1952) was an educational innovator, a Progressive Era reformer, and one of America’s last great public intellectuals. Dewey’s insights into the problems of public education, immigration, the prospects for democratic government, and the relation of religious faith to science are as fresh today as when they were first published. His penetrating treatments of the nature and function of philosophy, the ethical and aesthetic dimensions of life, and the role of inquiry in human experience are of increasing relevance at the turn of the twenty-first century.Based on the award-winning thirty-seven-volume critical edition of Dewey’s work, The Essential Dewey presents for the first time a collection of Dewey’s writings that is both manageable and comprehensive. The volume includes essays and book chapters that exhibit Dewey’s intellectual development over time; the selection represents his mature thinking on every major issue to which he turned his attention. Eleven part divisions cover: Dewey in Context; Reconstructing Philosophy; Evolutionary Naturalism; Pragmatic Metaphysics; Habit, Conduct, and Language; Meaning, Truth, and Inquiry; Valuation and Ethics; The Aims of Education; The Individual, the Community, and Democracy; Pragmatism and Culture: Science and Technology, Art and Religion; and Interpretations and Critiques. Taken as a whole, this collection provides unique access to Dewey’s understanding of the problems and prospects of human existence and of the philosophical enterprise.“In the course of his long life, Dewey wrote and published on myriad topics: certainly, and perhaps most importantly to him, on public education, but also—and extensively—on technical philosophy, including metaphysics, epistemology, logic, aesthetics, religion, science, ethics, and social philosophy. And though neglected by academic philosophers for a time, Dewey’s pragmatic orientation has recently proved influential in the thought of Quine, Putnam, and Rorty, among others. This two-volume collection of essays and book chapters, culled from an earlier 37-volume critical edition of his works, provides for the first time a publication of his writings that is both manageable and comprehensive.” —Library Journal
The Roderick Alleyn Mysteries Volume 3: Death in a White Tie, Overture to Death, Death at the Bar (Roderick Alleyn)
by Ngaio MarshThree witty novels by &“the finest writer in the English language of the pure, classical puzzle whodunnit&” (The Sun). This volume includes three books in the Golden Age detective series from the Mystery Writers of America Grand Master: Death in a White Tie: A high-society homicide is the talk of the London season: &“Marsh&’s writing is a pleasure.&” —The Seattle Times Overture to Death: In a Dorset village, a snobby local busybody is silenced for good in this tale by &“a peerless practitioner of the slightly surreal, English-village comedy-mystery&” (Kirkus Reviews). Death at the Bar: A famous barrister is enjoying a pint at the pub—until a dart becomes a deadly weapon . . . &“In her ironic and witty hands the mystery novel can be civilized literature.&” —The New York Times
This Golden Fleece: A Journey Through Britain's Knitted History
by Esther Rutter&“A book about wool and sheep, the making of Scotland, England and farming, textile manufacture, folklore and, crucially, the essential craft of knitting.&” —Janice Galloway, author of Jellyfish Over the course of a year, Esther Rutter—who grew up on a sheep farm in Suffolk, and learned to spin, weave and knit as a child—travels the length of the British Isles, to tell the story of wool&’s long history here. She unearths fascinating histories of communities whose lives were shaped by wool, from the mill workers of the Border countries, to the English market towns built on profits of the wool trade, and the Highland communities cleared for sheep farming; and finds tradition and innovation intermingling in today&’s knitwear industries. Along the way, she explores wool&’s rich culture by knitting and crafting culturally significant garments from our history—among them gloves, a scarf, a baby blanket, socks and a fisherman&’s jumper—reminding us of the value of craft and our intimate relationship with wool.This Golden Fleece is at once a meditation on the craft and history of knitting, and a fascinating exploration of wool&’s influence on our landscape, history and culture. &“Wondrous.&” —BBC Countryfile &“A yarn well told.&” —The Irish Times &“A compelling literary journey through the social history of wool in the British Isles.&” —Karen Lloyd, author of The Gathering Tide &“[Rutter&’s] stops on her journey around Britain also knit together the past and the present, the social, historical and the personal, in an altogether engaging way.&” —Books from Scotland
Women's Songs from West Africa
by Thomas A. Hale and Aissata G. SidikouExploring the origins, organization, subject matter, and performance contexts of singers and singing, Women's Songs from West Africa expands our understanding of the world of women in West Africa and their complex and subtle roles as verbal artists. Covering Côte d'Ivoire, the Gambia, Mali, Niger, Nigeria, Senegal, and beyond, the essays attest to the importance of women's contributions to the most widespread form of verbal art in Africa.
Jewish Masculinities: German Jews, Gender, and History
by Benjamin Maria Baader, Sharon Gillerman, and Paul LernerStudies exploring the history of the German-Jewish male identity from the sixteenth to twentieth centuries, across a myriad of societal occupations.Stereotyped as delicate and feeble intellectuals, Jewish men in German-speaking lands in fact developed a rich and complex spectrum of male norms, models, and behaviors. Jewish Masculinities explores conceptions and experiences of masculinity among Jews in Germany from the sixteenth through the late twentieth century as well as emigrants to North America, Palestine, and Israel. The volume examines the different worlds of students, businessmen, mohels, ritual slaughterers, rabbis, performers, and others, shedding new light on the challenge for Jewish men of balancing German citizenship and cultural affiliation with Jewish communal solidarity, religious practice, and identity.“A valuable addition to the growing field of Jewish gender history.” —Derek Penslar, University of Toronto“[This book] assembles innovative, vivid, and inspiring inquiries into the intersection of Jewish history, German history, and gender history. By focusing on the male side of Jewish gender history . . . [this] book establishes a new field, profiting from a broad range of never (or rarely) before used primary sources, such as memoirs, letters, interviews, and obscure tabloids.” —German Studies Review, May 2014“[A]n excellent introduction to the Zionist remasculinization of the Jewish male.” —H-Judaic, February 2015“[I]nsightful, innovative and largely entertaining. . . . [T]his volume makes a very valuable and original contribution to German-Jewish history.” —German History“Historians of central Europe will be enriched by the interrogations of “theory” along with excavations of little-known yet critical avenues of Jewish history in this excellent volume.” —Central European History
Pedagogy: The Question of Impersonation
by Jane GallopIn this anthology, teachers and scholars examine the ways in which teaching is a performance that incorporates acts of impersonation.Drawn from a conference on classroom dynamics, this anthology explores both the personal and performative aspects of teacher-student relationships. After David Crane’s prefatory “postscript,” George Otte recommends that students pretend, writing from various perspectives; Indira Karamcheti suggests putting on race as one can put on gender roles. Cheryl Johnson gets personal by playing the “trickster,” and Chris Amirault explores the relationship between the teacher and “the good student.”While Karamcheti, Gallop, and Lynne Joyrich use theatrical vehicles to structure their essays, Joseph Litvak, Arthur W. Frank, and Naomi Scheman incorporate performance as examples. Madeleine R. Grumet theorizes pedagogy, while Roger I. Simon suggests that pedagogical roles can be taken on and off at will; Gregory Jay discusses the ethical side of impersonation; and Susan Miller denounces “the personal” as a sham.
Neil Young and the Poetics of Energy
by William Echard“This book uniquely and successfully sustains a cohesive analysis of the work, career, and reception of a single artist . . . Neil Young.” —Daniel Cavicchi, author of Tramps Like UsAs a writer in Wired magazine puts it, Neil Young is a “folk-country-grunge dinosaur [who has been] reborn (again) as an Internet-friendly, biodiesel-driven, multimedia machine.” In Neil Young and the Poetics of Energy, William Echard stages an encounter between Young’s challenging and ever-changing work and current theories of musical meaning—an encounter from which both emerge transformed.Echard roots his discussion in an extensive review of writings from the rock press as well as his own engagement as a fan and critical theorist. How is it that Neil Young is both a perpetual outsider and critic of rock culture, and also one of its most central icons? And what are the unique properties that have lent his work such expressive force? Echard delves into concepts of musical persona, space, and energy, and in the process illuminates the complex interplay between experience, musical sound, social actors, genres, styles, and traditions.Readers interested primarily in Neil Young, or rock music in general, will find a new way to think and talk about the subject, and readers interested primarily in musical or cultural theory will find a new way to articulate and apply some of the most exciting current perspectives on meaning, music, and subjectivity.“A fascinating and unique reading of Neil Young’s music.” —Literary Review of Canada“[An] intriguing, elegantly written analysis of Young . . . Exemplifies the fruitful union of musicology and cultural studies.” —Cotten Seiler, Dickinson College
A Dark History of Modern Philosophy (Studies in Continental Thought)
by Bernard FreydbergThis provocative reassessment of modern philosophy explores its nonrational dimensions and connection to ancient mysteries.Delving beneath the principal discourses of philosophyfrom Descartes through Kant, Bernard Freydberg plumbs the previously concealed dark forces that ignite the inner power of modern thought. He contends that reason itself issues from an implicit and unconscious suppression of the nonrational. Even the modern philosophical concerns of nature and limits are undergirded by a dark side that dwells in them and makes them possible.Freydberg traces these dark sources to the poetry of Hesiod, the fragments of Heraclitus and Parmenides, and the Platonic dialogues and claims that they rear their heads again in the work of Spinoza, Schelling, and Nietzsche. Freydberg does not set forth a critique of modern philosophy but explores its intrinsic continuity with its ancient roots.
The Roderick Alleyn Mysteries Volume 2: Death in Ecstasy, Vintage Murder, Artists in Crime (Roderick Alleyn)
by Ngaio MarshThree compelling tales of crime featuring the sharp-witted British police detective: &“Any Ngaio Marsh story is certain to be Grade A.&” —The New York Times This volume includes three books in the classic detective series from the Mystery Writers of America Grand Master: Death in Ecstasy: Tainted wine sends a member of a religious sect to meet her maker in a witty mystery marked by &“quiet, intelligent deduction&” (Kirkus Reviews). Vintage Murder: Inspector Alleyn is enjoying his trip to New Zealand—until intrigue among his fellow travelers turns deadly . . . Artists in Crime: An artists&’ model is murdered—and among the suspects is a new woman in Inspector Alleyn&’s life—in this &“first-rate&” detective story (Kirkus Reviews).
New Voices in Arab Cinema
by Roy ArmesNew Voices in Arab Cinema focuses on contemporary filmmaking since the 1980s, but also considers the longer history of Arab cinema. Taking into consideration film from the Middle East and North Africa and giving a special nod to films produced since the Arab Spring and the Syrian crisis, Roy Armes explores themes such as modes of production, national cinemas, the role of the state and private industry on film, international developments in film, key filmmakers, and the validity of current notions like globalization, migration and immigration, and exile. This landmark book offers both a coherent, historical overview and an in-depth critical analysis of Arab filmmaking.